bonney normally speaks very coarsely- she usually uses omae as her ‘you’ pronoun, which is uncommonly rude and aggressive for women and is normally only used by men. however, when she addresses luffy-as-nika for the first time directly, to say “i’ve been searching for you,” she switches over to anta for ‘you’, which is still informal but far less confrontational.
and then when luffy is just completely not getting it in the next line (“huh? we’ve been together this whole time!”) bonney instantly snaps back to using omae again for her subsequent lines. respect gained -> lost speedrun INSTANT
Tboilet
Yk funfact i was looking through the tbhk artbook i got a while back and these outfits compelled me and i had to draw them
Chapter 119 - "Happiness"
Out of all of the many many reasons I love gear 5, one I haven't talked about yet is how much Luffy so obviously loves gear 5 as well.
It is honestly revolutionary to have a shonen protag's final form be enjoyable for them. To not be something born out of anger or hate; a thing born out of strict necessity that has to be unlocked by painful emotions/the loss of someone they loved (temporary or otherwise) but rather born out of joy and a desire for freedom. To have them want to be in that final form, to have it spit in the face of the idea that the only way to be powerful is to be serious, edgy, ""mature"" and to abandon joy and happiness in favor of that.
I LOVE that Luffy's final power-up doesn't come at the cost of who he is as a person, and instead amplifies and uplifts who he is. It uplifts his carefree nature, his goofiness, his creativity, his sense of wonder. And as such, the form is something that he enjoys more than any other gear he has used. It allows him to be the freest version of himself, allows him to bend the world around him to his whims, of course he's going to love it.
It also (in a weird way) acts as a message of self love. Luffy does not have to abandon who he is to become stronger, but rather has to lean even further into who he is. The traits that make him 'weird' and 'strange' by pirate (or hell, even just by regular standards) are the very things that boost him up and allow him to win against his foes.
A "ridiculous power" Kaido called it, and yet it was that power that sent him hurdling to the center of the earth, toppling his reign over Wano with the very thing he robbed from its people.
drew a bunch of different snufkins. idk much about a few of these so if i got anything wrong, dont bother telling me just think really hard about it and maybe i’ll receive your feedback telepathically in a week or so
OKAY EDIT because multiple people have mentioned it: IM SORRY book snufkin was only depicted with a harmonica. he has an accordion in some of tove’s standalone illustrations and i chose to draw like a very specific snufkin ive seen in a few drawings from her. the accordion was only for a fun comparison and also because accordions are awesome buut that wasnt a very good representation of general book snufkin my apologies
A short translation of an extra collaboration comic published with Chapter 6 in the GFantasy magazine, featuring two other series “The Morose Mononokean” and “A Vampire Called God.” Available to read on Mangadex as well!
Me waiting for fanfic updates like a 1920s woman waiting for her husband to come back from the war.
luffy now using 'dawn' in his gear 5 attack names gives me the opportunity to point out something i don't know if i've mentioned before on this blog but that's been on my mind for actual years.
so, the english word 'dawn' is written in japanese as ドーン/dōn; for example, that's also how it's written in these attack names, and also in the name of dawn island (ドーン島/dōn-tou). and don/dōn is the same sound effect one piece uses ubiquitously to emphasize impactful or important panels or beats. (i think the official english translation usually renders it DOOM?) it also shows up in tom the fishman's speech pattern and the lyrics of binks no sake- i associate it very heavily with the comic as a whole.
and in thinking about gear 5, it's also occurred to me that the constant use of don for emphasis is potentially reminiscent of the sound of a drumbeat- especially since in wano, it's partially supplanted as the default 'emphasis' sound effect by the べん/ben or べべん/beben of hiyori's shamisen, another instrument.
14 dazai from last year i forgot to post 🤧
They aren't good at therapy