Based off of this fic!! Please read it, it’s so cute??? Im so dead.
The movie Wicked is proof that any source material can be vastly improved by simply making the intense female friendship much gayer + the mutual male love interest both wildly bisexual and lowkey down to just be their third
Just because I want to watch this again later XD
Anonymous: Did you ever go back to the Salt and Pepper diner?
Please watch Avo Rabo, their Voltron reaction videos are the funniest things in the world
(TURN YOUR VOLUME DOWN BEFORE WATCHING)
Has.... Has anyone made this comparison yet?
The implication being that Viago... Is Zazu
Bonus:
lust & limerence (1/2)
part 0
Uncertain if I'll finish part 2 before I go afk for a couple months
I reblog because I fear
“But if you forget to reblog Madame Zeroni, you and your family will be cursed for always and eternity.”
Guys guys. Shiney.
“Kill me. Kill me and live with the memory. Then tell the stars that you won.” Is such a metal quote. But it’s from fucking. Warrior Cats.
Impulsiveness : Acts on instinct without careful planning. Perfectionism : Sets unrealistically high standards, leading to self-criticism. Indecisiveness : Struggles to commit to decisions or choose a path. Arrogance : Overestimates one’s abilities and dismisses others. Pessimism : Habitually expects negative outcomes in most situations. Cynicism : Distrusts the motives and sincerity of others. Overconfidence : Places excessive faith in one’s skills, often underestimating risks. Stubbornness : Resists change and refuses to adapt to new ideas. Jealousy : Feels envious of others' success or possessions. Insecurity : Experiences frequent self-doubt and a lack of confidence. Procrastination : Tends to delay tasks, often leading to missed opportunities. Passivity : Avoids taking initiative and relies on others to act. Aggressiveness : Responds with hostility or force rather than reason. Selfishness : Prioritizes personal gain over the welfare of others. Fragility : Is overly sensitive to criticism and easily discouraged. Egotism : Constantly focuses on oneself and one’s own importance. Defensiveness : Quickly rejects or rationalizes away critique or new information. Manipulativeness : Exploits others to fulfill personal needs or desires. Recklessness : Shows a careless disregard for potential risks or consequences. Resentfulness : Holds lingering bitterness and grudges over perceived wrongs. Distractibility : Finds it hard to maintain focus amid competing interests. Impatience : Lacks the willingness to wait, often spoiling opportunities to learn. Perfunctory : Performs actions in a mechanical, uninspired manner. Self-Doubt : Consistently questions personal abilities and decisions. Arbitraryness : Makes decisions based on whim rather than reason or evidence. Rigidity : Is inflexible and unwilling to consider alternative viewpoints. Gullibility : Trusts too easily, often leading to being misled or deceived. Obsession : Becomes excessively fixated on particular ideas or details. Aloofness : Maintains emotional distance, appearing detached or indifferent. Intolerance : Refuses to accept differing perspectives or lifestyles.
Mix genres and time periods: Experiment by combining elements from different eras or genres to create unique settings and narratives.
Use "what if" scenarios: Pose unexpected questions (e.g., What if time travel operated on emotions rather than mechanics?) to spark novel ideas.
Draw from diverse mediums: Engage with art, music, or even scientific papers to inspire unexpected plot twists.
Embrace absurdity: Let illogical or surreal ideas guide you; sometimes the wildest thoughts lead to compelling stories.
Reverse clichés: Identify common tropes in your favorite genres and deliberately invert them to create fresh perspectives.
Incorporate personal anomalies: Transform your idiosyncrasies and personal struggles into rich, multi-dimensional characters.
Use mind-mapping: Visually plot your ideas in a freeform way to uncover hidden connections between disparate elements.
You guys remember the epilogue slide from Trespasser if Dorian and the Iron Bull are in a relationship?
"On one occasion, Venatori forces ambushed Dorian, who likely would have died... had not an unnamed mercenary band led by a Tal-Vashoth warrior crossed Tevinter's border and mounted a dangerous rescue operation. The mercenaries left a trail of freed slaves and dead Venatori in their wake, enabling Dorian to escape. When asked about the Tal-Vashoth in question, Magister Pavus declined to comment."
"Far from Home (The Raven)" by Sam Tinnesz has the following lyrics in the second verse:
"I'm sending a raven
With blood on it's wings
Hoping it reaches you in time
And you know what it means
Cause out here in the darkness
And out of the light
If you get to me too late
Just know that I tried"
Dorian knew the attack was coming, but didn't have enough time to get himself out of harm's way. In a last, desperate attempt, he sent a raven to the Charger's last known location, knowing that they would probably not receive the message until well after the ambush was over and he was dead. He didn't have time to write much, so he just wrote "Venatori" and his location. And then all he could do was pray to the Maker for the raven to reach its destination in time.
This is the closest he gets to dying, the most successful plot to stop his efforts to reform Tevinter. He's alone, fighting several Venatori on his own, and he's losing. He's tiring, he's out of mana, and he's hurt.
He thinks of the Iron Bull, how Tevinter is still his homeland, but it isn't his home anymore. His home is in Bull's arms, and he'll never be there again. He tries to keep fighting, as long as he can, but he's slipping. The Venatori know it, they've started penning him in, drawing out the last of his power and aiming to neutralize, not to injure. This is it.
And then he hears "Horns Up!" and watches several familiar figures charge his opponents. One of them, the largest, barrels down the cultist in front of him. Dorian collapses, no longer able to support his own weight, but that's okay, because Bull is there to catch him. And he’s home now.