I Hate How In Character Aziraphales Decision In The Finale Was. Like I Wish I Could Believe The Coffee

I hate how in character Aziraphales decision in the finale was. Like I wish I could believe the coffee theory or say that the writing was out of character but it wasn’t. Aziraphale has never gotten over the good vs evil heaven vs hell black and white morality thing and that’s shown throughout the series. It hurts so much more because he really would make that decision.

More Posts from Caramel-lita and Others

2 months ago

“i see a man who makes it home alive but its no longer you” jack-ianto in children of earth - or whatever


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1 year ago

Aziraphale was not miracled by the coffee you guys. He legit thinks he’s doing the right thing. That’s what makes it so sad.

He wants to go with Crowley but he can’t because the opportunity to fix everything is too important and how does Crowley not understand??? Why won’t he just COME WITH ME TO FIX EVERYTHING!???

Then Crowley kisses him and that just completely shatters him because he can’t go with him. In his eyes, he can’t pass up this chance no matter how much he doesn’t want to hurt Crowley. “I forgive you” for not coming to fix things with me. And Crowley knows the moment he says that he’s not going to change his mind and says “don’t bother”. Don’t bother forgiving me, don’t bother explaining why you won’t come with me. Just don’t bother. I’m done trying to convince you.

Perfectly in character. Horribly tragic. Poetic cinema.

Torn between duty and love. One chooses love, one chooses duty.

Classic.

2 weeks ago

I think part of the problem of modern storytelling is there has been a shift from character focus to message focus.

It's Doctor Who saying "look the evil alt right podcaster has trapped everyone in a weird heteronormative wish world that's baaaaaad uhb we don't know how to resolve it satisfyingly" vs "Rose dragged along a guy she thought cute and he turned out to be a jerk and used time travel to gain access to future secrets and we see her and the Doctor react to that in a way thar shows us more about their character." It's "the Beatles are here kind of as a backdrop to our drag queen villain isn't that fun woo musical number" vs "let's tell a touching story about Vincent van Gogh's depression and relate that to what our characters are currently going through."

And its not just Doctor Who--it's pervasive. It's "let's tell a character focused story of Anakin Skywalker's fall to the darkness and the love around him that wasn't enough" vs "Star Wars is GAY and look at her BLEED her LIGHTSABER." It's "Here's a 19 year old who lost her parents and has to raise her difficult sister, let's see her motivations and love for her sister" vs "Nani is doing the Right Thing for Herself because going to College is Girlboss!"

And this isn't the first time the focus of storytelling has shifted--before it was character focused, we had concept focus. Doctor Who exploring Roman times or a realm made of stories, where characters carry the plot, but aren't the focus of episodes. Episode IV of star wars was certainly a conceptual idea more than character focused, exploring the world and building it as you go. Old Disney like Snow White explored the concept of retelling a fairytale in animation.

I just think that unfortunately the focus of mainstream stories is not to explore a concept, or interesting characters, but to push a message.


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the funniest part is that older shows and movies still had deep messages even if the focus was on character or concept humans create media based on human experience there will always be a piece of the creator's personality; beliefs; culture; society; etc. that will slip into the art ultimately these little elements become meaning snow white may be focused on retelling a folk tale in another medium but it still has a message about remaining positive in times of hardship it may not have been the main focus but it managed to become an important part of the film without being forceful and it was certainly important to the people who watched it in cinemas. they were struggling with the effects of the great depression. themes and morals have typically been interwoven into storytelling in an organic way that's why when a show tries to shove a lesson or agenda in the viewer's faces regardless of whether the message is considered valuable or not it will always feel like the creators dont trust the audience to derive meaning from the media by themselves when you spoonfeed the message you take the joy out of engaging with the media and when spoonfeeding comes hand in hand with sacrificing elemwnts of cohesive storytelling then you're taking the “story” out of the “storytelling” and if the concern is with imparting more specific themes instead of general ones so many older stories do so without sacrificing other elements allegory for misogyny? handmaid's tale girlboss follow your dreams? legally blonde! ultimately storytelling cannot function if you focus on the message and consequently neglect other elements of the plot but there will always be a message organically woven into a story even if you focus on characters or concepts more and even if you don't prioritize the message at all
3 weeks ago
I'm Actually Proud Of This. If Tedesco Vapes He Probably Drinks Too

I'm actually proud of this. If Tedesco vapes he probably drinks too

1 year ago
The Sea Is Filled With Jerks.
The Sea Is Filled With Jerks.
The Sea Is Filled With Jerks.
The Sea Is Filled With Jerks.
The Sea Is Filled With Jerks.
The Sea Is Filled With Jerks.
The Sea Is Filled With Jerks.
The Sea Is Filled With Jerks.
The Sea Is Filled With Jerks.

The sea is filled with jerks.

1 year ago

every so often im struck by the memory of one of my college professors getting very angry with our class (art history of pompeii 250) because when she excitedly detailed the ingenious roman invention of heated floors in bathhouses via hearths in small crawlspaces, we asked who was tending the fires. she said "oh, slaves i suppose. but that isnt the point". and we said that it actually very much was the point. she had just told us that in roman society there were dozens of people, maybe hundreds, who spent every day of their enslaved lives crawling in cramped, hot, smoky tunnels to light fires to warm pools of water (which they were not allowed to swim in). how could that not be the point?

she wanted us to focus on the art, on the innovation of heated plumbing, on the tiles and decorations of the bathhouses, and all we wanted to do was learn more about the people under the floors. and she didn't know anything more about that. in fact, she said she thought we were focusing too much on superfluous details.

it feels almost hokey to put too fine a point on the idea im getting at here but i will anyway: There are a lot of people who are still under the floors. all these beautiful, convenient, brilliant innovations of modern society (think fast fashion, chatgpt, uber, doordash) are still powered by people working in inhumane, untenable conditions.

the people who run these systems want you to focus on the good - who doesnt love warm water? - but if anything is going to improve or change in our lifetimes, you need to examine these things with an attentive, critical, and empathetic eye. and for fucks sake stop ordering from amazon

1 year ago

listening to the pronunciation samples wikipedia offers of different types of consonants and you know what, I don't believe some of these are actually different sounds. I think this is some audiophile shit like gold-plated cables.

1 year ago

This is your daily reminder to be kind to others. Always be kind to others. Fandoms are a safe space where people can relax and finally be themselves. Don't ruin that.

1 year ago

Speaking of linguistics, there’s one particular linguistic tick that I think clearly separates Baby Boomers from Millennials: how we reply when someone says “thank you.”

You almost never hear a Millennial say “you’re welcome.” At least not when someone thanks them. It just isn’t done. Not because Millenials are ingrates lacking all manners, but because the polite response is “No problem.” Millennials only use “you’re welcome” sarcastically when they haven’t been thanked or when something has been taken from/done to them without their consent. It’s a phrase that’s used to point out someone else’s rudeness. A Millenial would typically be fairly uncomfortable saying “you’re welcome” as an acknowledgement of genuine thanks because the phrase is only ever used disengenuously.

Baby Boomers, however, get really miffed if someone says “no problem” in response to being thanked. From their perspective, saying “no problem” means that whatever they’re thanking someone for was in fact a problem, but the other person did it anyway as a personal favor. To them “You’re welcome” is the standard polite response.

“You’re welcome” means to Millennials what “no problem” means to Baby Boomers, and vice versa.The two phrases have converse meanings to the different age sets. I’m not sure exactly where this line gets drawn, but it’s somewhere in the middle of Gen X. This is a real pain in the ass if you work in customer service because everyone thinks that everyone else is being rude when they’re really being polite in their own language.

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caramel-lita - You Are Not A Robot
You Are Not A Robot

Carmelita (19, she/they): Professional Language & Literature Nerd, Queer Entity, and Recovering Workaholic

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