It's Not An Uncommon Question; Everyone Wants To Know How He Did It. Sometimes People Demand Answers

unstoppable force: maxwell is too important to find a job. immovable object: he just spent every single bit of dust he was given as a newcomer in his first week here. outcome: ???

"Unfortunately, it seems that freedom is far from... free."

This is Paradise. To hell with his Codex, to hell with his power!-- he has been gifted the only thing he truly wants right now, and the only thing They could never give him.

Charlie's safe. Jack's happy. Even Higgsbury is probably still at home, chugging away at his doomed experiments. It's as though William Carter never existed, and thus, neither has his long string of failures and regrets.

Maxwell is finally, for the first time ever, truly free.

He strolls into the amphitheater without a care in the world, meeting the stranger's glare with a smug, unbothered grin.

"Oh, dear, am I interrupting something? I didn't realize this space was reserved." It's not, he's sure, and he's in too good a mood to let one nasty look drive him out or goad him into a fight.

Instead, he plops down in a seat right next to the one who glared at him, beaming at the dancers on stage. This is what Charlie looks like right now, he bets-- she's found another performer to work with, and is having the time of her life. Unharmed, prosperous, sane.

"Bravi!" he calls out to the dancers on stage. Then, to the small group in the audience with him: "Friends of yours?"

The posse has set up shop at one of the amphitheaters in Archimedes Ward. Anne is practicing on stage with a few other dancers she's found, teaching them how to do the can-can.

The other three women sit around the theater. Pearl's reading a book about finances, Umbra is mending her bow and arrows, and Maria is tending to Mister Blue.

And there seems to be someone else who wandered in... Maria gives him the stink eye. Pearl and Umbra look over, and Anne seems too invested in her dancing to give more than a glance.

@codexvmbra

;;

let's get this show on the road with an isola plotting / starter call!

maxwell playing chess with one of his shadow puppets and losing

“of course, take your time…”

"The Stars, you mean? They can't possibly care what we mere 'mortals' do." He allowed his pawns free run of his world. In fact, he quite enjoyed when they found gunpowder and blew themselves and other creatures into smithereens. The powers that rule this realm are almost certainly the same.

"Mm. No, I don't intend to limit myself to weapons of that kind." She knows what he wants-- objects of power and intrigue, not one's run-of-the-mill, boring old revolver.

Oh, yes. She knows exactly what he wants.

Maxwell watches with a sharp gaze. He wouldn't mind having a source of energy for himself; his time on the Throne has left him rather frail, as loathe as he is to admit it, and it certainly wouldn't hurt to have an easily-accessible pick-me-up on hand.

And.

Maxwell's brow rises in surprise as she demonstrates on her own assistant. That comes across as quite cold, even for him. She's quick to return the energy stolen, but still-- was that truly necessary?

Necessary or not, it's provided a quite compelling demonstration.

"I am highly interested in this piece. I intend to avoid combat as much as possible until my own powers return, so the subtlety afforded by this item is well worth the wait. However..."

He glances around as though his dear Codex will slip from the shadows into his grasp.

"I wonder whether you have anything that could mimic the abilities I'm used to. I've come to enjoy certain freedoms that come with having servants at my beck and call." He glances at her assistant; she can relate, he's sure.

"I wonder if now would also be an appropriate time to ask about, er. Payment options." Better to admit outright that he almost certainly isn't rich enough to pay up front-- he would hate for her to become irritated and decide to perform a second demonstration of that box on him.

"I wonder whether there would be any opportunity for me to provide my services to you as a form of partial payment? I think you'll find I can be discreet when needed. And I know when to keep my mouth shut and my eyes to myself."

"When it comes to the city of spirals; I don't believe it is law enforcement that should be worrying you," she'd hum in thought. Indeed, were 'righteous' otherworlders - vigilantes - far more troubling. Gifted with all sorts of diverse abilities, including ones that'd be sheer fiction within her homeworld. "— but I recognize you're resolute."

That a newcomer was itching to break laws in a world where they don't even yet know the extent of what they're dealing with, to the point they'd find themselves traversing the low levels of fibonacci so soon… Ms. Jenson wasn't sure whether she should find the courage commendable, or find the lack of prudence appalling.

Not like her personal assessment of the other's character mattered much; he was a customer all the same. If he insists on making a potential mistake, who's she to impede?

She signalled to her subordinate with a mere headtilt. Spirale had no Port Mafia; true - she had the luck of seeing a couple of familiar faces, one of which being with her here today, but that was about it. Her current main occupation wasn't even connected with any of this — but, ah, how irresistible it is, to be the supply in where there's just this much demand. Within a business she felt right at home in, no less.

Ms. Jenson carried an amused expression whilst speaking. "Often I find new customers rushing here to purchase firearms, and if you insist; I do offer them. But if you're looking for powerful; simple steel won't cut it."

The subordinate would return with a suitcase, placing it on her desk. "You seem like the cunning sort," she'd observe, choosing a descriptor that was - somewhat - less accusatory than to assume them to be the type to backstab others. "— so I believe I've something that'll grant you considerable leverage."

Out the suitcase, she'd take out what looked like an ornamented box, crevices hinting that it - actually - doesn't open fully. More importantly, the box didn't appear intimidating.

Quite the opposite, actually; it'd not look out of place within an herbal store, its use of pastel green, white and gold giving a gentle, inoffensive impression. "This is based on an existing, permissible product from Cotes Fantasci, and if not used - will pass as one just fine. Much like the genuine article, it's able to supply you with energy, but; it is modified to include a lethal twist."

While it is unlikely the customer could hear the order she'd mutter to her subordinate, it is possible they noticed a fleeting yellow spark that'd occur right after.

Tilting the box towards the poor guy, she'd push the subtle button on the bottom, which loosened the lower part of the box, creating a gap in the crevice that runs through the middle of the gadget. "Naturally, you could just use it for its assumed purpose; it has you gradually recover energy, and whenever you're done and back in good shape— simply push it shut," she said as she did as much, closing the cube. The volunteer didn't say anything, but he did look visibly more vibrant than earlier.

"But," started, as she pressed the button once more. "— as it has your target gradually regain energy, you can also choose for them a different fate."

She'd quietly count, eventually reaching for the lower part of the box, but instead of pushing— twisted it. Response was instantaneous; as the box closed shut, the subordinate's legs gave into fatigue and he collapsed to the ground, coughing.

"Taking back the energy you've granted in one. swift. move. Yes, the target will be fine if it is done mere seconds after activating the box, but if you let it run for a few minutes?" a grin. "It may not be capable of giving you more energy than you'd usually have in good health, but all the surplus — it accumulates in secret. Twist it then, and you've got instantaneous death that - to anyone else - looks like it's been caused by starvation."

Well. Cannot have her subordinate be plagued by exhaustion on the clock. Using the box once more to let him recover, and after she had pushed the box shut, she'd place it on the table. "There are clear disadvantages, of course. Useless in the midst of active combat, for one, as it requires a lengthly idle time period for the desired effect."

Shrugging, she gestured to the suitcase. "If you'd be willing to tell me what kind of situation you're anticipating, I am sure I've something more tailored to your needs."

𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑 𝐒𝐓𝐔𝐃𝐘: 𝐃𝐄𝐌𝐄𝐀𝐍𝐎𝐑 & 𝐌𝐀𝐍𝐍𝐄𝐑𝐈𝐒𝐌 𝐆𝐔𝐈𝐃𝐄.

bold — applies.

italics — sometimes applies.

blank — never applies.

EYES. avoids eye contact when nervous, maintains eye contact when nervous. | avoids eye contact due to being neurodivergent, enjoys eye contact as a means to read and convey emotion. | looks down when emotional, looks up when emotional. | cries openly, wipes tears quickly, suppresses tears. | wandering gaze when lost in thought, holds gaze while thinking. | seeks out eye contact for reassurance, seeks out eye contact to gauge enthusiasm during conversations, eyes move constantly during conversation. | expressive eyes, emotions only evident through eyes, uses eye contact to intimidate. | looks up while thinking, looks down while thinking.

HANDS. clasps behind back, rests in lap, fidgets with clothes. | twiddles thumbs, chews at nails/skin, pushes back cuticles, draws patterns on table/counter surfaces. | animated gestures while speaking, only gestures to emphasize, utilizes sign language, speaks only through sign. | callouses, scars, smooth, wrinkled, worn, soft, delicate, boney, slender, thick, veiny. | touches others while speaking, reaches out while laughing, reaches out to comfort others, reaches out to seek comfort. | places face in hands when exasperated, places face in hands when exhausted, places palms over eyes to hide when overwhelmed, rests chin in hands. | taps fingers when impatient, taps fingers when nervous, taps fingers while thinking. | scratches scalp, strokes chin, rubs back of head, toys with objects around them, runs fingers over surfaces while walking by.

MOUTH. chews lip, chews at inside of cheek, licks lips, bites tongue, chews on straws. | resting frown, resting smile, neutral resting expression, resting pout. | grinds teeth, flexes jaw. | covers mouth when laughing, covers mouth when shocked, covers mouth when concerned, hands to lips while thinking, covers mouth when chewing, chews with mouth closed, chews with mouth open. | smirks, grins, subtle smiles, wide smiles, sad smiles, intimidating smiles, menacing grins. | openly smiles, tries to suppress smiles, bares teeth when angry, lips quiver when emotional. | stutters, speaks quickly, speaks slowly, good pronunciation, poor pronunciation, moderate pronunciation. | purses lips, sucks in lips, holds mouth open when shocked or confused.

LEGS. bounces leg when nervous. | draws knees to chest when sitting, draws knees to chest as a means of comfort, sits on knees, sits with legs crisscrossed, sits with legs spread open in chairs, crosses legs when sitting in chairs, sits with one leg folded under the other. | places feet on furniture, never places feet on furniture, sits on counters, sits on desks, sits on tables, sits on edge of seat, sits hunched over with forearms on knees, arches one knee up, sits on the arm of chairs/couches, feet on dashboard, swings legs back and forth when sitting somewhere elevated. | wiggles toes when nervous, wiggles toes as a general tick. | shuffles feet, kicks foot into ground, stomps feet. | loud footsteps, quiet footsteps, silent footsteps.

HAIR. runs fingers through hair, tugs at hair, picks at scalp, chews on hair, twists locks of hair while thinking or nervous, smooths out locks of hair while thinking or nervous. | prefers hair out of face, prefers long hair, prefers short hair. | wears hair back, keeps hair down, smooths back hair. | plays with other’s hair while talking, plays with own hair while talking, strokes hair to comfort others, likes having hair stroked for their own comfort, braids others’ hair while talking, braids own hair while talking. | flips hair out of face, pushes hair out of face, leaves hair alone even when falling into face.

tagged by: ---

tagging: @circvtry / @feralreason / @testingrealm !

"You dare threaten the Great Maxwell?" He bares his fangs in turn and raises his hands in a grand gesture. It's... not quite as intimidating as it might be if he were forced to capable of appearing monstrous and twisted.

Insolent little worm... if only Maxwell still had his puppets, he would slash this pampered, pompous pup to ribbons!

"Deal's off, Beast. You've made a very grave mistake today. I hope for your sake that you find your blade returned to you before I get mine. Impermanent death won't save you; it means that I will be able to destroy you as many times as I see fit."

Pleasantries, done.

"If things went without saying they would not be written."

He grit his jaw, his lip lifting to reveal his fangs.

"Do not act the wounded party with me. You are trying to play me just as I am trying to play you. I would skewer you atop my blade if I had it, I would kill you without a thought if death stuck here. But I do not have my blade and death is inconsequential here.

What is it they say? Lets....make nice."

Fuel is important, duh 🙄

"What a coincidence," Maxwell says, and does not elaborate.

Mmm. Yes, he should, shouldn't he?

"I'm from the Capital." And that's practically explanation enough. "They pour a great deal of resources into pretending that neither I nor my creations exist. Which is fine, for the most part; as nice as it would be to have proper recognition, I know that politics and thronerooms aren't for me. I belong here, among my people, doing what Iove."

Who would choose rotting in a gilded cage over being worshiped properly upon the stage?

Maxwell stops in front of a small creperie, gesturing for William to enter first. They've arrived at "lunch," apparently.

"So, Mx. William, any other burning questions in that brain of yours?"

Maxwell has noticed that William has been somewhat tight-lipped about themself. Normally, he wouldn't mind in the least, but this talk of the Capital has him thinking; careful, Will, or he might start to wonder whether there is some sinister reason you ask so much and volunteer so little.

It's not an uncommon question; everyone wants to know how he did it. Sometimes people demand answers in that certain insufferable, accusatory tone, waiting for him to slip up as proof that he's lying, tricking them, or simply insane. But it never happens, because this is the truth-- whether they like it or not.

"I used to be a normal stage magician. Skilled in sleight of hand, but not in any real magic. I wanted--"

Maxwell's brows raise. Did he hear that right?

"If that's the term you want to use, I give you permission." That's a new one, alright! It makes Max smirk, and keeps him from immediately launching back into a narrative all about himself. He has to give the kid credit-- they aren't boring him.

"What's your name?" He gives them a glance over again, this time with interest in who they are, not just what they look like.

"Yes, of course." Who doesn't want to learn more about his power. "Let me stop you before you get your hopes up too high; even the most brilliant experts in Craft magic can't come close to what I've done, so unless you'll be content with typical summoning spells, you should avoid it altogether. Think of it like the Big Bang; we can make some remarkable advancements here on Earth, but a creation event of that magnitude is a one-and-done deal. Even I couldn't make all of this again. That's the price I paid to allow magic to be a diffused resource. So that others might share in a glimmer of my power."

Isn't he generous.