Jon Needs A Door And I Need A Fucking Break From This Weather Uhhh

I will never escape these two I fear

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Start reading Episode 1

Dialogue transcripts:

Panel 1 (n/a)

Panel 2 Mina: Gasp Jonathan: Darling, what is it? Mina? Mina, what’s wrong? Mina: I-I don’t know. Something…something horrible is coming.

Panel 3 (n/a)

Panel 4 Moran: Digby? Digby! Blast it, he’s gone and drowned, the fool.

Panel 5 Moran: At least the sea took her with him. I told the professor we never ought to involve a woman, much less a damned witch.  Digby(?) (offscreen): Nnnnghhhh Moran: Eh? Digby? Come on, man, are you dead or aren’t you?

Panel 6 Moran (offscreen): Christ!

Panel 7 ???: If you pray for deliverance, my dear, then you waste your breath…

Panel 8 Moran: Merciful God… Ligeia: …For my will is supreme.

Panel 9 Ligeia: Let us away. There is much work still to be done, and our talents are yet needful to the cause.

Panel 10 Caption: End Episode 2

yeehaw, baby!

Audio Drama Recommendations, Pt. II

For part one, click here. I went on another audio drama binge and I found some that were pretty fun to listen to. I usually tend to go after the ones that are completed because the longer the wait, the more likely I will forget the details, but this time I just went for anything that caught my attention. This also isn’t in any particular order.

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Bad Things Happen Bingo 3.0 #10

Biting

(Contains blood & vampirism)

Villain was surprised when their most trusted henchman came up to them with a nervous expression on their face. “What is it?“ Villain asked. “We’ve found and captured [Hero].“ Villain raised an eyebrow. “That’s a good thing… why the apprehension?”

Henchman pursed their lips. “They’re… sick, but we can’t figure out why.” Villain had a feeling they knew what was wrong. “Have they said anything?“ “No, they can barely speak, they aren’t moving. We found them on a patrol and literally had to just scrape them up. No wounds, no fever, nothing to explain it.“

Villain frowned. “Let me go and see. Perhaps I can find a way to help.”

Villain found them tied down on the bed, their breathing raspy, barely even existent. Villain studied their still body for a while, judging, assessing. They knew Hero’s secret. They were one of very few if not the only one who knew. They were a vampire, and judging by the state of them, they were beyond starving.

Villain sat down on the side of their bed. “What trouble have you gotten yourself into?” they mumbled. Villain looked behind them to see their Henchman still standing. “Give us a minute. I think I need a word with our dear hero.“

Henchman raised their hands in mock surrender and left Villain to it. They were good like that. They never asked too many questions, they trusted Henchman completely. Villain turned their attention back to Hero and carefully tilted their head to the side. “You’d better give me a very good explanation after this…” Villain rolled up their sleeve and offered Hero their exposed wrist. Hero managed a groan, but they didn’t bite.

Villain pressed their wrist against Hero’s lips, waiting patiently until they finally lashed out in a sudden movement. Villain grunted and closed their eyes tight, battling their urge to snatch their hand away. But they waited, and soon the pain faded off while Hero fed. Villain stroked their hair carefully and waited until they could move, until they had enough to reach forward and try to grab more. Villain waited for as long as they dared before taking their hand away and pressing a handkerchief tight against the wound. The bleeding would stop soon thanks to Hero’s saliva, but they couldn’t afford to lose much more blood.

“I’m sorry,“ Hero rasped, licking their lips. “I…“ “You needed it,“ Villain answered flatly. “Though how I’m going to explain this is going to be a difficult thing indeed.“ “I’d been trying to find you, but I didn’t have long… [Other Villain] had kept me locked up. [Villain], they know my secret a.and I don’t know what to do.“

Villain continued to stroke their hair. “I’ll see what I can do. But for now, you need to rest.” “So do you,“ Hero answered weakly. “That… that was a lot. I’m sorry…“ “Don’t worry about it, but after this, we are even, you understand?“

Hero nodded hesitantly.

my brain really decided to fuck me over last night cause after my whole life of never having a nightmare that has actually scared me I had two last night

they were about a guy getting eating alive by rats and me almost getting kidnapped if you wanna know

Audio Drama Recommendations, Pt. III

Click here for part one and here for part two. Recently, I've been drawing a lot, which gives me plenty of time to listen to audio dramas and podcasts. These are the ones I liked the most and found entertaining enough to recommend to others. This is not in any particular order, either.

The Green Horizon – is a sci-fi comedy drama created and written by Paul Walsh. It is sponsored by Faustian Nonsense, an indie entertainment network. It currently has three seasons, with each episode being about 20 - 30 minutes long, but later on it increases to 30 - 40 minutes. A fourth season is said to be coming out soon as well.

It is set in the year 2261, and it focuses on a ne'er-do-well Irish space captain and his rag-tag crew, as they traverse a war-torn Galaxy in search of fame and fortune. [ONGOING]

It was a little chaotic and rough at the beginning, but it does smooth out and become more polished. I can definitely tell that they up their game with the improved sound effects and production quality. The voice actors and the writing for the audio drama does an excellent job at bringing their characters to life, which made it very fun to follow along.

If you like Firefly, Red Dwarf, Orville, Cowboy Bepop, and so on then I think you may enjoy this too.

DERELICT – is a sci-fi narrative audio drama from award-winning science fiction author J. Barton Mitchell, and produced by Night Rocket Productions. It currently has one season titled FATHOM, which consist of 10 episodes with each one ranging from 40 mins to an hour, mostly the latter.

Something has been found at the bottom of Earth's ocean. An ancient artifact that can only be described as a giant door, inset into the sea floor. It becomes known as the Vault. A gigantic enigma, buried and forgotten...nineteen thousand feet down.

To study the artifact, the galaxy's most powerful corporation, Maas-Dorian, has built a massive, self-contained, secret laboratory base surrounding it, named FATHOM. It's objective: unlock the secrets of the artifact and discover what it holds.​ But some mysteries should remain buried. And some doors should never be opened... [ONGOING]

DERELICT started as the first project set up as a kickstarter. They produced one episode to entice backers, but then the pandemic happened, and they didn’t raise enough money for the rest of it. Instead, they worked on a prequel season called FATHOM. It's where the story really starts, and I highly suggest you listen to it before listening to "DERELICT E1 - Through the Gate."

I hope they redo the DERELICT's first episode because there's a bit of disconnection from it and FATHOM. For example, Sarah and Agent Blayne already know each other. She mentions it to the others, but the conversation they have with each other doesn’t make it seem that way.

Never mind. I apparently confused this Sarah with the Sarah in FATHOM. Can't blame me for thinking that when I heard the name Sarah and that she was already familiar with Agent Blayne.

Deviser – is a sci-fi horror audio drama created, directed, acted and produced by Harlan Guthrie. The same creator of Malevolent. It's a 7-part limited series, with each episode being about 20 mins long.

Son wakes up aboard a spaceship bound for earth in an effort to recolonize. What he discovers, however, will change everything he knows about his world and himself. [COMPLETED]

It's not for everyone, so please do not ignore the content warnings because there's graphic description of violence, self harm, body horror, gore, animal death/being hurt, and what not.

Victoriocity – is a detective comedy audio drama written by Chris and Jen Sugden, directed by Nathan Peter Grassi and produced by Dominic Hargreaves. It is an entirely independent production. It has two seasons, containing 13 episodes in total, and each one is about 30 to 45 minutes long. There's also a feature-length special and a up-coming third season with the help of a kickstarter.

It is 1887 in Even Greater London, an alternate steampunk Victorian London, where Queen Victoria reigns even after being assassinated eleven times, thanks to the wonders of modern science.

In this vast metropolis, Inspector Archibald Fleet and journalist Clara Entwhistle investigate a murder, only to find themselves at the centre of a conspiracy of impossible proportions. [ONGOING]

It's put together so well, and I see why people say it gives off strong Douglas Adams and Terry Pratchett vibes to it. So if you like their works, then I wouldn't be surprised to hear that you like this too.

Impact Winter – is an apocalyptic vampire audio drama created and written by Travis Beacham (Carnival Row, Pacific Rim). It has two seasons containing 22 episodes in total and each one is about 17 to 30 minutes long.

“They came after the impact and the firestorms. When the sun went dark. Like they’d been there all along. Just waiting.”

In the British countryside, a band of survivors forms a resistance in the fallout shelter of a medieval castle. Darcy is a battle-tested vampire hunter who is at the front line, leading the charge to save humanity. Meanwhile, her younger sister Hope wants life to return to normal so she can go above ground and know what it’s like to live again. And she just might be willing to risk it all. [ONGOING]

It has a stacked cast led by Holliday Grainger (Cinderella, Great Expectations), Esme Creed-Miles (Hanna, The Legend of Vox Machina), Liam Cunningham (Games of Thrones, Hunger), Himesh Patel (Station Eleven, Tenet), David Gyasi (Interstellar, Carnival Row), Caroline Ford (Carnival Row, Nekrotronic), Chloe Pirrie (Emma, Carnival Row), and Bella Ramsey (Games of Thrones, The Last of Us).

This reminded me a lot of the film 30 Days of Nights (2007) with a little bit of Reign of Fire (2002), which were both fun films to watch. I think if you like those two, especially the former, you'll enjoy this or at least be entertained by it.

A Voice From Darkness – is a scripted paranormal horror audio drama. It is written and produced by Jac Rhys. It currently has two seasons, containing 20 episodes in total and each one is about 20 to 30 minutes long. It also has 7 bonus voicemail episodes and 15 Patreon exclusive episodes which are longer than the main episodes. A third season in the works as well.

Join parapsychologist and radio broadcaster Dr. Malcolm Ryder as he helps those who suffer the supernatural, paranormal or otherworldly problems on his call-in radio show. It is also interspersed with segments, one of which is called 'Today In Odd America' that delves into the origins of a holiday, local traditions, and history. [ONGOING]

If you like Welcome To Night Vale then I think you'll like this too. A Voice From Darkness is a bit more serious and not as long-drawn as Night Vale was, with a perfect mix of storytelling and lore. It also reminds me a bit of The Magnus Archive too.

How i Died – is a mystery audio drama that brings a "new twist on the true crime genre." It is an Audiohm Media original production, co-starring Vince Dajani as Jon Spacer and Shaina Waring as Sheriff Fran Crowley. It currently has three seasons with 39 episodes in total, not including bonus episodes. Each episode is usually about 20 mins, give or take a few minutes.

Bodies are piling up in the strange town of Springfield, and forensic pathologist Jonathan Spacer intends to find out why. But, Jon isn’t without his own secrets… He can talk to the dead, for starters. [ONGOING]

Ooo, a character that can speak to the dead? It's always so interesting to see what they'll do with their ability and where the creators take them. This has been entertaining, but at times I do think they can do better in developing their characters a bit more. For example, I can count on one hand the number of times Crowley doesn't get angry. Though to be fair, Jon isn't an immediately likable character, but that does change the further you go...sorta.

The Amelia Project – is a comedy fiction audio drama created, written, directed, produced and edited by Philip Thorne and Øystein Ulsberg Brager for Imploding Fictions and The Fable and Folly Network. It currently has four seasons, with a fifth one on the way. There's about 72 episodes, not including prologue, special, and BTS episodes which would up the total to 122. Each episode also varies in length from 20 to 45 minutes long.

The Amelia Project is a secret agency that fakes its clients' deaths, then lets them reappear with a brand-new identity. A black comedy full of secrets, twists... and cocoa. The series starts as a succession of interviews with clients who want to fake their deaths, then slowly a larger narrative begins to emerge... Each episode tells its own story, but we recommend starting with Season 1. [ONGOING]

It was fun to listen to while I was drawing or washing the dishes. I could also follow along without becoming too distracted by it, either. I was worried it would be one of those that take a while to get to the main overall story, but thankfully it did not. It will definitely keep you entertained and interested to know what will happen next.

Community Cat News – is a neighborhood news show done from the perspective of cats. There's currently 13 episodes so far and each one varies from 5 to 12 minutes long.

Local News: The human is opening the fridge! Will we get a taste?

Foreign Affairs: What are those squirrels up to now?

Traffic: WHY is the bathroom door shut again?

Every episode is sponsored by Meow Meow Puffytail, Feline Rights Attorney, who is ready to sue your human for even the slightest inconvenience. [ONGONG]

It's cute, light-hearted, and funny. I didn't expect to enjoy this as much as I did. It even uplifted my mood without me realizing I was feeling low.

Audio Drama Recommendations

Recently, I’ve been on a audio drama binge and there’s a couple that I found that were really good, interesting or just fun and enjoyable to listen to. They’re not in any particular order.

Keep reading

back when s5 started I had a WILD theory how everything was about to go, but with new information, relistening to s1-2 and me pondering about it in my free time - this is a Canon Divergent AU now, BUT LISTEN

RACE TO THE BLACKSTONE AGAINST OTHER VARIANTS OF ARTHUR

So my idea was, is that there is only one Blackstone in the whole multiverse and it constantly jumps between the universes. There are hints and mentions about it in all universes, but it exists physically in only one. To make it even worse, it stays in one place and in one time period and only for some time frame, before jumping into the next universe with a new place, time period, and time frame. Kayne was, along with killing his other versions, trying to track down where exactly Blackstone was going to end up and for how long. Unfortunately for him, not only it was escaping him, but he couldn't look at it, like he couldn't perceive Blackstone at all. The only reason he managed to find it and pinpoint was because he started looking at it's absence, rather than it's presence.

And Kayne being Kayne decides the spice thing up

Kayne throws our Arthur (and John) into the timeline where Blackstone exists (still Medieval England, in 1300) and gives him the quest to find it. BUT THEN, he throws other Arthurs and gives them the same objective. Basically, he makes a treasure hunt including 4-5 different versions of Arthurs, who are the best of the best. The one who gets him the Blackstone will get what he asked.

So, I was thinking apart from our Arthur (Canon Arthur next) there are Darkthur, Darkthur Without Right Hand, Anna Stanczyk and maybe another variant of Arthur, which was similar to Canon Arthur, but there was something different about him(sense of wrongness you know) (I am not sure about him now, but I still kind of like him)

So, now Arthurs would need to try and find Blackstone. Either helping each other or fighting each other. I was thinking that to differentiate one another they would give themselves the names of their favourite poets. I was also thinking about Anna actually being Faroe from Faroeverse but hiding her identity from other versions of her father.

I was also thinking about giving different names to Johns. Maybe Darkthur variant of John doesn't have a name, Darkthur Without Right Hand's variant of John is actually named Hastur (I was thinking this different version of Darkthur is John accepting his identity as the King). Slightly Different Arthur's John named Parker or Peter. Of course Jane for Anna/Faroe's variant

And now it is a grand adventure of weird versions of you trying to reach for an object of immense power. I wasn't sure how exactly everything would play out (Darkthur definitely wouldn't operate with others, Darkthur Without Right Hand would want to but couldn't do so because of Hastur, Anna/Faroe avoiding all Arthur Variants, and Slightly Different Arthur being the only one who cooperates with Canon Arthur). There could be mysteries about how exactly all variants' timelines are different, the grand revelation that Anna is Faroe, who will betray who to reach the Blackstone or will they try to work together, and whats the deal with Slightly Different Arthur. And the finale of who will get the Blackstone

Rereading this, and this is a WILD au, someone please write a fic about it