The stories coming out about the absolutely useless cops that were at the scene of the shooting is proof that those billions of dollars given to the police are to protect themselves and not the people. They want to be deemed heroes, but are disgusting cowards who shit their pants when confronted with the task of doing exactly what they signed up for. So cop lovers save me the “not all cops are the same” rhetoric because when you see how cops turned their cowardly backs on the hopeless children who were being murdered inside their classrooms and handcuffed parents who were desperately trying to save their children we saw first hand that they don’t value human life.
"No one can love you until you love yourself" is like the worst possible way of articulating "if you don't respect and value yourself, it's very easy to become attracted to people who don't treat you right and then justify their mistreatment, so be careful."
Since I watched Heartstopper, I've been trying to figure out what about it made it feel so different from other stories similar to it. When you just describe the plot of it, it sounds like something straight (har har) out of Glee or Sex Education or Elite or SKAM or Skins or Degrassi, or...you get my point.
But it felt so different to me, and I realized yesterday what it was. Hearstopper takes the pleasures of queer romance and eroticism as seriously as it takes the pains of it. By which I mean, it gives an incredible amount of screen time to the excitement of it, the thrill of it, the visceral good feelings of it. Pleasure drives Heartstopper, in a way that is still incredibly unusual in mainstream queer media.
In most other stories like this, the pain and the angst and the ambivalence and the negative social ramifications of the premise take up like 90-95% of the screen time. The pleasure aspect typically exists as minimally as possible to catalyze all the negative or difficult parts that are the 'real' story. And while Heartstopper doesn't shy away from those things, it gives a roughly equal amount of narrative and screen time to the two leads getting a lot of pleasure out of their relationship, too. The amount of time the show invests in showing Nick and Charlie enjoying each other romantically -- throughout the story, not just at the very end -- is just absolutely decadent (and I mean that 100% positively).
The first kiss is a perfect example. In any other TV version of this story, the boys would have kissed that first time for less than 2 seconds, and then IMMEDIATELY been interrupted by the other boys. Instead, Heartstopper lets them kiss once, take a breath, and then have a second, very extended kiss enhanced by animated embellishments designed to emphasize just how incredibly enjoyable this is for them...before finally disrupting it again with Plot™.
And the amazing thing is, from a pure narrative standpoint, you don't need the second kiss. It's completely unnecessary to the plot. You could completely eliminate it and the plot would hold together exactly the same. The second kiss is there exclusively to emphasize the intense pleasure of this experience for them. That's all it does.
Heartstopper is serious about foregrounding pleasure, and how important pleasure is in all of this. Which frankly, is a thing you usually only ever see in romance novels and fanfic.
***
One of the reasons I was hesitant to watch this show initially is because I have limited tolerance for coming out stories that are so focused on the unappealing parts of the experience. It's not that those things don't MATTER. But there is such a cultural allergy to making the pleasures of the experience a serious focus, particularly (yes I'm going to say it) the sexual pleasures of it.
Hearstopper, blissfully, refuses to shy away from pleasure, and from making it important.
It's not just that my tolerance for queer pain in media is limited (although admittedly that's true). I also grow so weary of popular culture treating queerness as mostly a political identity upon which we simply moralize about tolerance, and engage in self congratulatory yarns about ~being yourself~ and loving yourself. It's not that I think any of those things is BAD. But a) I've seen that story many times before and b) there's an ENORMOUS piece of this experience that we're still mostly skirting around the edges of because we're still very chickenshit about it, to be perfectly frank.
We, as a culture, are still scared as fuck to really say, very bluntly: queerness feels fucking good.
In the midst of this, Heartstopper does something wondrous. It says to the audience, in no uncertain terms: Queerness feels fucking good...so, let's spend some time actually talking about THAT for a while.
As a rule of thumb, don't reblog donation posts or people asking for donations unless they've been vetted and reblogged by Palestinian bloggers. We usually go to lengths to verify this shit because we know scammers have been faking to get people to send them money, using the urgency of our genocide as bait.
It's disgusting this is what we're dealing with, but people are losing money because of some truly evil people out there.
Accounts don't just randomly spring up on tumblr without gofundmes while asking for someone to help them create a campaign. Fuck out of here with that shit.
The fact that nobody is talking about Secret’s new commercials pisses me off
Lynn Conway passed away this weekend. She was an electrical engineer whose professional work was instrumental in enabling virtually all modern semiconductor devices. She was fired from IBM, and lost her family for transitioning, and later came out and became an outspoken transgender activist.
Rest Easy, Lynn, the world is less for your absence.
I really cannot emphasize enough the mental health benefits of abandoning the idea that you're special.
"Never Again"
Pro-choice chalk graffiti seen outside the US Supreme Court during a protest against the court's decision to overturn the legal protections for abortion access.
In WWII, in 6 years, 67 journalists were killed
In the Vietnam war, in 20 years, 63 journalists were killed
In Gaza, in 70 days, 89 journalists were killed