I Assume This Is The Kind Of Stuff That Goes On In Harry's Head

Forbes putting out a disco elysium article that treats punching a twelve year old kid as a neutral action and ignores all those yucky communist politics is beyond parody

‘there’s no wrong way to go about the situation' actually punching the child trying to incite you to violence because it’s what he expects from adults is wrong.

the roll is harder afterwards if you don’t punch him but that’s because you’re breaking the cycle and breaking the cycle is hard and not immediately rewarding

also die

someone let this man out of the closet

Why Disco Elysium Is So Good

A brain dump of feelings I have about disco elysium and why I think its sick as hell

Bruhhhhhhhhgggg

My favorite fraud 🥰❤️

THERE ARE NO MISTAKES.

i hate that every time i look for color studies and tips to improve my art and make it more dynamic and interesting all that comes up are rudimentary explanations of the color wheel that explain it to me like im in 1st grade and just now discovering my primary colors

The Miracle of Harrier the Innocence.

This idea is so vague in my head. But someone puts the city in a dire situation and these idiots get into it. Something something something. And then, just as the showdown begins, they can SEE the skills. They can HEAR the low murmurs. Harry isn’t look at anyone but seeing through them. He has what he needs to diffuse the situation, he has the guidance of himself broken into 24 pieces. Kim and Jean become the first witnesses.

Etc, etc, etc. Harry is a terrible looking candidate for Innocence so the Founding Party tries to ignore him. So he becomes the first Innocence elected by the people who force the Founding Party’s hand.

IDK idk I wish I knew how to write!

YOU - "So, you wanna *party*?"

ACELE - "What?" She looks up at you, confused.

YOU - (Say it again louder, she might not have heard you over the wind.) "DO YOU WANT TO PARTY?!"

ACELE - "Yeah, I heard you, but what do you *mean* by 'party'?"

KIM KITSURAGI - "Yes, what *do* you mean?" The lieutenant sounds serious.

YOU - "I mean: we get drinks -- and we also get drugs."

KIM KITSURAGI - "Yeah, man..." The lieutenant suddenly appears to your right with his collar popped *insanely* high.

KIM KITSURAGI - "Got any dope? We need some dope bad." He scratches his nose, then his armpit through the jacket. "I got the *Boogie Street* shakes."

DRAMA - He's really shaking and everything!

YOU - Let the lieutenant do his thing.

KIM KITSURAGI - "Tryin'a score some *dope*, man. Tryin'a score some smack -- you got any?" He hops from one foot to the other.

ACELE - "What's *smack*?"

KIM KITSURAGI - "The *D*, man, gotta hit that D!"

ACELE - "What's... 'the D'?"

YOU - "Kim, she seems legitimately confused. Tell her what this *D* is."

KIM KITSURAGI - "*Diamorphine*, girl. Quit clownin'. We need a hook-up for that D..." He breathes in through his teeth.

ACELE - "Diamorphine? But that hasn't been around for years -- five or more, like, seven years maybe? Everybody just does *hunch* now."

KIM Kitsuragi - "Really? What's that?"

ACELE - "Hunch is like ten times stronger than diamorphine and *waaay* more lethal. I think the name is... B-hydroxy-something."

KIM KITSURAGI - "Okay." The lieutenant stops hopping. "That's... that's real bad. Someone should definitely look into that..."

KIM KITSURAGI - He rolls his collar down to normal human level and pulls out his familiar notebook. "We're from the police, by the way."

ACELE - "Oh, of course." She doesn't look surprised.