Well fucks? Get to it!
No pressure. Just seeking some validation of my sentiment. Due to some. people
SOFT AZCROW BABIES BECAUSE BEE IS KILLING US ALL WITH THEIR HUMAN AU
growing up together, cuteness, angst, autism, baby gays, richard siken poetry, a wedding, and one well-worn comfort yellow sweater. GO READ IT. GO NOW
Miranda from The Tempest and A Companion to Owls.
I remember some time ago a fan pointed out that this scene was incredibly reminiscent of “Miranda” by John William Waterhouse and added Aziraphale on the rock contrasted with the first painting (1875) However, another version of the same painting exists; featuring a red-hair Miranda, which was painted after in 1916.
The Miranda here is a character from William Shakespeare's The Tempest. She was detained on an island, together with her father, Prospero, for almost twelve years. This happened as a result of having been exiled from Milan by Prospero's power-seeking brother, Antonio.
The scene plays very blatantly with the word “exile” and Aziraphale fearing being cast into Hell (exiled from Heaven) and Crowley’s clear banishment from his position as an angel.
The picture has been painted in cold (red hair) and warm tones (blond), playing very much into the tones we get to see in A Companion to Owls. Aziraphale’s side on the rock, with the more conventional, peaceful look and Crowley’s with the rocks on the background.
A ship slices through the waves, causing a feeling of imminent loss; notice how that is exactly Aziraphale’s placement on the frame.
Unlike the paintings though, in Good Omens we get a view of both sides, of before and after the storm. The color palettes combine as both Aziraphale and Crowley are fitted into the frame.
Concluding with the wonderful shot directly mirroring their color palettes (sunnier on Aziraphale’s side; shadows on Crowley’s) again and reversing the order of the Miranda paintings (not chronologically, as we see red-hair Miranda appear later on, but in terms of placement and coloring).
I have very bad not at all good news considering my Good Omens stuff. This morning, I got a email that every fan artist dreads.
This letter includes 80+ pages of screenshots from my Ko-fi, printshops, and socials, even my Twitter header, where I simply listed my main fandoms.
They’ve also demanded to delete all the freebies: PDF version of Ineffable Affirmations and wallpaper packs (not sure how free/donate stuff violates IP, but that's what they say).
I will have to comply with these demands — if they start any legal process, it would be absolutely catastrophic.
They also have the right to block or deactivate my social media for IP infringement, which would be basically a starvation sentence for me and my family, so I don't have any other options.
Yes, I should have seen it coming — it was always a grim possibility. But right now is quite literally the worst time to get a letter like this. I had planned to gradually shift toward creating more original content, but the war and forced emigration disrupted everything.
When we suddenly lost all our sources of income, I had to stick back to drawing mostly fanart. Basically the tiny amount of money I got from Ko‑fi and occasional commissions, was all our means for survival these years.
All this time, we’ve been trying to find a safer place to live — an incredibly difficult process with Russian passports. And just yesterday, we got an invitation to apply for a long stay French visa.
The cruel irony of it all...
Honestly, I am shaken and trying not to fall into despair.
If we get these visas, we will have to move in April, which means we’ll need A LOT of money for tickets, rent, transporting our stuff, and who knows what else. If you ever moved between countries, you can imagine that.
I was hoping our Ko‑fi and the new projects we planned for this year would make it possible. But now, we have to delete most of the shop and cancel half of the projects we were working on.
I’m very scared, and have no idea what to do now.
I have to remove everything before March 9th.
Tomorrow, I’ll set the lowest possible prices on all our GO items. If you wanted something from these collections, this will be literally the last chance.
Please, please tell me everything is going to be okay 😰
For @matchalatteenjoyer, who requested a New Year's Eve Kiss ❤️
Happy New Year and lots of love to all of you! Thanks to everyone for liking, sharing my art and leaving nice comments. It really means a lot to me ❤️❤️❤️
The sheer amount of guilt Aziraphale experiences is utterly tragic. But what's interesting is he rarely feels guilt for the things humans usually feel guilt for - indulging in food, wine, books, comfort (which is marvelously subversive because it shows none of these things are actually worthy of guilt but, in fact, what make existence worthwhile).
No, he only truly feels guilt when he does the Right Thing.
Or when he realizes too late what the Right Thing is.
All of his guilt is attached to things that are, in fact, Good and Right, but in opposition to the black-and-white doctrine of Heaven.
Which makes the guilt he is so clearly experiencing here:
hit like a goddamn freight train.
Because loving Crowley is Good and Right.
Clacomat, she/hermassive Good Omens fan
153 posts