wanda: “my husband and his indestructible head”
everyone who saw infinity war:
as a black girl who loves a lot of different movies and shows, fanfic allows me to read stories that put me in the middle of my favorite things. however, fanfic often (unintentionally) excludes girls who look like me.
i am so sick and tired of reading a fanfiction and having to rewrite it in my brain because a character description immediately implies that the reader is white. if you don't know what i mean, here are some examples.
"your skin turned pink" or "you blushed": black girls and women with darker skin tones CANNOT blush. our skin does not just turn pink
"pulled your hair into a messy bun": my 4a hair cannot be pulled into a messy bun at random. i may be able to do a ponytail if i have braids in, and i might be able to tie it up if I have an old twist-out, but a "messy bun" is often not possible.
"he ran his hands through your hair": yeah...unless my hair is in a silk press (and an OLD silk press), that's not happening
there are a plethora of other examples that would make this post insanely long, so let me get to the point. there are very easy ways to make fanfic a bit more inclusive; all you have to do is tweak a few character descriptions. OR, put in your pairing or warnings that the reader is implied to be white.
and finally: please, please stop tagging your DARK fanfictions "xblack!reader." i am tired of searching for fluff under the black reader tag and finding non-con, dark themes, etc., ESPECIALLY when the fic ends up being for a white reader💀.
the goal of my page is to create a safe space for black girls who love reading fanfiction. i am only one person, so if you'd like to help, here are some ways to do that!
send me fics (preferably marvel and stranger things to start) that are with a black reader
comment some other things in fanfics that imply that the reader is white or that make the fic a little less accessible
REBLOG FICS BY BLACK WRITERS
Gets scared easily x “How did that make you jump??”
Consistently cold x A very cuddly person who just happens to be warm
Sweetheart x “You’re so kind that it’s making me sick”
Doesn’t like PDA x Has to hold back from smothering them when they’re out on a date
Carefree and kind of reckless x Stern and is always (affectionately) scolding them
Famous singer x Their average partner who is the loudest in the crowd when they go see their concerts
Fascinated by everything x Thinks their partner’s fascination is fascinating
Tall x “How’s the weather up there?”
Short x Bends down to talk to their partner because they know it pisses them off
Two teachers whose classrooms are in the same hallway so they always visit each other during lunches
Very physically affectionate x Didn’t realize how touch starved they were until they met their partner
Cries very easily x “Stop crying or I’m gonna cry.."
“Fuck you.” x “Fuck ME???” [winks]
Very good dancer x Can’t dance for their life but still gets dragged onto the dance floor by their partner
Does embarrassing things on purpose x Pretends to be embarrassed so they can laugh at their partner
the way im just avoiding the fics ive started on here & wattpad is ridiculous... i haven't updated shit for the past like month or so
You miss Tony stark
You miss Natasha Romanoff
You miss Thor
You miss Clint Barton
You miss Steve Rogers
You miss Bruce Banner
AND LASTLY…
You f*cking miss the OG avengers
Because I do.
writing relatable characters may seem like an easy task, especially when you’re constructing your protagonist. but what if you want to make your antagonist likeable? what if you want people to hate your protagonist but still root for them? all of this and more requires that your characters be relatable. they need to feel real, so how do you do that? here’s how:
- flaws: this is probably obvious. everyone has flaws, so we should give our characters flaws, too. this applies even if your character is non-human; they cannot escape the personification that we as writers or readers project onto them. we are humans reading, so we expect to see human qualities everywhere we look. if you’re having trouble of identifying your character’s flaws, here are some prompts for ways to think about flaws beyond a list:
what skills do they lack? what do they struggle with?
can their strengths be turned against them as a weakness?
what makes them react emotionally or impulsively?
are they aware of their flaws? if so, do they want to improve them or change them?
- quirks: these are what make your character unique or special, and no, i don’t mean purple eyes or unique physical traits. i mean: what makes your character authentically themselves? what traits define them that few others have? some ways to think about this are:
how do they react when nervous? do they have a tell? similarly, how do they react on behalf of any emotion?
what skills do they have that hardly anyone else has?
what obscure thing are they obsessed with?
do they have a unique outlook on life compared to their peers?
- values: these come from life experiences: where we were raised, our family and friends, our community, religious affiliations, etc. i suggest identifying eight to ten values that define your character and then narrowing that list down to five values that mark their core or essence. think about how these values influence their choices, decisions, and ultimately, the plot of the novel. here are some more prompts to think about values:
how do they react when their values are challenged? are they one to speak up or do they sit back in the shadows?
what, if anything, will change or shatter their values?
are their actual values misaligned with their believed values?
- stakes: what is at risk for your character? what is motivating them? stakes don’t need to be over the top or life or death; they can be as simple as maintaining a relationship or reaching a goal. unless there’s an outside influence (ie. percy’s mother being kidnapped in The Lightning Thief), most stakes—especially those relatable—tie back to values. even those influenced by outside factors can tie back to values: the only reason percy is motivated to get his mother back is because he cares for her and she is the one person who has always advocated for him and cared for him. he values family and riordan uses his family to motivate him and incite the plot. generally, there will be one overarching stake for your character, but throughout your novel, there should be several smaller stakes. these may not service the plot but should elaborate on your character nonetheless. some ways to think about stakes include:
how can i use internal or external factors to create convincing, relatable stakes that tie back to basic values?
why does the overarching stake matter to my character? why do they care?
how can i raise the stakes or introduce new ones that are relevant to my character and illustrate them as a relatable being?
- connection: even if your character is an introvert, they will still be connected to someone, something, or even an idea. we, as humans, look to certain people, pets, objects, and ideas to maintain our sense of reality whether we realize it or not. if your character prides themselves in having no attachments, think about the ideas or themes that mark the cornerstones of their reality. most human beings strive for some form of connection, so here are more prompts for thinking about your characters and connection:
what does connection mean to my character? how do they show how they value their connections or relationships?
how does my character’s behavior change when around different connections?
what connections define my character and their reality? how will these connections influence my character and/or the plot?
how will removing or challenging a connection change, influence, or motivate my character?
a good rule of thumb is to treat a character as a human, not a plot device. there is a time or place in which a character must act as a plot device, but if you’re wanting your readers to be compelled by your narration and the characters within them, you should strive to write your characters as human (aka as relatable). one of the greatest pleasures i find in writing is when other’s identify themselves in my writing.
you’re not just here to tell a story, you’re here to connect with others through the illustration of your characters. let the reader navigate your prose as a detective, to search for and identify the evidence provided by you. that is to say, show us how these things manifest in your character. don’t tell us.
happy writing! hopefully this post gave you some ways to start thinking about how to show the relatability of your character. if you have any questions about implementing these tools or about writing characters, our ask box is always open.
“that’s not America’s ass”
"I like you so much that I fall for your every look, I fall for the way you move, I fall for you like a good book, I hope that we are together soon, I want to steal your heart like a crook, cause you always make me swoon.. I like you like the rush of a brooke but I could love you to the moon."
I. Have. A. Crush. On. You. Swooning - eUë