It's Dabi Day ( ๑>ᴗ

ホークス 〈乱れ羽〉

BNHA SEASON 6/ MANGA WAR ARC SPOILERS!!

I meannn not exactly spoilers but if you know you know; putting this just in case,,, I miss twice and can't wait to see Hawks betrayal animated 😍🥰

My MHA OCs (and their pookies) in their cultural clothing

Fucking enormous piece that I am SO proud of but my GOD it killed me to make it!!! This was a weekly prompt for a MHA OCs server I'm in and it took me basically the whole week to do it 😭

Don't EVER let me draw this many ppl in one image EVER AGAIN!!!

(And now for the close-ups)

In order we have: Toko and Shoto, Hawks and Angel, and Ren and Dabi (I haven't talked much about anybody besides Toko on this account but psh,,,)

Would you believe that everyone in this image is masc 💀

father and son in law activities

keigo tracks down chisaki and gives him the world's worst shovel talk after this

I think this would happen for sure

My prediction on what was Scissors-kun's deal ended up being pretty correct: he was indeed abused - horrifically so, being tied up and locked away - and then abandoned by his family during the war because of his quirk. Except Horikoshi actually exceeded my expectations and revealed that it wasn't because of behavioral issues (not that it would've justified it! Never. but I was imagining a parallel to Toga), it was only because his quirk was a random mutation, and also his family sewn his mouth shut.

Because thing is. The set up for something like this was here all along. I predicted it based on things that were already happening in the story. Continued fear of 'abnormal' quirks; horrific domestic violence enacted due to this; Heroes never catching wind of this because this was from a family that weren't consider 'Villains', so this was Scissors-kun's normal. And this normal broke and the dark secret got revealed only because something extraordinary happened - the country collapsed. Scissors-kun family left him, so he was able to escape.

But... none of this is apparently going to be addressed. The happy ending is Scissors-kun being found and helped, instead of any widespread, far-reaching, systemic change that would prevent shit like this. No, 'but it's obviously going to be addressed off-screen' doesn't count. The story brought up on-page and explicitly that quirk discrimination is a thing, that abusive quirk counseling/treatment is a thing, that abuse and abandonment of children is a thing. I expect the solutions to be on-page and explicit as well, and not just 'if I reach out when it's not my business, then...!'

(Also. it is their fucking business. They're government employees. Their job is to save people and guarantee the welfare of all citizens. it is very much their business.)

I'm not upset that Scissors-kun isn't Shigaraki; never really expected that in the first place. Shigaraki died. Deku fucking failed. I've come to terms with it. I'm not upset that Shigaraki wasn't saved, but this kid was; not even in the meta-, story-, character-sense, because, fine, he's replacement goldfish Tenko, but I'll take the 'we'll do better next time', it's a good thing this kid gets saved, it's what Shigaraki would've wanted, it's what the League fought to destroy for. It's even good that The Old Lady has become a better person.

What baffles me is that this save occurs pretty much because of nothing except the purported 'What Deku Showed The World That Day (When He Killed A Man)'. This save isn't because Heroes and civilians have more awareness of victims. This save isn't because society is promising to stop quirk discrimination. This save isn't because Ochako learns of Toga's abusive parents and so sets out to tackle this issue of quirk-related domestic violence. This save isn't because Deku has lead a new movement to stop bystander inaction. (Moreover, about 'bystander inaction' - Scissors-kun lists 5 other people outside his immediate family of Dad/Mom/Sis who knew about him... and did nothing. His uncle, his aunt, his grandparents, his great-grandfather - if they didn't directly help sew Scissors-kun mouth shut, they still turned a blind eye and never alerted authorities. (Tenko explicitly states this as one of the factors that led to him lashing out, but I guess the story forgot about it long ago, so. Even with the memories sharing of Chapter 417 and 418, Deku never sees this.))

As I said above, none of the issues that lead to Scissors-kun being in the circumstances he was in has been addressed.

This save isn't because any random civilian has decided to help - because any rando can and should help! This isn't even because Old Lady came to the guilt-ridden conclusion herself to do better.

This save is because Old Lady, carrying the burden of guilt, watched Deku kill the kid she didn't save all those years ago (tho she doesn't know it) and is apparently inspired by this act of "I can't help but do something" to finally take action (as helpfully narrated by Hawks). It's not because civilians have done any deep thinking about the rot that permeates their culture; it's because Deku was a hard-working murderer on TV. There were dozens of other people on the street. Real change should've been a whole crowd of people seeing Scissors-kun and wanting to help - someone giving him a blanket or offering him shoes while another calls for an ambulance???

But whatever. I just want to state this: the first thing that truly saved Scissors-kun was Shigaraki's destruction. Without it, his family would've stayed in that house and kept him locked up. It's really only because of Shigaraki's destruction that Scissors-kun even got the opportunity to find freedom and get his hand held.

Do you think Hawks will die to save Toga?

Personally, I wouldn't like it if either of them died. Like, the potential narrative payoff here would be strongest if both of them lived, imo. I would rather see a situation where Keigo donates just enough blood to stabilize them both, rather than a situation where one person completely exsanguinates themselves and leaves behind a rash of trauma and unresolved feelings in the person they "saved."

I'm definitely not the best when it comes to Hawks meta, but I'll try my best to break down my personal feelings on why I feel both Keigo and Himiko need to live in order to "break the cycle":

1. You Can Start Over. I'll Help You.

This one's the biggest, most obvious point in favor of them both living imo. Hawks made an offer to help Jin start over, but rescinded that offer and immediately went for the kill the moment Jin showed signs of resistance. This was Keigo's biggest failure as both a hero and as an individual, and something he has yet to atone for.

In turn, Himiko believes there are no second chances-- that her only options are death or being locked away forever. So, she chooses death. She needs someone to offer her a third option.

The set up is there.

There's also the matter of Keigo and Himiko both stating that they want an "easier world" as their core motivation, and both of them state that they want to be the ones who help make that world.

Their goals only sound simplistic on the surface and serve as a mask for their respective traumas, but... ultimately, a world that's easier for Himiko to live in (where she is consensually given blood by someone who loves her and she is allowed to give her blood back to the world in return) is a world where heroes can finally take it easy-- because it's a world that nips the endless creation of its own "villains" in the bud, through unified acts of compassion and understanding.

Both characters have caused others intense pain and hurt others in their attempts to take shortcuts to the creation of an "easier world"-- Hawks is the hero that's "too fast," and Himiko is also associated with her near-supernatural speed. They're both too impatient and want the quickest possible results. Having both Himiko and Keigo living and learning the "right way" to create their ideal world-- and then, getting to be a part of that world as they both continue to atone-- feels much more meaningful than having one or both of them die before they can see that future reach fruition.

2. The Big, Suicidal Elephant in the Room

The majority of the LOV members all struggle with suicidal ideation-- Touya wants to set everything Endeavor ever chose over him ablaze, and he wants that inferno to also serve as his funeral pyre. Tomura has got a dissertation's worth of issues regarding his own mortality and self-perception/identity, and his whole "let's-just-destroy-it-all/we-don't-need-a-future-actually-lol" schtick has always been a symptom rather than a legit proposal for a cure. Himiko wants to disappear into the identities of the people she loves, because the world treats her a little more kindly when she isn't "Toga Himiko." The LOV trio's arcs all revolve around "death of the self" to some degree. (That said... resurrection and rebirth are also heavy themes within Tenko, Touya, and Himiko's arcs, soooo....)

Keigo also struggles with suicidal ideation and places the worth of his own life far, far, faaaaar below that of everyone else.

This has already been said, and shouldn't really need to be said in the first place, but-- people have every right to feel uncomfortable and criticize a story that attempts to validate suicidal characters by portraying their suicide in a noble/redemptive light.

Next!

3. It's All About All Mi-- Err..... Tomie?

"I was fine with that-- not saving her, turning my back on her. Me, who claims he wants to help people." - Hawks, about Tomie.

"I tried to go about things the right way" is a good line that touches on one of the core conflicts of Keigo's character: He suppresses so much of his natural instinct to do good so he can do "right."

Keigo knows in his heart of hearts that "the right way" doesn't save people like his mother, it didn't save Jin, and it's not going to save Himiko. He's been groomed into upholding the society and status quo that caused him and Tomie to nearly fall through the cracks in the first place-- and I've always found it both fascinating and sad that Keigo seems to equate choosing "the right way" (i.e. becoming a hero) to abandoning his mother. Keigo effectively being *sold* to the HPSC is what took Tomie off of the streets and gave her a roof over her head-- it gave her "a chance to start over." But Keigo doesn't seem to view this as true saving. With that in mind, his attempt to "save" Jin by essentially giving him the same offer the HPSC gave Tomie was always doomed end in failure.

Keigo: "My mother feared punishment for harboring a criminal, so she took me and ran."

Tomie first ran out of fear of being arrested after Takami Thief was captured-- which led to both her and Keigo being homeless for an extended period of time. She ran again after Dabi/Touya threatened her for information on Keigo, this time out of fear of her son-- a son who had became synonymous with "the law" she feared so much in her eyes. She can't bear facing him after her betrayal and implicitly fears punishment/condemnation from him (even though Keigo had *no* intention of punishing her)-- Tomie readily leaves behind the "normal" home and "normal" life that Hawks obtained for her through "doing things the right way," bc the imaginary threat of punishment and condemnation is something that comes across as worse for her. This only further convinces Keigo that he failed to save his mother, even though he's the one who's being betrayed and hurt by her.

I can't help seeing similarities between Tomie & Himiko's decisions to run out of an intense fear of punishment/imprisonment, and how this inevitably ties to Keigo. Keigo subconsciously realizes that can't truly save people like Tomie, Jin, or Himiko as "Hawks" because "Hawks" is part of the problem. He longs to save others as himself-- as "Takami Keigo" (which is why the loss of his quirk kind of has me like "👀 👀 👀 whatcha gonna do next, turkey boy...,,..👀 👀 👀" )

As an aside, I seem to recall that transhawks made a few meta post where they talk about how there are traces of Jin's design in Tomie (esp her eyes, which have the same dead-eyed thousand yard stare) and that their resemblance is likely intentional (edit: link to one post pointing the resemblance out)-- It's not as overt, but imo, Himiko also resembles Tomie (just a little!) when she has her hair down.

Anyway! Both Jin and Himiko dying after A) Keigo has spent his whole life agonizing about how his own mother wasn't able to survive in their current society, B) expressed guilt about how he didn't even try to save her and didn't make attempts to involve himself in her life, C) talked at length about he wanted to be "more like Bubaigawara" and then proceeded to roleplay him, badly, for a good third of Act 3 (ohhhh boy ☠️☠️☠️), and D) demanded that Toga be killed immediately after she arrives in Gunga, only for Ochako and Tsuyu to explicitly challenge and reject the idea that killing was the only option available.... idk, Himiko dying while Keigo does nothing would just feel massively incoherent at this point??

TL;DR The resolution to Keigo's arc currently hinges on addressing his origin, his identity, his guilt, and his ties to these three characters. Keigo feels that he failed with Tomie, and he explicitly failed with Jin-- and I personally don't think his arc can have a satisfactory ending without addressing those failures through Himiko, or without him trying to right where he went wrong by helping her in some capacity. This is a chance for him to finally follow his innate drive to do good over doing what their society dictates as "right."

----

All that being said, if Hori did decide to have Hawks sacrifice himself: Hawks choosing to sacrifice himself because he wants to believe in the future that the hero kids are creating and wants to believe that children like Himiko have a place in that future feels WAAAY more tonally consistent with mha's themes than Himiko choosing to sacrifice herself because she doesn't think she has a future

One message is about healing and hope and belief, the other is about failing to truly save someone who was already suicidal from their inevitable self destruction.

MHA has been defining true saving as "going above and beyond" for hundreds of chapters now-- true saving means saving a person's heart, body, and soul. It means giving them a future. By mha's own definitions, Himiko choosing to kill herself means she wasn't saved. Pure and simple-- You can't save the heart but not the body/soul (Himiko), you can't save the soul but not the body/heart (Touya), and you can't save the body but not the heart/soul (Tomura). There's a lot more work to be done here-- but that's fine, bc MHA has never depicted true saving or true healing as some magical, instantaneous thing. (#recoverygirldni)

halfway through a doodle i realised i was basically just putting hawks in tokoyami’s outfit.. oops

another installment for the howls moving castle au, ft a gratuitous interpretation of that one moment in the movie where howl gets sick because i'm allowed to indulge my love for sick fics every once in a while

I like this character *torments them with the knowledge of a long lost love they're cursed to forget, of which they can only get snippets of when they are at their worst, and will cease to remember when they’re well enough to actually do something with said knowledge*