Points. Looks

HeARTposting visual metaphors at 4:40am 💥

reblogs are appreciated ^_^!!

Twenty-One Things You Don’t Say to a Transsexual by Riki Anne Wilchins.

The fact that I am the only transsexual you know only emphasizes that…we are secretly plotting to take over the planet Earth, and infiltrating your prevailing nontranssexual culture is just our first step

In TransSisters: The Journal of Transsexual Feminism, issue 3, volume 1. 1994.

I don't have an explanation :) smash or pass, Mr. Lego Man?

👑🪱🔥😀👇👍 HOLY SHIT YOU CAN ITALICIZE EMOJIS HERE????

when the bridges are burning

literally

them too busy with their couple rights to notice the incoming fire. also some silly thing for valentines :3

tried out a new thing for these doodles, thought it looked cool

also some sketches to try and figure out how colds design works

HALLO FELLAS IVE FINALLY FINISHED MY DESIGNS FOR THE VOICES!!!!

well technically I finished them a while ago but i was planning on writing a bunch abt all the design choices I made... but then my brain went kaboom so oh well :3

For art requests! Could you draw either Mind as just like. A normal guy in an oversized black tshirt, or pink whole? I like your style a lot btw!! :3

HERE IS THY PINK WHOLE! HE IS PINKish

I couldn't think of a background so I just threw him into the fog, but that paired with the awkward pose makes him look kinda like bigfoot or some cryptid- oh well

also bonus normal guy mind doodle

I have fallen into the swap au trap

Narrator got the fledgling gods mixed up. Putting Change in the role of the hero (making her 'The Adventurer'), and Stagnation in the role of princess ('The Royal'). And because none of the echoes have reason to believe anything is amiss, they still proceed with the script as usual, guiding the Adventurer into slaying the Royal to stop the end of the world.

some scattered thoughts copy-pasted from discord under the cut:

– Shifty still has Hero with her because he's the representation of choice here, and she's the one making choices in this AU, but that's the only voice she ever has besides Narrator. Quiet still get to be a stuffed clown car in person form, cuz she still can't really change herself

– the main gimmick is that Adventurer will slowly change as she makes choices and/or react to Quiet/Narry

for example, as soon as she decides to take the knife or not, she'll either become 'sharper' or 'softer' (smth Hero notices, and maybe even Echo describes)

and as this keeps happening, Echo may eventually realize who she actually is and freak out. Saying she's a monster, that she tricked him into putting her in the hero's shoes, etc etc etc

and it's usually in that moment that the Adventurer will fully transition into whatever identity will be predominant in Chapter 2

for example, I have this idea of Royal, seeing the Adventurer acting weird because of the Echo, and acting outta fear to stab her in the back and run away, and that's how we get Witch

– Hero being with Shifty here means he's more like her than like Quiet, so he also changes slightly to accommodate to her new personality

tho when Narry freaks out, he gets very confused and a bit caught up on the "Wait…… so– we're not a hero?" thing to help much

tries to make up for it in most chapter 2's by promising to make sure Narry doesn't pull anything like this again

Alright, CCCC / TMA au.

With what fears do you associate each of the thirds?

No arguing; I just wanna see your interesting thoughts.

Crappy Character Analysis, part 6

I've been putting off this one, simply because I love Contrarian, everyone loves Contrarian, and I was worried I wouldn't do him justice. BTW, if you haven't read any others, I'd recommend at least reading Cold and Stubborn before this one.

part 1 (Broken)

part 2 (Skeptic)

part 3 (Cold)

part 4 (Paranoid)

part 5 (Stubborn

VOICE OF THE CONTRARIAN

Contrarian is my favorite voice, so let’s just get that out of the way. I’m doing my best to give him a fair analysis, but if there are any flaws, that’s probably why. I’d say a good 40% of Contrarian content was added after the Pristine Cut, probably because the fandom loved him so much. He basically lives up to his name. Any time someone says something, he immediately tries to counter it. Slay the Princess? No thanks. The world beyond yours is beautiful? Eh, it ain’t all that. Take the knife? Only to throw it out the window! In fact, throwing the knife out the window is his MO, seeing as he does it in three separate chapters (Stranger, Razor (No Way Out), and Fury (through Adversary)) and the only reason he doesn’t do it in the other two chapters he shows up in is because there are no windows for the blade to go out of. He also dabbles in bending reality, working together with Stubborn to keep you moving without your muscles. He is also, objectively, kind of a jerk. He calls Hero a baby for being upset at whatever abomination you see in the Stranger, refuses to give the Narrator vital information, antagonizes Stubborn by calling him weak, and then proceeds to manipulate him into throwing away your weapon, and then delivers the line that goes to the affect of “Oh, are we lying? I’m happy to be here, and I like all of you.” Of course, he does turn a new leaf at the end of the Stranger, and if you get the Stranger’s cabin at the end, he seems to have matured since the last time you’ve seen him.Contrarian exists to amuse himself. You get him by not taking the consequences of your actions seriously (not going to the cabin, fighting the Adversary unarmed, not taking the blade/stabbing yourself in the Razor, cutting your throat in the Tower). This attitude makes him careless. He wants to sow chaos, start conflicts, and just have fun. His commitment to the bit helps you survive and fight in the Apotheosis and the Fury. Who cares if you die? You were going to anyway. Contrarian doesn’t fully realize the effects his recklessness has on others until it is far too late. In the Razor, if he throws the knife out the window, he thinks of it as a funny bit. But after he realizes that there will be no getting it back, he admits he might have acted too hastily. Something similar happens in the Stranger. There may be a more deep-seated root to his nature, as well. One that most people miss. Contrarian is a contrarian out of frustration. You tried running away from the problem, and now it got worse. Now you have to face it, and he isn’t happy. If he has to confront his own mistakes, well, he isn’t going to make it easy. If he has to be miserable, so does everyone else. He reminds me of Cold, in a way. One turns to indifference, while the other turns to indignation. This point is accentuated by a line in the Stranger ending, where he confesses that he thinks of himself as the worst part of you. In the Stranger, it takes the entire world collapsing in on itself for Contrarian to fully realize the harm he’s caused. Once he sees the bigger picture, he shows remorse, and suggests that you try and help the Princess. In the Stranger ending, when you return to her cabin, he’s had more time to cool down and reflect, and he shows a surprising maturity, holding back on yeeting the blade. This may be the only voice who got significantly more content in the Pristine Cut, yet whose depth lies in pre-Pristine Cut content.