I Loooove Being Delusional. Catch Me Ignoring Reality Altogether. Catch Me Never Being Reasonable Ever.

i loooove being delusional. catch me ignoring reality altogether. catch me never being reasonable ever. catch me straight up making up things in my head to cope. delusion is my best friend

More Posts from Detectiveruebennett and Others

3 years ago

anyways, sam wilson is captain america

1 year ago

well here’s an update no one asked for THE SLOW BURN IS SLOWER NOW ????

do i love the slow burn trope? of course i do! but do i like experiencing it for myself? absolutely fucking not!


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2 years ago

The Emotion Thesaurus: Adoration

Hello, everyone! I will be starting a new series that will help you the writers describe emotions.

This guide will be a writer’s tool to characters expression.

This section comes from The Emotional Thesaurus by Ackerman and Puglisi.

Adoration

Definition: the act of worship; to view as divine.

Note: the subject of adoration can be a person or thing

Physical Signs:

Lips parting

A slack or soft expression

Waking quickly to erase distance

Mimicking body language

Touching one’s mouth or face

Reaching out to brush, touch or grasp

Steady eye contact, large pupils

Leaning forward

Stroking one’s own neck or arm as a surrogate

Pointing one’s torsos and feet towards the subject

A flushed appearance

Nodding while the subject speaks

Smiling

Open body posture

Releasing an appreciative sigh

Laying hand over the heart

Frequently moistening lips

Pressing palms lightly against the cheeks

Skimming fingertips along the jaw lines

Eyes that are bright

Agreement

Speaking praise and compliments

Keeping trinkets, pictures of the subject

Constantly talking about the subject to others

Rapt attention, still posture

Becoming unaware of one’s environment

A radiant glow

Visible shakiness

Reduced blinking

Closing eyes to savor moment

Speak with a soft voice

A voice that cracks with emotion

Internal Sensations

Quickening heartbeat

Breathlessness

Feeling one’s pulse in throat

Mouth dry

Throat growing thick

Rising body temperature

Tingling nerve endings

Mental Responses

A desire to move closer or watch

Fixating one’s thoughts on the subject

Acute listening and observation

Ignoring distractions

An inability to see the subjects flaws or faults

Cues of Acute or Long-Term Adoration

Obsession

Fantasizing

Believing that the feelings are mutual

A sense of destiny

Stalking

Writing and sending letter, emails, and gifts

Taking risks or breaking laws to be near or with subject

Weight loss

Poor sleep patterns

Jealousy towards those interacting with the subject

Taking on traits or mannerisms of the subject

Carrying something that represents the subject

Possessiveness

May Escalate To:

Love

Desire

Frustration

Hurt

Cues of Suppressed Adoration:

Clenching or hiding one’s hands to hide sweating or shaking

Avoiding conversations about the subject

Watching or observing from afar

Staying out of subjects proximity

Blushing

Sneaking looks at subject

Creating chance run ins

Writing secret letters, keeping diary

Lying about one’s feelings regarding the subject

Writer’s Tip:

Body cues should create a strong mental picture. If the movement is too drawn out or complicated, the emotional meaning behind the gesture may be lost.

Please like, follow and reblog if you find this helpful!

1 year ago

im looking for some sam wilson fics just for me to only see a bunch of bucky x reader or steve x reader with the sam wilson tags. WHER’S ALL THE SAM WILSON X READER FICS AT ????


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2 years ago

how to write relatable characters

writing relatable characters may seem like an easy task, especially when you’re constructing your protagonist. but what if you want to make your antagonist likeable? what if you want people to hate your protagonist but still root for them? all of this and more requires that your characters be relatable. they need to feel real, so how do you do that? here’s how:

- flaws: this is probably obvious. everyone has flaws, so we should give our characters flaws, too. this applies even if your character is non-human; they cannot escape the personification that we as writers or readers project onto them. we are humans reading, so we expect to see human qualities everywhere we look. if you’re having trouble of identifying your character’s flaws, here are some prompts for ways to think about flaws beyond a list:

what skills do they lack? what do they struggle with?

can their strengths be turned against them as a weakness?

what makes them react emotionally or impulsively?

are they aware of their flaws? if so, do they want to improve them or change them?

- quirks: these are what make your character unique or special, and no, i don’t mean purple eyes or unique physical traits. i mean: what makes your character authentically themselves? what traits define them that few others have? some ways to think about this are:

how do they react when nervous? do they have a tell? similarly, how do they react on behalf of any emotion?

what skills do they have that hardly anyone else has?

what obscure thing are they obsessed with?

do they have a unique outlook on life compared to their peers?

- values: these come from life experiences: where we were raised, our family and friends, our community, religious affiliations, etc. i suggest identifying eight to ten values that define your character and then narrowing that list down to five values that mark their core or essence. think about how these values influence their choices, decisions, and ultimately, the plot of the novel. here are some more prompts to think about values:

how do they react when their values are challenged? are they one to speak up or do they sit back in the shadows?

what, if anything, will change or shatter their values?

are their actual values misaligned with their believed values?

- stakes: what is at risk for your character? what is motivating them? stakes don’t need to be over the top or life or death; they can be as simple as maintaining a relationship or reaching a goal. unless there’s an outside influence (ie. percy’s mother being kidnapped in The Lightning Thief), most stakes—especially those relatable—tie back to values. even those influenced by outside factors can tie back to values: the only reason percy is motivated to get his mother back is because he cares for her and she is the one person who has always advocated for him and cared for him. he values family and riordan uses his family to motivate him and incite the plot. generally, there will be one overarching stake for your character, but throughout your novel, there should be several smaller stakes. these may not service the plot but should elaborate on your character nonetheless. some ways to think about stakes include:

how can i use internal or external factors to create convincing, relatable stakes that tie back to basic values?

why does the overarching stake matter to my character? why do they care?

how can i raise the stakes or introduce new ones that are relevant to my character and illustrate them as a relatable being?

- connection: even if your character is an introvert, they will still be connected to someone, something, or even an idea. we, as humans, look to certain people, pets, objects, and ideas to maintain our sense of reality whether we realize it or not. if your character prides themselves in having no attachments, think about the ideas or themes that mark the cornerstones of their reality. most human beings strive for some form of connection, so here are more prompts for thinking about your characters and connection:

what does connection mean to my character? how do they show how they value their connections or relationships?

how does my character’s behavior change when around different connections?

what connections define my character and their reality? how will these connections influence my character and/or the plot?

how will removing or challenging a connection change, influence, or motivate my character?

a good rule of thumb is to treat a character as a human, not a plot device. there is a time or place in which a character must act as a plot device, but if you’re wanting your readers to be compelled by your narration and the characters within them, you should strive to write your characters as human (aka as relatable). one of the greatest pleasures i find in writing is when other’s identify themselves in my writing.

you’re not just here to tell a story, you’re here to connect with others through the illustration of your characters. let the reader navigate your prose as a detective, to search for and identify the evidence provided by you. that is to say, show us how these things manifest in your character. don’t tell us.

happy writing! hopefully this post gave you some ways to start thinking about how to show the relatability of your character. if you have any questions about implementing these tools or about writing characters, our ask box is always open.

4 years ago

I love my brown skin.

1 year ago

Just wanted to post something that's been bugging me but. Where the fuck are the Black History Month posts?

Valentine's Day got to trend and flood my dash, and that's just a day.

Aromantic Week got to trend and flood my dash, and that's just a week.

But this entire month I've only heard Black History Month in passing. I've only really seen other black people on this site in passing.

And before you say "oh check the tag!" Buddy I shouldn't have to. You don't have to "check the tag" on Pride Month. You don't have to "check the tag" on Valentine's Day. What makes Black History Month different?

I don't know if anyone is even going to see this but. Jfc I feel like the only black person here sometimes.

3 years ago
MILESSSS 🌻🌻🌻
MILESSSS 🌻🌻🌻
MILESSSS 🌻🌻🌻
MILESSSS 🌻🌻🌻
MILESSSS 🌻🌻🌻
MILESSSS 🌻🌻🌻
MILESSSS 🌻🌻🌻
MILESSSS 🌻🌻🌻
MILESSSS 🌻🌻🌻

MILESSSS 🌻🌻🌻

1 year ago

HAPPY BLACK HISTORY MONTH TO ALL MY FELLOW BLACK SAPPHICS 🫶🏾🤎🖤

4 years ago

Daily reminder that Natasha Romanoff fucking owns me


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