This One's Always Disturbed Maxwell With Stirrings Of Guilt, Even Back When Such A Thing Hardly Seemed

"That's Maxwell the Great. Or The Amazing Maxwell, if you prefer." Not that he isn't also magnificent, it's just not in the name.

Ah. There's that recognition. It always comes eventually, even if magicfolk don't always fully understand why it's there.

"That's right." Maxwell grins, spreading his arms wide. "Putting two and two together, now, are we?"

That would make one of them, because Max has to admit he's a liiiiittle confused about the non sequitur. Ah-- unless the child means the history of their people.

"There isn't a person in this world more qualified to answer your questions, then. Treat me to lunch between shows and I'll tell you everything you want to know."

Oh, this man has a flair for drama. William can respect that . . . given, it makes sense, doesn't it ? Him being a performer and all . . . ❝ And that's why you're Maxwell the Magnificent then. Got it ! ❞ William says, misremembering the title in full confidence via newly formed mandela effect.

The theatrics aren't over yet, however when—

William this time lets out a nervous chitter from the other's claw as realisation sets in. He looks down at his own hands as if to confirm it.

No fucking way.

❝ Are you— you're— ❞ William's throat runs dry, words escaping him. This feels too surreal. He has to be wrong. But— shit. That would explain a lot about him. His own black claws. His own interests. His connection to the Capital.

Still, they can't jump the gun. They have to be smart. Their heart is racing.

❝ Y-you know, I uh . . . I'm in town because I was trying to get . . . records. Learn some stuff. About my history. ❞ Ring any bells ? His eyes are fixated on the man.

maxwell playing chess with one of his shadow puppets and losing

the thorned rose cannot help but prick. it is its nature.

𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑 𝐒𝐓𝐔𝐃𝐘: 𝐃𝐄𝐌𝐄𝐀𝐍𝐎𝐑 & 𝐌𝐀𝐍𝐍𝐄𝐑𝐈𝐒𝐌 𝐆𝐔𝐈𝐃𝐄.

bold — applies.

italics — sometimes applies.

blank — never applies.

EYES. avoids eye contact when nervous, maintains eye contact when nervous. | avoids eye contact due to being neurodivergent, enjoys eye contact as a means to read and convey emotion. | looks down when emotional, looks up when emotional. | cries openly, wipes tears quickly, suppresses tears. | wandering gaze when lost in thought, holds gaze while thinking. | seeks out eye contact for reassurance, seeks out eye contact to gauge enthusiasm during conversations, eyes move constantly during conversation. | expressive eyes, emotions only evident through eyes, uses eye contact to intimidate. | looks up while thinking, looks down while thinking.

HANDS. clasps behind back, rests in lap, fidgets with clothes. | twiddles thumbs, chews at nails/skin, pushes back cuticles, draws patterns on table/counter surfaces. | animated gestures while speaking, only gestures to emphasize, utilizes sign language, speaks only through sign. | callouses, scars, smooth, wrinkled, worn, soft, delicate, boney, slender, thick, veiny. | touches others while speaking, reaches out while laughing, reaches out to comfort others, reaches out to seek comfort. | places face in hands when exasperated, places face in hands when exhausted, places palms over eyes to hide when overwhelmed, rests chin in hands. | taps fingers when impatient, taps fingers when nervous, taps fingers while thinking. | scratches scalp, strokes chin, rubs back of head, toys with objects around them, runs fingers over surfaces while walking by.

MOUTH. chews lip, chews at inside of cheek, licks lips, bites tongue, chews on straws. | resting frown, resting smile, neutral resting expression, resting pout. | grinds teeth, flexes jaw. | covers mouth when laughing, covers mouth when shocked, covers mouth when concerned, hands to lips while thinking, covers mouth when chewing, chews with mouth closed, chews with mouth open. | smirks, grins, subtle smiles, wide smiles, sad smiles, intimidating smiles, menacing grins. | openly smiles, tries to suppress smiles, bares teeth when angry, lips quiver when emotional. | stutters, speaks quickly, speaks slowly, good pronunciation, poor pronunciation, moderate pronunciation. | purses lips, sucks in lips, holds mouth open when shocked or confused.

LEGS. bounces leg when nervous. | draws knees to chest when sitting, draws knees to chest as a means of comfort, sits on knees, sits with legs crisscrossed, sits with legs spread open in chairs, crosses legs when sitting in chairs, sits with one leg folded under the other. | places feet on furniture, never places feet on furniture, sits on counters, sits on desks, sits on tables, sits on edge of seat, sits hunched over with forearms on knees, arches one knee up, sits on the arm of chairs/couches, feet on dashboard, swings legs back and forth when sitting somewhere elevated. | wiggles toes when nervous, wiggles toes as a general tick. | shuffles feet, kicks foot into ground, stomps feet. | loud footsteps, quiet footsteps, silent footsteps.

HAIR. runs fingers through hair, tugs at hair, picks at scalp, chews on hair, twists locks of hair while thinking or nervous, smooths out locks of hair while thinking or nervous. | prefers hair out of face, prefers long hair, prefers short hair. | wears hair back, keeps hair down, smooths back hair. | plays with other’s hair while talking, plays with own hair while talking, strokes hair to comfort others, likes having hair stroked for their own comfort, braids others’ hair while talking, braids own hair while talking. | flips hair out of face, pushes hair out of face, leaves hair alone even when falling into face.

tagged by: ---

tagging: @circvtry / @feralreason / @testingrealm !

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"You did not see me slip the card into my other hand. It's unbecoming to lie, you know."

Maxwell shoots Nicolai a withering glare, frustrated by the fact that his practice partner is probably actually telling the truth-- that last sleight of hand pass was downright sloppy. It's been over twenty years since Maxwell last performed close-up tricks without the aid of actual magic (and he couldn't move his blasted wrists for the majority of that time, either), so there's bound to be a learning curve now that he's trying to return to the art. But still. This is embarrassing!

"Fine, then!" he hisses, tossing the deck down onto the table in front of the other man.

"If I'm so terrible at this and you're so perfect, you do it!"

Oh, good lord. She's speaking to him.

Static crackles in his mind and in the silent night air, and Maxwell looks at her, stricken.

...no, not speaking. And not to him. The spirit is just... coming into existence, that's all.

That's all.

"Thank you," he mumbles, something he's only ever said sarcastically to his typical puppets, but which is entirely genuine when spoken to her. He shivers under the pale blue of the lantern. He should be dead right now. Like her...

IT LOOKS AT HIM.

"Stop that!" Maxwell snarls, eyes wide and terrified. He takes a step back, freezing when he nears the edge of the ring of light.

What is he thinking? Of course she isn't looking at him. He's just lost what was left of his sanity summoning her, that's all.

That's. All.

"We're going home. I-- I'm going home. Come. And don't you dare drop that light."

With spectral candlelight, the spirit materialises.

It has no will. She. SHE. SHE. SHE. SHE. SHE WAS-

The absence of anger, of feeling is noted as its feeble attempt dissolves into radio static, lost and numb. It moves, conjured with its lantern to illuminate the surrounds. It knows it does this, even if it does not see. Vague stimuli to give it a perception, of course, but only what is necessary. The darkness. Objects. It notes its summoner, moving before and beside him, crowning him with protective light.

It feels again. So, it tries to speak, ultimately useless when it has no mouth. However this time, perhaps from something it can percieve stirring in its core, it does face him. Looking. That's all. It wishes it could cry, only for a moment. It can't wish. It is bound to the summoner, but in this moment it has managed more than it had in its past. It seems, even if fleeting, aware.

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"Please, Charlie, be gentle!"

He knows how pathetic he sounds, how hypocritical it is of him to beg for mercy when it's his fault she's trapped in the darkness in the first place. But he can't help it; he's terrified, stumbling over roots and grasping hands as he tries in vain to outrun the night itself.

Stupid, stupid, stupid! What kind of idiot wastes their torch during dusk?

The dead kind.

He had been nervous, that's all. Winter's just around the corner and he had been doing one last resource rush before the warmth of Autumn fled for good. So many puppets up at once had sent his head spinning and shadows crawling in the corners of his vision and he hadn't been able to take the dim light of the setting sun. The puppets are gone now, abandoned along with their resources (what a god damned waste), leaving Maxwell with no light, no means to make another, and just enough clarity of mind for regret.

It's over. Charlie won't be gentle (she never is), and Max will be lucky if the others ever find his corpse in the upcoming snowstorms, much less bother to bring him back to life.

No. No, he refuses to die like this. This is still his world, and he must have something up his sleeve--

In the momentary glow of a firefly cluster, Maxwell holds the Codex aloft, murmurs to himself, and summons her.

@radiosent -- !

Oh, how he wishes he could sic his hounds on this fox in true hunting party fashion.

"Yes, yes, fine!" he grinds out, throwing his hands up in defeat. "If you apologize and if you make it worth my while to see this agreement through, I'll transcribe everything perfectly legibly in our common tongue. I expect you to do the same. No tricks from either of us. Happy?"

"Your end of the deal. Hm. May I have an inquiry?" He did not actually stop to see if Maxwell would give him the go ahead.

"Is the knowledge you possess written in the common language of this island?"

Maxwell doesn't try to hide it this time; he laughs, loudly, attracting the attention of many of the other passengers. Some look at him with confusion, others with suspicion, and the pair being pointed at turn to whisper urgently to each other. What a lark!

"What? No, no. Well, maybe, who knows? Maybe our dear deceased was this close to blowing the lid off of their little operation, and they needed to ensure their silence."

From the look of those men, however, Max is skeptical they'd have the guts to go through with a stabbing.

"But this information is relevant to something else. Have you heard of blackmail, child? It's when you hear things, you tell them only to me, and I make us both rich."

Not necessarily off of this tidbit of information-- as the girl's pointed out, others have probably overheard different pieces of conversations in this small space. But in the future...

Yes, Max decides. He's keeping her.

"What's your name, kid?" he says with a smile, moving to sling an arm around her shoulder and pull her back against the safety of the wall with him. No more playing meat-shield for this one-- he likes her.

After Max's outburst of laughter (rather inappropriate considering the circumstances), more and more groups are beginning to look in his direction, glancing between him and his partner with increased suspicion.

...whoops.

There is absolutely no missing the change in his facial expression as she watches it morph through several emotions before seeing it land on a wide grin upon his face. He.. Liked hearing that as a response? Why would that information bring him such joy? It didn't seem he personally knew them.

"They weren't exactly quiet about it, I'm sure others overheard them."

Still, upon him asking about another pair in the car with them, she's moving to look towards them, not even being subtle about it as she's taking a moment to think back to when each individual was walking through the car besides her as she was sitting there, not even questioning why he'd wish to know such things.

"...Let's see.."

Mira then lifts a finger, pointing towards the sweaty and nervous one, before speaking.

"Something called embezzlement from the corporate job he has or something of the sort," then, she moves to point at the terrified one, "Helping him out, and his dad is the owner of the company."

Mira then moves to look back towards him, not catching how the pair of men are shooting their gaze towards her after just so casually saying such things.

"I do not see how any of this helps stop any more stabbings. Unless this information is relevant somehow?"