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I'm going as Sun to MoMocon today! I have sundrop and moondrop stickers to give out (I forgot yesterday whoops) to anyone that recognizes the character!

See you guys!

I think about Sun and Moon's original versions a LOT, and I don't get why people say they're not expressive!

Or perhaps, I do, and I just wanna ramble. Anyways! Big ol warning for lots of talking, some fursuit gifs and analyzation of body movement.

So, they have flat, immobile faceplates, right? Technically, yes!some argue that this makes them immediately inert and expressionless and opt to enhance their expressions. And this is a-okay! Do what you like!

But as someone who used to be a costumer, and wears a fursuit on occasion,

(Sorry, I love this gif so much)

BUT! When in a mascot costume, fursuit, or any other costume with a mask over one's face, the performer has to learn how to move in order to portray the emotions necessary for character engagement with the audience! Whether it's exaggerated head bobs, using your hands to talk, or making everything a bit of a spectacle, even the way you tilt your FACE can affect how you look.

Even MUPPETS do this with their limited range of expression. And we can easily draw those conclusions of how the boys were programmed to act in canon!

Take Sun's default animation in the daycare, just standing there.

It's very obvious here what he's trying to portray, and who his programmed audience is- little children! When costuming around little kids, you wanna use big gestures, and get on their level because you can seem HUGE AND SCARY to them! You wanna get down towards the ground, make big sweeping cartoon motions, and make sure all your movements are ROUNDED- not jabbing, sharp, or sudden- so that the kid isn't ever surprised, but rather delighted by your performance as a costumer. I'll show you an example by the amazing performer, Temba the Bat! (Made by Toxicoon, I believe.)

Big sweeping motions, slow without being too spooky, and generally friendly motions while swaying the head! Looks kinda similar right?

Another point is, though, these exaggerated motions don't really... turn off when feeling other things. Sun and Moon don't have a customer service mode, and that's WILD to me that their programming requires them to act like this all the time. Exhibit B: Sun's pain in the transformation scene.

He's making such exaggerated motions and movements to INDICATE he is in pain or holding something back. He's gripping his face like something is trying to come out of it, and even dramatically falls backwards to indicate a loss of control in his body. Whether the way the fall looks so cartoonist was intentionally programmed in, I couldn't tell you.

And then... there's Moon.

This is SO cartoon villain sequel, isn't it? The hands tapping delicately on the surface, the exaggerated head tilt, all of it is so wildly exaggerated in such a smooth way to let you know "Ah! I'm in danger! Great!"

And yet... he still is low to the ground. Still in that pose of going after someone SMALL. Performing for someone small. His evilness is almost completely exaggerated and, dare I say, fabricated by his programming. Of course, the virus probably had something to do with it but LIKE! Look at that range of motion!

Idk what the point of all this is, I just wanna say: it's totally understandable to make the boys super duper expressive in the artistic, flat 2d styles i see a lot!

But man I do hope someone draws them biblically accurate while expressing something else because that would be hilarious to see Sun throwing a temper tantrum by banging his fists on the ground and flailing while his face is just

:D

| POV you visit Sun and Moon during their respective teaching shifts

teacher au / Solar Lunacy belongs to @bamsara thank you for the brain worms they r delicious please take this offering in thanks

It's marinara guys dw dw

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Help Wanted 2 Spoiler Sun Doodles!

I know I'm supposed to be on break but I couldn't help myself from drawing the twink being an absolute little diva over arts 'n crafts. 😌💖

Hello @spadillelicious, just letting you know that your boys are still living rent free inside my head.

So i read Chapter 14 yesterday, let's just say i thought i was out of fanart ideas and i was terribly WRONG

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because i keep forgetting what colors to use

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expressive happy boy²

I love figuring out how fantasy anatomy works, so it was only a matter of time before I started giving this treatment to my cryptids. They probably don’t even have bones or muscles, they’re a demon that can shapeshift or turn into goop or whatever to possess tiny objects. @naffeclipse do they have bones and muscles? (you don’t have to asnwer :p)

I’ve been having trouble drawing their mouth open so I came up with some weird anatomy that makes it easier for my little brain to understand it djfksagljfk

I added a bone in the jaws to make them able to “dislocate” their lower jaw to open it wider. And I added a little bone that’s attached to the front of their throat to be a place for muscle attachments cause I found nowhere else to put the muscles that lets them open their mouth.

Idk if all of this really would work in real life, but my brain gets it and that’s all that matters :p

your friend Eclipse is just a bit quirky, a little eccentric, just a little fucked up maybe, but still your friend

for FNAF being a horror game series, I don't draw it horror-ish enough

also future fic stuff (?) and figuring out how dca teeth work. I can't decide if I want them to have teeth in the back like the other animatronics endos or morphing teeth that can shift (rotating or retracting) from flat to sharp because their heads are flatter