The Sea Is A Terrible Place (or: Here's Some Scary Natural Phenomena Found In The Sea Of Siren)

the sea is a terrible place (or: here's some scary natural phenomena found in the sea of Siren)

The false reflection, mostly encountered by deep-diving phocids. This phenomenon occurs when ultra dense high saline water gathers in underwater brine pools on the sea floor. It appears reflective, like a mirror. Down in the deep, the only way you can see at all is to take some form of luminescence with you, which obscures the pool and shows you nothing but another phocid below, holding a light source. It's common for pelagic people to be unfamiliar with their own facial markings and reflection. They mistake the reflection as another phocid, or a ghostly apparition, and reach out. But the salinity of the brine pool is such that even touching it can scald the skin, especially as all mammals on siren are adapted to low salt conditions and require far far less salt than unaltered humans.

The abyss, of course. Most of the sea of Siren is not as deep on average as the sea on Earth. But there are cracks and trenches in the sea floor that go down, and down, and down... they are poorly explored (though the first settlers did send drones down) and sites of myth and legend for swimmers. The abyss is not usually dangerous, since it's easy to just not go down there, but sometimes the cracks seem to inhale and exhale - natural flows of groundwater, or attempts to fill a vacuum caused by a different crack releasing gas. So swimming over certain cracks might result in you being dragged down unexpectedly into the anoxic zone near the sea floor in the region... or it might result in you being unexpectedly shot up. These events are incredibly rare and usually passed off as tall tales, some selkie who claims to have flown due to being propelled into the sky

The snowstorm... an event that occurs when the sediment is agitated enough to completely white out the water. If the particles are the right size, echolocation clicks bounce back immediately, making sight and echo useless. Phocids and selkies trapped in the snowstorm could lose situational awareness and forget which way is up very easily, and the instant bounce-back of echo clicks is deeply unpleasant, giving the illusion of being 1 inch from swimming straight into a solid wall.

Shriekers. This is an issue where ice caps, glaciers etc meet the water. The ice cracks and breaks, and to sensitive phocid and selkie ears it's an unbearable shriek that can render them disoriented and deaf at long range, and break eardrums at close range. Around the ice wall, there's an almost constant background noise of screaming.

The false sky. A phenomenon that occurs when a swimmer loses situational awareness, and ends up diving deeper and deeper thinking that they're about to come up for air. The reduced gravity of siren means that it's more difficult under the water to feel gravity, resulting in a more weightless sensation than on Earth. Occasionally, a natural biolumescence in deep water may produce an illusion of the sky viewed through the turbid water, making the disoriented swimmers even more certain that they are travelling up, when really they are diving. In Spiral mythos this is treated as a specific type of mania.

The wanderer.. it looks like a phocid swimming in the distance. You hail them, click at them, wave your lantern, but they don't respond. If you get closer, they'll flee. This is a really common story among nearly all pelagic people worldwide, and what they are seeing are the vanishingly rare aquatic zeta, those who did not adapt to becoming terrestrial and became extremely solitary, so they were not able to regain language due to not having complex cultures and societies anymore. They resemble smaller, hairy phocids and are considered a type of (for lack of a better word?) fairy or trickster spirit in Spiral culture, a false friend leading you astray.

The flesh cloud. This is a mass of deceased scalefish, the hagfish-like animals which make up many of the fish shoals on Siren. If they enter an anoxic zone unexpectedly (if chased, pushed by currents, or just unlucky) they can die in large numbers, forming a tangled, decaying mass that drifts through the seas. These are heralds of rot and disease and the water around them is filthy and unclean, an infection risk for any swimmer with an open cut. Sometimes large nets are set up to catch and redirect them.

Sharp sand. Some substrate is made of silica and appears glittery, like fairy dust. When water mixes, these can form plumes which are hundreds of feet tall. They're not dangerous in and of themselves, but you had better make sure you close your eyes around it, no matter how pretty the dancing glitter might be. A common cause of corneal ulceration and abrasion.

Cherta's Tide. This is a big one. Tides are slow and rare most of the time, mixing the water and enabling life to flourish. But every so often, there are two different tides that come round, which can be predicted based on which moon is most prominent in the sky for the duration. Ishmael's Tide is a high water apocalyptic event, but there are many monitoring stations and contingencies to avoid it. Cherta's Tide (similar to a neap tide) is far more unpredictable and occurs irregularly, as the moon Cherta is smaller, darker, and harder to see. This tide is a low-water event. Vast stretches of the sea floor are laid bare and the underwater ridges suddenly become towering cliffs and barriers for people who can't fly. This can last for weeks at a time, and without the water of course most animal populations who can't hide in substrate take a huge hit. It can happen fast enough to strand a swimmer at the top of a ridge, nothing but air below all the way to what was once the sea floor, and they might be stranded, unreachable, and without food or water for a fatal period of time.

I'm so happy Ryan Coogler hired Yvonne Chireau as his Hoodoo consultant for "Sinners'. That man really respects our roots. Yvonne don't play about Black American culture and our connections to spirit and Africa. Her books and lectures are always on point

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dipstickflopdoodle

3 years ago

I made a what the fandom thinks of you generator

edit: please remember

1. i have to read all the tags

2. ITS RANDOMLY GENERATED I AM SORRY IF YOU DONT LIKE YOUR RESULT BUT DO NOT FUCKING HARASS ME ABOUT IT

thank you

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dipstickflopdoodle

1 year ago

Jonathan, looking out the window and once more watching Dracula scale the walls like a lizard:

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dipstickflopdoodle

3 years ago

me, your friendly neighborhood villain apologist: zuko was never evil he was just 16

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dipstickflopdoodle

3 months ago

my 10 holy grail pieces of writing advice for beginners

from an indie author who's published 4 books and written 20+, as well as 400k in fanfiction (who is also a professional beta reader who encounters the same issues in my clients' books over and over)

show don't tell is every bit as important as they say it is, no matter how sick you are of hearing about it. "the floor shifted beneath her feet" hits harder than "she felt sick with shock."

no head hopping. if you want to change pov mid scene, put a scene break. you can change it multiple times in the same scene! just put a break so your readers know you've changed pov.

if you have to infodump, do it through dialogue instead of exposition. your reader will feel like they're learning alongside the character, and it will flow naturally into your story.

never open your book with an exposition dump. instead, your opening scene should drop into the heart of the action with little to no context. raise questions to the reader and sprinkle in the answers bit by bit. let your reader discover the context slowly instead of holding their hand from the start. trust your reader; donn't overexplain the details. this is how you create a perfect hook.

every chapter should end on a cliffhanger. doesn't have to be major, can be as simple as ending a chapter mid conversation and picking it up immediately on the next one. tease your reader and make them need to turn the page.

every scene should subvert the character's expectations, as big as a plot twist or as small as a conversation having a surprising outcome. scenes that meet the character's expectations, such as a boring supply run, should be summarized.

arrive late and leave early to every scene. if you're character's at a party, open with them mid conversation instead of describing how they got dressed, left their house, arrived at the party, (because those things don't subvert their expectations). and when you're done with the reason for the scene is there, i.e. an important conversation, end it. once you've shown what you needed to show, get out, instead of describing your character commuting home (because it doesn't subvert expectations!)

epithets are the devil. "the blond man smiled--" you've lost me. use their name. use it often. don't be afraid of it. the reader won't get tired of it. it will serve you far better than epithets, especially if you have two people of the same pronouns interacting.

your character should always be working towards a goal, internal or external (i.e learning to love themself/killing the villain.) try to establish that goal as soon as possible in the reader's mind. the goal can change, the goal can evolve. as long as the reader knows the character isn't floating aimlessly through the world around them with no agency and no desire. that gets boring fast.

plan scenes that you know you'll have fun writing, instead of scenes that might seem cool in your head but you know you'll loathe every second of. besides the fact that your top priority in writing should be writing for only yourself and having fun, if you're just dragging through a scene you really hate, the scene will suffer for it, and readers can tell. the scenes i get the most praise on are always the scenes i had the most fun writing. an ideal outline shouldn't have parts that make you groan to look at. you'll thank yourself later.

happy writing :)

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dipstickflopdoodle

2 years ago

Simple/Low Energy Witchcraft

Look, I'm disabled so I know how frustrating it can be when your body is just not up to the ritual you spent a lot of time planning and tweaking. Or perhaps you are simply a busy person who needs quick, easy workings you can fit into your day.

Here are some suggestions:

Color Magick (Color coordinating outfits is a fun way to do this)

Spell Bottles

Jewelry Enchantment/Charging

Breath Work

Candle Magick

Knot Magick (Try weaving a braided cord or bracelet to wear)

Sound Cleansing/healing

Sigils

Petitions

Manifestation Boxes

Verbal Incantations & Blessings