catradora333

Latest Posts by catradora333

Finally watching 3x01 of redemption and I loooove the Hardison and Eliot thing where Hardison will poke fun at Eliot, just generally tease him, right after Eliot’s just done this big act of violence - “there’s my special guy, how was your first day of school?” Because it’s very standard “teasing is their love language” but I think it comes from a place of Hardison poking the bear so Eliot will know his family isn’t afraid of him. Like, after Eliot knocks half a dozen people unconscious like it’s no big deal, there’s this characteristic reassurance from his family, this, “I know you’re still you.”

I like how leverage has a genius character and an autistic character but the autistic character isn't the genius character. the genius is a 22 year old black man with adhd who becomes an expert in anything you give him within 24 hours and the autistic character is a white woman who jumps off buildings for fun and once stabbed a man with a fork because he encroached on her personal space and sense of moral conduct

Hardison will be taking photos whilst Elliot growls at him and Parker is fiddling with a lock so she sits still and stops trying to steal the Bobby pins from Elliot.

any time parker has a fancy little hairdo i just imagine her sitting on the ground in front of eliot while he works on it with a mouthful of bobby pins

My favourite Eliot Spencer character trait is Friend-shaped To Children. Nate can't look at children without crying. Sophie is politely baffled at the concept of Humans Who Don't Understand Complicated Psychological Concepts Because They Are Literally 6 Years Old. Hardison has older brother energy, which is to say children are comfortable in his presence but they don't actively seek him out, unless of course to play an epic prank akin to the great tradition of Ring and Ditch or Spell ICUP. Parker will try to protect any child she can, but under-12s without autistic criminal intent don't really connect with her, unless of course they are Traumatized™.

Eliot Spencer is continuously sought out by children of all ages. Traumatized or not? Does not matter. Literally baby or cool teen? Does not matter. They will come up to him while he is glaring daggers or actively planning to murder someone and ask him to hold their hands through the security check at the airport. And you know what? He does. He holds their hand every single time.

I adore here. I’m in so much pain

just. the way that everyone wrote lilia off as some harmless unserious weirdo in the way so many older women get written off. when in fact she was an incredible brilliant badass

Please god someone save Lockwood and co

My favorite part of the Lockwood and Co. series bad to be Lucy and Lockwood’s second fight. The dialogue and the cinematography is the some of the best i’ve ever seen.

The scene where Lockwood is approaching Jessica’s door while we hear Marissa’s voiceover :-

“Denial is a very human reaction when faced with new ideas. Especially such frightening ones.”

Just the parallelism. Marissa being 100% sure that type threes exist and lucy being a 100% that she can hear type threes.

It’s implied that people called Marissa a liar when she mentioned the type three, and Lockwood didn’t believe Lucy at first when she told him.

Not because he honestly doesn’t believe her but because he’s scared of what that would mean about Jessica😭.

Also before that when they were arguing:

“You’re not Marissa Fittes”

“Why? Afraid of being Tom Rotwell? My second best”

(Book Lucy would never go that far😂)

Like it’s such an obvious set up to future seasons where we’d get more Fittes-Lucy and Rotwell-Lockwood parallels.

It makes me so sad because the first season was an amazing building block for the rest of the show and we might have gotten so many more heart wrenching and dynamic scenes like this, but instead Netflex screwed crap up. Again.

Kuroko no Basket will always have a special place in my heart, and this is one of the reasons why:

Her. Aida Riko. Everything about her makes KnB the best sports anime to me.

No, 'cuz the fact that this beloved sports anime made the coach of the main team a woman - a 17 year old girl at that - made a huge difference in the show for me. It's such a pleasure to watch Riko have just as much passion for the game as the team, for her to be such a key character in an otherwise widely male-dominated anime genre.

She makes sure to push the team to improve, doing everything in her power to make make them go past their limits (the roofrop ceremony, breaking Hyuuga's figurines, getting Mitobe to block Kagami etc), she always makes sure to get their spirits up, even if it doesn't always work out (getting them to go eat steaks, the lemon with honey slices), and she does what's best for them, even when they don't like it (pulling Kiyoshi from the Kirisaki Daiichi game, subbing the first year duo out, putting Furihata against Akashi).

Like, she's such a smart and relatable and real character??? The fact that she also gets her romance with Hyuuga, but is done so organically, and they're such good friends?? The fact that they rely on each other as coach and captain?? The fact that they founded the club together?? Plus, she is still able to have a deep friendship with Kiyoshi with no romantic tension or friction between the three of them?? It shouldn't be this refreshing to see a female character like this, but it is, which is what makes Riko so amazing.

And she's not the only one.

Momoi is also such a great female character that you rarely see in these shows. Yes, she's the feminine manager of an enemy team, but she's just as much part of the Generation of Miracles friend group as the others are, despite not being a player. The fact that she gathers information about their opponents and comes up with strategies to highlight her team's strengths and shut down the enemies is incredible. She also has a crush on the main character that is obviously unrequited, yet it's handled so gracefully?? She is who she is despite her feelings for Kuroko, and I love that for her, because instead of following Kuroko to Seirin, she chose to stay with Aomine. Her loyalty to her childhood friend is so strong and so pure that she never gave up hope that Aomine would find his love for basketball again. That he'd smile again– that she'd get her old friends back.

Truly amazing.

And an honorary mention goes to another female character whom I wanted to see more of:

"Kagami was written by a woman," yes, because Alex Garcia made Kagami, bitch. That's her son you're talking about. Alex being the one who taught Kagami basketball is so badass of her. She's Mother.

Let's hear if for the female characters of Kuroko no Basket!!! The rest of the sports anime world could never!!!

Your honour I LOVE THEM

The deleted towel scene from the show won’t leave my head

it’s just so…Them

Lucy, standing there awkwardly, in a towel, in a house she moved into a week ago, in front of two strange teenage boys she met a week ago, staring at her boss who is wearing actual pajamas and not just the pants like the last time she saw him in his pjs, and she’s SINCERELY telling him ‘nice pajamas’

Lockwood, in his pajamas, staring at his newest employee who is a strange teenage girl he met a week ago and has already fallen in love with, who burned down a house two days ago, who just got out of the shower and is wearing nothing but a towel, and he’s complimenting her on the towel she’s wearing which is HIS TOWEL, he complimented her on his OWN DAMN TOWEL, and immediately begging for death to take him on the spot

and George, who was stress cleaning and is now just watching these two idiots play hot potato with the braincell

Anthony Lockwood my beloved

One of the things I love most about Lockwood is that he is the textbook example of the "one who is scared to love" but instead of being extremely cold and callous all the time like your normal tragic backstory male mc, he can't stop himself from loving.

The thing is, we know he tries. (See THB). He tries to keep everyone at a distance, tries to be cold and calculating, but he can't do it. He wants to be Sherlock Holmes, highly functioning sociopath, but he can't do it.

And it shows up in the smallest ways: how immediately understanding he is of Lucy when she doesn't want to explain what happened at Jacobs' even though he is interviewing her for a job. How he stood up for the bratty nightwatch kid when Ned was bullying him, simply because he didn't like watching someone smaller get picked on. Or when he mercifully changed the bet with Kipps, because at the end of the day it was a petty bet to begin with, and they had just been through so much together, and honestly it didn't matter anymore. There was no reason to humilate anyone. How he will always protect another agent, even if they are Fittes. Heck, he even stands up for the Fittes' agents, saying "they're just kids like us." It's the adults he has beef with.

Lucy mentions that any news of a death by ghost-touch weighs on Lockwood. He is incredibly patient with Danny Skinner and perturbed that a kid this young is in his living room alone.

All three of them think of Lucy as the one with the bleeding heart. She's a Listener, a feeler, the one who is most affected by the past suffering of the ghosts. But that's for the dead.

Lockwood is a bleeding heart for the living. He tries not to be. He hates it. Because caring means risking hurt. Caring means you can lose what you care about. But for as hard as he tries to pretend he doesn't, for as good as he is at acting like nothing can phase him, it does.

Lockwood is scared of loving. But he can't stop.

Lockwood and co I will avenge you. Tis the season

Studios are so obsessed with trying to find the next cash cow that they will kill the calf before it's weaned from its mothers milk.

I’ve given up hope

if i had a nickel for every time netflix released a show about a diverse group of teenagers who become a found family while dealing with ghostly shenanigans that received critical acclaim and developed a passionate and loyal fanbase in spite of little promotion only to unceremoniously cancel it after one season for nonspecific reasons, i would have

four

goddamn

nickels

bitches will be like “this is my comfort show” and its a show where the characters have never felt a day of comfort in their lives (its me im bitches)

I’ve seen some people complaining about Channing Tatum/his accent in Deadpool & Wolverine, and I just want to set a few things straight.

Channing has been on the docket to play Gambit since 2005, but each and every time, the character was cut from the script, he had a prior contract, or the director kept getting replaced until the project was scrapped 4 years later with the Fox/Disney merger.

He has family in Louisiana and grew up in the bayous (albeit in rural Alabama). This character has meant something to him since CHILDHOOD when it comes to representation in media.

Gambit doesn’t speak SAE (Standard American English). He’s a street urchin from Acadia/New Orleans. He grew up speaking Cajun (a mix of Southern American, Canadian French, and España Spanish grammar applied to a mostly English vocabulary) and Louisiana French (an offshoot of Canadian French from Acadians).

Every person I’ve seen online who ACTUALLY GREW UP around people who speak Cajun, Creole, and/or Louisiana French has said that his accent is SPOT ON, maybe even a little too clear.

All this to say: if you can’t understand Gambit in Deadpool & Wolverine, you’re not supposed to. That’s the bit: unless you’re used to those dialects and accents, you’re shit outta luck trying to parse it out without help. Hell, even Rogue, who grew up in the South, doesn’t know what he’s saying half the time.

nah since marvel is trending again I’m going to say it again louder for the people in back — canon steve rogers would never have chosen an “idyllic 1950s white pickett fence life” because the only place that man belonged was a picket LINE. the whole point of his character was that his work was never done. there was always going to be another oppressor, another bully, another person who takes advantage of the underprivileged for him to stand up to. from the moment he gained consciousness he, a chronically ill son of a working class mother living below the poverty line, used his voice and his body to protect & fight for what he believed in. I’m not sure there was ever a time pre-super soldier serum where he didn’t have a black eye. he could put the shield down all he wanted but he could never retire from being steve rogers — someone who never once turned a blind eye, who never once wanted a “reward” for his work, who never once abandoned his friends. this isn’t up for debate. this is almost a century of comic book & film/animated precedent. he may have been a man out of time, but in his words “it’s tempting to want to live in the past. it’s familiar, it’s comfortable. but it’s where fossils come from”

God damn it I was slowly moving on from Lockwood and co. The pain is back again 😭😭

One of the things I love most about Lockwood is that he is the textbook example of the "one who is scared to love" but instead of being extremely cold and callous all the time like your normal tragic backstory male mc, he can't stop himself from loving.

The thing is, we know he tries. (See THB). He tries to keep everyone at a distance, tries to be cold and calculating, but he can't do it. He wants to be Sherlock Holmes, highly functioning sociopath, but he can't do it.

And it shows up in the smallest ways: how immediately understanding he is of Lucy when she doesn't want to explain what happened at Jacobs' even though he is interviewing her for a job. How he stood up for the bratty nightwatch kid when Ned was bullying him, simply because he didn't like watching someone smaller get picked on. Or when he mercifully changed the bet with Kipps, because at the end of the day it was a petty bet to begin with, and they had just been through so much together, and honestly it didn't matter anymore. There was no reason to humilate anyone. How he will always protect another agent, even if they are Fittes. Heck, he even stands up for the Fittes' agents, saying "they're just kids like us." It's the adults he has beef with.

Lucy mentions that any news of a death by ghost-touch weighs on Lockwood. He is incredibly patient with Danny Skinner and perturbed that a kid this young is in his living room alone.

All three of them think of Lucy as the one with the bleeding heart. She's a Listener, a feeler, the one who is most affected by the past suffering of the ghosts. But that's for the dead.

Lockwood is a bleeding heart for the living. He tries not to be. He hates it. Because caring means risking hurt. Caring means you can lose what you care about. But for as hard as he tries to pretend he doesn't, for as good as he is at acting like nothing can phase him, it does.

Lockwood is scared of loving. But he can't stop.

I love them 🥹

ot3parallels:→(parker & eliot’s cute handshakes with hardison) 11/∞

I'm so tired, I'm so so tired.

Watching TV shows has become the most tiring thing in this dystopian, late-stage capitalistic hellscape.

It doesn't matter how much we love those shows, how much we talk about them, how much we promote it online. Big streaming services will just cancel them on a Friday night and then let them slowly fall into oblivion. If by SOME MIRACLE the show doesn't get cancelled after the first season, it'll just decline over the years, some crazy writer will cook up a poorly written plot, or they'll just lose interest in the project and then leave the fans in the trenches.

Big corporate streaming services just think that views are gonna materialize out of thin air??? They barely promote their new shows and they DEMAND high views just to let them keep going? It's THEIR JOB to promote shows, but obviously they couldn't care less, they only care about money, and they leave the promoting job to the fans which is batshit insane if you ask me.

Streaming services were supposed to be the solution, the chosen one if you will, but they turned out to be the villains.

Owning a movie or a show is now absolutely impossible because God forbid they release DVDs anymore. Streaming services will just randomly DELETE their cancelled shows and movies from their platforms. Fans are now supposed to be PR teams for Netflix, HBO, Prime and whatever other stupid streaming apps out there because they couldn't be bothered to,,, idk,,, do their job and promote their own shows!? They're literally acting like villains.

It feels dystopic really.

I know I probably sound like a person yelling at a cloud but it's starting to become exhausting.

And I know that there are far worse things out there, that there are more important matters to focus on, but I'm so tired.

They're killing art. There are so many people out there that put all their love and all their passion and skills into creating amazing shows that SO MANY other people love and they feel represented by, but they don't care.

This is literally my last straw.

They're killing art with their greed.

I love all of this 😭

finally made rwby meme slides. after like a literal fucking decade

🥲this is giving many feelings.

God I wish we had this more in the films

thinking about the sully siblings and how Spider was smaller than them physically, but he was still their big brother, and the pure shenanigans it must cause.

like. they're so much bigger than him, but they no doubt still act like they're little compared to their brother at times.

like you want to tell me they don't hide behind him or lean over so they can rest their head on his shoulder or tuck under his arm. tell me they don't lay on top of him like he's their personal pillow.

its not odd to see all his siblings gathering around him, Kiri resting her head on Spi, while Lo'ak holds his arm, Tuk tucked against his waist, while 'tey rests his chin on Spi's head (he loves all the attention, even if he huffs and puffs like any good big brother). they look silly cause the kids have to crouch and twist and bend to use their brother as a leaning post, and he practically disappears under all their blue.

and that includes rough housing, even if it's unintentional. the kids jumping up for a piggyback ride even when they're nearly double if not triple Spider's size.

Tuk wanting to be carried around by her big brother all the time. Kiri accidentally tugging her brother too hard when excited to show him something. the boys teaming up against their brother when playing, forgetting he can hardly handle one of them, let alone both at once.

his siblings getting the rare chance for a sleepover and cuddling around him like a bunch of big cats. they're tucked around him, under him, on top of him, with just enough care to make sure he doesn't suffocate in his sleep.

when they need some loving, Spider has to beckon them down to give their foreheads a kiss or to wrap them up in a proper hug. Spider likes to tuck his siblings head to his chest with both his arms and squeeze them tight.

when he's got to give them a big brother chat, the kids have to be kneeled down so Spider doesn't have to stare up at them (he tends to kneel too, so they're eye to eye, cause when he looks down on them, they tuck their little ears and he feels bad).

like. they're just big babies that need their big brother to take care of them and love them, even if they're giants compared to him.

Ok why have I never noticed this before I love it

hey, friendly reminder, spider's iconic bow shot:

was his almost instantaneous reaction to one of the recom's putting their hands on Tuk. He then has to be convinced by both his siblings to put the bow down and keeps it trained on the recom holding Tuk.

when Quaritch approaches Spider, Tuk hisses at him (hard to see in photo cause they were little baby hisses)

when Jake tells spider to get "them" out of there, spider immediatly calls for Tuk (and grabs Kiri)

now for some cuter snippets

and when Tuk goes to egg on and tease Lo'ak, she hides behind her big brother, and Spider looks amused in the way a big brother is equally amused and tired of their little sisters antics (he's probably defended her, whether she was the one who needed defending or not, many times, especially when it comes to Lo'ak)

and she runs for both Kiri and Spider when the war party returns, making it clear she hangs out with them quite often.

my conclusion? she and Spider are besties, no one puts their hands on his baby sister, I rest my case.

Was it casual when we fucked in the passenger seat

hey there’s something i haven’t seen people talking about in deadpool and wolverine

in the car fight the blood on logan’s face in this frame is from wades wounds above him. he’s smiling like that as wades blood drips into his mouth… which could mean nothing

If you are currently sitting or laying down this moment ask yourself if you are resting or rotting. Change your behavior accordingly

the grave danger job killed my grandma

AHH

okay but,, parker being the one to talk hardison through it the entire time, and calling him Alec for the first time

but eliot being the one to drag him out of the coffin and hug him tight

Eliot: Never do that again, man. Don't do that again. Hardison: I won't. I won't.

(is he crying too?)

and then afterwards, when hardison kisses parker on the cheek :(((

Hardison: You know I couldn't have made it out of that with you? Parker: Well, that's not true. Anyone can learn to hold their breath- Hardison: Thanks for not hanging up the phone.

ethan hunt is actually a perfect protagonist because he’s a huge bitch, distractingly pretty, and divorced—all of which are essential—but also he kind of wants to die but god won’t let him, is in a situationship with his best friend who definitely would, is a rebecca ferguson simp, can never decide if he likes his hair long or short so he’s constantly growing it out and cutting it again, has more trauma packed into his tight little short king frame than should be possible, and is obsessed with always wearing a cute little jacket

Interview with the Vampire | user Starpeace

"you can't ship those characters they tried to kill each other!" sounds like someone can't appreciate the inherent eroticism of violence 🙄

who is doing it like them

The beautiful thing as you get older is that you realize so many “rules” are made up and you can just do whatever. Posters can go anywhere in the house not just my room. I can sit down while cooking a meal or taking a shower. I can make the same thing for breakfast lunch dinner for a week straight. I can roam around the house shirtless. I can wear a dress with jeans. The world is my oyster key word my and I can live as I please embracing little things such as this

I adore him