By day, Miss Crachen was a second grade school teacher; by night she was an inventor, though not a productive one. She would give up on an invention once she saw that it would work, being interested only in the surprising, not the obvious. Having the keen mind that she did, one able to quickly see the implications of things, this meant that she didn’t often get to the point of even building a prototype to test. The problem was aggravated by the fact that Miss Crachen was arrogant—an affliction not untypical amongst people with keen minds—and so tended to trust the fullness of her understanding too much. All her life people tried to correct Miss Crachen’s arrogance. They would tell her, “You think you know everything, but you don’t. You think ‘this’, but actually it’s ‘that.’” Unfortunately they were always wrong. “This” was, in fact, “this”, not “that”, so their attempts to correct her arrogance only reinforced it.
Miss Crachen would receive an idea for an invention while cooking, or cleaning, or taking a bath, or on the drive to or from work. The idea would fall in her lap all on its own, and she would pick it up, she would look at it, examine it, turn it over, take it apart. When she could see the whole thing, hold it in her mind all at once, she’d throw it away. Once she’d eaten the flesh, she would discard the rind, and meanwhile five or six fresh, ripe ideas would have fallen into her lap.
Then, one morning, while buttering a slice of toast, an idea came to her for a very high-speed video camera, and this proved to be a very difficult invention. An artichoke, with not much flesh, and difficult to eat. It was difficult enough that it kept her wrestling with it. She couldn’t simply devour it like lesser ideas, and so she turned out an actual prototype— not her first, but one of only a very few.
Miss Crachen estimated the time resolution of her camera at roughly one trillion frames a second, or, to put it more precisely, she estimated the time between two successive frames was close to a trillionth of a second. This is an important distinction. There are what seem to be very high-speed cameras giving that kind of time resolution, but while it may be sort of fair to describe them as capable of capturing a trillion frames a second, you cannot honestly say that the time between two of their successive frames is a trillionth of a second. They work by capturing periodic phenomena, a laser repeatedly firing for instance, at slightly different moments, and then putting the frames together, kind of like stop motion animation combined with time-lapse photography. It could take minutes, or hours, or more to capture a thousand frames, whereas Miss Crachen’s high-speed camera was straightforwardly a high-speed camera, and if it ran for a second it would capture a trillion frames.
The first test was conducted in her living room. She set up a tent around her couch and smoked several cigarettes inside it, then she fired a laser mounted on the armrest of her couch and filmed its progress with her prototype camera. She filmed for only 125 millionths of a second but captured over two hours worth of footage played back at a hundred frames a second. Once the test had been performed—a fraction of a blink of an eye—Miss Crachen eagerly played back the result.
Miss Crachen had thought it would be cute if she were in the frame for the test, so the first thing she saw on her laptop when the video started playing was what looked like a still photograph of her smiling face. After several minutes of nothing happening, a little fleck of red appeared on the right side of the frame. Miss Crachen cheered the little fleck on as it slowly—agonizingly slowly—stretched out, but she ran out of enthusiasm when the beam was as long as the breadth of her thumbnail.
She could’ve quit watching at that point—the test had been confirmed a success—but she felt the diligent thing to do was to watch the whole video, to see with her own eyes the red thread of light’s journey across the frame. She took down the tent, microwaved a bag of popcorn, and made herself comfortable on the couch. For forty minutes she watched the video play only out of the corner of her eye while she snacked on popcorn and dinked around on her phone, but then something in the video moved suddenly, catching her eye. She looked from the little screen to the bigger one. She saw her face frozen like in a photograph—as before—and she saw the laser rolling steadily onward—again, as it had been—but over her shoulder she saw the zipper on the tent being undone shakily, in fits and starts, but swiftly, as if it had been filmed at normal speed. When a crack of a few inches had been made in the tent flap, in they all poured like baby spiders bursting out of their egg sac, swarming over every surface and blackening the very air: Monsters.
That scene in American Beauty—the neighbor boy’s video of the plastic bag blowing in the wind—was computer generated because, really, there isn’t any beauty in the world.
It was five minutes to eight on a Teusday morning, and he was up pacing nerveously around the bedroom, holding his stomach like he was about to vomit or have diarrhea. Typical behavior for him in the morning, at least on a work day. He really seemed to hate his job. I never learned what he did. There was a period of a few months during which he seemed much more relaxed, he slept better, he took care of himself, and during that time he never paced around the bedroom in the morning like that. He must’ve been out of work. Must’ve gone back to it when he went back to work.
He was doing especially bad on this particular morning. He always talked to himself, whenever he was alone, but always under his breath. On this morning he grew very agitated, talking to himself more and more loudly until he was almost yelling. Then he stopped, stopped pacing around and clutching his guts, and stopped talking to himself. He froze a moment, then hurried out of the bedroom. He must’ve gone to the kitchen, but I couldn’t see him. The kitchen was out of my field of view, and I was afraid that, if I turned the camera, he’d notice it. But he must’ve gone into the kitchen because he lived in this dinky little apartment where the kitchen and living room were on one side, and the bedroom and bathroom were on the other. He went through the doorway to the kitchen/living room area, and came back a few moments later with a pair of kitchen shears. He took them to the bathroom sink and stood there for a long while. I couldn’t see what he was doing; I could see him standing there at the sink, but he was in shadows and I couldn’t make out any details. It looked like he was cutting something— which, it turned out, he was.
He laughed to himself, a surprised little chuckle, and then came back into the bedroom. He’d cut off his left index finger and couldn’t have been happier about it. He tossed the scissors and his finger onto the bed, and called into work to tell his manager that he wouldn’t be able to come in, that there had been an accident in the kitchen and that he would be stuck at the emergency room all day. This seemed to go over fine. When he got off the phone he jumped onto the bed like a little kid and stared at the finger. It was moving, inching around his bed like an inchworm.
He cut off his left middle finger. He cut it off like he was snipping a corner off a piece of paper. He didn’t flinch, just, snip. There wasn’t any blood either. In quick succession, he cut off the other fingers of his left hand, snip, snip, snip. Five litle inchworms inched around his bed. He watched them all wriggling around there with a big grin on his face. He seemed satisfied… for a while. Then he took off his socks and snipped off his toes as matter-of-factly as if he were clipping his toenails: snip, snip, snip, snip, snip— snip, snip, snip, snip, snip.
Now he had fifteen little inchworms inching around his bed, and it looked like that would be all. He tried to cut his wrist, but it was too big a job for his kitchen shears. He couldn’t very well cut off the fingers of his right hand, because it was with his right hand that he cut. He pulled down his pants and seemed to contemplate cutting off his penis to make it sixteen little inchworms, but he pulled his pants back up without doing it. After that he seemed content to watch his new friends… for a while. Then he got the—frankly, brilliant, though also horrifying—idea to cut his face, opening his mouth wide and cutting off strips of cheekmeat and lips. These pieces added some variety to his menagerie: instead of inching around like inchworms, they stretched out long and pulled themselves forward, like earthworms.
He found he could use the same technique with any hole. He did his nostrils, making little maggot looking pieces, and his eyelids. Then he did his belly button, which turned out the be the mother lode. New creatures came pouring out of him. He didn’t have to cut them out anymore either, they cut themselves out, or each other. When it was all over, there wasn’t anything left of him, and all the pieces had scurried away to hide under the floorboards, down the drains, in dark corners and other places where no one looks and my camera can’t see.
Punk is an aesthetic, a form of music, a style of dress, but it’s also a spirit, a spirit in two parts. It isn’t concerned with how things are supposed to be done. It doesn’t ask for anything. It doesn’t owe anyone. It does things its own way. That’s the first thing. Consequences aren’t important. There’s nothing worth compromising yourself for. That’s the beginning of punk spirit.
Well the park bench, door, and sleeping in the rain / Little kids sitting in the shooting gallery / Set yourself up from innocence to misery / Well this is what you want, not the way of what they fucking say. —Tim Armstrong of Rancid in the song “1998”, from the album “Life Won’t Wait”
There are consequences. You’ll never be on anyone’s short list, or long list. You’ll never get a record contract. You’ll never have a big budget, or any budget. After you’re dead, no one will do a retrospective of your work, no one will make a documentary about your life, your name won’t be used as an adjective. You’ll always need a day job. You’ll die in obscurity, and you’ll stay there.
These things might not turn out to be true—nothing's certain about the future—but you have to believe they will. You can be happy about it, or unhappy about it, but you have to believe it, and you have to persist.
I had nothing, I had nothing to lose, and all that I was doing I was doing straight, always driven by the motto, “Either this way or no way.” —Blixa Bargeld in the 2008 TV show “Mein Leben”, viewable on youtube, translated by Google and corrected by me
Pig-headedness is only half of it. The other half is solidarity with the other punks, the other people taking their own way and taking it to the end.
Further, ever since ancient times, the skeptical Indra, Lord of Heaven, has come to test the intentions of practitioners, as has Mara the Tempter come to disturb and obstruct the practitioner’s training in the Way. All instances of this have occurred when someone has not let go of hopes for fame and gain. When great compassion is deep within you, and your wish to spiritually aid sentient beings everywhere is well seasoned, there are no such obstructions. —Eihei Dōgen in “Keisei Sanshoku” of his “Shōbōgenzō” as translated by Hubert Nearman
I ran my fingers along the surface of her skin gently, careful to touch but not press. The feeling was that of real skin. Her skin. So much so I got carried away. I applied too much pressure. A flame rippled out from my palm. It burned through her like through a cigarette paper. She curled and twisted and lifted off the bed. Bright light, a wisp of smoke, and then it was over. I gasped, and my gasp scattered her ashes around the room, so that if you looked you wouldn’t have seen she was there.
Five more very short stories from my Mastodon, which, incidentally, I now know how to link directly to.
In the future there will be no need for money. The production of everything will be either automated or done by a person considering the work to be play, and in either case the produce will be freely given away. There will be no pollution, the whole world made from a drop of sunlight, and not a bit gone to waste. Vast tracts of land will return to wilderness and we’ll steward it like we always should have. There will be only one class owning everything in common, because everyone else and their children will have starved long ago.
Your existence chafes me. The fact that you dare to meet my gaze is galling. That you don’t grovel before me is an insult. You think you have a right to what’s yours? I disagree; you ought to have only what I allow you to have. If I had the power, (when I have the power), I’ll snuff you out as vengeance for ever having the arrogance to stand on two feet.
But, come on, don’t be so one-sided. Don’t be unreasonable. I’m willing to compromise. Let’s meet in the middle.
I saw my dad last night, on my front porch. He had stuffed himself into a corner, back pressed into the ceiling, holding himself up by his hands and feet, like Spider-Man. He tried to pretend he was a dummy, but I saw the glint of light when his eye twitched. Last time I’d seen him we were both passing through the train station in Seattle. At the time I wondered how long it takes for the family to learn when a homeless person is found dead. I suppose it’s forever in some cases.
After snapping a photo as proof, I went to unlock my front door. The sound of the key must’ve spooked him. I heard a flutter, looked to his corner, and he was gone.
The moon passed before the sun, and under its shadow crowds cheered, and a few people cried. One minute, two minutes, the cheering continued. Five minutes, ten minutes, a worried murmuring. After an hour, everyone was crying.
Joann became god while riding her bike after school one day. As god, she ignored her curfew. It was dark when she got home; her house was in flames. Her dad was at work, her baby brother was upstairs in his crib, and her mom was on the lawn screaming for help between long, wheezing gasps. She had rushed into the house, over and over, only to be repelled by the smoke and the flames. Joann could see that her mom had a strong preference that her son not be burned, but, as god, she couldn’t see why.
It’s a perfectly lovely night to go for a drive. The air is cool outside, which is a relief after such a hot day. Back home is still full of the air from the late afternoon heat; the cool night air won’t seep in until three, four in the morning. In my car, speeding down the freeway, the air gushes in and I’m soaking it up. Right now it’s wonderful, but I have work in the morning, so I’ll need to be home before three or four in the morning, and the cool I’m enjoying now will make the stifling heat of my bedroom that much worse when I return. More importantly though—at least for right now—right now, it’s wonderful.
But hold on a tick— I don’t remember starting the car. I was in my underwear, sitting on the couch beneath the ceiling fan, just sweating and hating life. I stepped outside and it was nice, so I sat on the porch, still in my underwear—it was late so no one would see anything—and life was great. Then the mosquitos started eating me. That’s when I decided to go for a ride. But I don’t remember going back inside and getting my keys, or getting dressed, (I’m in shorts and a t-shirt now), and I don’t remember starting the car….
It’s quiet outside— it’s quite inside too. It doesn’t sound like the engine’s running. I can’t even hear the tires turning over the pavement. The only sound is the wind whistling by, like I’m falling. The ride is smooth, too— too smooth. The speedometer, tachometer, engine temperature gauge, and fuel gauge all read zero, and the dash isn’t lit up. I feel for the key in the ignition, but there’s nothing there.
Now I see everything with fresh eyes. The road is dark out ahead of me. It’s because my headlights aren’t on, but it’s not only that. The streetlights aren’t lit, and there are no headlights from the oncoming traffic, no headlights in my mirrors, no taillights from the traffic ahead of me. I ease up on the gas, but nothing happens. I take my foot off the gas completely, but I don’t slow down a bit. I touch the brakes and nothing— I press a little harder, but still nothing— I stomp on the pedal, putting it all the way to the floor, but nothing happens. I turn the steering wheel this way and that, but it makes no difference. I pull the parking break. None of it makes a difference. Nothing I do makes a difference. I’m not in control.
A damp, soggy, gray and sunless afternoon, typical for November. And on this typical day we find three friends, middle schoolers, killing time in their typical way, meandering down the train tracks and staying out of sight while they do things they’re afraid to be caught doing. In this case they’re smoking cigarettes. Joseph—everyone but his friends call him Joe—had snuck four cigarettes from his dad’s pack. Once he and the others were far enough down the tracks, Joseph would take one out of his pocket, light it, take a puff, and pass it to one of the others, like it was a joint. It would make its rounds while the three complained about school, teachers, parents, younger siblings— except for Virginia, who did have a younger brother but didn’t see him, and who didn’t live with her parents, but with an aunt and uncle. When the first cigarette was gone, they’d light the next and do the same with it. After two cigarettes, none of them would really want to smoke a third, but they’d all pressure each other into it. The fourth cigarette would be lit, but never would anyone take a drag off it; they’d take turns holding it for as long as they could stomach being so close to the smoke.
Things had been getting awkward between the three of them. Joseph could sense that something had changed, but couldn’t put his finger on it and didn’t want to bring it up. What he was noticing was that Virginia and Josh—the third one—had become boyfriend and girlfriend, but for the time being were keeping it secret. They talked on the phone for hours each night, sent each other pictures back and forth, exchanged meaningful looks around their friends, and sometimes they even went down the tracks, just the two of them.
They walked for a while and were far out of sight from anyone, but Joseph wasn’t yet comfortable. Josh grew impatient, but he didn’t say anything. But then, a miracle. It was Virginia who spotted it, a six-pack of beer, unopened and unsullied, lying in the gravel by the track. It was a great and wondrous find, but it also meant they’d have to go further still down the tracks. This six-pack could be a trap, Joseph argued, left by the cops to catch underage drinkers, or it could belong to a bum who was off in the brush taking a watery shit, or who knows what. Everyone agreed to go further down the tracks. Josh took up the responsibility of carrying the beer, which he wrapped in his coat to hide, and the three of them pressed on, abuzz with excitement.
They walked further down the tracks then they had ever before, and as they went the railway grew more and more poorly maintained, with broken and misaligned tracks, and trees encroaching on either side. The woods got thicker and darker and the path they followed, with the trees walling them in, got to feeling more like a cave. Virginia and Josh were getting afraid, and they were saying things like, “We have just as far to go back as we’ve come”, but Joseph was excited, and he wanted to go further and to see what was at the end of the line. It got to the point that they had to duck and weave to get through brambles laced across the tracks, and now Josh was even direct enough to shout—at Joseph, but plausibly at the thorns—“This is stupid!” But they all went through, and together they emerged into a clearing.
Here was a second, dreadful miracle. In the clearing was a Boeing 747, stood on its nose. Maybe it was touching the ground, or maybe it hovered an inch above it. Maybe it was resting on the tip of a blade of grass. In any event, there it stood, pointing straight up and down, motionless and without a sound. Josh and Virginia immediately ran away, Josh dropping his jacket as he fled, and the cans he was concealing in it burst open, spraying jets of beer. He and Virginia dashed through the brambles and got cuts all over, but they didn’t care. As they ran, they didn’t question if Joseph was running with them. They ran without stopping until they reached the place they’d found the beer. They stopped to catch their breath, and it was only then that they noticed Joseph was gone. “He must’ve run through the woods”, Josh said.
But unlike Josh and Virginia, Joseph didn’t run. He was transfixed by the sight, and couldn’t tear himself away. There were people inside the plane, and they didn’t all tumble down to the nose. They sat in their seats, and walked down the isle, just as if nothing was out of the ordinary. Their down was a different down than Joseph’s. He watched them through the windows, watched them killing time on their computers, or watching movies, or reading books. He watched them getting little drinks, making little trips to the bathroom, adjusting their light and their air. Joseph wondered where they were flying to, and he wondered what they saw through the windows, looking out instead of in. Then they all seemed startled, like there’d been a bump, and then another one. Turbulence, though, from the outside the plane was standing as still as ever. The turbulence got bad. The people got scared. Then all at once they shifted, like when a cook tosses some hash into the air from a skillet and catches it. But still, on the outside, the plane remained absolutely motionless. Joseph could see that their bodies had flown ten or twelve feet in a fraction of a second, and he could see them slam into the walls, ceiling, and floor of the cabin, and he knew that it was all terribly violent, but from outside it was so quiet and so still, so that it didn’t feel violent.
The wing nearest Joseph came off in a ball of fire and streaked upward, disappearing into the clouds. People came flying out with it, and followed. Some were on fire. Then, suddenly, the plane… the people… it was all rubble, bits and scraps and flaming chunks scattering and flying— or falling— or trailing into the sky. Then, nothing. Not a trace of the plane remained. It was strewn about up there somewhere.
Joseph took out one of his dad’s cigarettes, smoked it by himself, and threw up.
It’s before dawn and all the buildings are laying down, asleep, and among them a little flea of a child is seeing what she can scratch up to eat amongst the rubble when she finds a miracle: A sack of grapefruit, heavy with sweet juice and not even moldy, one of her very best finds. She might’ve found more, but the sun peeked over the horizon and the buildings started to wake, to pull themselves back up and go about their business, so the girl had to flee and hope she’d find that spot again.
I havn't been keeping up on posting my little bits from Mastodon, so for the next eleven days I'll post one.
I'm not really happy about it. My rule for this blog has been to post a story once every five days. I've also been collecting these little Mastodon droppings into groups of five to post. The problem is that I have eleven and I want to get them cleared out, which would require two Mastodon droppings posts back to back, which is bad enough, but then there'd be one left dangling.
None of this is important, I just need to explain why I'm not doing the thing I said I'd do.
It's not like a post a day is spammy.
All you have to do is lay out his clothes on a bed, a button up shirt, a pair of trousers with underwear inside them and socks slipped into their cuffs. Lay them out, then take them off, carefully, like you’re undressing a person. Unbutton the shirt, then pull first one sleeve over the hand and slip the arm out, then do the other. Unbutton the pants, and unzip them. Pull the cuffs of the socks over the heels, then pull by the toe, slipping them off the feet. Grip the waistband of the trousers and pull them down over the hips to the knees, then tug alternately at the left and right leg until they’re off. Last, pull off the underwear.
He wasn’t there until you undressed him, but at this final stroke, by magic, he’s there, back on your bed again like he’d never left. Don’t get excited though. Nothing important can be done by magic, and this spell has only brought back his body, cold like mud and as dead as a memory. But he will be there, which—maybe—is better than nothing.
Short to very short fiction. Maybe long too, once every long while. Updated once every five days, religiously, until it isn't. Neocities Mastodon Patreon
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