Just Realized Akechi,kusuo,and Kusuke Are The Only Ones In The Show With No Spark In Their Eyes

I think we should take more time to appreciate the cruel irony in so many of the bsd backstories, because Asagiri has this way of writing that's not just "oh sad things happened to this character." They're twisted, each in their own special way.

Atsushi: His whole life, he was treated awfully because he had the tiger. And yet, that tiger is what helped him survive that treatment, it's a manifestation of that will to live he grew because of his abuse. It's the source of all his strength and all his pain. The director told him to only hate him, never to hate himself, and yet, all his life, he blamed only himself for his misfortune. The one lesson the director wasn't trying to teach him is what he learned.

Dazai: At the beginning of dark era, Odasaku has one of the healthiest wills to live. And he reaches out to save Dazai from his own darkness, but he can't. But at the end of dark era...it's flipped. Dazai is begging Odasaku to stay, he's reaching out to stop him, he's telling him to find some meaning in life, that things will get better. Mr. "life is meaningless" himself is trying to tell his friend that life has value because he doesn't want him to go. It's right after he told Odasaku how he knows he's destined to lose everything he desires, and then Oda leaves him because he's lost his will to live. And when he dies, he sees himself as a man who failed to become good, to give up killing, yet Dazai sees him as a success story that people can change.

Chuuya: Chuuya's friends betrayed him because they thought he was betraying them by joining the Mafia. And then Chuuya joined the Mafia in order to protect the friends who just betrayed him.

Yosano: She only wanted to save lives. All she wanted was to help people, to heal them, and yet it was that kindness that ended up turning against her. Because by helping them, she also became the source of all their problems and all their pain. She saved their lives so much that all they wanted was to die.

I could go on for longer, but then this post would be very, very long. There's just something about the cruel irony in each of the backstories that make them all feel so tragic.

I got the most wonderful package delivered today. The first of many BSD orders I have pending.

I'm eagerly awaiting my copy of volume 25. It's on the way~!

New son!! <33

Okay, I gotta dig out my Society of Tinfoil Hattery credentials from the junk drawer for this one piece business, so strap in and get ready for some flow of conscious yapping.

And just to be clear: ELBAF SPOILERS

Okay. So the triptych(?) mural. I’m gonna be very insufferable about the mural because that feels like THE center point of this arc. Not so much the poems, because as far as I know, the translations are still unofficial and I can give my thoughts on them then.

Okay, so, the first third. The “First World”

We see people- we can assume slaves- coming out of complexes with machinery beneath and steam billowing from above. Is this a refinery? A power plant? A reactor, maybe?

We see these people go down deep, and come back up carrying something starlike that they bring to a crowned figure on top of the hill. Ore? Precious stones and metals? Some sort of fuel source? It looks the same as the stars depicted, so… nuclear energy?

We also see beneath the ground- perhaps hidden?- a winged figure (sky islander?), next to a very large ship with animals trailing towards it (Noah??) pointing skyward (to the moon???).

Above the crowned figure at the top of the hill, we see a ship in the sky sending a lightning bolt to the feet of the crowned figure and towards the roots of the tree centerpiece (Uranus? Something like the Ark Maxim and Enel?)

And the central piece to the first world portion of the mural… this “Serpent of Hell” coming up from beneath the earth where the slaves are going down into getting into a conflict with the bird-like creature at the top of the second world’s tree (Nidhogg and Hraesvelgr imagery? Who would be the Ratatoskr of that?). It seems from the fire the two are spitting at each other, that the whole world has become enveloped in war and- if the bit about the Earth God becoming enraged is translated correctly- rendering it uninhabitable (the reason why the sky islander is taking the animals to Noah? The reason why the sky islanders went to the moon to begin with? Was the land irradiated?)

This one is the most dicey for me, but bear with me.

The Second World is a tree with the Hraesvelgr-esque figure perched at the top, warring with the Nidhogg-esque figure going down into the earth beneath the roots. We might assume, though I’m not exactly certain about it, that this tree could be symbolic of this eight hundred year reign of the world government? Its branches don’t stick out very far from the trunk, so this could just be to keep the image from being cluttered, just something that wasn’t thought about, or because the tree is giving shade to only a select few.

This Hraesvelgr looking beast seems to have won the conflict with the Nidhogg one. So the Nidhogg beast might have been symbolic of a rebellion coming up from where the slaves toiled away? (The x marks on the serpent’s sides do make me think of a certain tattooed someone with a certain ophidic moniker with certain unsavory opinions on the Celestial Dragons…)

And then we see the last portion of the triptych. Nika leading the charge with an army at his back against a winged demon holding the sun.

I see Nika and Imu (or maybe even Teach…) depictions here, obviously. I see a whale with two people on it’s back (Laboon, Crocus, and that one dude who was drinking with him that one cover art (that might be the man marked by flames))? I see a Lunarian (King and/or the Seraphim?). I see Emmet. I see Dogstorm and Catviper. I see Shirahoshi and the Megalodon. I see Leo. I see Loki! We see several ships, too! All of these people fighting against one big demon and one tiny ship with just a handful of people. The world has turned on the powerful few.

In conclusion… I think this is a sort of history-prophecy thing like with Alduin’s Wall in Skyrim. These aren’t “worlds” per se, but Ages. It just gives that illusion because it feels like how humanity speaks of bygone eras as totally different worlds. I think this is the Void Century, Imu’s reign (specifically Imu, because clearly something or someone was calling the shots before them. Perhaps the Nerona were ruling? And Imu formed the alliance of the 20 Kingdoms when the Nerona family was being threatened by this “Serpent of Hell”? Maybe Imu was the only survivor of their line and refused to let go of their power?), and Imu’s downfall respectively.

I… really don’t think Nika brings the end of the world. I think he just brings in a new Age.

I’m going to go on my “Imu is an eternal child” soap box when I say that I think Imu is embodying a sort of foil to Nika (a moon god/dess mythical zoan, maybe?). Both Nika and Imu seem… childish to me. Nika is all the positive things we associate with childhood. Play and laughter and imagination. While Imu… Imu is all the negatives. Selfishness and moodiness and “I’ll break my toy so I don’t have to share it” mentality. You get what I’m saying?

Again, this is by no means a comprehensive thing. This purely just me spitballing things.

Thoughts are absolutely welcome.

Consider

Saiki k as Delores from Encanto

Discuss

In time travel movies, when the time traveler asks 'What year is this?!?' they're always treated like they're being weird for asking.

When in reality, if you go 'What year is this?!?' people will just say '2024. Crazy huh.' and you go 'Wtf where has my youth gone.'

And if you ask 'And what month??' people won't judge you, they'll just go like 'SEPTEMBER!!! Can you believe it?!?!' and you go 'WHAT?!? Last time I checked we were in May?!?'

Good to know Chuuya is Dazai's personal rubber duck

Tsukasa works FOR Sakura

Now this is very likely me just being slow and not connecting the dots until now, but chapter 109 has made me realise that Tsukasa is not the one in charge of the "destroy all yorishiros" plan... It's Sakura.

It's this line here that's made me finally see the light, Tsukasa has to "help Sakura, by destroying the yorishiro." He is not actively desiring the yorishiro to be destroyed, he's just doing his part in the plan. In chapter 106, he wasn't even phased that Nene didn't want to destroy the yorishiro and the only reason he persisted was because it was "his job."

Even way back in chapter 93, Sumire describes Sakura as the one No. 6 serves. Sakura gave him the job of destroying his own yorishiro, not Tsukasa.

Sakura is the one who wants the yorishiros destroyed, she's been trapped inside the school for 100 years and is tired of it. She wants to leave whatever duty is keeping her bound

And she is more than willing to make sacrifices to make her wish come true

Sakura is behind everything, she is the reason that Tsukasa was freed from where he was trapped (very likely Hanako's boundary).

She is also the one altering the rumours.

Tsukasa, as cunning and intelligent as he may be, is probably a bit too impulsive to be the brains behind the entire operation. His intense curiosity for things would likely get in the way, no matter how well he means or how serious he's being.

And again, it's clear Tsukasa is not as invested in destroying the yorishiros as we are initially led to believe. Again, he really doesn't mind that Nene no longer wants to destroy yorishiros anymore

In fact, it's Natsuhiko who worries Nene won't destroy them. Keep in mind Natsuhiko is 100% loyal to Sakura and not necessarily to Tsukasa. If this was Tsukasa's plan, I doubt he would be worrying over whether Nene will keep doing her part as the kannagi

The only reason we even initially thought this was all Tsukasa's doing, was because Sakura painted a picture that she was in a similar situation to Nene.

Sakura gives the impression that she can't go against Tsukasa, that he is her master. But that can't be right, because we know Sakura was the one who appointed the 7 mysteries in the first place. And she was also the one who freed Tsukasa, so how could he be the "master" in this relationship?

I think, Sakura said all this to gain Nene's trust.

Nene, being the modern kannagi, is absolutely vital in the plan to destroy the yorishiros. So having her trust Sakura would help out immensely.

So overall, whether it's the price he's paying for having been freed-- or for some other reason entirely-- it's quite clear to me now that Tsukasa is not the one in charge of the "destroy the 7 mysteries" plan. He's absolutely a major key player, with his cunning and curious mind clearly being an advantage (figured out the fastest and easiest route to stopping time so he could access the clock-keeper's boundary with Nene). But he is doing all of this to help Sakura, it's not for himself.

Some emo ass drawings of bendy

@theinkymystery @inkymysteryanimatedpilot

The fact that people think that Saiki is emotionless is so funny to me, because that’s the most dramatic guy you’ll ever see.