I Think I've Figured Out How I Want Go3 To End. A Card That Says "2028, The South Downs". Crowley, Yelling

The photos that NASAHubble & NASAWebb took of The Pillars of Creation inspired me deeply. I had to draw what I saw in the formation: A hand reaching into the universe. What an accomplishment for humankind and what a symbol for exploration and knowledge. Credit 2nd image: NASA

Orange pencil has entered the chat

No Nightingales (a Clue!)

Um.

I don't know why it took me THIS LONG to remember that this line is from Romeo & Juliet.

ROMEO: It was the lark, the herald of the morn, No nightingale. Look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain-tops. I must be gone and live, or stay and die.

Can I please just draw your attention to the last line, please?

I must be gone and live, or stay and die.

Romeo is telling Juliet that he has to leave now before he is discovered and they are forced apart/he is killed.

Hmm, sounds suspicious to me...

They've been talking in coded messages since... well, always. No nightingales means Crowley is trying to tell Aziraphale that has to go, he's trying to tell him that it's dangerous - but what's promising about this is that if he's speaking in code, Crowley knows they're being watched.

I still can't say for sure what's going on at the end of the Final Fifteen, but I do believe this is a Clue.

Saw a post of Aziraphale and Crowley dancing in 1941 and just really wanted to draw it <3

Miranda from The Tempest and A Companion to Owls.

I remember some time ago a fan pointed out that this scene was incredibly reminiscent of “Miranda” by John William Waterhouse and added Aziraphale on the rock contrasted with the first painting (1875) However, another version of the same painting exists; featuring a red-hair Miranda, which was painted after in 1916.

The Miranda here is a character from William Shakespeare's The Tempest. She was detained on an island, together with her father, Prospero, for almost twelve years. This happened as a result of having been exiled from Milan by Prospero's power-seeking brother, Antonio.

The scene plays very blatantly with the word “exile” and Aziraphale fearing being cast into Hell (exiled from Heaven) and Crowley’s clear banishment from his position as an angel.

The picture has been painted in cold (red hair) and warm tones (blond), playing very much into the tones we get to see in A Companion to Owls. Aziraphale’s side on the rock, with the more conventional, peaceful look and Crowley’s with the rocks on the background.

A ship slices through the waves, causing a feeling of imminent loss; notice how that is exactly Aziraphale’s placement on the frame.

Unlike the paintings though, in Good Omens we get a view of both sides, of before and after the storm. The color palettes combine as both Aziraphale and Crowley are fitted into the frame.

Concluding with the wonderful shot directly mirroring their color palettes (sunnier on Aziraphale’s side; shadows on Crowley’s) again and reversing the order of the Miranda paintings (not chronologically, as we see red-hair Miranda appear later on, but in terms of placement and coloring).

Original comic by Rasenth

It's them!!

Canonical facts that made me question the mental process that Aziraphale’s mind did in exactly 5 seconds from “I don’t think my side would like it” to “I will grab your hand!!!!!!Fast as fuck boiiiiii”

SOFT AZCROW BABIES BECAUSE BEE IS KILLING US ALL WITH THEIR HUMAN AU

growing up together, cuteness, angst, autism, baby gays, richard siken poetry, a wedding, and one well-worn comfort yellow sweater. GO READ IT. GO NOW

we could go for a picnic