peristalsis - iii
selkie!soap x reader. depression. suicidal ideation. strangers to "lovers." cunnilingus. analingus. spitting. piv. doggy. missionary. rough sex. size kink. breeding kink. biting. mean soap. manipulative soap. smut. . Running away from life to the Scottish Hebrides, you meet a man who won't leave you alone. . Masterlist. Ao3.
previous
The ocean calls the seal to return, and you finally heed the growing chill you’ve been ignoring, as well as the complaints of your nearly-empty stomach.
Starvation is not on your list of preferred ways to end your own life, so you check the fridge Johnny said he had stocked. What you find is disconcerting—hoping for snack foods, pre-packaged conveniences, you instead find a carton of eggs, hard cheeses, condiment bottles. Milk in a jug, green herb bundles, sticks of butter, and an unopened package of bacon.
The freezer is much the same. Bags of vegetables and meats like shrimp or scallops. Frozen loaves of bread. Not even a single carton of ice cream. When the pantry also yields nothing more ready to eat—no chips, no cup ramen, no cans of soup—you give up.
There’s a hierarchy of action you’re willing to take to preserve yourself, organized around a precept of energy expenditure—eating spends less than cooking, so you focus on the former and do not practice the latter anymore.
Even though most food has lost its taste by now.
So you lay down on the couch. Sulking, maybe, but it’s the only halfway satisfying thing left to you. You angle yourself toward the shelf of books it faces in place of a TV; it’s mostly romance novels. Bright pink or blue or violet or red spines facing outward, most of them already cracked and creased down through their titles.
Did Johnny stock those for you too—emptying the shelves of a thrift book store for a woman he knew would be alone—or are they just set dressing for his dream of a honeymoon getaway?
You start thinking about the cliffs by the cove.
They’re not very tall. Maybe three stories. You would feel the impact—and it might not even work. You would lay there at the bottom, in the packed sand, broken. But alive to feel every consequence of it.
You might still die, but it would be slow. Someone could find you, and save you. Probably Johnny. You might be permanently broken—worse off than when you began.
It’s not an option.
You could have just bought a gun if you stayed home. It would have been cheaper, and faster—
Anxious energy needles at your legs and prickles along the insides of your palms; you sit up, agitated. Your stomach bubbles as the acid inside slides around with nothing to eat into. You scowl at yourself and retrieve Johnny’s jacket from the floor.
It’s colder outside than before, when you leave the cottage for the third time that day for the walk to Vatersay village. You can see it from the front door of the cottage, only about a mile away, and as you get going, you find a walking trail cutting through the machair grass leading in its direction.
The sky darkens far earlier than you expect, on the way. You hadn’t thought you were far enough north for that. Absent of city lights, the Hebridean starscape peeks through gaps in the moonlit clouds overhead, winking to life as the sun retreats around the earth’s curve. You pause—even your ennui is no match for the cosmos—looking to see if you can find the arm of the Milky Way, but the autumn sky does not seem inclined to show it to you.
By the time you reach the village outskirts, warm rectangles of yellow light are already brightening the windows against a heavy blue night. You get directions to the pub from an older man walking his dog—Last Cull, it’s called. You find it with a carved wooden sign, adorned with the silhouette of a lounging seal, hanging by the door at the front, and walk in.
Johnny said that less than a hundred people populate the island; when you walk in, at least a third of them must be here, and their collective chatter, along with the sounds of drinking glasses clinking or hitting tables, and the warble of classic rock music, all rush at you at once when you open the door, carried on a wave of orangey lamplight and the smell of hops and a burst of thick, hot air.
It’s more life—more sound—than you were remotely prepared for, and you freeze in the threshold. You stand there long enough that, worse, several heads turn to look at you—
The outsider.
You duck your head, and look at the floor as you direct yourself at an empty stool at the bar. Your purse beats against your leg with every quick step, heavy with a tourist’s excess preparation, and following eyes lance you like pins through a butterfly’s wing.
A man in a beanie and mutton chops is wiping a glass dry behind the counter; he looks at you drolly when you sit down.
“W’can I get you?” he asks, surprising you with a distinctly un-Scottish accent.
You blink several times. “Um…”
The bartender is immediately unimpressed. “Liverpool, love. You drinking or eating?”
You flush. “I’m sorry—um—both?”
He nods. He does not offer a menu. “Right.”
He disappears with the same abruptness of manner behind a swinging door, leaking greenish fluorescent kitchen light around the edges and through the circular window set up in the middle.
Whatever waves you made upon your arrival already seem to have dissipated, ineffectual in the long-term; conversation in heavy Scots flows around you, relaxed and indistinct. The pub is warm with body heat, little groups of islanders pulled in close together around pints and tankards and easy conversation.
These people likely have known each other for years; seen each other grow up. Watched time etch lines across one another’s faces. You can’t really understand the words being exchanged between any of them, but the tenor is familiar. None of it is especially important to say to one another, you know—it’s the back and forth that’s the point. The sway and rock of practiced call and answer. Of knowing, when they say something, that a response will be given, even if the response is something that’s been said a thousand times before.
You run your fingers along the dented surface of the old bar. Shift in your stool. Pick at a sliver of skin coming up from one cuticle. A single drop of oil in the middle of an ocean.
The bartender returns to you from the kitchen, no food in hand. Instead, there’s a new expression on his face—a hammer aimed at your protruding nail. His eyes are narrowed; his brows are drawn together.
“You’re Soap’s tourist,” he says.
“Um,” you say, pinned under the intensity of his stare, “no?”
He rolls his eyes. “Johnny MacTavish. Everyone else calls him Soap.”
“Oh.” You cannot guess at all where this conversation might be going. “Yes?”
“He cooks for me some nights,” the bartender says. “He’s in the kitchen right now. He says dinner is on him, and he’ll bring it out soon.”
“He’s here?” you demand, jaw dropping.
“Some nights,” the man repeats. He picks his drying rag back up, and gets to work on another glass. Your association with Johnny—Soap—seems to have unlocked in him a geniality that would otherwise be inaccessible to you. “Lad was right chuffed when you rented out the croft. Hadn’t seen him that excited in ages. Wouldn’t stop talking about it for a month.”
He hasn’t offered you a drink and doesn’t seem inclined to. Still intimidated, you don’t ask.
“He told me I was his first guest,” you say, worrying at your cuticle.
“Mm-hm,” responds. Then he eyes you. “See why he was so worked up now.”
You stop your jaw from dropping for a second time, but only just—the weight of Johnny’s hand ghosts down your back, aided by his scent radiating from his jacket, released from the fibers it’s seeped into by your body heat.
“How—um, how do you know Johnny—Soap?” you ask, awkwardly.
“If he told you to call him Johnny, call him Johnny,” the man says. “Was his captain, once upon a time. Served together in the SAS. Name’s John Price.”
“Nice to meet you, Mr. Price,” you say.
He grunts. “John’s fine. He been behaving?”
“Um,” you say, entirely unsure how to answer that, when the kitchen door flings open.
“Bonnie!” Johnny exclaims, apron-clad, rosy-faced, and grinning wide.
He’s exchanged his heavy sweater for a lighter, cream-colored henley, sleeves rolled up his broad forearms. Combined with the cinch of the apron strings around his middle, it highlights and flatters the athletic build of his silhouette. The hem of his kilt flutters around his knees as he hurries over.
“Hi, Johnny,” you sigh.
He balances a steaming dish on one hand and carries some silverware wrapped in a napkin in the other. The plate tilts precariously as he directs himself at you, but the food survives as he slides it in onto the bar in front of you.
“Shoulda told me you were comin’ down, or I’d’ve had somethin’ better ready to make!” he scolds, though he’s clearly too pleased to mean it.
On top of a ceramic plate, the glaze spiderwebbed with cracks from age and constant use, three oblong triangles of fried fish rest atop checked wax paper, attended by a large stainless still cup of large wedge fries that you remember are referred to as “chips.” Beside that is a small cup of some white condiment you don’t recognize. Everything looks fresh from the fryer, as if Johnny could not wait one second to long to bring it to you.
“Oy, lad, how come I don’t get that kinda table service?” someone yells out behind you. “M’ I not pretty enough for you?”
A chorus of laughter answers the teasing. You hunch into yourself.
“Go back to your pint, Angus, ya weapon!” Johnny returns grandly. Then, to you, “Here, this is the best thing for it—”
John Price has already stepped far aside; you and he watch as Johnny retrieves a long-stemmed glass from a shelf, and then pulls a bottle of wine from a low fridge. He sets the glass beside your plate and uncorks the bottle—bicep quivering as he works the screw—and then, thumb in the punt, he pours out a stream of white wine one-handed.
“Tossers over there’ll call me mad but Sav Blanc with a fish an’ chips is pure class,” says Johnny. Then, to your horror, he sets his elbows on the counter in front of you. “Go on, have us a bite.”
You stare at him agog. His cheeks are flushed red, and you’re not sure it’s from the heat of the kitchen or—his gaze flicks to your mouth and back—something far less comforting. He stares back at you, grin unmoving—eyes bright and vibrant and too intense to hold contact with for long.
You look down at the meal again. The fish looks crunchy and thick with golden brown crust; the chips are sharp at the edges and dusted with salt and some sort of green seasoning. The smell is impossible to ignore—hot and floury and oily.
You take a chip and dip it tentatively into the white sauce. Johnny’s eyes dance with excitement as they follow the movement. When you take a bite, the bitter tang of tartar meets your tongue and mixes with the mild potato as you chew.
It is only just shy of hot enough to burn but—it’s good. It’s delicious. It’s the best thing, you realize, that you’ve tasted in you’re not sure how long.
You do your absolute utmost to prevent that from showing on your face.
“It’s good,” you say, and take another bite.
“Barry!” Johnny enthuses. “Now have a dram, go on.”
Rather than allow you to pick up the glass like a normal person, Soap lifts it in one large hand—knuckles and wrist peppered with dark hair—and brings the rim to your mouth. You have no choice but to take a sip as he tilts it toward you, or else end up dribbling white wine everywhere.
You must begrudgingly agree, as it passes across your tongue, that it pairs very well with what you’ve eaten.
You nod at him in lieu of another response; the corners of his eyes crinkle. He sets the glass down and slaps the counter with both palms, pushing himself away from it.
“Enjoy that an’ I’ll be back for ya in a mo,’” he says. With a bounce in his step, he disappears back into the kitchen.
John Price throws you another droll look. “You’re never getting rid of him now.”
When he turns away to address another patron, you scowl at his back.
Johnny comes in and out of the kitchen several times, as you pick at the food. Whatever his usual habits as the pub cook, it seems he’s in a magnanimous mood this evening, bringing orders to every table and chatting with anyone who catches his attention.
And a lot of people catch his attention. Island native or not, it seems that Johnny is everyone’s favorite boy—and it’s hard not to see why. He throws bright smiles at everyone who speaks to him, pats shoulders, trades good-natured Scottish ribbing with anyone who throws it his way. He’s familiar, it seems, with everyone he talks to—or he’s good at making it seem that way.
And the effect it has on everyone he talks to is obvious. Weathered faces, the kind that seem to rest at a permanent, severe frown, rise to beam as brightly as the sun after Johnny spends a minute or two checking in on them. Fond eyes follow him around the pub; the conversations at tables he visits keeps a lively tenor even after he leaves it.
You reach for your wineglass and drink deep.
“There we go!” Johnny exclaims, noticing.
He does not leave you neglected, of course—he keeps circling around, looking at your plate, and then at you, and filling your glass when you empty it. It strikes you as rather sweet until he starts availing himself of a mouthful every time—turning the glass so that his lips cover the marks yours have made on it.
When about half of your plate has been cleared, and Johnny is returning from delivering a tray of sandwiches to another table, he comes up behind you and leans in close, hands curling around your shoulders. Mouth brushing your ear.
“Dinner rush is almost done, bonnie,” he murmurs, butter-smooth and low as banked embers. “Then I’m all yours.”
A tremor runs up the nerves in your spine; you sit up straighter when he pulls away, the fine hairs on the back of your neck reaching toward him as if statically charged.
You catch John Price eyeing you again, expression blasé. You flush up to the roots of your hair and avoid looking at him again.
Eventually, the pub begins to vacate, somewhere close to ten in the evening. No city bar, this one, even on a Friday night. You finish three-quarters of the bottle of wine in between turning the fish and chips into mush and crumbs, finally pushing everything away from you as the last stragglers jingle the bell above the door.
Then it’s just John Price, pulling on a coat, Johnny doing dishes in the kitchen, and you, alone, sneakers hooked to a rung on the barstool.
John Price sticks his head through the swinging door. “We still doing Sunday, Soap? Or d’you have new plans?”
“Course doin’ Sunday!” Johnny yells. “Canny wait!”
“Alright. I’m leaving, lock up when you go.”
And with that, John Price gives you a cursory nod, and makes his exit.
Soon after, Johnny exits the kitchen, wiping his hands on a towel, the motions making his pectorals twitch and flex. His apron is gone, the little v of his shirt collar exposing dark, curling chest hair.
The odd pelt—you realize, from your experience this morning, that it’s a seal’s—still hangs around another plaid kilt.
Your heartbeat is hot and heavy in your ears. You stare at him, lips pressed together tightly, a tremor working its way between your shoulders.
He tilts his head toward you, eyes half-lidded. When you meet his gaze again, his smile is set at an expectant angle.
“Drive me home, Johnny,” you finally say, wine and humiliation pulsing through your veins.
He drives you home in silence, and rests his hand on your thigh the whole way there.
You don’t move it. You don’t react, either—even when his pinky flicks against the seam of your leggings, right where it lays against your pussy. He roves his spread fingers and heavy palm all across the length and breadth of your thigh, cresting down over your knee and back up again, squeezing and massaging the fat of your quad.
You don’t say anything. He does not prompt you to do so. The corner of his mouth, when you look to him at your side, catching his profile, is curled.
The silence continues when he pulls up to the cottage—even the wind is light and quiet, as you unlock the door to let the both of you in. The night sky is cobbled with clouds that pass over slowly, letting only slivers of moonlight reach the earth, so inside the croft is dark and murky.
You don’t move to switch any lights on. Nor does Johnny, following close behind you.
Out of sight, it seems your body forgets who—or what, even—is following you. He is only a presence at your back, a body taking up space, and in the darkness, with only your hindbrain to rely on, he could be anyone.
Anything.
You stop in the middle of the living room. He hovers behind you. Not quite touching—but close enough to feel the gravity of him, strong enough to pull you in.
You drop your purse on the couch, and make to shuck his jacket—his hands take hold of the shoulders, allowing you to slide out of it. The deep, even pulse of his breathing is right there at the shell of your ear.
“Bonnie,” he murmurs, husky.
“I’m,” you say, “I’m going to use the bathroom.”
A pause. Then—“Alright,” he purrs.
You escape.
In the mirror above the sink, you look yourself in the eye. What you see is nothing you haven’t seen before—pitiable, needy, pathetic—and it’s nothing you have any desire to confront now. If you think too hard about it—if you ask yourself what you should be asking—there will be no coming back from it.
He’s been dangling this in front of you this whole time. It’s no fault of yours for taking it. This once, you aren’t to blame for what happens next. This once.
You run the cold tap over a washcloth and dab cool water across your face and down your neck. It does little to regulate the heat flushing through you.
If you don’t go out there now, he might leave.
You throw the cloth into the sink basin and open the door.
And Johnny is there, standing right there in front of it, leaning casually against the opposite wall—
Completely naked.
You stop dead.
Gray moonlight falls across his body in a thin haze. The bulky, sculpted planes of it roll with dense muscle and dark hair, which is thick and curly across rounded pectorals and joins in a broad stream down his abdomen. Twisting into a nest at his groin, they cushion a long, wide cock, uncut, half-hard—
That jumps at your appearance.
He meets your eyes. They are silvery and sharp, even in the gloam. Drags his gaze down—leveling it with your tightening nipples. Then he reaches to his side and twists the doorknob to the bedroom.
It swings open. Empty bed in the doorframe.
His cock jumps again. A diamond-drop of moisture beads at the tip.
“Go on,” he murmurs.
You walk in, barely aware of your own footsteps. His bare feet cross the floor behind you, and then the door shuts again.
He does not say another word as he approaches you; you do not turn to face him. You stand as if restrained in place as large, warm hands skim the dip of your waist, slope easily down your hips and up again; he pinches the hem of your sweater and lifts. You raise your arms, lost in the fugue of your pounding heart; he brings it over your head, and tosses it to the side.
Rough hands smoothing over your bare skin, almost like sweeping away dust. He unhooks your bra with startling dexterity—fingers slide beneath the straps and loosen them down your shoulders. Hands dipping down your chest, edging under and replacing the cups around your breasts.
His thumbs press your nipples in, circle around them; you gasp, flinch back against him, and feel his cock, fully erect, nestle in the cleft of your ass. He huffs a laugh into your hair.
His hands return to your waist, and they slide down, pressed open against your sides, as Johnny goes to his knees behind you. He grasps the waistbands of both panties and leggings and—face centimeters away from the globe of one ass cheek—pulls both down in one smooth, soft sweep.
It feels like being skinned. Your heart beats a hammer in the arteries against your throat. You nearly lose your balance, tilting when you lift one foot out of your clothes, before one of Soap’s hands return to your waist to give you ballast. Holding you up like it’s nothing. He squeezes the meat of your hip tenderly, massages the give of it with the tips of his fingers, skin warm and rough against yours.
The moment you’d first caught sight of Johnny in the airport, he’d slotted cleanly into a certain taxon of manhood; one need only to examine his morphology briefly—the mohawk, the muscles, stubborn refusal to cover his knees even as winter fast approaches—to understand that his is the lifestyle of the fast-living. He leers. He gropes. He runs down what he sets his eyes on whether his prey likes it or not.
An organism with cheap pleasure on its mind, and nothing more. Johnny’s bull-focused intentions had stunk acrid and obvious the moment they’d fallen upon you—aimed, you thought unceremoniously, between your legs and nowhere else.
So why, as his hands drag up the backs of your thighs, is he touching you so tenderly? Teasing you open, rather than prising you apart. Touching you as if he’s in no hurry to do anything else.
It feels like an insult. It feels like mercy you didn’t ask for. Without thinking, without knowing you’re going to do it—you slap his hand away.
“Is this going to take all night, or are you going to get around to fucking me sometime soon?” you snap, galled.
An indrawn breath. His or yours, you’re not entirely sure.
Then he rises up, shoves a hand hard between your shoulder blades, and you topple forward onto the bed, flailing, landing face-first, as Johnny knees up behind you.
“So that’s how you want it, then,” he says. Nonchalant. “Aye, I can do that. Come here.”
You don’t have time to scramble away before rough hands grab your hips and yank them back, pulling you up onto your knees, and with no more preamble Johnny shoves his face into your naked pussy from behind. Immediately hot and star-bright; thumbs hook into your outer folds to spread you open moments before his tongue burns a stripe from clit to perineum, no slow build, no warm-up, before he starts eating you out like he’s starving.
You shriek from the sudden contact, hips jerking, but his hold is iron, and the more you resist the more he tightens his grasp, fingertips digging down near to bone. He licks at your folds, at the dips between them, as if he’s pulling swipes of you away on every taste bud, imprecise, mouthing your cleft as if he means to swallow it whole.
When you reach back with one hand to grab his hair—to hold him where he is or shove him away, you’re not sure—he releases one hip and shackles your wrist in his fingers, bending your arm at the elbow and pinning it to your lower back.
“You asked for it,” he growls against you, “and now you’re gettin’ it,” another dig of his tongue around your entrance, “so don’ fuckin’ complain.”
He pulls away and abruptly spits on your asshole before diving back in. With the thumb of the same hand around your wrist, he smears it around, dipping just inside at the same time his tongue breaches your cunt; you feel teeth press against your perineum for a breathless moment before he lets up, and then he prods your clitoris with little jabbing licks, forcing his way up under the hood that fails to protect it from his onslaught.
You have a free hand—you reach back to slap at him again. The theory of insanity proves true; one wrist joins the other, and Johnny uses his own weight to move you as he likes, arms curled over your hips, rocking your entire body against his mouth, lips smacking against you as he alternates between licking up the slick that abruptly starts welling around your entrance and sucking your labia between his teeth.
He grunts and snarls after every brief surfacing for air, every time his tongue touches you again, as if every new taste of you in his mouth is better than the last. His hands tighten into vices around your wrists as he buries in deeper, groaning, shoving his face against you so hard it thrusts your hips forward, which he greedily drags back, and then he flutters his tongue against your clit as if to punish you for his own forcefulness.
“Johnny—” you cry, “Johnny, slow down, slow down—!”
A climax swells within you before you have any time to prepare for it, a closeout curling in so fast that it hits you before you can brace. Johnny thumbs your ass again and suctions his lips closed around your clitoris, tearing a scream from your throat, ripping your orgasm even further out of you as you suddenly, violently convulse.
It jerks you in his grasp, as if whipping you, and then, as fast as it came at you, it recedes; you sag, dizzy and gulping air, but Johnny’s mouth opens around your pussy again as if nothing happened, tongue and lips losing none of their frantic voracity.
“Johnny,” you whimper, “Johnny, I came, you can stop—”
“Don’t give half a shite, am no’ done,” he snarls, accent thicker than you’ve heard it before.
Your breath shudders out of you as he runs the edges of his teeth up your folds, and then, briefly, the flat of his tongue circles your asshole, before dipping back down into the heat of your cunt. He catches your clit again in a quick succession of sucking kisses, loud and wet and pulling at it so hard that tugs at nerves all the way down your legs, spasming through your calves.
Your breath thins in your lungs, escaping you in high, reedy whines, and finally, he pulls his mouth away—only to replace it with his hand. He transfers your crossed wrists into one grasp, wedging all four fingers between the split of your cleft and shaking it vigorously, like a dog might with a small animal clamped in its jaws. He follows this with several rapid slaps against flesh that is already screaming with overstimulation—
And then the head of something hot and hard parts you, circling to find its target, and with as little preamble as he began Johnny shoves his fat, rock-hard cock into you, all the way to the base in one harsh thrust.
It shoves the air from your lungs in one go, leaves you no room to breathe in before he grabs your wrists again, like reins, pulls halfway out, and rams back in again, setting a brutal pace, his thighs slamming against the fat of your ass at a rapid staccato that shakes the old bedframe on its creaky legs.
He barely pulls out as he fucks you this way, thrusting short and hard, your face crushed against the bedsheets as he uses your arms to pull you back against him to meet every thrust. The fattest part of his cock catches your g-spot over and over, bright and hot as iron pulled from a fire, and you can’t even get enough breath in your lungs to do more than whimper every time his hips meet yours.
“This is wha’ she fuckin’ needed, hen, aye?” Johnny snarls. “Hissin’ an’ spittin’ like a stray cat, didnae know wha’s good fer it, jus’ needed a big cock in ‘er wet cunt, didnae she?”
A long, shaky moan is the only response you can give. Fast, fast and hard—he bucks against you wildly, violently, sending shockwaves up your body that jounce your breast and ripple across your blazing cheeks. Your mouth hangs open at a loose angle—if you try to close your teeth, you might accidentally bite into your tongue—
He releases your wrists, and your arms fall hard to the bedspread. Then he bends over your back, planting his hands in the spaces over your shoulders, making a cage with his his body. It changes the angle of his thrusts, lets him force his way in even deeper, kissing the head of your cervix. You climb your hands up the bedspread, claw at his wrists with your nails, but you might as well be a curl of wind trying to knock over a pillar of stone.
“You can bitch an’ whine all you wan’ at me, bonnie,” he says, a nasty thread in his tone, “but I know mean pussy just needs some pettin’ to make it nice again, don’ I, now?”
You try to struggle under him, search for some sort of purchase in the sheets beneath you, and for a moment you think he’s making space to let you; his weight retreats as you rise to all fours, but then one solid, beefy arm closes around your neck in a chokehold. He brings the both of you up, settling you over the cradle of his thighs as he sits back on his heels, clamping your back against his chest.
His free hand snakes down between your thighs, finding your clitoris again with rough, abrading calluses. A hard, grinding roll of his hips, upward and forward, pushes it up into his touch, like the crest of a wave, but gravity gives you no escape on the downwell; he pushes and pulls you as he likes, heel of his hand digging hard into the sensitive edge of your mons.
You scrabble with your hands for something to hold onto—you find the brackets of his wide thighs, wiry with dark hair, and dig your nails into hard, tensed muscle. He only laughs in your ear, speeds the rhythm of his hips, pinches your clitoris between his fingers and drags it around.
“Told ya, bonnie,” he gloats, taking the lobe briefly between his lips, “she wants it—” and he pushes his cock in deep, shaking his hips “—bad as he does.”
He reaches further inward and splits his fingers around his own girth, pressing upward—as if he intends to shove them in too, and choking for air as you are you think deliriously that they might just slip in, no resistance, aided by the wetness free-flowing now around him, dripping in long streams down the inside of your thighs.
Inescable—no matter what you do, it’s nothing to him. You thrash against him, whining through gritted teeth in frustration, but he only moves with you, anticipating every direction you might blindly throw yourself in to get away. You cry out in wordless fury, slapping whatever parts of him you can reach, but it doesn’t matter. There is no purchase for you anywhere, nothing you can use to grab back any sort of control.
He’s too big. Too strong. You finally begin to comprehend it in a way that had been impossible before. Looking at him from a few paces, Johnny is easy to take in; easy to summarize and dismiss when you can see the whole of him at once.
But now, at your back—he feels vast. Enormous. An undulating wall of a hard body flexing against you, mooring you to it, all heat and sweat and sharp, animalistic grunting as it pistons into you from behind. The hand manipulating your clit is wide enough to cover your pussy entirely; the pillar of his body doesn’t so much as shudder as you struggle, instinct overriding desire as you try to escape the lightning-streaks of pleasure he carelessly sends through you.
You are too primed from your earlier climax to possibly last, and Johnny seems to feel it—you flutter and clutch around him, the sensation almost painful, but when both your hands fly to the one between your legs he only increases the pressure.
“You gonna come again, bonnie?” he sneers into your ear. “Jus’ tiring yourself out, poor baby. Fightin’ it so hard, an’ it’s gonna happen anyway.”
It does—he starts slapping your pussy again, right above where his cock stretches you to your limit, quick and sharp, and you break with ragged scream, arms flailing out uselessly, nails finding his forearm around your throat.
“Johnny—” you cry out, “Johnny!”
“Fuck,” he groans in your ear, “steamin’ Jesus, fuck—”
Suddenly he pushes you away from him, and you flail again as you land face-first into the pillows. His cock slips out of you entirely, even as you’re still clenching around your orgasm, but you have no time to react, either to mourn it or be relieved, because Johnny grabs you by the thighs, flips you over in one motion, and drives back in again before it ends.
“Fuck, bonnie, so good, fuck, do it again—”
He throws your legs open, leaving your calves to shake in the air as he fucks you faster. You nearly fold in half under the force of his thrusts, knees hovering nearer and nearer to your ears. Each slap of his hips against yours ricochets up your body, and, with nowhere else to go, back down—you ring like a bell, shaking all the way into your marrow.
“Soap,” you whine, “Soap, it—I—I can’t—”
Suddenly he grabs your face in his hand, so tightly he squeezes your cheeks together, pushing out your lips, and he lurches forward to get in your face. Fury blazes from him.
“I told you,” he snarls, “to call me Johnny.”
It shocks you so much that freeze up, going completely blank. The dark, sharp lines of his brows arch dangerously over flashing eyes.
He shakes your face. “Say it.”
“J—” you slur, unable to shape it in your lips properly, “Johnny.”
His nostrils flare wide. Fury is replaced by triumph. “Good fucking girl.”
He slams his mouth against yours.
The first time he’s kissed you, and he gives you no chance to participate in it. He purses your lips with the pressure of his hand to meld with his, opening your jaw wide enough to thrust his tongue behind your teeth. The force of it presses your head back into the pillow. It’s an attack; it’s an onslaught. And—if the grunts and groans Johnny makes in his throat as he does what he likes with your mouth are any indication—
It’s what he’s really wanted this whole time.
Everything else, he’s enjoyed. But this—his mouth on yours, lips moving together, saliva pooling and seeping between the seams—is the prize he’s aimed for all along.
It touches something inside of you. Something tiny and ugly. A thing that you’ve wrapped up in nacreous layers of shame and guilt, lodged in your soft tissues, and tried to forget about.
It sends your arms to wrap around Johnny’s neck, fingers digging into the shifting muscles of his shoulders. You close your thighs around his waist, crossing your ankles, and roll yourself up into every meeting of his hips with yours.
He moans, higher, and drops his full weight over you. His belly meets yours; his chest crushes your breasts under his. He uses the full brunt of his weight to rut into you, crashing his hips against you, stealing the breath from your lungs—
It’s an old trick you’ve learned from small experience, inhaling when you feel the rush coming—as if climax blooms in the lungs rather than the clitoral head, and filling your alveoli gives it no place to expand. It’s useful to prolong satisfaction, to stave off the end.
Johnny does not give you opportunity try. The only thing he allows you to occupy your mouth with is his, and as hypoxia thins out your bloodstream—as you begin to struggle for air—you go rigid with your third climax beneath him.
However long it lasts, you don’t know. It freezes you in place, in time. It wrenches your head back, arching your spine, tears one long, broken cry from your throat.
“Fuck yes,” Johnny gasps, feeling you clamp down so hard around him it seems you may never release him. He moves to bury his face in your throat. “Fuck yes, fuck yes, fuck—yes—”
His tempo falters, signaling the end—
Realization—“Wait!” you find some presence of mind to cry out—“a condom! We didn’t use—”
“It’s got a’go somewhere hen, an’ I’m no’ wastin’ it on yer belly,” he snarls, “just—just—yes—fuck—”
Then his teeth come down on your neck, hard, as his hips beat against yours, and then he buries himself to the root with one final, full-body thrust. He shakes his hips flush against yours as he groans long and loud, cock pulsing inside you, wet heat flooding you in jets, so full that it spills back out to drip down between you.
He pants hard into your shoulder. Your own breath labors, vision swimming.
A cloud covers the moon outside. Johnny makes no move to pull away from you—instead his arms wedge beneath you, banding around your back, and he rolls you both to your sides. You feel him kissing the sting his teeth left on your neck, as you lay there together, sweat cooling on your naked bodies.
Eventually, he pulls back enough to look at you. You have no time to arrange your expression, no idea even what you might want to present to him; whatever he sees on your face makes him smile, crinkling the corners of his eyes.
“There’s my bonnie,” he murmurs, and the next kiss he gives you is soft and very sweet.
Your lips rise to meet his without you thinking about it.
He strokes your back very gently. Sooner than yours, his breathing evens out. Even as he softens inside of you, he keeps his hips against yours.
“Johnny,” you whisper.
“I know,” he says. “I know. Just a little while longer. Can you do that for me? Aye, you can, I know it.”
You should say something about spermicide. Plan B. But the look in his eyes is so soft, so content, that you put it away for later. You just hold his gaze as he looks at you like you’re everything that could ever make him happy.
He kisses you again. Soon, the heaving of your chest abates. Exhaustion pours through you in one drenching wave; you turn your head to yawn.
“Go to sleep, bonnie,” Johnny croons, pressing his fingers into the soft part of your lower back. “I’ll clean us up, aye? You just sleep.”
You don’t have the energy to fight anymore. Soon, you’re slipping away—you’re aware for long enough to feel it when he finally pulls away from you, when he runs a warm washcloth between your legs, and then when he slides back into bed beside you and pulls up the covers.
Then you’re gone.
Sometime after midnight, you half-wake.
The moon has moved far enough across the sky that its light floods the bedroom through its one window, casting everything in silver. Your eyes open slowly, blurred with sleep; Johnny is still beside you.
He’s sitting up against the headboard; eye-level with you is his waist, covered by the thin bedsheet. You draw your eyes up his body slowly—there, his navel, dark hair curling around it. There, his chest, full pectorals rising and falling slowly with calm, even breath.
When you reach his face, you find him looking down at you, corners of his mouth curled. You meet his eyes—
The moon reflects in them. Disks of shifting light in both pupils.
Some part of you, buried in your hindbrain, shouts with alarm. It’s far away, cottoned with sleep. Muffled enough by the soreness of three full-body orgasms to be ignored.
Johnny reaches out and drags the back of one finger along the wounded part of your neck. Touch feather-light.
“Why are you here?” he asks.
Vaguely, you remember that you’ve answered this question before, but that doesn’t feel consequential. Any part of you that could protest is still lost to sleep.
As is any ability to dissemble. The truth—the thing you attempted to abandon, that has followed you regardless—slips out.
“Nobody wants me,” you whisper.
So quiet you fear he won’t hear you, and ask you to repeat it.
But Johnny tilts his head. The curl of his mouth softens to something almost kind.
It doesn’t quite get there, because a gleam of satisfaction that you cannot name colors his shining gaze.
“I want you,” he murmurs.
His broad hand covers the crown of your head, and he strokes your hair. The tide of sleep comes back in, and you know nothing more.
chapter 4 early access
having some villainous gender with my autistic wife
Amen.
one thing white people in fandom will do is protect their own even when that person is clearly in the wrong. which i why i don’t believe for a second that y’all want to be allies. some of y’all don’t want to put in the work to become a better person at all. someone brings up a certain topic and y’all wanna be dismissive about it or you’ll try to derail because it makes you uncomfortable. fuck off
being prices assistant n bein a clumsy bitch you spill coffee ALL over his jeans or sumn. n youre so nervous youll lose your job you frantically grab tissues n wipe over the stains not realising youre rubbing over his bulge until hes letting out lil grunts yk? 📏📏
please this has bimbo assistant written all over it
spewing apologies as you try your best to dry the stain, looking up at him with tears brimming your eyes “i’m so sorry sir! i didn’t mean to! please don’t be mad Captain Price!”
and his eyes are just about rolling to the back of his head at the feel of your hand rubbing directly over his cock, grinding his teeth together as he thrusts against your touch
“Ah, don’t worry about it pretty just- fuck- just keep doin that yeah? fuck yeah”
I colored her. Badly. But. I colored her!
In the wake of early announcing that their blog will no longer be posting fanfiction, I wanted to offer a different perspective than the ones I’ve been seeing in the argument against the use of AI in fandom spaces. Often, I’m seeing the arguments that the use of generative AI or Large Language Models (LLMs) make creative expression more accessible. Certainly, putting a prompt into a chat box and refining the output as desired is faster than writing a 5000 word fanfiction or learning to draw digitally or traditionally. But I would argue that the use of chat bots and generative AI actually limits - and ultimately reduces - one’s ability to enjoy creativity.
Creativity, defined by the Cambridge Advanced Learner’s Dictionary & Thesaurus, is the ability to produce or use original and unusual ideas. By definition, the use of generative AI discourages the brain from engaging with thoughts creatively. ChatGPT, character bots, and other generative AI products have to be trained on already existing text. In order to produce something “usable,” LLMs analyzes patterns within text to organize information into what the computer has been trained to identify as “desirable” outputs. These outputs are not always accurate due to the fact that computers don’t “think” the way that human brains do. They don’t create. They take the most common and refined data points and combine them according to predetermined templates to assemble a product. In the case of chat bots that are fed writing samples from authors, the product is not original - it’s a mishmash of the writings that were fed into the system.
Dialectical Behavioral Therapy (DBT) is a therapy modality developed by Marsha M. Linehan based on the understanding that growth comes when we accept that we are doing our best and we can work to better ourselves further. Within this modality, a few core concepts are explored, but for this argument I want to focus on Mindfulness and Emotion Regulation. Mindfulness, put simply, is awareness of the information our senses are telling us about the present moment. Emotion regulation is our ability to identify, understand, validate, and control our reaction to the emotions that result from changes in our environment. One of the skills taught within emotion regulation is Building Mastery - putting forth effort into an activity or skill in order to experience the pleasure that comes with seeing the fruits of your labor. These are by no means the only mechanisms of growth or skill development, however, I believe that mindfulness, emotion regulation, and building mastery are a large part of the core of creativity. When someone uses generative AI to imitate fanfiction, roleplay, fanart, etc., the core experience of creative expression is undermined.
Creating engages the body. As a writer who uses pen and paper as well as word processors while drafting, I had to learn how my body best engages with my process. The ideal pen and paper, the fact that I need glasses to work on my computer, the height of the table all factor into how I create. I don’t use audio recordings or transcriptions because that’s not a skill I’ve cultivated, but other authors use those tools as a way to assist their creative process. I can’t speak with any authority to the experience of visual artists, but my understanding is that the feedback and feel of their physical tools, the programs they use, and many other factors are not just part of how they learned their craft, they are essential to their art.
Generative AI invites users to bypass mindfully engaging with the physical act of creating. Part of becoming a person who creates from the vision in one’s head is the physical act of practicing. How did I learn to write? By sitting down and making myself write, over and over, word after word. I had to learn the rhythms of my body, and to listen when pain tells me to stop. I do not consider myself a visual artist - I have not put in the hours to learn to consistently combine line and color and form to show the world the idea in my head.
But I could.
Learning a new skill is possible. But one must be able to regulate one’s unpleasant emotions to be able to get there. The emotion that gets in the way of most people starting their creative journey is anxiety. Instead of a focus on “fear,” I like to define this emotion as “unpleasant anticipation.” In Atlas of the Heart, Brene Brown identifies anxiety as both a trait (a long term characteristic) and a state (a temporary condition). That is, we can be naturally predisposed to be impacted by anxiety, and experience unpleasant anticipation in response to an event. And the action drive associated with anxiety is to avoid the unpleasant stimulus.
Starting a new project, developing a new skill, and leaning into a creative endevor can inspire and cause people to react to anxiety. There is an unpleasant anticipation of things not turning out exactly correctly, of being judged negatively, of being unnoticed or even ignored. There is a lot less anxiety to be had in submitting a prompt to a machine than to look at a blank page and possibly make what could be a mistake. Unfortunately, the more something is avoided, the more anxiety is generated when it comes up again. Using generative AI doesn’t encourage starting a new project and learning a new skill - in fact, it makes the prospect more distressing to the mind, and encourages further avoidance of developing a personal creative process.
One of the best ways to reduce anxiety about a task, according to DBT, is for a person to do that task. Opposite action is a method of reducing the intensity of an emotion by going against its action urge. The action urge of anxiety is to avoid, and so opposite action encourages someone to approach the thing they are anxious about. This doesn’t mean that everyone who has anxiety about creating should make themselves write a 50k word fanfiction as their first project. But in order to reduce anxiety about dealing with a blank page, one must face and engage with a blank page. Even a single sentence fragment, two lines intersecting, an unintentional drop of ink means the page is no longer blank. If those are still difficult to approach a prompt, tutorial, or guided exercise can be used to reinforce the understanding that a blank page can be changed, slowly but surely by your own hand.
(As an aside, I would discourage the use of AI prompt generators - these often use prompts that were already created by a real person without credit. Prompt blogs and posts exist right here on tumblr, as well as imagines and headcannons that people often label “free to a good home.” These prompts can also often be specific to fandom, style, mood, etc., if you’re looking for something specific.)
In the current social media and content consumption culture, it’s easy to feel like the first attempt should be a perfect final product. But creating isn’t just about the final product. It’s about the process. Bo Burnam’s Inside is phenomenal, but I think the outtakes are just as important. We didn’t get That Funny Feeling and How the World Works and All Eyes on Me because Bo Burnham woke up and decided to write songs in the same day. We got them because he’s been been developing and honing his craft, as well as learning about himself as a person and artist, since he was a teenager. Building mastery in any skill takes time, and it’s often slow.
Slow is an important word, when it comes to creating. The fact that skill takes time to develop and a final piece of art takes time regardless of skill is it’s own source of anxiety. Compared to @sentientcave, who writes about 2k words per day, I’m very slow. And for all the time it takes me, my writing isn’t perfect - I find typos after posting and sometimes my phrasing is awkward. But my writing is better than it was, and my confidence is much higher. I can sit and write for longer and longer periods, my projects are more diverse, I’m sharing them with people, even before the final edits are done. And I only learned how to do this because I took the time to push through the discomfort of not being as fast or as skilled as I want to be in order to learn what works for me and what doesn’t.
Building mastery - getting better at a skill over time so that you can see your own progress - isn’t just about getting better. It’s about feeling better about your abilities. Confidence, excitement, and pride are important emotions to associate with our own actions. It teaches us that we are capable of making ourselves feel better by engaging with our creativity, a confidence that can be generalized to other activities.
Generative AI doesn’t encourage its users to try new things, to make mistakes, and to see what works. It doesn’t reward new accomplishments to encourage the building of new skills by connecting to old ones. The reward centers of the brain have nothing to respond to to associate with the action of the user. There is a short term input-reward pathway, but it’s only associated with using the AI prompter. It’s designed to encourage the user to come back over and over again, not develop the skill to think and create for themselves.
I don’t know that anyone will change their minds after reading this. It’s imperfect, and I’ve summarized concepts that can take months or years to learn. But I can say that I learned something from the process of writing it. I see some of the flaws, and I can see how my essay writing has changed over the years. This might have been faster to plug into AI as a prompt, but I can see how much more confidence I have in my own voice and opinions. And that’s not something chatGPT can ever replicate.
The only woman I'd call mommy to her face.
i mean- c-please just- o-a-anything, i'll do anything.
ALT Text: A GIF of Vi from Arcane fighting Sevika. It is important to mention she is wearing a sleeveless top.
neighbour!Ghost x reader
Consistently tossing a polite little ‘good morning’ to your scary neighbour when you cross paths on your way out of the house, and every single time you’re rewarded with no more than a noncommittal grunt passing his notched lips or a level stare and a flick of his cigarette, something making it clear he’s not all too pleased with the social interaction.
One day, you decide you’re pestering him too much and just stop.
Walking past him with your head low, he has the audacity to whistle at you like he's calling for a pet- and it works.
He looks inconvenienced, his gaze accusing you of something along the lines of ‘-how dare you disturb the morning routine you've gotten me accustomed to.’ and indeed you did, making him feel surprisingly unsettled- another one of the tethering anchor points he relies on snapping and flying away within seconds, regardless of how inconsequential a gesture it had seemed to you.
“You forgetting something?” he grumbled in a tone that would surely leave someone else wondering if you owe the dubious-looking man with a balaclava hitched up over his nose an unresolved debt.
you don't skip the greeting next time.
Can we have your headcanons for Incu-dad Viktor, please? All of them!
Welp, I think we covered most of them in previous asks, but if ya want!
He's definitely a doting dad, just absolutely obsessed with his younglings and his partner/food source
They would not be human babies so he would need to be the primary care giver, he does not see this as a burden at all. As an incubus his primary drives are to feed and reproduce
He's gentle and nurturing in their infancy and absolutely encourages their naughtiness and deviousness as they age
The babies don't stick around for too long. It's rather a baby bird kind of situation, once they can fly the nest they are gone
He's absolutely obsessed with his partner while they are pregnant (and when they aren't) I love the HCs that he sings to their tummy, showers it in kisses, does a lot of hovering and tries to be a help
Since Vik wasn't born an incubus but made one through an 'experiment' gone horribly awry he still retains a human aspect to him that is struggling against what he's become. This translates into all that softness, into feelings he struggles with because those are outside of his incubus nature
This means he has weaknesses and emotions that fight his new nature, keep him from being callous and just using his partner - though he can't stop the need to feed or reproduce
While the babies are young he adores carrying them around, crooning to them, keeping them safe. As they age he becomes like a jungle gym for them to climb on and cling to
His mother tongue is easier for him to remember, which is part of why he spoke so stiltedly when he first appeared to reader, that and he was exhausted and starving and speaking in general required a lot of energy. He absolutely reverts to Czech primarily when speaking to or singing to the young ones
Childbirth is... different. Not as dangerous or as painful and damaging as normal birth but still no party. Recovery time is faster
1k Prompts
Pairing: Miguel O’Hara x fem!reader
Warnings: 18+, NSFW, Bathroom Sex, Jealousy, Penetrative Sex
Summary: A little warm up before the game starts.
Word Count: 695 (Not Edited)
You were always such a tease.
He almost tripped over the ball as he watched you, a scowl distorting his face. Today, the boys and girls soccer team had a game. It wasn’t unnatural for the two teams to practice together, going through drills and pair training. But usually, you and Miguel would pair up together, going toe to toe. A way to help build up the competitive nature within the both of you before a game.
But here you are, giggling and smiling with one of his teammates. You have a wide smile on your face, eyes on the ball as the two of you fight over it. You keep bumping into Peter’s side as you try to steal from one another, a loud yelp escaping you when you almost trip over the ball. Eventually, you steal the ball, his teammate falling to the ground as you kick it into the empty net. You whoop out in victory, smiling and sticking your tongue out childishly at your opponent before helping him up. It makes Miguel’s blood boil as he watches.
But it isn’t anything to worry about, not really. Not when he has you trapped between him and the wall, your legs wrapped around his hips to keep you up as he slides into you. You mewl, all that fight and competition leaving your body as you suck him in. You lean forward, whimpering into his neck as he bottoms out with a groan. The sound vibrates in the empty bathroom, and you press your face more into his neck to muffle the sounds. Miguel coos down at you mockingly, watching how your body instantly accommodates him and sags.
“Where did all that energy go, hm?” He whispers into your ear. You whine again, quickly moaning out when he pulls out and thrusts sharply into you. “You had so much energy when you were fucking around with Peter.”
He gives you more rough thrusts when you don’t answer, and you throw your head back against the wall. Your mouth is wide open, moaning and whining as you close your eyes. It makes Miguel hum in satisfaction. He doesn’t stop his punishing thrusts, only going faster. Your hand drops to his chest, pushing him away weakly.
“M-Miguel! Not so rough! I still have to p-play!” You struggle to say, interrupting yourself with gasps.
Miguel only rolls his eyes, but he still listens and softens his thrusts slightly. But he doesn’t slow down his pace. If the two of you want to get off in time to clean up and get to the field before the game starts, he needs to get the two of you to come fast. His hand trails down to your clit, rubbing it in fast circles that have your back arching. You clutch onto his arm desperately, body tensing as you feel your release building to its peak. Your legs around his hips have him in a vice grip as you moan out his name, walls clenching as you finish.
Miguel is quick to follow, the feeling of your tight walls fluttering doing him in. He buries his face into your neck as he groans, pumping his release into you with slow thrusts until he stills. The two of you stay still, catching your breath for a few seconds. Miguel slides out slowly, setting you down to the floor. He grabs a few paper towels from the dispenser, handing you some as the two of you wipe off. When the two of you finish, you readjust your clothing and walk over to the mirror.
From behind you Miguel smirks, “I think you can walk just fine. Don’t know what you were fussing about.”
You scowl at him from the mirror, undoing your fucked-up ponytail and fixing it. “Shut up, you jealous fuck.”
Miguel scowls at you, ruffling his hair and deeming himself presentable. Ugh, men. He grumbles something under his breath about you making shit up, flicking the back of your head. He walks towards the bathroom door, sticking a finger back at you. “Twist an ankle!”
“Take a ball to the nuts!” You shout back.
God, you hate him.
On The Run Series :
Part 1, Part 2, Part 3, Part 4
OTR Drabbles:
Breeding Season
Bed Warmer
Knock First
Clothing Preference
MDNI 21 // she // black // arcane // cod // this is where I keep my junk,
172 posts