I Wanted To Mess Around With Stamp Textures And Now We're Here

A digital illustration of 14 stamps, each representing one of Smirke's 14 Fears from The Magnus Archives. They're all square, black, with rough textures and patchy spots to make them resemble actual hand-made ink stamps. 

First is The Hunt. A wide eyed hare stares out at the viewer from behind a dark frame, a single arrow cutting through its throat. Three drops of blood spread out from the exit wound.

Second is The Web. The shape of a spider web is cut out in the negative space of the dark ink. 

Third is The Spiral. A simple swirl, like an optical illusion you'd find on a children's toy, outlined in black and white behind a black frame. 

Fourth is The Dark. There is nothing to see.

Fifth is The Flesh. A framed diagram of an anatomically correct human heart. 

Sixth is The Vast. A grid slopes down the square, widening and darkening towards the bottom. It's not quite clear if the view is from the ground looking up at it, or from the top looking down. Either way, the opposite end fades out of view.

Seventh is The Buried. Crumbling dirt spills down the square in dark pieces, ever so slowly filling the shape. 

Eighth is The Corruption. A simple dark background with a cockroach made of the negative space. There's a thin frame, but it's off-kilter, a little diagonal to the rest of the shape.

Ninth is The Stranger. The Comedian and Tragedian theatre masks are set on a dark background, the edges of the masks peeking over the limits of the square. 

Tenth is The Lonely. A solitary rowboat sits on a dark ocean, empty. Fog drifts across the water. 

Eleventh is The Slaughter. A simple bright, clear blood splatter starting at the corner of a solid dark square. 

Twelfth is The End. A single gravestone sits in the center at the end of a hallway. It radiates darkness and contrasts the light background, pulling the eye to it at all times.

Thirteenth is The Desolation. The bottom of the stamp has the appearance of a burned photograph, charred and jagged. What's left has the pattern of melting candle wax. 

Fourteenth is The Eye. A simple representation of a human eye in a square frame, with cartoonish eyelashes and a small pupil in the center.

I wanted to mess around with stamp textures and now we're here

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2 months ago
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The number in italics indicates how many spots a series or group moved up or down from the previous year. Bolded series or groups weren’t on the list last year.

Do you love to yell with other fans on the internet about your favorite series on the internet? Well, here's a bunch of The Amazing Digital Circus Communities to get you started.

2 months ago

Whenever humans appear in fantasy or science fiction we are usually the boring default who aren’t strong or fast or magical and the writer has to make something up to make us interesting but we already have a special ability: our stamina.

We can go forever compared to most other animals on earth. When you look it up you’ll mostly find stuff about running but our ability to walk and walk and walk is insane too. We are not the only creature with this ability but we are among the top.

I used to go on walks with my housemate and sometimes her cat would join us. He’d start huffing and puffing halfway through the walk and she’d joke about how out of shape he was but in reality cats just aren’t made for long continuous walking. They hide and attack in quick bursts. Heck I’d sometimes go on walks that turned out to be too long for my dogs despite dogs being endurance hunters like us.

So I think we deserve more acknowledgment for our stamina and endurance in otherworldly settings. We are the race that can keep going long after our party had to sit down and take a breather.

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3 weeks ago

The entirety of Dracula by Bram Stoker is really just:

Dr Seward: I wish we could figure out what’s wrong with Lucy.

Van Helsing: I figured it out immediately but I’m just going to let you solve it yourselves.

Dr Seward: Or you could just tell us.

Van Helsing: Friend John :( I have known you for one thousand years and you have been one of my very good friends and best students :( Do you not trust me? Why do you not trust me, friend John? Have I ever given you a reason to doubt me? Do you not think I have a good reason for withholding vital information? :(:(:(:( Have faith in me, your very old and good friend.

Dr Seward: You’re right :(

Lucy: I love everyone so much and I’m going to tell them every day 🥰💕 also legalise polyamory wtf

Renfield: look at all my pets that I’m definitely not eating 🪰🪰🪰🪰

Dr Seward: What happened to all the birds I gave you?

Renfield, with a mouth full of a feathers: I have no idea.

Arthur: I think… I miss my wife… also how the fuck didn’t we realise Dracula’s house was right next door?

Quincey: I keep saying I’m not that smart but I’m the only one to immediately point out that something was actively taking Lucy’s blood. Brb need to go shoot a giant bat with a gun.

Mina: I am the only person keeping this shit show together. We literally would not have made it without me and no one who adapts my character seems to get that. Women are the heart of this story. I am the glue that binds this group together. I just want ONE MOVIE that understands that and values my intelligence, which is at the forefront of my character.

Renfield: I have an entire character arc but don’t expect any adaptations to show it.

Quincey: ok but what if… we shot Dracula with a gun??? Also stop fucking cutting me from all the adaptations.

Jonathan: has seen indescribable horrors, is a shell of his former self, will literally never be what he was before going to Transylvania

Dracula: oh Jonathan! 🥰🥰🧛🏻🧛🏻🥰🩸🩸🥰🥰

BONUS: everyone is constantly holding hands, especially all of the men, and talking about how they’re going to be best friends forever. The male friendships in this book are shockingly pure and the women are incredible. The Crew of Light are actually the only found family ever, I think.

2 months ago

you ever cry cause science


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3 weeks ago
Mina and Jonathan lie asleep in bed with their arms around each other, Jonathan with his head tucked under Mina’s chin. Mina appears troubled in her sleep, as around her a glowing white heartbeat appears, starting weak but growing stronger and stronger.
Mina bolts awake with a gasp, eyes shining in the dark. Jonathan raises his head from the pillow and asks, “Darling, what is it? Mina? Mina, what’s wrong?” Mina replies, “I-I don’t know. Something…something horrible is coming.”
A waning gibbous moon shines over the water, as Moran washes up on the beach, clinging to a piece of shipwreck. Farther down the beach, a body lies on the sand, its back to the viewer.
Moran prods the body with his foot; it is Digby. Moran calls his name a couple times; when there is no response, he says, “Blast it, he’s gone and drowned, the fool.”
Moran stares out over the water and says, “At least the sea took her (italics) with him. I told the professor we never ought to involve a woman, much less a damned witch (italics).” A groan comes from offscreen; Moran looks down and says, “Eh? Digby? Come on, man, are you dead or aren’t you?”
Digby bolts upright, eyes wide and jaw hanging slack. Offscreen, Moran exclaims, “Christ!”
We see Digby from behind, head bowed, as his hair begins to lengthen and darken. There is a close up on his hand as the fingers begin to change, growing long and slender. As the body transforms, it speaks: “If you pray for deliverance, my dear, then you waste your breath…”
Moran stares aghast, muttering, “Merciful God…” The body looks up, revealing a single dark eye beneath the long black hair falling in front of the face—the eye of Ligeia. She continues speaking: “...For my will is supreme.”
Ligeia, face mostly hidden by her hair, lays a hand on Moran’s shoulder. She is still wearing Digby’s clothes. She says, “Let us away. There is much work still to be done, and our talents are yet needful to the cause.” Moran looks perturbed.
A bloodstained book lies on the seafloor, surrounded by rocks. Two small fish swim by, and a tiny crab sits on one rock. In the center of the image is the caption, “End Episode 2”.

First page || Previous page || Next page

Start reading Episode 1

Dialogue transcripts:

Panel 1 (n/a)

Panel 2 Mina: Gasp Jonathan: Darling, what is it? Mina? Mina, what’s wrong? Mina: I-I don’t know. Something…something horrible is coming.

Panel 3 (n/a)

Panel 4 Moran: Digby? Digby! Blast it, he’s gone and drowned, the fool.

Panel 5 Moran: At least the sea took her with him. I told the professor we never ought to involve a woman, much less a damned witch.  Digby(?) (offscreen): Nnnnghhhh Moran: Eh? Digby? Come on, man, are you dead or aren’t you?

Panel 6 Moran (offscreen): Christ!

Panel 7 ???: If you pray for deliverance, my dear, then you waste your breath…

Panel 8 Moran: Merciful God… Ligeia: …For my will is supreme.

Panel 9 Ligeia: Let us away. There is much work still to be done, and our talents are yet needful to the cause.

Panel 10 Caption: End Episode 2

1 month ago

so in dracula there's a line in the epilogue

'Godalming and Seward are both happily married'

and I initially thought they were married to each other

...so that's canon in my mind now


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