đŸłïžâ€đŸŒˆ Apply Now To Get $10,000 For Your School! đŸłïžâ€âš§ïž

đŸłïžâ€đŸŒˆ Apply now to get $10,000 for your school! đŸłïžâ€âš§ïž

Over the past 2 years, we've granted over $1 million to students across the U.S. through our 50 States, 50 Grants, 5,000 voices initiative to help make their schools more welcoming for LGBTQ+ students.

And yup - we're doing it again.

Do you have an idea that would help make your school better for LGBTQ+ students? Maybe like building...

🟣 A gender-affirming closet

🟣 Your school's first Pride parade

🟣 An LGBTQ+ mural on campus

🟣 A safe space or community garden, or

🟣 Resources for your GSA club?

See some past projects from other students here for inspo.

We know that students know what they need most at their own schools - so middle and high school students across the U.S., DC, and territories can apply now through April 1 for one of our school grants to win up to $10,000 to actually make your project a reality!

The application, FAQs, and more are all available at 50states50grants.org.

Apply now through April 1 - can't wait to see what you all come up with.

More Posts from Darkstarrydame and Others

1 year ago

About A Civil Dawn

A Civil Dawn is a nonprofit publishing company focused on ensuring the creation of media which is educational and positive representation for LGBTQIA+ and neurodivergent people. We aim to do this by enabling and amplifying creators whose work aligns with our mission and goals. Our current focus is on web comic creators but we are excited for future projects like publishing zines and graphic novels, children's books, and other media from creators who match with our mission and values.

This blog will be used for announcements about the company, reblogs of content from our creators and other posts which align with our goals, and original posts and links to content created within ACD. Please feel free to send asks and DMs but please direct any business inquiries or non-Tumblr related discourse to us at contact@acivildawn.com.

This post will be updated as we add to the below list of creators who we work with: @brooke2valley @alienbycomics @kaylasartwork @deadeyedfae @welldrawnfish

Manifesto

To be a person is to overcome Ick - trauma, fear, pain, and shame. By shining a light and promising hope we will reduce and heal the collective Ick to make the world brighter for everyone.

Because everyone deserves hope.

Mission

Reaching out to hearts and minds to wipe away Ick and empowering great people to reach even farther.

Values

Broadcast Hope

Partner for Good

Foster Understanding

Represent Everyone

1 year ago

You deserve someone who wants to give you a fucking text back, ya know? Someone who wants you, only you, and makes you feel wanted. Someone who can’t help but message you first thing in the morning when the sun is coming through the curtain, and they’re barely waking. Someone who wants to spend their drunken Friday nights with you, but also their lazy Sundays. Someone who holds their one-person umbrella right above you when it’s pouring down, so that you’re sheltered, even if it means they get soaked through. You deserve someone who thinks of you, often. Someone who calls you on the phone at the end of a long day, because they want to hear the sound of your voice before they drift off to sleep. Someone who makes plans with you on a Tuesday evening, because the weekend is just too far away, and who cares if we have to go to work the next day. Someone who says definitely, not maybe, and follows through. You deserve to hear a song on the radio that makes you melt on the inside at the thought of this someone. Someone who could watch you sleeping for hours at a time, and be perfectly content in the grace and stillness of that moment. Someone who steals a kiss when you’re mid-sentence and least expecting to find their lips. Someone who will happily pig out on pizza with you in bed, and not judge the sweatpants & top knot look you’re sporting. Someone who is just that into you. You deserve someone who challenges the both of you constantly; someone who makes you strive to be better each day, because they’re trying to be better too. Someone you can count on to stick around when the shit hits the fan, which it will. Someone who chooses to lift you up, always. You deserve magic, and fireworks
You deserve someone who will always be careful with your heart, because they know just how fragile it already was before they held it. Someone who’s heart aches whenever yours does. Someone who wakes up next to you each day feeling like they’ve hit the jackpot, over and over again, and thinking what on earth did they do in their past life to be so damn lucky. You deserve someone’s complete attention. Someone who looks at you, and I mean really sees you, and all of the beauty you hold. You deserve to be someone’s first choice. Someone’s best friend. Someone’s partner in crime. Someone’s everything. You deserve to be loved; and loved extraordinarily well. And to be told that you are loved, every single day

– Thought Catalog

10 months ago

Hello! Can I respectfully request the promised lecture and Powerpoint about Fingon/Maedhros? I'll be honest here... I just do not see it, and I truly do want to understand. There are other relationships in the Legendarium that I really do think Tolkien deliberately and unequivocally coded as queer, and I've used all those same examples you list to back up my arguments. And I do see the parallels with Luthien and Beren (just as Sam/Frodo has parallels with that). But otherwise, I don't see a lot of queer coding. Which is not to say that I think it's a bad ship, just that I don't really see much in the text to support it or see much indication that it's what Tolkien intended. I would love to be convinced, though! I swear I'm not trying to bash Russingon or provoke anything. It seems like you have put a lot of thought and research into this, and I'm honestly curious, because this is a ship that has always puzzled me a bit.

First, thank you for asking! It’s always a pleasure to talk about my boys and my OTP to end all OTPs

I want to start what’s probably going to be a long series of self-reblogs by saying something that’s going to be important in the long haul: there is a difference between “I personally interpret this in a way that enhances the story, and it’s canonically compliant” and “I think and will seriously argue that Russingon is supported canonically by things that explicitly exist to point toward it being more than friendship”. The line can get kind of fuzzy, but it does exist, and the foundation of any good queer analysis is recognizing that.

So before I get into Sarah Waters, Mary Renault, and what the British legal system has to do with any of this, I’m going to make three lists.

Stuff That Probably Doesn’t Mean Anything, But That Is Fun To Examine From A Shipping Perspective:

Maedhros wears a copper circlet, Fingon wears gold in his braids

Maedhros abdicated the throne in favor of Fingon entering the line of succession

Maedhros stepped into a position of military authority after Fingon took the throne, working closely with him specifically to attack Angband after the Bragollach

Fingon is stated by Tolkien himself to have never married nor had biological children, and Maedhros never married nor had biological children either

Stuff That Is Ambiguous In Intent, But Is More Significant Than The Above:

Fingon clearly still cared enough about Maedhros that despite probably not knowing whether or not he burned the ships, he set out to rescue him alone in a display of loyalty to the rival royal line that put his priorities firmly in the “this nĂ©r whom I love” camp. It’s worth noting that Maedhros’s family are the reason that his sister-in-law is dead, the reason many of his own people froze to death, and the reason his brother is dead. Maedhros’s rescue, and forgiving him, is more important to Fingon than any of that. Why?

Morgoth’s battle plan for the Nirnaeth Arnoediad (as relayed in the Grey Annals in The War of the Jewels) involved forcing Maedhros and Fingon apart and trying to take both of them down simultaneously. Fingon was of course ultimately killed by Balrogs, and Maedhros avoided being killed by allies-turned-spies, but the goal was to keep them apart and incapacitate them both. Why?

Maedhros’s mental stability, willingness to exist in a society, passion for fighting Morgoth, and desire to curtail his brothers’ worst impulses all evaporate after Fingon’s death and Fingon’s death specifically. Why?

Maedhros and Fingon maintain a relationship with each other that is significantly more important to their actions than similar relationships between Finwëan cousins. Aredhel is never recorded as prioritizing Celegorm to the same extent, and Finrod only goes on a hunting trip with Maedhros and Maglor after things between their families are patched up. Why are they different from others in this way?

Stuff That Actually Matters In Analysis:

Fingon and Maedhros, Beren and LĂșthien, and Frodo and Sam all share very nearly the same story at a crucial point. All three feature a situation where a rescuing party feared the one they loved was dead, discovered they were actually held prisoner by Sauron, went alone into peril, and used a song to find who they searched for successfully. Both Maedhros and Beren lost a hand in the course of their journey. Frodo lost a finger, and Sam cut the hand from the orc whipping him. All three pairs were rescued by at least one of the great eagles. Sam and Frodo have on-page declarations of love. Beren and LĂșthien are the self-inserts of the author and his wife. This connection is not accidental; the author explicitly compares Frodo and Sam to Beren and LĂșthien on the Quest for the Silmaril in the text of The Two Towers. If Maedhros and Fingon are being linked thematically with the central romantic relationship of the Legendarium, there is a reason why.

The Grey Annals tells us that Fingon rescued Maedhros “and their love was renewed”. That’s a direct quote from the text, not an exaggeration. This is more canonical proof of love than we get for some married couples (notably FĂ«anor and Nerdanel, who are never stated to love one another in the text).

Laws and Customs Among the Eldar explicitly states that half-first-cousins are allowed to marry without it being considered incestuous, so long as their parents aren’t close. That seems like an extremely odd standard, until you remember that there is an unusually close pair of half-first-cousins whose parents don’t get along.

(Obligatory note: the published Silmarillion does state that Idril and Maeglin are too close to marry. The published Silmarillion’s treatment of Maeglin is also almost certainly invented by Christopher Tolkien - Maeglin in the drafts written by JRRT himself is wildly different than how he appears when Chris writes him. Tolkien himself avoided making any such statements about cousin marriage and Turgon opposed Maeglin marrying Idril because he didn’t think it was a love marriage.)

The Grey Annals also discusses one of the histories of the green elfstone that Aragorn receives from Galadriel as a wedding gift - in this draft, it was made by FĂ«anor, and Maedhros gave it to Fingon. When Aragorn receives it, it’s been set in a brooch in the form of an eagle. Here we have another thing that passed between Maedhros and Fingon that is explicitly linked to romantic relationships between two characters echoing Beren and LĂșthien. This is once again not accidental.

Fingon’s harp is almost certainly a reference to the myth of Orpheus and Eurydice, which also heavily inspired LĂșthien pleading for Beren in Mandos. Yet again, we have deliberate intent by the author to position this relationship in a light that reflects romance above all else. You could even go further and point out that there are parallels between Thingol’s hostility toward Beren and FĂ«anor’s distrust and hatred of the NolofinwĂ«ans. TĂșrin and Beleg, who get to kiss on the page, are also echoes of Russingon - early bliss marred by a kinslaying, a hopeless quest alone armed with a bow, an injury that results from freeing the captive party.

The fact of the matter is that none of this is accidental. Tolkien was deliberate in his worldbuilding, his parallels, his setups and his plot choices. There is a reason that Fingon and Maedhros are linked to so much romance, a reason that they are positioned on equal footing with other more clearly queercoded ships, a reason that it’s their relationship that shapes the First Age. When you accept that none of it happened accidentally, that allows you to broaden your scope, and look at Tolkien’s inspirations, his life, his friendships, cultural influences, and why he might have been so cagey about his M/M ships when they aren’t just important but vital to the text. (After all, Sam and Frodo’s happy ending comes after Sam’s time in heteronormativity, and TĂșrin and Beleg fall apart in a similar fashion.)

It’s just - it’s not crazy or insane or Shipper Goggles to say “these relationships matter, and the stories actually don’t make sense without them”. That’s all.

(Next time, if you like, we’re going to talk about historical fiction, and there will be lesbians.)

1 year ago
The cover page for a digital comic. A trailhead information board stands in a lush green forest, with a trail map, and two signs pinned to the wood. The text on the signs read: "BY BECKETT JONES" and "THE TRAVELER'S WARNING."
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a work boot, a leather-bound journal, a compass, and a colorful rock bracelet. 

The first panel is a Forest Service gate on a dirt road, slightly ajar. The road goes out of sight into leafy green shadows. There is one wooden sign nailed to a tree, and two white and green signs secured to the gate. The text on these signs reads:
"TRAVELER, STOP! 
IF YOU TAKE THIS ROAD YOU WILL BE 
FUNDAMENTALLY CHANGED
FOR BETTER OR WORSE."

The second panel is a crumbling concrete barrier in gray, driving rain. There are evergreen trees in the background. There is a hand symbol pointing to the right engraved into the barrier, and text that reads:
"YOU WILL RETURN FROM 
THIS JOURNEY 
IRRECOVERABLY ALTERED 
IN WAYS" 

 The third panel is a waterfall with conifer trees, behind a glossy red sign with "no swimming" symbols. White text on the sign reads:
"YOU CANNOT COMPREHEND 
BEFORE YOU UNDERGO 
THIS TRANSFORMATION."
Two comic panels on an off-white background. An espresso machine portafilter is pictured in the negative space in the page. 

The first panel is of a red rock slot canyon, with a rushing green river at the base. A rusted yellow sign stands in the water, with a flash flood symbol and text that reads:
"NO ONE ON EARTH 
WILL UNDERSTAND THE 
METAMORPHOSIS"

The second panel is a wooden sign hanging from the eaves of a roof, in front of a snow mountain scene. Stars twinkle in the night sky. Warm red text on the sign reads:
"EXCEPT THOSE WHO EXPERIENCED IT 
WITH YOU. THE PEOPLE WHO LOVE YOU." There is an arrow symbol and two foamy mugs also depicted on the sign.
Two comic panels on an off-white background. Objects depicted in the negative space of the page include a key ring, a pocketknife, a stuffed toy mountain bluebird, and a bandana. 

The first panel is a road with a center stripe in a sagebrush plain, with big orange clouds in the sky. A coyote slinks across the road. A big green highway sign with white arrows reads:
"MAY CEASE TO TRULY KNOW YOU. 
WALKING BACKWARDS 
WILL NOT HELP YOU"

The second panel is of a high alpine wildflower meadow, with a glaciated Mount Tahoma in the background. A wooden stake reads:
"WALKING FORWARDS" 
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a headlamp, a trowel, and a plant sprig in a ziplock bag. 

The first panel is a wildfire sunset above a barbed wire fence, surrounded by blooming fireweed and evergreens. An orange wildfire hazard sign reads: 
"IS INEVITABLE 
YOU CANNOT STAND STILL" 
A gray jay sits on the top of the sign, eyeing the viewer. 

The second panel shows a dilapidated wooden shack, covered in moss and white and orange mushrooms. Evergreens and leafy undergrowth surround the structure, and a Pacific gray tree frog sits on a leaf in the foreground. Text carved into the wood reads: 
"YOU MAY NO LONGER RECOGNIZE 
YOUR HOME" 

The third panel is a chinook salmon run in a green forest. Underwater reeds flow on the river. A white sign nailed to a tree trunk, with water symbols and text that reads:
"IT CANNOT STAND STILL
EITHER."
Three comic panels on an off-white background. Objects depicted in the negative space of the page including an ammonite fossil on a leather cord, a green nalgene, a peach, and a pulaski. 

The first panel shows a gray ocean storm, with waves crashing against big, dark rocks. A tsunami hazard zone sign reads:
"IF YOU SURVIVE THIS" 

The second panel shows a round orange bouy floating in a sea illuminated by bioluminescent plankton. Stars glitter overhead. Text on the bouy reads: 
"YOU WILL BECOME PART  OF A WORLD"

The third panel shows a pair of dolphins in the water, adjacent to a white boat. A red sticker on the gunwhale reads:
"THAT DOES NOT YET EXIST"
Three comic panels on an off-white background. Objects depicted in the negative space of the page include a pair of sunglasses and a machete. 

The first panel shows a dessicated Greater Frigatebird cradled in the branches of naupaka shrubs on a sandy shoreline. Pink flagging has been tied to a branch, and black handwriting reads:
"IF YOU DIE HERE"

The second panel shows a blacktip reef shark swimming on a coral reef. And underwater sign affixed to steel chain shows a skull and crossbones, and text that reads:
"YOU WILL COME BACK"

The third panel is a GPS unit held up to the sky, showing a GPS track and text that reads "WRONG." Seabirds fly overhead. 
Three comic panels on an off-white background. Objects shown the negative space of the page are a snickerdoodle cookie and bright flowers threaded on a string. 

The first panel shows a pair of hands holding a sooty tern with a radio tag. Another pair of hands write in a notebook, and handwritten text on the page reads:
"TRAVELER
YOU HAVE BEEN WARNED" 

The second panel shows the leg of the sooty tern, which has been fitted with a birdband. 

The third panel is a pair of fingers holding the birdband so that engraved text faces the viewer. The text reads "AND NOW YOU MUST GO." 

A short comic I made about my experiences as a seasonal worker, and the way places change you.

Prints & PDF

2 years ago

Q: What is a woman?

A: That definition is entirely dependent on the micro-culture in which it's use is currently relevant.

Bonus answer: The mere fact that this is a "controversial question" reinforces the notion that gender is nothing more than a social construct.

Extra credit answer: For every attempt of a definitive answer, there is a historical contradiction.


Tags
2 months ago
Welcome to all of you who recently followed me. It's wonderful to see you all.
This is me after 43 years on estrogen (and, of course, 43 years older as well).
No more glamour photos for me, but I'm very happy.
Have a glorious day, everyone! pic.twitter.com/YgXWQQTDHJ

— Teresa Palomar, Your Trans Matriarch (@TeresaPalomar1) July 12, 2023

we DO grow old and happy. btw.

5 months ago

♡ emotional support beam attack!!! ♡

This post infuses you with the power of 100000+ hugs and the courage to face the day. Reblog to emotionally support your followers.

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Helicopter mechanic. Witchy. Granola. Gamer. Mother. GSXR750. Trans-Lesbian switch. 40+yo.

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