“Golden Child, Lion Boy; Tell Me What It’s Like To Conquer. Fearless Child, Broken Boy; Tell Me What

𝑺𝑬𝑳𝑭-𝑷𝑨𝑹𝑨 𝑰. the aftermath is secondary (but it always comes)

All you do is scream inside, boy. Where's your goddamn courage?

"You are nothing more than a senile old man, dragging the family name through the mud." You sneer, handsome features become scarlet, because that vein in your neck pumps blood that is trying to escape and stain your hands, and you're desperate to be anything but your father.

"Our lineage? It's cursed, almost as bad as the Black family." You judge, like entitlement isn't also a curse or a language that you speak fluently, like your high horse couldn't topple you and all your little machineries.

"We are the byproduct of centuries of inbreeding, father. If you think we cannot get much worse than that, you have another thing coming." You rage, self-hatred running rampant in your veins like your hounds from hell race through the Nott Grounds at night, desperate to rip off arms of intruders.

Nobody but your mother and sister know about the screaming matches you have with your father. Acting like two savages, vocal chords echoing through corridors silenced by Perpetual Vows for thousands of years. It's not about what he's doing, it's the fact that you could do better.

You could do better, and that kills you inside. Because you just can't wait, can you? You cannot wait for your time to shine and get your grubby little hands on the family crown. Your thirst for power seeping from each pore, glinting in your green eyes and hiding in the shadows of your boyish face. You're too young to be the leader, and you're too old to be dismissed as unthreatening, so now you're left to your own resources.

And your argument is based on a fragile foundation, made of cracked stone that is being kept together by hardened gold. It's not a lie, no. But that's not entirely the truth either. You've never been too good at those anyway.

Well, you're made of mead, boy.

The drink of the gods: a result of fermented honey, and fermenting is just another word for rotting. You're rotten honey. Sweet, but acid. You get drunk on your own hubris.

If you need to tell yourself that your father is supporting an outsider, forgetting about your traditions... So, be it. Tell yourself that.

You can be a drunk, yes, not stupid. There's a thought snaking through the crevices of your brain, balancing doubt in the tiny point of a sharp knife.

Should you support? Or should you not?

It's a growing obsession that's been corrupting your fragile ego for years. Should you support the opposite side just to antagonize? Or should you join and prove yourself to be a much better follower than your own old man?

It's not about what's right, of course not. Why would it be? The thought doesn't even cross your mind, yet.

But you don't want to be made of a fool either, so you ask yourself who is even this Voldemort fellow. After all, if he were from a pureblood family, you would have heard about his folks sooner.

Every pureblood can trace their lineage, registered on family trees and parchments with Dark Magic older than most houses. You would have seen him in any of the dusty tapestries, would have seen portraits of his grandparents painted and showcased on oppulent walls of your friend's manors.

You ask yourself who are his parents, his ancestors. They are so worried about pureblood supremacy, but are they even making the right questions? Or any question at all?

Are you the fool? Are you the only one who can't see it? Are you making the right choice? You couldn't be. For that, you would have to make a choice, and your choice was not even choosing at all.

The aftermath of the festival prodded the knife into your skin, balancing a fragile position. You know you will have to make a decision soon. Avoiding can only be done to a certain point, and the aftermath can be secondary, but it always comes. It's a snake blackening your skin or a stain blackening your face in the tapestry.

Voldemort is just means to an end for the pureblood society. A leader and a scapegoat. He is merely saying what other people have thought for years, making waves and decisions for those who are too coward.

People like you. Who are greedy, and ambitious, and too comfortable in their thrones like a god licks drops of ambrosia running between their fingers.

All you do is scream inside, boy. What is your choice?

Morcant was, after all, a Nott. A snobby, arrogant, stuck-up nose pureblood. He was self-aware of that, and he wasn't about to lie to himself and say he didn't have a reason to be. He was all of that, simply because it was owed to him and his legacy.

That said, all he felt was contempt and disgust. It took all of him to act like a gentleman, supress what he really felt and try to have fun. His entire life, Morcant always believed that you get more flies with honey, than vinegar. It wasn't like him to express what he truly felt, even if all he wanted to do now was bitch about it.

"Well, a single corridor in the Nott Manor has more cursed artifacts than this. Come on, Lucius. We both know that we came here for a comedy exhibit, especially if some stupid kid tries to rob it." He sighed, imagining the scene. "That would be a good laugh, wouldn't it?"

𝚂𝚃𝙰𝚃𝚄𝚂: open | 𝙻𝙾𝙲𝙰𝚃𝙸𝙾𝙽: zonko's, cursed artifact exhibition

a  slender  finger  slides  along  the  sleek  marble  of  the  countertops  before  him,  already  coated  with  a  thin  layer  of  dust  for  special  affects.  lucius  could  tell,  even  to  the  naked  eye,  that  the  so  called  cursed  artifacts  scattered  around  the  joke  shop  were  also  jokes.  pieces  of  plastic  disguised  as  actual  artifacts  hidden  around  the  wizarding  world.  ❝  they  have  to  know  they  aren't  fooling  anyone,  ❞  lucius  says  aloud  to  no  one  in  particular.  ❝  although  it  would  be  quite  the  event  if  someone  were  to  try  robbing  this  place  for  a  piece  of  junk.  ❞

5x13

GOSSIP GIRL (2021-) 1x02, “She’s Having a Maybe”, dir. Karena Evans

“I really want to kiss you.”

Jonah Hauer-King as Mo in The Flatshare (2022)

GOSSIP GIRL (2021) | 1x12 - Gossip Gone, Girl

just babe being in love throughout episode 5

WHO: morcant nott & open WHERE: diagon alley, street near gringotts. WHEN: late afternoon

Morcant had a day off, which rarely happened for the unspeakable squad in the Ministry. He considered himself a very productive person, so he decided to put his financial affairs in order. After dropping by to see Alecto, he headed to Gringotts. He had several investments and assets in his name, and although goblins were very reliable to make money, they weren't very trustworthy. There, things went as expected. Some of the most important investments had major drops due to the war, so he had to rearrange a lot of things. When he left the bank, it was the late afternoon and his head felt like exploding. During all of this, his familiar, a black kneazle named Odin, walked dutifully by his side. Right after they left the bank, however, the feline stopped to smell someone. "Odin, no. Come on, stop being rude." He chastened the kneazle, who promptly ignored him and stopped right in front of the newcomer. "I'm so sorry about him. Are you in a hurry? He's being trained to detect magical imbalance, so I think he might be worried about you."

“Champagne and fur slow dancing at French parties. Money and affairs at cocktail dinners. Smoking cigarettes and laughing in vain cause kings and queens never hurt, they say. Pretty eyes and mouths full of regrets, drinking red wine since the age of 14, cause wine is thicker than blood, and gold coins are running through their veins. Parents travel to Monaco for the honeymoon, only to get a divorce. Poor friends with nothing but money and dope. Call your hot wealthy boyfriend; tell him that you’ve fallen in love with someone too vulgar for your demons to drink a glass of liquor with. Work, bitches work, you shout as if you’ve chew your own gold by yourself. Red dresses and black suits dancing with depression and dying for attention. Oh my baby, with all your money, you couldn’t even buy yourself a soul. And now you pay all the artists in the world to write you a soul. Here you go darling; this poem is your soul.”

— We Call Them The Elite by Royla Asghar (via poems-of-madness)

MORCANT ELDRITCH NOTT — first of his name

AMBITIOUS — You take what is yours by right, but your eyes always hunger for more. Does that make you GREEDY, or is it simply that you know what the world owes you? DETERMINED — You persist, no matter the obstacles in your way. But when your ears refuse to hear other's advices, it's nothing more than STUBBORNNESS. INSIGHTFUL — You see the bigger picture, reading the currents of every situation. Yet, when you refuse to take action, some would just call you INDIVIDUALISTIC. RESOURCEFUL — Always CLEVER with what you need at your fingertips. But when that need twists into something more, can it still be called resourcefulness, or is it just plain MANIPULATION? CONFIDENT — It's just another name for a GOD COMPLEX, and you know it, don't you? BALANCED — When your father screams at you and you should have been crumbling down. Is it PATIENCE or is it PRIDE, because they can't see you break? COMMITTED — Because even the ones with the LOOSEST MORALS can also be LOYAL, and you know that only monsters can love other monsters.