Bro I'm In That Play This Year, And I See This? Amazing

Bro I'm in that play this year, and I see this? Amazing

It's spelled ScrOwOge but pronounced ScrUwUge.

More Posts from Dragonoligy1 and Others

1 month ago

VI GJORDE DET SVERIGE!!!

🇸🇪🤝🇫🇮


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1 year ago

Please fanfiction authors, use this guide, I know I will. No you will not find out what I've wrote.

Title card that reads "NeoGeo's Illustrated Guide to Grammar Fundamentals (for fanfiction authors!)"

Hey gang, it’s your old pal Neo here. If you know me, it’s probably from one of the several very stupid TF2 comics I’ve posted to Tumblr.

However! I am also an English major (unfortunately). One who has read millions of words worth of fanfiction in their life. I have been part of the Sherlock, BNHA, Disco Elysium, and, of course, TF2 fandoms; I’ve been around the block.

The further I’ve progressed into my English education, the more I’ve noticed which mistakes are the most common in fanfiction. Many of them are easily fixable; writers just need to be pointed in the right direction. 

“Neo! Does this mean you think people shouldn’t be allowed to post their works online without a background in formal English education?”

Of course not! I can explain why if you’d care to venture below the cut with me!

Yes, I will explain how to use commas.

It’s important to note that this is NOT a post about formal writing. You aren’t writing an essay. Please, for the love of god, do not write fiction like you’re writing an essay.

There are no stakes to writing fanfic. No one is going to get hurt if an author doesn’t know what a dangling participle is. One of my favourite things about fanfiction is that it’s one of the only art forms left that’s done exclusively for fun! You should write what you enjoy, and share what you make with like-minded people. 

What I want to do is provide assistance as best I can to writers who want to improve their fundamentals without having to take the same university courses I did. Nobody is going to be getting a formal education to write fanfiction unless they’re ridiculously dedicated, and I’m not expecting that of anyone. 

The point I need to stress is that knowing these grammar fundamentals can instantly improve the flow of your writing. Punctuation is a ridiculously important tool for writers, ESPECIALLY in fiction. Commas, semicolons, and full stops (including periods, exclamation points, and question marks) steer the pacing in the reader’s mind; did you notice how your brain stopped for a second after that semicolon? I can show you how to do that.

You may be wondering why I’m going through so much effort to teach all of this to strangers on the internet. The answer is that I enjoy sharing this knowledge with others and helping them grow. By seeing this, my goal is to help you become more proficient at self-editing. Showing this to people who actually want to learn will, hopefully, benefit the community as a whole, and I think that’s very worth it. 

Also, while this post is obviously themed around TF2, the points I’m making can be applied to any fiction. Grammar is for everyone, and the church of the semicolon always has room for more initiates. 

Also also, as an edit, I should clarify that this is meant to cover the more objective facets of self-editing, which is why I'm mostly covering punctuation. Maybe I'll do another post about using adjectives someday.

With that out of the way, let’s get going!

I’ve teamed up with several English teachers (real ones! One of which may or may not be my mom!) and an editor to gather a list of the most common problems we see in amateur fiction. This post is going to be split into three broad sections: apostrophes, commas/semicolons, and other common problems. 

The apostrophe

This section is short, but it holds weight. Other than commas, apostrophes are the most typoed grammatical tool in any fanfiction I’ve edited. This is because, much like the rest of English, the rules surrounding them can be annoying and inconsistent. 

Apostrophes have two main uses: possessives and conjunctions.

A possessive is a word that denotes the ownership of one thing over another. The vast majority of the time, this is done using an apostrophe and an S.

Heavy's sandwich looked delightful; he was very excited to eat it.

There is, however, one glaring exception to this rule, and it’s the bane of my existence. 

When denoting possession of an object over something else while using the pronoun ‘it,’ you do NOT add an apostrophe before the S.

When he inspected his sandwich further, Heavy's face dropped; someone had stolen its olive.

A conjunction, on the other hand, is when a writer uses an apostrophe to combine two words. The following are examples of common conjunctions:

What’s (what is)

They’re (they are)

It’s (it is)

Conjunctions are not often used in formal writing. Thankfully, we aren’t dealing in formal writing. Go crazy.

Time for a lightning round of the most commonly mistaken for each other possessives and conjunctions!

Your is possessive. You’re is a conjunction of ‘you’ and ‘are.’ When you can’t decide which one to use, imagine replacing it with ‘you are’ and seeing if it makes sense. If it doesn’t, use your.

Their is possessive. There indicates a location. They’re is a conjunction of ‘they’ and ‘are.’ 

Demoman and Soldier leapt hundreds of feet using their favourite explosives.

The comma and the semicolon

You knew it was coming. I knew it was coming. It’s time to talk about commas.

Commas and semicolons are far and away the biggest grammatical hole in the toolset of fanfiction writers everywhere. They’re often treated like the rules surrounding them are complicated and difficult to understand, but the exact opposite is true! 

The big issue I’ve heard time and time again is that the rules of commas are often explained through metaphor instead of example; this means that writers everywhere have slightly different ideas of how you’re supposed to use them. The fact of the matter is that, yes, there are correct and incorrect ways to use commas. Knowing when they’re appropriate and when they aren’t is easily the fastest way to bring your writing from looking amateurish to sounding professional and experienced. 

In order to know how to use a comma, you must first understand the difference between a dependent and an independent clause. 

An independent clause is a section of writing that functions perfectly well as its own sentence. It MUST have both a subject and an action/verb.

Sniper walked across the room.

(Includes both a subject (Sniper) and an action (walking across the room))

A sentence without an independent clause is known as a fragment, and they’re the bane of English teachers with highlighters everywhere. 

A dependent clause is a section of writing that does not have both a subject and an action; it does not function as its own sentence.

"To get a glass of water"

(Does not include a subject, making it a dependent clause)

Now, let’s say you want to combine the two. When joining a dependent clause to an independent clause, the order in which they are placed is crucial to whether you use a comma or not. 

When joining a dependent to and independent with the independent clause first, you do not need to use a comma.

Sniper walked across the room to get a glass of water.

When joining a dependent to an independent with the dependent clause first, you MUST use a comma. 

To get a glass of water, Sniper walked across the room.

Keep in mind that, if one strives for total grammatical perfection, all narrative sentences MUST have an independent clause. This, however, does not apply to dialogue. Human beings do not think about whether what they’re saying is a dependent clause, and neither would the vast majority of fictional characters. Don’t be afraid to break the rules of grammar as long as it’s contained within quotation marks. 

Alright, that’s the easy part. Time to learn about joining two independent clauses. It’s semicolon time, baby!

If you join two independent clauses without properly using a comma or a semicolon, it is a run-on sentence. You do not want these in your writing. They’re awkward to read and mess up the flow.

Sniper walked across the room to get a glass of water and Scout tried to hit him with a baseball bat.

(Features two independent clauses and no punctuation, making this a run-on)

When joining two independent clauses, you can use EITHER a comma or a semicolon. You just need to follow these rules:

If you’re joining two independent clauses with a comma, you MUST use a joining word (and, but, so, etc.) AFTER the comma. 

Sniper walked across the room, but Scout hit him with a baseball bat.

If you’re joining two independent clauses with a semicolon, you do NOT need to use a joining word.

Sniper had failed to get his water; he grabbed the bat out of Scout's hand in frustration.

Did you know that a sentence with a comma counts as its own independent clause? This means that you can make a sentence that includes a mix of both without it being a run-on! Just make sure that, no matter what, the semicolon is between two independent clauses. 

His journey proving fruitless, Sniper was in a crabby mood; it was only made worse when he noticed a blue tint spread across Scout's outfit.

Still, try not to write more than two clauses in a sentence too often. Sentences with a lot of punctuation are very attention-grabbing, but shouldn’t be overused. Full stops aren’t your enemy and variety is the spice of life. 

It’s also important to remember that you should avoid using more than one comma in a clause (with the exception of the rule below). That part loops back to the 'avoiding run-ons' bit.

It’s really that easy! 

Commas are also used in informal writing to inject a separate thought or descriptor mid-sentence without breaking the flow by adding a period. This is often used when describing the perspective of a character experiencing something in a story, but not (usually) when using omniscient perspectives. 

The Scout was a Spy, which, in hindsight, should have been obvious.

The final issue I frequently see with commas in fanfiction is in regards to dialogue. Sometimes you end it with them, and sometimes you don’t. What gives? 

Well, my friend, the answer is, thankfully, much simpler than the previous section.

When following dialogue with a dialogue tag, use a comma instead of a full stop. If you’re continuing the previous sentence after the tag, use a comma after it as well. 

Note that a dialogue tag is a short phrase that identifies the speaker. It isn’t a complete sentence on its own.

"Bloody unprofessional," Sniper groused, "jumping a man when he's thirsty."

When following dialogue with an action that does not serve as a dialogue tag, use a full stop instead of a comma. 

"Sorry, Chucklenuts." Spy crawled through the window. "Off to visit your mother!"

Other common problems

This section is dedicated to putting specific grammatical errors into words, along with how to solve them. 

Not sticking to the chosen point of view

Always choose your point of view before you start. Is it in the first, second, or third person? Is it omniscient or limited? Does the point of view switch during the story?

First person perspective is told as if the POV character is directly describing their experience to the reader. The character uses I and we to describe their own actions.

Second person perspective is told as if the reader is a character in the story and their actions are being described to them. This is the rarest, and the most difficult to write.

Third person perspective is the most common and the simplest to write. The events of the story are a separate entity from the reader altogether and the narrator uses they/he/she/it pronouns for characters. 

Omniscient perspective means the narrator of the story knows all, including the thoughts and feelings of each character. 

Limited perspective means the narrator of the story only knows what the POV character knows. 

Past and present tense

When you decide between writing a story in past or present tense, it is crucial that you do not switch between them unless it is narratively intentional. Reading a past tense story that mistakenly switches to the present tense is like being pulled out of the room someone is telling a story in and suddenly taking part in it yourself. It’s disorienting and gives the reader unwanted pause.

Pyro keeps walking through the hallway, when something caught their eye.

(Incorrect, mixes past and present tense)

Pyro kept walking through the hallway, when something caught their eye.

(Correct, consistently stays in the past tense)

Overly-long paragraphs

A common adage spread by English teachers is that most paragraphs should be at least eight sentences long. This is great advice for beginner essays. You’re writing fiction. 

If you have a new thought, start a new paragraph! A concise and well-read single-sentence paragraph is infinitely better than one that drags a thought for too long. Aim to have a blend of paragraph lengths when you write, alternating between the descriptive and the punctual. 

Dangling participles

A dangling participle is when a word is used to describe a noun that isn’t actually present in the sentence. Much like how a sentence without an action isn’t grammatically correct, neither is a sentence without a subject. 

Keeping the corner of his eye on Archimedes as he worked.

(Incorrect, lacks a subject)

Medic kept the corner of his eye on Archimedes as he worked.

(Correct, has a subject for the action)

Malapropisms

A malapropism is when an author mistakenly uses one word or phrase instead of another similar-sounding one. I’m not about to list every single malapropism ever made, but these are the ones I notice most often:

To comprehend is to understand something, to apprehend is to arrest someone, and to be apprehensive is to be anxious or fearful of something bad happening.

Could care less means you do care. Couldn’t care less means you don’t.

A lot means a large amount of something. Alot isn’t a word and you shouldn’t use it.

The only real solution to using malapropisms is to make sure you fully understand any words you use in your writing. Never guess, and make sure you always google it. Having beta readers also helps.

If you made it this far, congratulations! You now know the most common errors in amateur fiction and how to solve them! Thank you for listening to me complain for two thousand words. 

The most important thing to remember is that it’s okay to make mistakes. First drafts are always gonna be a little bad. The real key to success is knowing what your end goal is, and how you plan on achieving it. Here’s hoping this was a helpful tool for that!

Shoutout to @salmonandsoup for helping me think of the list of issues to address! You're a real one. Also shoutout to my mom, who doesn't have Tumblr. Also the third person. You know who you are.


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1 year ago
Kirby Chalk 2: Electric Boogaloo

Kirby Chalk 2: Electric Boogaloo

Also, for a limited time: Kirby Chalk requests (because I am bored)


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1 year ago

Brought to you by: Late night me

All art belongs to @partycoffin


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1 year ago

No one knows my singular OC but (:

REBLOG IF YOU WOULD BE LITERALLY 100% OKAY WITH FAN ART ABOUT YOU EVEN IF IT WAS JUST STICK MEN


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art
1 month ago
@dragonoligy1 's Bill! Your Bill Is The Most Fun To Draw

@dragonoligy1 's Bill! Your Bill is the most fun to draw


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2 years ago

YOOOOOO I just got a frickin plate thing signed by the dub voice actor for GUIDO MISTA HIMSELF

HELL YEAH

YOOOOOO I Just Got A Frickin Plate Thing Signed By The Dub Voice Actor For GUIDO MISTA HIMSELF
YOOOOOO I Just Got A Frickin Plate Thing Signed By The Dub Voice Actor For GUIDO MISTA HIMSELF

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2 years ago

I have a proposal for the PLA and JoJo fans:

I Have A Proposal For The PLA And JoJo Fans:

Injo

It could work-

Maybe

Possibly


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1 year ago

Would this mean Marx is Diego? Oh FUCK YEAH

(read From Right To Left) GET HIS ASS

(read from right to left) GET HIS ASS


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dragonoligy1 - Dragonoligy1
Dragonoligy1

I do inconsistent art n stuff

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