Anaïs Nin, from a novel titled "A Spy in the House of Love," published in 1954
one of the reasons i think we have the bolter on TTPD is because she hates matty for being the who ran away. she’s always been the bolter, but he turned it around and didn’t give her the chance to do that because he left her before she even realized the fucked up game he was playing with her.
i want to get a master's degree i want to take a cake decorating class i want to dance i want to sing i want to write and remember how to think i want to swim i want to be free
@robertzombie/right where you left me - taylor swift/unknown/unknown/unknown/stoned at the nail salon - lorde/@firstfullmoon/changes - cam/langston hughes/unknown/unknown/right where you left me - taylor swift/@nobodysflower
sylvia plath feeding blueberries to a deer (1959)
it's made me bitter and horrible, which is fine
you’re all ‘ohh i love hole’ but now when i’m about to throw you in this bottomless pit (which is a form of hole btw) you’re all ‘please spare me’ fucking hypocrite
- now i have to remember you for longer then i’ve known you
@chloeinletters/ right where you left me- taylor swift/ eternal sunshine of the spotless mind (2004)/ now that we don’t talk- taylor swift/ @extrasad/ all too well (10 minute version)/ c.c. aurel/ waiting room- phoebe bridgers
girls who are doomed by the narrative!! girls who have been dead since the beginning. girls who are dragged into death not kicking and screaming but clinging on to the brink until their fingers ache with the weight of the years they’ve stolen. girls who’s every last words are already etched on the stone of an open and waiting grave.
20s | she/her | just a sideblog to use as diary quero viver pra sempre e também morrer amanhã
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