The Common Misconception That Akane Has No Personality Outside Of Aoi Is A Sign Of Immaturity Among Many

I feel like Tsukasa experience in red house forced him to mentally mature cause I don't think that's how a 4 years old would act

Yes, and we can add that the red house has a flow of time. Tsukasa has been there for years, so over time he has matured.

Despite this, he is naturally very intelligent, because at the age of 4 he made the decision to sacrifice himself to save his older brother. This is something that is difficult even for adults to consider.

How did Oda leave such a strong impression on Dazai?

OOHH ok i have a lot of thoughts on this topic so bear with me, this is gonna be a long one My interpretation is the first thing Dazai latched onto about Oda was his honesty.

Oda is a very straightforward person, he rarely ever if at all has an ulterior motive and it totally blindsides Dazai. He can't manipulate Oda because he'll take what he says too literally, he can't predict him - not because Oda is good at hiding his thoughts, he just naturally has the most unreadable resting poker face imaginable - and no matter what he does nothing seems to phase Oda (keyword "seems", it often does he just doesn't show it) , and it intrigues Dazai.

As seen with Chuuya we know Dazai gets hooked on people who surprise and/or impress him, so I can absolutely understand how he saw the enigma that is Oda and said "you're my friend now we're having soft tacos later <3".

I could go on for hours about the various times Oda has bamboozled Dazai and how each effected him profoundly in so many different ways, but that's a discussion for another time. I don't think just these factors would realistically warrant Dazai's drastic change in world outlook and spur on his sudden redemption arc, so what did?

I believe it was his complete lack of judgement. Despite Dazai's constant suicide attempts and harsh view of the world not once did Oda outwardly judge him for it, which is in some ways a blessing and in some ways a curse. Oda never viewed himself as qualified enough to call Dazai out, which in hindsight might've done harm as there were times were Dazai needed someone to call him out, but unbeknownst to Oda that lack of judgement gave Dazai room to breathe.

He saw right past the silly facade and the darker side to Dazai, he saw a "sobbing child abandoned in the darkness of a world far emptier than the one we're seeing", and he saw a friend.

And this is exactly why Oda's last words hit Dazai so hard. Odasaku, who never speaks up for himself, Odasaku, who's so genuine he'd believe a murderer if they simply said "I didn't do it", Odasaku, who is now telling Dazai life might just be little better if he decides to help rather than hurt.

Bleeding out on the floor of a mansion, in a desperate attempt to make up for all the times he didn't confront Dazai Oda has to find some way to get through to him and fast. His harsh words to Dazai on how he'll never find that happiness he so desperately craves are so jarring they snap him out of his panic, suddenly he's blindsided all over again, and that vulnerable state gives Oda's next words the chance to reach deeper - "be on the side that saves people."

In order to truly get through to him, Oda needed to level with Dazai, the only way to do that in such little time was to repeat back to him his own internal mantra of "never filling that hole that is his loneliness". It's clear his words are false, especially the line "nothing beyond your own expectations will happen" as Dazai's entire speech to Fyodor in the prison is about his belief in the unpredictable nature of human beings.

But regardless, that slap in the face of hearing his own self-destructive thoughts voiced aloud after going his entire life without ever considering anybody else could understand them heightened Dazai's faith in Oda's promise of a life that's "a bit more wonderful."

What makes me adore Oda and Dazai's friendship so much is how grounded and natural it feels. Oda isn't some perfect saviour who always knows exactly what to say, far from it, he was a 23 year old PM grunt with 5 kids and a love for spicy curry, but that's all he needed to be.

Sorry this is so ramble-y and long winded if you couldn't tell already Oda's my favourite character so I have a lot to say about him 😭 Thank you so much for the ask!!!

drew a bunch of different snufkins. idk much about a few of these so if i got anything wrong, dont bother telling me just think really hard about it and maybe i’ll receive your feedback telepathically in a week or so

OKAY EDIT because multiple people have mentioned it: IM SORRY book snufkin was only depicted with a harmonica. he has an accordion in some of tove’s standalone illustrations and i chose to draw like a very specific snufkin ive seen in a few drawings from her. the accordion was only for a fun comparison and also because accordions are awesome buut that wasnt a very good representation of general book snufkin my apologies

meanwhile

OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.

I feel like it's more about 'who they are at their core vs who they choose to be'.

At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.

He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)

Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.

In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.

I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.

Looking for treasure at the Hattifatteners' island

Okay, I gotta dig out my Society of Tinfoil Hattery credentials from the junk drawer for this one piece business, so strap in and get ready for some flow of conscious yapping.

And just to be clear: ELBAF SPOILERS

Okay. So the triptych(?) mural. I’m gonna be very insufferable about the mural because that feels like THE center point of this arc. Not so much the poems, because as far as I know, the translations are still unofficial and I can give my thoughts on them then.

Okay, so, the first third. The “First World”

We see people- we can assume slaves- coming out of complexes with machinery beneath and steam billowing from above. Is this a refinery? A power plant? A reactor, maybe?

We see these people go down deep, and come back up carrying something starlike that they bring to a crowned figure on top of the hill. Ore? Precious stones and metals? Some sort of fuel source? It looks the same as the stars depicted, so… nuclear energy?

We also see beneath the ground- perhaps hidden?- a winged figure (sky islander?), next to a very large ship with animals trailing towards it (Noah??) pointing skyward (to the moon???).

Above the crowned figure at the top of the hill, we see a ship in the sky sending a lightning bolt to the feet of the crowned figure and towards the roots of the tree centerpiece (Uranus? Something like the Ark Maxim and Enel?)

And the central piece to the first world portion of the mural… this “Serpent of Hell” coming up from beneath the earth where the slaves are going down into getting into a conflict with the bird-like creature at the top of the second world’s tree (Nidhogg and Hraesvelgr imagery? Who would be the Ratatoskr of that?). It seems from the fire the two are spitting at each other, that the whole world has become enveloped in war and- if the bit about the Earth God becoming enraged is translated correctly- rendering it uninhabitable (the reason why the sky islander is taking the animals to Noah? The reason why the sky islanders went to the moon to begin with? Was the land irradiated?)

This one is the most dicey for me, but bear with me.

The Second World is a tree with the Hraesvelgr-esque figure perched at the top, warring with the Nidhogg-esque figure going down into the earth beneath the roots. We might assume, though I’m not exactly certain about it, that this tree could be symbolic of this eight hundred year reign of the world government? Its branches don’t stick out very far from the trunk, so this could just be to keep the image from being cluttered, just something that wasn’t thought about, or because the tree is giving shade to only a select few.

This Hraesvelgr looking beast seems to have won the conflict with the Nidhogg one. So the Nidhogg beast might have been symbolic of a rebellion coming up from where the slaves toiled away? (The x marks on the serpent’s sides do make me think of a certain tattooed someone with a certain ophidic moniker with certain unsavory opinions on the Celestial Dragons…)

And then we see the last portion of the triptych. Nika leading the charge with an army at his back against a winged demon holding the sun.

I see Nika and Imu (or maybe even Teach…) depictions here, obviously. I see a whale with two people on it’s back (Laboon, Crocus, and that one dude who was drinking with him that one cover art (that might be the man marked by flames))? I see a Lunarian (King and/or the Seraphim?). I see Emmet. I see Dogstorm and Catviper. I see Shirahoshi and the Megalodon. I see Leo. I see Loki! We see several ships, too! All of these people fighting against one big demon and one tiny ship with just a handful of people. The world has turned on the powerful few.

In conclusion… I think this is a sort of history-prophecy thing like with Alduin’s Wall in Skyrim. These aren’t “worlds” per se, but Ages. It just gives that illusion because it feels like how humanity speaks of bygone eras as totally different worlds. I think this is the Void Century, Imu’s reign (specifically Imu, because clearly something or someone was calling the shots before them. Perhaps the Nerona were ruling? And Imu formed the alliance of the 20 Kingdoms when the Nerona family was being threatened by this “Serpent of Hell”? Maybe Imu was the only survivor of their line and refused to let go of their power?), and Imu’s downfall respectively.

I… really don’t think Nika brings the end of the world. I think he just brings in a new Age.

I’m going to go on my “Imu is an eternal child” soap box when I say that I think Imu is embodying a sort of foil to Nika (a moon god/dess mythical zoan, maybe?). Both Nika and Imu seem… childish to me. Nika is all the positive things we associate with childhood. Play and laughter and imagination. While Imu… Imu is all the negatives. Selfishness and moodiness and “I’ll break my toy so I don’t have to share it” mentality. You get what I’m saying?

Again, this is by no means a comprehensive thing. This purely just me spitballing things.

Thoughts are absolutely welcome.

➤ [ Toilet-Bound Hanako-kun:  Chapter 6.5 ]

A short translation of an extra collaboration comic published with Chapter 6 in the GFantasy magazine, featuring two other series “The Morose Mononokean” and “A Vampire Called God.” Available to read on Mangadex as well!

when the hyperfixation got you so bad you start watching the gacha reaction videos

this was my roman empire

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