......i Think I Started Smth.....

I’m in the works of stuff but need motivation 🤪 might post some of my incorrect quotes too

I will fall in love with you

Over and over again

I don’t care how, where, or when

No matter how long it’s been

You’re mine

Don’t tell me you’re not the same person

You’re always my husband

And I’ve been waiting, waiting

Waiting, waiting

Waiting, waiting

Waiting, oh!

For you...

This is literally Y/N and Loki from Time after Time. This is their theme song, playing in the background in the last chapter. It's them.

This!!!! This is what I want!!! This is what I crave!!!!

No Longer You waltzing animatic, this wasn't supposed to be a serious thing but oh well

[FanArt EPIC the Musical: "King Odysseus of Ithaca"]

Here is my take on the reigning King of Ithaca Ody! Finally!

I even did a small Sketch with Young Ody and my Athena Design!

Don' t worry! I'm still on finalizing those God Designs! But be prepared to see more EPIC FanArt!

THAT'S EXACTLY WHAT I THOUGHT!!!!!

Odysseus is all alone and it is made clear by the "missing" chorus of men.......

Six hundred men…six hundred deaths under my command…cause I had only one goal in mind

AND THEN SILENCE. CAUSE THEY ARE ALL GONE??

You brain automatically fills in the voices but there’s nothing, it’s like they truly died and we hear the voices of the dead. This is horrible.

SICK MR.RIVERA-HERRANS, SICK IS WHAT YOU ARE.

And that is why we hear the melody of "Just a Man". Because that's what Odysseus is. Not a monster or something else. He is just a man who wants to come home.

And Penelope is the one who helps him see that.

Still thinking about EPIC because I just love how EPIC handles Ody’s guilt.

Now, I don’t think I need to deep dive on how Odysseus’ guilt drives him in Act I. We’ve been obsessing over that for ages lmao, but very briefly: He feels awful for killing the infant Astyanax, and tries to force Polites’ “Open Arms” philosophy in order to ease that guilt.

Then, in “Monster,” Odysseus grapples with how his guilt leads him to make mistakes, asking: “What if I’m the one who killed you / every time I caved to guilt?”

And the implication is that gives up his guilt, deciding he needed to be a monster who “threw that guilt away.” And yet.

He never does.

He never stops feeling guilty—not about what he does in Act I, and not about what he does in Act II. We see it in how he agonizes over Zeus’ impossible choice in “Thunder Bringer”; in “Love in Paradise” when he’s haunted by the ghosts of his loved ones. And it’s not like he’s unaware of what he’s doing—Odysseus knows he’s been trying to suppress his feelings, most of all guilt and remorse.

In “Six Hundred Strike,” Poseidon rhetorically asks “How will you sleep at night?” He wants to know how Odysseus is going to live with his guilt, if he even still feels guilt. Odysseus answers his rhetorical question literally, “Next to my wife.”

Which, not only is that just a raw line, but it also does give a rhetorical answer. Odysseus knows that he isn’t going to be okay, that the guilt will way him up inside for the rest of his days, but he also knows he can count on Penelope. That she will help him shoulder his burden.

And he’s prove right in “Would You Fall in Love with Me Again.”

Because, finally. After twenty years, Odysseus is home, safe and sound—and all at once the guilt hits him. The pain and regret over every decision he had to make comes crashing down the moment he no longer had to suppress it.

And he hates it; he hates himself for making those choices, even when there was no other way to get home.

So he tries to dehumanize himself once more—to convince Penelope and himself that he’s become some kind of remorseless monster. Because that’s how he coped with it last time. That’s how he survived “Monster.”

And Penelope sees right through his bullshit. She cuts through his guilt and self-loathing to tell him, in no uncertain terms, that he is still human; that he is loved. And in doing so, tells him that it’s okay to grieve, to feel that guilt and let it go. He’s suffered enough.

Thank you for saying it!!!! Hope that more fiction will use this....so please Authors! Use this! It has so much potential!

I think that more fanfiction should be written with the aim to tackle the original meaning of hanahaki. Because when the concept of hanahaki disease was originally created, it was intended to be a metaphor for suppressing one’s feelings.

Your feelings are this beautiful garden of flora inside of your chest. When you express how you feel honestly, you allow for it to grow freely. But when you hide how you feel out of fear of rejection, and try to make it smaller and smaller, the flowers become cramped inside of you, until you choke on your own feelings. Every flower you cough up is something you’ve felt, but refused to say.

The whole “dying” thing is intended to be more symbolic especially. You’re killing off bits and pieces of yourself and how you feel, because you’re afraid to express yourself.

It’s not really supposed to be, “The one I love doesn’t love me back, and I’m dying from it.” Rather, it’s more along the lines of, “Repressing your emotions is bad for you, and it’s better and healthier to express them freely, even when it’s scary.”

Which is to say that, one, the cure for the disease should be telling the person that you are in love with how you feel. How the other person feels about the person afflicted should have nothing to do with it, as the trope is meant to be about feeling your emotions unapologetically.

And that, two, it’s not an inherently romantic trope. Obviously, it has romantic applications, but it can be written for any situation where a character is hiding how they truly feel. This can include a refusal to address a specific trauma, a desire to indulge in something that they’re ashamed of, and even really practical things, like wanting to ask one’s boss for a higher position.

Although (as an aromantic person myself) I don’t agree with this conclusion about the trope, this application would also avoid people calling it arophobic. When the thing killing the character is a refusal to be honest with themselves, rather than an unrequited love, it’s on nobody’s hands but their own to save their life.

There are a ton of ways that this interpretation of the hanahaki disease could be applied in new and interesting ways in fanfiction, and I’d love to read what things people could come up with!

My EPIC Journey

Where do I even begin? I have dreamt of being an animator ever since I was a little girl, growing up with the Disney animation renaissance era as well as a non-stop barrage of anime, in particular Dragonball Z. I even wrote in my high school yearbook that I dreamed of one day working for the studio that worked on Dragonball Z just so I can animate for that very series. And I made sure everyone knew it LOL

The dream didn't materialize, but after decades of struggle, I got something far better than I could ever have imagined. I get to animate at the comfort of my own home. I get the career I've always wanted, and am able to generally work at my own time. I get to work with a wonderful team (drawmisu, Camalemsy, Novi, Nathan Kuan, Jenny) who are generous with their time and talents and are fun to work with. And I get to work with wonderful clients who have changed my life and afforded me and my family the comforts we are enjoying, from Mortius, to Casper Fox, but most of all to Jorge Rivera-Herrans, whom I fondly call simply as Jay.

Jay gave me the amazing opportunity to be part of the roster of talented (skillented according to Casper) animator for the official EPIC: The Musical animatics and animations. He entrusted me with his vision, is just an overall joy to work with, and as some of you may know during the Vengeance Saga, literally saved my life for the simple fact that he commissioned me two animations (Dangerous and 600 strike finale), which allowed me, who does not have health insurance, to afford expensive care for a bad case of pneumonia. Without Jay, I would not only have reached my dreams, but I would literally not be here typing this. (Don't worry, with the generosity of my clients, I am actually now shopping around for a good health insurance company....which I know is a hot button topic right now, but I don't live in the US and our private health care here is often times better than public).

But I digress.

With the premiere of the Ithaca Saga, comes the conclusion of the concept album of EPIC: The Musical. But as Jay mentioned, the journey is far from done. I have so many things planned: more commissioned animatics from clients whom I also consider dear friends, more EPIC fan animatics and animations, more musical animatics from other IPs, an animated short, an animated trailer for my upcoming animated pilot episode, and so much more in the future!

Everything I have, the happiness and contentment that I am experiencing right now would not be possible had my paths not crossed with Jay's and his wonderful EPIC the Musical project. Our paths would not have crossed where it not for the EPIC fans who relentlessly tagged him in my animated works, which made him take notice and reach out. And I would not have become a big fan of EPIC, where it not for my cousin Julia, who had been relentless in her goal to turn me into an EPIC fan ever since the TROY saga dropped (I will never stop thank you, pinsan! Love you so much!)

This is not goodbye. This is see you again soon.

REAL SOON.

Bye for now, you guys! This has been Gwendy from NS2D Studios saying, I will see you, when I see you.

I couldn't have said it better 👏

i just love this scene. the way geta is taken aback by the poetry. he's guarded, wary, trying to unpack the underlying threat - a wild animal faced with a machine for the first time. he knows there's something dangerous here, but he can't determine the extent of it.

caracalla, as he is one to do, breaks the tension. he doesn't sense the threat, not like geta does. caracalla is happy with the turn of events, so geta backs down accordingly - but not without a little threat of his own, just so lucius knows that geta isn't oblivious to the harm.

it's the same way acacius threatens geta w/ the consequences of more war. geta's gaze shifts to the side. he knows acacius is right. but caracalla chimes in, giddy about bloodshed, and so geta doesn't pursue the potential threat. he allows it to slide.

geta is the sharper twin. he can smell blood in the water. but he doesn't follow up on his suspicions, especially not when caracalla delights in the source of the threat.

caracalla was always geta's greatest liability and weakness. love killed him in the end.