I’ll Never Wear Your Broken Crown

Alternate Universe HS Chuuya calling Dazai "Osamu" when they were young being so important to Dazai that he wrote it down and put it in a time capsule

....is not the craziest soukoku info thats ever dropped into my lap

but it blindsighted me nonetheless.

I imagine moomin would not only a) learn a new skill just to make Snufkin a new scarf, but also b) break it in to make it more comfortable for him because this boy would never wear something even vaguely new

Animaniacs #36 -April 1998- DC Comics

Communication Gap

writer: Dana Kurtin

penciler: Omar Aranda

inker: Jim Amash

letterer: John Costanza

colorist: Prismacolor

Oda's death becomes even more tragic when you realize Dazai did get there in time to save him.

The first time.

After Ango's betrayal, Dazai reached Oda in time to save him from the poison. Dazai probably spent that night thinking he was going to lose Oda, he sat by his bedside until he woke up again. Sure, he played it cool, like he was just there to update Oda when he woke up, but anyone could have done that.

Dazai stayed, because for awhile he probably didn't know if Oda would ever wake up again.

But he did and Dazai saved him and he could finally let go of the dread clutching his heart, because he made it.

He was on time. He saved Oda.

The first time.

There is so much to break down here holy shit

First off, I like how Fukuzawa and Mori are the only one fully on different sides here, I think of all the generations of skk they are the ones who simply and truly hate eachother. Everything about them is antithetical, they represent the complete opposite values.

skk here is also interesting, look at chuuyas expression, he has his typical "I hate being here but i have no choice" look that he had as the king of sheep. And Dazai literally leaning over him is pretty spot on for how we see their partnership play out for most of their time in the mafia.

sskk being back to back here I think actually shows their trust in eachother now, Fyodor being a present threat and both of them wathcing eachothers back. There's also the fact that Atsushi is looking up while Akutagawa is looking straight ahead

What Makes a Yorishiro?

Well wouldn’t you like to know…

But no, really, what DOES make a yorishiro? I thought I knew at first, but recently, I’ve started thinking my definition is a little… off.

So I wanted to revisit yorishiro in this post, and review the explanations AidaIro has given us within the context of JSHK! Please, join me, as I barrage you with screencaps you have probably seen a hundred times. ☆ミ

Keep reading

Moral compass

Tsukasa Is Tsukasa

Recently I discovered a poll asking if people thought the Supernatural Tsukasa and the Red House Tsukasa were different, and the results surprised me! A majority of voters thought they were not the same. Not only that, but I've seen many people in the fandom start believing they are separate people, if they hadn't already believed it before.

I think this stance can very easily be explained by the scene in Chapter 111 where Amane comes to the conclusion that the Tsukasa who went missing isn't the same as the one who came back:

While people might be divided on the details, the conclusion is basically the same: whatever that is inside of him, it's not Amane's brother.

And I can see why they think this! In fact, it used to be a popular theory back during the release of chapters 78-82 when we didn't know the specifics of what happened. Heck, we still don't know many of the specifics...and many people continued believing the Tsukasas were different anyway!

There's decent evidence to support this, too. When Tsukasa returned, he had sharp teeth and supernatural powers. He knew that Kunishige's wish was that the head priest would die. He's demonstrably different from the innocent little Tsukasa that sacrificed his life for Amane.

If that wasn't enough, even his own mom came to the conclusion that Tsukasa wasn't her son! This is basically the same conclusion Amane comes to in Chapter 111. That's 2/3 of Tsukasa's family members thinking some evil entity is larping around in his skin--not a good look!

In any case, while I could try and convince you guys there are two Tsukasas and the Tsukasas are different, that's not what I'm here to do. If you read my blog you already know I'm 100% on the side that Tsukasa is Tsukasa and always has been, and nothing AidaIro has shown me so far has been convincing enough to change my mind. In this post, I am here to argue that the Red House Tsukasa is the same as the Supernatural Tsukasa and that he merely works in tandem with the ancient god living inside him.

1. Chapter 82

This is the chapter when a lot of people dropped the theory that there are two Tsukasas, including me. (Yes, I used to believe there were two Tsukasas--people change!)

Kou and Nene had determined that the Red House Tsukasa was the real Tsukasa and that the one Amane killed was a fake. They come to this conclusion because this Tsukasa was trapped in the Red House for 50 years and acts a lot nicer and sweeter than the one we know.

The issue is, Kou tells this Tsukasa that Amane is going to kill Tsukasa and die at the age of 13...and unbeknownst to Kou, the seemingly innocent little Red House Tsukasa is EXCITED at the idea! Tsukasa, thankful to Kou and Nene, helps them escape the house but stays behind. This scene is when a lot of cool stuff happens.

First, we learn that Tsukasa wasn't actually trapped in the Red House and he always knew how to get back home, but that he never left because he was worried about what would happen to Amane. However, once Kou told him that Amane wasn't happy after Tsukasa left and that Amane kills not just Tsukasa but also himself, Tsukasa realizes he doesn't know that much about Amane and wants to learn more. The most shocking part of this scene to me was that Tsukasa's excitement at dying was very similar to the lighthearted way the Supernatural Tsukasa brings up his death with Amane.

Second, we see Tsukasa not only has the entity he sacrificed himself to to save Amane stored in his chest, but that he holds a conversation with it.

The entity being shown in his chest is actually a popular argument for the "Tsukasa isn't Tsukasa" theory, but I feel this scene proves otherwise. Tsukasa is not the unwilling host of this entity, as one might expect, but instead almost treats it as a friend. They have a sort of symbiotic relationship going on, and Tsukasa makes the decision to go back wholly of his own, despite them both knowing how to get back the entire time. He even says "let's go back TOGETHER," which supports the idea that they work together and that it isn't simply piloting a Tsukasa meat puppet.

We can argue Tsukasa is the victim to the entity's machinations, that the entity needed Tsukasa to do it willingly or that the entity took full control of Tsukasa after he succumbed to the flames or what not and tricked him, but so far AidaIro has only shown cooperation between these two characters. It's not unreasonable to suggest that Tsukasa gaining supernatural powers after he comes back isn't a sign that he's a different being entirely but that he's just working with one.

2. Mother Doesn't Always Know Best

This one will be a quick section, but considering Mother Yugi is basically the origin of "Tsukasa isn't Tsukasa" I wanted to cover why I think she's wrong.

In Chapter 79 Kunishige recounts how Mother Yugi took Tsukasa to their shrine because she thought her son was possessed by a demon after being spirited away. Kunishige thinks she's crazy at first, and so do the priests, who find nothing wrong with Tsukasa. Put a pin in that btw.

However, Kunishige later learns she was onto something because Tsukasa is not only an incredibly unsettling child but he correctly predicts the death of the head priest of the shrine and tells Kunishige his wish, for the head priest to disappear, would be granted tomorrow. This proves Tsukasa has otherworldly power, since he knows Kunishige's wish without Kunishige telling him, and also might have the ability to grant wishes, something the entity in his chest is shown to be capable of.

Now, I personally think the fact that the priests found nothing wrong with Tsukasa is HUGELY in favor of my theory. I understand how you can argue that the entity somehow avoided detection because it's powerful, or because there was nothing left of the original Tsukasa or something, but I still think the fact the priests detected nothing wrong is extremely weird. What if that's because Tsukasa is still in control?

I think the fact Mother Yugi was convinced Tsukasa isn't her son and wasn't persuaded otherwise is important, too. In fact, I think it might directly correlate with the conclusion Amane makes in Chapter 111. I think Amane is more or less coming to the same conclusion his mother made, something he hadn't wanted to believe at first but eventually, finally, succumbed to. I have to imagine his mother's insistence that Tsukasa wasn't Tsukasa left a big impression on Amane, and it's something that's bothered him for years.

I can't exactly blame them both, either. By the time Tsukasa came back, he'd lost a lot of his innocence. Keep in mind that they think Tsukasa was gone for six months. Any normal 4-year-old kid might have been traumatized by leaving his family for six months, but Tsukasa just acts creepy and possessed. And despite him meeting Nene and Kou 50 years in the future, it's possible it really was only six months for Tsukasa! Time worked differently there. Still, it's not hard to see how the extreme circumstances he was in might have changed him. Not only was he stuck in a haunted death house, he later learns the wish he granted for Amane wasn't Amane's true wish and that Amane kills Tsukasa. This is all pretty life-changing information, and when you tack on the fact that he's buddy-buddy with an ancient man-eating god, it's really not that surprising Tsukasa has changed so dramatically, especially when he's still at the tender age of 4.

3. Behavior

For something that's supposedly replaced Tsukasa entirely, it certainly gets very personal with Amane, doesn't it?

I said before that Red House Tsukasa in Chapter 82 acts similar to Supernatural Tsukasa. How they find delight in death. But I don't think this is the only point of similarity between them, either. In Chapter 81, Red House Tsukasa is under the impression that Amane hates him.

In Chapter 111, after Amane tells Tsukasa he hates him, Tsukasa tells him he already knew that.

Mind you, this line comes seconds before Amane comes to the conclusion that Tsukasa isn't Tsukasa.

Think about it. Tsukasa tells Amane that he knows Amane hates him, echoing a sentiment that the Red House Tsukasa shares. And Amane, after hearing this, comes to the conclusion that this Tsukasa is an impostor.

Isn't that... really sad?! I mean, I'm not going to say that Amane's whole reasoning for Tsukasa being a fake is that he thinks Amane hates him, but...before this scene, Amane was saying he couldn't destroy his yorishiro because he cared about Tsukasa too much. And for Tsukasa to say something he's thought ever since Amane pushed him as a little kid, and for THAT to make Amane say he thinks Tsukasa is fake... it really shows they've never understood each other at all.

Tsukasa's never been shown to get extremely upset about being hated by Amane, either, so you can't say Amane is right just because Tsukasa is laughing in Chapter 111. Tsukasa initially seems shocked when he was pushed, and overall seems a little sad about it in Chapter 81, but he still remarks that Amane hates him with a smile. He's selfless about it. And later, when he learns Amane kills him, this feeling gets more complex. Despite Kou's attempts to convince him otherwise, I think Kou's reveal only made Tsukasa more convinced that Amane hates him, and this is shown in Chapter 111 when he laughs about it. It's just a funny joke to him at this point.

I...genuinely cannot reconcile this behavior with Tsukasa being a fake. I just can't! Why would the entity be this personal with Amane? Why would it share opinions that the supposedly "real" Tsukasa had? If AidaIro really is trying to write a story about a little boy being replaced by a supernatural entity, then they could at least do a better job of making them act different. TBHK makes it clear that supernaturals can experience human emotions just as strongly as actual humans, so it wouldn't surprise me if the god has its own personality and feelings, but for them to just...be the exact same as the human it replaced? I'm not buying it.

There is no difference between the Red House Tsukasa and the Supernatural Tsukasa that can't be explained away by the fact that people change as they grow older. Everything about Tsukasa's character arc as I've presented it is completely logical.

Conclusion

With so little info on the ancient man-eating god, it's kind of impossible to reach a proper conclusion at this point. All we really know about its personality is that it hungers for flesh and will grant any wish in exchange for it. With this in mind, it's incredibly easy to see why people think the god and Supernatural Tsukasa are one and the same, especially when the cast tends to treat them as such. I could just as easily write a post in favor of them being different as I could of them being the same.

And I think this is what AidaIro ultimately wants! I think AidaIro wants us to second guess ourselves. If I know anything about Aidairo, it's that they like to keep up on our toes and shock us with surprising twists. Who really knows what they have hiding up their sleeves?

Still, I feel the theory that the god replaced Tsukasa raises more questions than answers, and I hope I managed to explain my side of things.

read right to left

(same anon as before)

-PREPARE THIS ONE IS LONG-

Even though we all dislike the ending to some degree, BIA's ending still brings an interesting layer to the their relationship. It's a flaky plot-twist, sure, but we must not forget that:

a) Daffy isn't acting b) Most of Bug's reactions of/for/about Daffy must be genuine ( the inmediate ones at least)

So Daffy does want to leave for good (The stakes for Bugs are real), and Bugs does not believe Daffy is there just to highlight him(the emotional misunderstanding is real). He is actually surprised by this take, but unable to tell him how he feels. He can't go off script on in a meta, literal or personal level.

Uhm some other stuff, when Kate (the human co-star) and Bugs are driving on las Vegas, Bugs recognises Daffy by laugh alone. He looks up as soon as he hears it, Kate only hits the brakes after he is right on front.

They are all doing improv to some level. Daffy really had excellent timing for the joke, so Bugs really is just enamored with the perfect time Daffy came in. And Daffy in general

All in all, if Bugs orcheastated the whole bit, it means he really did all that to get Daffy on the movie, movie in which he praises Daffy constantly and goes far and beyond for…

At the end, the movie is for Daffy. Is Bugs VERY convoluted way of expressing his feelings without being direct or telling him to his face. funnily enough, this just bring back Bugs real issue, he can give the world to Daffy, but is it anything if he doesn't say so? works in meta too, the movie is fun, but the ending brings a lot of people a sour taste. and for some it ruins the experience.

TLDR: Uhhh...Bugs' gay, a menace, deserves the "least probable to open up about his feelings" award.

-👻

The shorts have always been in this weird limbo where it could be things happening to the Tunes in real time, we the audience are just there to witness it, or it’s actually a skit and the tunes exist as actors. sometimes the shorts don’t reveal it’s being filmed until a 4th wall break gag comes along and (kinda) changes the context of the short. I feel that Joe Dante might have risked the movie taking itself too seriously as “this happened to Bugs and Daffy outside filming” if it actually ended with Bugs and Daffy walking off into the sunset (hallway?) and so the ending we have was put in as “this was all a film ordered by execs and Bugs was in on it”. It doesn’t come as a surprise to me now and looking back it seems like a cop-out for the notoriously tumultuous experience of filming it anyways. Like a given up, hands in the air kinda “it was all just a movie. so there, the end”

It’s funny that although everything about the movie wasn’t “real”, the emotional conflict between Bugs and Daffy very much was, and that ends up being like, this entire movie’s saving grace jfkfjdhd