Visual Analysis And Critique Of The Aliens In Mass Effect: Andromeda

Something I think about a lot in fantasy worlds with lots of different exotic races,(mostly DnD, because I don’t think I’ve ever seen a fantasy franchise any near as many races as DnD) is how their cultures would handle jewelry, make up, or just general self-decoration.

Like, we humans have come up with all kinds of ways to pretty ourselves up, tattoos, hair dyes, piercings, rings, etc. But all of that stuff is based on our anatomy, some of it isn’t going to work for some races. And besides, why would other races/cultures use beautification techniques solely pioneered by humans? Surely they have their own based on their own cultures and bodies! Think of the possibilities!

Like, maybe Tieflings put piercings in the fleshy bits of their tails, to glam them up with jewelry! Or maybe they drill little holes in their horns, and string ribbons or small chains through them!

Or what about the Kenku! They’ve got nice shiny beaks and talons, what if they painted little designs on them, kind of like henna? Plus, they’ve got lots of feathers, maybe they could dye them? Or if they were feeling particularly adventurous, they dye their feathers to resemble other birds, like Bluejays, or Peacocks!

Orcs are pretty humanish for the most part, but the big thing that sets them apart, (aside from, ya know, being green,) is their tusks. I feel like the Orcs would be really into decorating their tusks. Maybe they’d put little caps made of precious metal on them, or paint them in Clan colors. Heck, maybe they’d even carve little symbols or runes into them. It would probably hurt like the dickens, but somehow I can’t imagine that stopping them. Lol

Speaking of carving, Tortles! I bet they carve all kinds of stuff into their shells! Or at the very least paint them! They’ve got a big ol’ canvas right on their backs, why not use them?

Tabaxi are covered in fur, making things like tattoos pretty difficult. After all, the point of a tattoo is to pigment your skin, and unless you shave it off, fur kinda makes that tricky. So what if they tattooed their paw pads? It’s basically the only exposed skin they have, except maybe the inside of their ears, which might be a bit too sensitive to tattoo. Also, I like the idea of Tabaxi painting their claws. They’re retractable, so you can’t see them most of the time, but on the occasion that a Tabaxi does decide to relieve someone of their face, at least they’ll be doing it in style!

Ever since the Rabbitfolk/Harengon (their the same thing, don’t worry about it,) were announced I’ve been thinking about bunnies with earrings. I mean, they’ve got so much ear real estate! Why not use it? Also, I imagine that those big flippy flops get in the way when you’re moving a lot, so I bet Rabbitfolk/Harengon use something like a hair tie, or something to their ears from flying around all over the place.

Centaurs! A cross between a horse and human! You know what that means? Caparisons baby! (For the record, Caparisons are those big fancy cloths knights used put on their horses. If you’ve seen a horse wearing something like a dress or a big skirt, that’s a Caparison. At least, according to my limited horse knowledge. Lol) It’s always struck me as a little strange then Centaurs were okay running around naked from the waste down, so this my answer to that. Fancy horse dresses! Also, I like to imagine that Centaur hair grows more like a horse’s mane than human hair, so really long, and tending to fall to one or the other side of their head. So maybe some Centaur cultures are really into braiding?

Minotaur time! Maybe it’s a bit stereotypical to imagine a Minotaur with a nose ring, but honestly it just fits in my brain. Maybe it has some kind of cultural significance, like maybe it acts the same way as a wedding ring, or maybe it denotes rank in their community. Another important bit are those big lovely horns! I can imagine all kinds of decorations on those bad boys! You could go simple, and just slap a few simple rings on there, or could a little more complex and do piercings,(Does it count as a piercing if it’s a horn?) and hang a bunch of dangly stuff on em! You could paint the horns, carve designs in them, heck, you could even drill holes in both horns, and run a chord or chain connecting them! All kinds of possibilities!

Finally, let’s talk lizards, specifically Dragonborn. Honestly, I can’t imagine Dragonborn painting their scales, or even wearing too much flashy jewelry. The impression I get from Dragonborn is that they are immensely proud of their Draconic heritage, and tampering too much with their scales would probably be seen as either disrespectful, or maybe even shameful.(Because why would you want to hide your scales, the single most visible sign of your glorious draconic lineage, unless you were disgusted by them, ashamed of them?) What I CAN see them doing is trying every possible way to show off and enhance their scales. Dragonborn would definitely take meticulous care of their scales, and that includes shining them up to make shine like a dang mirror. They might even use some kind of wax, or something to protect them from damage.

My point is, with all this rigamaroll I just spouted, is self expression should not be not limited to human sensibilities. No matter what they look like, these are people, and people aren’t manufactured on a conveyer belt. Get creative with your characters looks, take things like species, background, and culture into account, have fun with it!

we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

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customisable character

I love this kind of werewolf anatomy.

Today in the shower, I was thinkin about werewolf anatomy and the pain/body horror that kinda transformation would actually entail 🤔 specifically the way a humanoid skull would have to stretch into a canine shape!! So I did a little study about it c:

lobmster,,,,,lobster shrimp guy,,,, its a character of my friend's, @wojnalik and i swore to draw him because hes just magnificent alt colors:

this looks so sick

Epigenised (Opal-CT, Lussatite) Helix Ramondi snail fossil, from Dallet, Puy-De-Dôme, France.

the two halves of my brain/the two wolves inside me when making up a fantasy/sci-fi creature:

Side A: okay but what niche is this species occupying? They’re eusocial and cave-dwelling, did they evolve in natural caves or do they dig warrens, or some combination of both? Are all castes blind, or only some of them? Do they have any kind of special thermoception or electroreception sense? Could they have evolved to be bipedal, or is that stupid and they need a different body plan more suited for tunneling/noodling around in cramped parts of cave systems? If they’re smaller than humans but still fairly large creatures, how do they get the energy they need in a resource-scarce subterranean environment? You have to read these three journal articles right now!! Read them right now!

Side B: aww and this character wears a little knitted hat with holes for her little ears

the lash of bhaal / the testament of myrkul / the edict of bane