Figured Out How To Post The Actual Videos!

“Welcome to Snackbeard’s Sandbar and Krill And Other DelicaSeas and Delights!”

When snacktime beckons in the deep sea, salmon snailfish wiggle wiggle those little chin-fins (which are actually modified pectoral fins) in the sand—but it’s all in good taste. Those whiskers are covered in tastebuds, and can help them sus out small crustaceans, like amphipods and crabs, hidden in the muck!

The Sun is White, not Yellow.

Gabriella Mistral nebula by AstroCapetown

i learned about Tim Wong who successfully and singlehandedly repopulated the rare California Pipevine Swallowtail butterfly in San Francisco. In the past few years, he’s cultivated more than 200 pipevine plants (their only food source) and gives thousands of caterpillars to his local Botanical Garden (x)

Your writing will always feel awkward to you, because you wrote it.

Your plot twists will always feel predictable, because you created them.

Your stories will always feel a bit boring to you, because you read them a million times.

They won't feel like that for your reader.

Hello everyone! after a couple of months of work on this beast of a thing, the first draft of my promised writeup on understanding composition is finally ready! This badboy is almost 15,000 words, and over 150 pages long. In these images, you can see a couple of examples of the kind of subject matter I’ll be covering, but it’s very comprehensive. 

This is currently available on my Patreon starting at just $2!

I think what I offer is a pretty unique take on composition, and it’s geared to be understood without a lot of consideration for the more finnicky technical elements of drawing, so if that’s part of art you have trouble with you might find some answers in my approach. Using my own art and examples from various disciplines and eras, I break down how to understand why a composition does - or doesn’t - work, all building to a toolset that lets you have control over your own compositions with precision and intent. 

A sincere thank you to anyone who takes the time to look at it, and at the end of the day, always remember one fundamental rule of art:

Stars and Dust Across Corona Australis : Cosmic dust clouds cross a rich field of stars in this telescopic vista near the northern boundary of Corona Australis, the Southern Crown. Less than 500 light-years away the dust clouds effectively block light from more distant background stars in the Milky Way. Top to bottom the frame spans about 2 degrees or over 15 light-years at the clouds’ estimated distance. At top right is a group of lovely reflection nebulae cataloged as NGC 6726, 6727, 6729, and IC 4812. A characteristic blue color is produced as light from hot stars is reflected by the cosmic dust. The dust also obscures from view stars in the region still in the process of formation. Just above the bluish reflection nebulae a smaller NGC 6729 surrounds young variable star R Coronae Australis. To its right are telltale reddish arcs and loops identified as Herbig Haro objects associated with energetic newborn stars. Magnificent globular star cluster NGC 6723 is at bottom left in the frame. Though NGC 6723 appears to be part of the group, its ancient stars actually lie nearly 30,000 light-years away, far beyond the young stars of the Corona Australis dust clouds. via NASA

Daily Butterfly facts

Butterflies can’t fly if they’re cold