That Trio Team Up Would Be Insane.

Bruce most definetly uses his evil, Pretty Man TM charms to get his way.

It's just abt Bruce watering his eyes and batting his pretty eyelashes and convincing Two-Face not to shoot some sucker at the bank heist, " you're breaking my little heart, Harv"

Clark wants an interview? He tried refusing, Alfred! The guy could outstubborn a mule.

"That's it. I'm gonna do it. He pushed me."

Alfred brings a shaky hand to his mouth, " You don't mean...Dear God..."

Bruce uses LETHAL POUT!

It was super effective!

God I love “We’re enemies, but we’ve been enemies for a long time, which is sort of like being friends.” Great trope.

I Hate How She Talks About Snow White

"People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is − because it needed that. It's an 85-year-old cartoon, and our version is a refreshing story about a young woman who has a function beyond 'Someday My Prince Will Come. "

Let me tell you a little something's about that "85-year-old cartoon," miss Zegler.

It was the first-ever cel-animated feature-length full-color film. Ever. Ever. EVER. I'm worried that you're not hearing me. This movie was Disney inventing the modern animated film. Spirited Away, Into the Spider-Verse, Tangled, you don't get to have any of these without Snow White and the Seven Dwarfs (1937.)

Speaking of what you wouldn't get without this movie, it includes anime as a genre. Not just in technique (because again, nobody animated more than shorts before this movie) but in style and story. Anime, as it is now, wouldn't exist without Osamu Tezuka, "The God of Manga," who wouldn't have pioneered anime storytelling in the 1940s without having watched and learned from Snow White and the Seven Dwarfs in the 1930s. No "weeb" culture, no Princess Mononoke, no DragonBall Z, no My Hero Academia, no Demonslayer, and no Naruto without this "85-year-old cartoon."

It was praised, not just for its technical marvels, not just for its synchronized craft of sound and action, but primarily and enduringly because people felt like the characters were real. They felt more like they were watching something true to life than they did watching silent, live-action films with real actors and actresses. They couldn't believe that an animated character could make kids wet their pants as she flees, frightened, through the forest, or grown adults cry with grieving Dwarves. Consistently.

Walt Disney Studios was built on this movie. No no; you're not understanding me. Literally, the studio in Burbank, out of which has come legends of this craft of animated filmmaking, was literally built on the incredible, odds-defying, record-breaking profits of just Snow White and the Seven Dwarfs, specifically.

Speaking of record-breaking profits, this movie is the highest-grossing animated film in history. Still. TO THIS DAY. And it was made during the Great Depression.

In fact, it made four times as much money than any other film, in any other genre, released during that time period. It was actually THE highest-grossing film of all time, in any genre, until nothing less than Gone With the Wind, herself, came along to take the throne.

It was the first-ever animated movie to be selected for the National Film Registry. Actually, it was one of the first movies, period, to ever go into the registry at all. You know what else is in the NFR? The original West Side Story, the remake of which is responsible for Rachel Ziegler's widespread fame.

Walt Disney sacrificed for this movie to be invented. Literally, he took out a mortgage on his house and screened the movie to banks for loans to finish paying for it, because everyone from the media to his own wife and brother told him he was crazy to make this movie. And you want to tell me it's just an 85-year-old cartoon that needs the most meaningless of updates, with your tender 8 years in the business?

Speaking of sacrifice, this movie employed over 750 people, and they worked immeasurable hours of overtime, and invented--literally invented--so many new techniques that are still used in filmmaking today, that Walt Disney, in a move that NO OTHER STUDIO IN HOLLYWOOD was doing in the 30's, put this in the opening credits: "My sincere appreciation to the members of my staff whose loyalty and creative endeavor made possible this production." Not the end credits, like movies love to do today as a virtue-signal. The opening credits.

It's legacy endures. Your little "85-year-old cartoon" sold more than 1 million DVD copies upon re-release. Just on its first day. The Beatles quoted Snow White in one of their songs. Legacy directors call it "the greatest film ever made." Everything from Rolling Stones to the American Film Institute call this move one of the most influential masterpieces of our culture. This movie doesn't need anything from anybody. This movie is a cultural juggernaut for America. It's a staple in the art of filmmaking--and art, in general. It is the foundation of the Walt Disney Company, of modern children's media in the West, and of modern adaptations of classical fairy tales in the West. When you think only in the base, low, mean terms of "race" and "progressivism" you start taking things that are actually worlds-away from being in your league to judge, and you relegate them to silly ignorant phrases like "85-year-old cartoon" to explain why what you're doing is somehow better.

Sit down and be humble. Who the heck are you?

X-Men #5 (2013)

written by Brian Wood art by David López, Cam Smith, & Laura Martin

The Muppets as Vines

(made buy yours truly) ;)

the brotherhood of mutants just had to accept they never going to win bc magneto is in love w their #1 enemy. prof x really cruising around in a metal wheelchair and the mutant w the ability to control metal and be like “oh well nothing we can do about him”

If we don’t get

1) America and Russia hanging out

2) THIS SHIT

In the anime???

I’m leaving the goddamn fandom. Give me my fucking RusAme content Funimation you fucking bastards

Something something about little imps being protected by their feral boyfriends ✨

Doom regarding Reed, interview excerpts from Doctor Doom writer Christopher Cantwell

I do believe Reed can psychologically torture Victor in ways that he might not even realize. Reed is Doom’s Achilles heel. Always will be. Reed will always be in his head. And Reed is smart enough to know that, so the question becomes obvious: why isn’t Reed doing more to correct that dynamic? Perhaps he knows he’s a fixture in Victor’s head and is glad to stay there and stir things up.

Doom brings Reed up whenever he can no matter what the topic of conversation is. ’Hey, I’m gonna go to Starbucks, Victor, want anything—’ ‘I would like Reed Richards’ stretchy head on a platter.’ Reed is like, ‘I’m doing these experiments and saving the world.’

I feel like Reed thinks about Victor maybe once a week. I feel like Victor wakes up and Reed’s face is the first thing he sees in his mind. At Victor’s funeral, Reed would probably be stoic and say something like ‘His was a tremendous mind’ and that would be that. At Reed’s funeral, Victor would be sobbing and wrapping himself around the casket. He would be crying louder than Sue for god’s sake.

Source: GamesRadar.com Why Doctor Doom is one of Marvel’s most interesting and enduring characters by George Marston

LOOK AT THESE AMAZING WORKS OF ARTTTT♥♥♥♥♥♥♥

Posted with permission from 青凪ミナミ , please do not remove source.

Big thanks to @maphisto86 for the link.