Latest Posts by dream-phantasm - Page 2

I don't Eliza has ever heard of consensual marriage before. I honestly never liked her. First, she and her ghosts invaded NRC- a place that didn't belong to them and terrorized the students. She KIDNAPPED poor Idia and forced him to be her groom without asking what he wanted. Third, she slapped all the boys who were attempting to rescue Idia (who ungratefully trash talked them in the process). And then there's Eliza's old-fashioned ideals. I could go on, but it'd get too long eheh

!! 👀 No, no! This is actually a really interesting topic of discussion, lemme word vomit my thoughts out, Anon!

I have a lot thoughts on Eliza and on the Ghost Marriage event itself, so I'd like to take this chance to share them. Please take what I say with a grain of salt, as much of it is personal interpretation based on the information presented to us in game.

***Ghost Marriage event and Groom-for-a-Day card(s) spoilers ahead!!***

You're perfectly valid in saying that you dislike Eliza. Everyone's allowed to like and to not like whatever characters they want.

I agree that many of the things she did and said were over-the-top and unwarranted, but I think that was the entire point of Ghost Marriage: to be a parody of the "traditional Disney fairy tale romance", much like how the film Enchanted was. There were just too many not-so-subtle jabs at common romance tropes for it not to be.

For example, Eliza has unrealistic expectations of her future husband, and she thinks everything will magically work out, even though Idia is clearly distressed and against the marriage. Later, when the other boys are deployed to rescue Idia, there are even more jokes made using Eliza's extreme ideals as a springboard to jump off of. Yes, it was wrong of her to slap people around, but it was played off as something to laugh at because she would always be set off by the smallest things.

The highlight here definitely has to be Leona and Trey's attempt to woo her with song. Disney is especially known for its songs in movies, and Eliza just takes that idea and runs with it. She expects her ideal prince to perfectly finish any song she starts/serenade to her, as if they're actually in a Disney musical number. Obviously, if anyone attempted that in real life, you'd react the same way the TWST boys did: with confusion.

I think Idia trash talking the rescue attempts is meant to add to the humor. There's a huge contrast in how the boys of NRC see this courtship and "romance" and how Eliza sees it--that's where both the event's conflict and where the bulk of the humor comes from.

What I personally appreciate about Ghost Marriage is that it offers a realistic portrayal of love and marriage when you look past all the silliness of the event. Well, not on Eliza’s part, but on the part of the TWST boys we all know and love.

A mistake that people outside of this fandom often make is that TWST is an otome game, based simply on the fact that the cast is all male and full of pretty boys. However, despite TWST not being an otome, the fandom is very yume-centric and romance focused, because the characters are so appealing. The fact that TWST is based on Disney properties--Disney, who is known for their interpretations of classic fairy tales and their stereotypical happily ever afters--has set up this expectation of romance.

But Twisted Wonderland, the game itself, has a very nuanced and realistic approach in how it addresses romance. It’s played mainly for laughs in Ghost Marriage (and the main story does a good job of highlighting the boys’ unsavory points), but delve into the lines spoken by the characters and the Groom-for-a-Day personal stories, and you’ll see even more of this.

The most obvious example here is our groom, Idia. From the very beginning, he expresses not wanting to marry Eliza, but it seems that this sentiment extends to beyond just Eliza. He has a very negative outlook on romance in general, which is corroborated by many of his Groom-for-a-Day lines. Idia mocks the concept of living “happily ever after” and “eternal love”. He remarks that love is an illusion created by the brain, and even points out that everyone is still a student, so they should prioritize their studies over romance.

While Idia does seem to enjoy romantic materials (games, anime, etc), Idia himself has a very cynical view of “real world” love, and he makes that abundantly clear. To me, Idia represents the person that enjoys romance in media, but is not interested in the pursuit of romance himself. He can enjoy it when he’s an observer, but to actually be involved in romance is a big turn-off.

Okay, but about Idia’s rescuers?

Let’s start with Rook. Of the TWST cast, I would say Rook is the most positive in regards to love. He’s always willing to help others out, and he’s always appreciative of things, even when they’re grim or the circumstances aren’t in his favor. Ace points out to Rook that when he goes around praising everything, it makes Rook seem less trustworthy. To this, the huntsman only says they are his true feelings--he wants to love everything equally.

Rook is a free spirit. He loves whatever and whomever he wishes when it suits him. He can be fickle, but he can also find goodness, something to admire, in everyone and everything. Rook’s love is an all-encompassing and unconditional kind.

Riddle’s personal stories don’t revolve around love in an super overt sense. It’s about him running into Malleus and discussing what makes a worthwhile leader. See, Riddle is a traditionalist (which suits his personality). He expresses that if he gets married, he wants to have a marriage like that of the Queen of Hearts and her husband, which to him was a “loyal” marriage. He wants to have a textbook definition of marriage, and that’s perfectly valid.

Riddle’s personal story also reiterates something that is mentioned briefly in the Ghost Marriage event: that Malleus is royalty, so his proposals are not to be taken lightly. 

This is a feature that helps to define Twisted Wonderland as its own separate entity from other Disney titles and properties. In Twisted Wonderland, being royalty means something. In almost all other forms of Disney media I can think of, being royalty equates to dressing fancy, being rich, and having all the power without any responsibility. But in Twisted Wonderland? They remind you every so often that this character is royalty, and there are strict terms of service and rules that come with that position, including being sheltered and burdened with royal duties (actual politics and governing), and not being able to just “love” whoever you want, even if just for a rescue mission.

Moving on to Epel! In his personal stories, he’s questioning if the “ideal prince” even exists. The line that pops out to me the most is that “the bride seems to care more about the image of an ideal prince than blood lines or family names”. This ties back into how the rest of Disney media often portrays romance as opposed to how TWST portrays it. Heck, in recent years, Disney has tried to subvert its own standing on romance (example: in Frozen, Elsa tells Anna “you can’t marry a man you just met”, whereas in Disney classics like The Little Mermaid, the plot revolves around quickly getting the main couple together).

Obviously, characters can be “perfected” with the magic of media. The image of an “ideal prince” DOES exist because of media, but Epel’s pointing out that it’s not realistic. He’s implying that Eliza is in love with the idea of perfection, and she has lost sight of things that should be important, like blood lines (genetic dispositions and diseases that could carry over to children) or family names (meeting your spouse’s family, getting to know them, etc.). It’s a criticism that can be easily overlooked while you’re too dazzled by Epel riding in on a white horse.

Lilia represents another type of person in regards to love. He’s the person that knows exactly what he wants, but not in the traditional sense. At no point does Lilia ever detail his ideal life partner. Instead, his personal stories are littered with subtle hints that Lilia has no plans to settle down. He never outright says it, but he implies it in other ways, like saying how it’s a shame that Sebek and Silver will never get to see him in a groomsuit.

I don’t think Lilia is as bitter or cynical about love as Idia is, but I think he definitely has his own reasons for not pursuing love. I don’t think it’s related to his age, since Lilia has always marched to the beat of his own drum and done whatever he likes, regardless of his age. He acts super youthful for a fae that’s several hundred years old. No, I believe Lilia just... isn’t ready, nor does he want to, commit.

I don’t have concrete proof or any real information to go off of, but Lilia was able to raise Silver just fine on his own. He may very well just be used to doing things alone, seeing as he enjoys traveling the world by himself. Not to mention, he’s a war veteran. He must have seen many of his loved ones perish in combat--so maybe that’s made him hesitant to be tied down, in case he loses more of them. The reason could be more innocent than that, like maybe Lilia just wants to focus on his duties as Malleus’s retainer, or he just likes his solitude.

In any case, Lilia lacks Idia’s cynical views on love, but he, like Idia, doesn’t plan to get married... and that’s okay. We can see that Lilia is totally happy with himself without romantic love. He has his family and duties to keep him feeling fulfilled. Lilia is a demonstration that platonic love--specifically familial love--is just as valid as romantic love.

And finally, we have Ace.

ACE.

Okay.

You can call him an asshole all you like for ghosting his ex-girlfriend, but honestly? Hats off to Ace. I’m not saying what he did was necessarily right (it’s definitely a jerk move), but it’s realistic.

First of all, it’s pretty rare in these types of games to mention canon romantic relationships at all. I think the reasoning for this is because the mere MENTION of another person being with a character that is pulled from gacha takes away from their “worth”, their “availability”. You’re less incentivized to pull for your waifu or husbando because they’re already “taken”, so good on TWST for changing it up a bit.

Alright, back to Ace’s asshole move. Remember that this dude is 16. JUST 16. Ghosting your S/O or losing interest in them is perfectly reasonable for an immature teenager to do. You’re still young and learning--and heck, many adults still do this. No one is a perfect prince. To quote Trey, “I’m just a high school boy. What do you expect from me?”

Ace is an imperfect boyfriend, despite that speech he gives to Eliza about what the “ideal” partner is like. Ace may know what he wants in a partner, but there’s no guarantee he’s prepared for a relationship himself—and that’s a reflection of what happens in real life. People are imperfect, they fuck up in relationships.

After all, real relationships are the antithesis of Eliza’s ideals.

Real relationships don’t involve one person aggressively imposing their will on their partner. It should be equal parts give and take, and it shouldn’t be rushed or forced.

Real relationships aren’t perfect. Your personality won’t fix itself because of your partner, and your partner’s personality won’t fix because of you. You’ll disagree, you’ll fight, you’ll make mistakes. That doesn’t make the relationship necessarily a bad one, it just depends on how you work together to resolve your differences and move on from the disputes.

Real relationships don’t involve perfect people, either. You’re individuals with your own strengths and weaknesses. You shouldn’t cling to your partner and act like they’re infallible--and neither should they to you.

Real relationships take time and work.

With all of that being said, we can see that TWST has a very unconventional approach to love and romance compared to its contemporaries. They make fun of many common tropes and actually have a more realistic portrayal of “love” than most other mobage I’ve seen. There are some subtle things they do that also lend to this, like not running a traditional Valentine’s Day or White Day event in February/March (instead giving us Vargas Camp), or the Halloween Groovies being actually scary art rather than being traditional fanservice art.

I don’t know, I guess I just wanted to express my appreciation of minor details like that. Ever since the Ghost Marriage rerun, and the addition of the Idia and Lilia cards, I’ve been thinking long and hard about all of this, because I personally resonate a lot with those two in their views on love. I really like the lore and the representation that their Groom-for-a-Day cards add to TWST, that love isn’t treated like this infallible solution for everything like in so many other Disney properties. 

You can praise TWST for a lot of things, but I feel this is something that isn’t appreciated enough... So I wanted to express my gratitude for it.

This completely changed my view on Sebek and now I really just wanna give him a hug D:

Also, his dad seems like a cool person

Idk why but seeing Sebek so high on your tier list made me inexplicably happy. He kind of annoyed me when I first started playing, but that was before I read his personal stories. Man I was a fool because he’s now one of my favorites (I’m a first year squad stan and he’s one of my faves of the group). Like he’s so serious as a person but a lot of his moments are actually pretty funny. Anyway this has been Appreciate Sebek Hours and I shall raise a carton of coffee milk to him

[Referencing this post!]

Like coffee, Sebek is kind of a strong and acquired taste.

I totally get why a lot of people are initially turned off by him when he’s so brazen, loud, and obsessive. I know that I personally started TWST not expecting a lot out of Sebek; I couldn’t really take his pastel green Phoenix Wright design that seriously, and I didn’t like his personality since a lot of the early promotional materials marketed Sebek as being defined predominantly by his devotion and worship of Malleus. I’m relieved to see Sebek having character outside of his reverence for his dorm leader and prince.

I feel that since Sebek takes himself so seriously despite basically being a dumb and childish kid himself, it plays off well with other characters that clearly don’t have the same intense viewpoints as he does. That contrast creates a lot of ridiculous and comedic moments like the time Sebek cried because a cookie Malleus gave him got crushed, or the time Sebek threw a tantrum because he didn’t end up on the same team as his lord. He tries so hard to be cool and mature, but it just comes off as either really smug/condescending (ie shouting about how no one can be as majestic as Silver) or weirdly pathetic (ie stumbling over his words when Malleus tells him to be off to his next class instead of standing around and shouting at Ace and Grim) 😹 Sebek really embodies the cringey way real teenagers act sometimes... too much in a rush to grow up and prove himself to those he looks up to, not realizing how his words and actions can come off to others as hurtful or as just plain silly.

I think Sebek’s biggest deterrent is probably his... discrimination against humans (or basically anyone that isn’t fae). I can see why that would make people uncomfortable when they consider his character. Racism is just plain wrong, end of story. However, I believe that Sebek is purposefully written as such so the main story can correct his behavior and show him the error of his ways (similar to how chapter 5 has Vil teaching Epel that his traditional views on masculinity and femininity are outdated).

Actually! What I find really interesting about Sebek is that his situation seems to be poised to address an issue that isn’t often mentioned in popular media, and I think it’s important to discuss it. Soooo, without further ado--

***Content warning: discussion of racism (more specifically, internalized racism) and mentions of war below the cut.*** ***Please note that I am in NO way condoning racism or war; I am speaking on these topics in an analytical manner. My only intentions in writing this post are to theorize and to educate. I am NOT defending Sebek or his actions, but rather critically commenting on how his circumstances may have played into his current characterization.***

We learn that Sebek is half human and half fae from Silver in chapter 5. While Sebek is busy chiding others and (once again) referring to them as “humans” (derogatory), Silver points out that Sebek himself is half human. Then, through Sebek’s Birthday Boy vignettes, we indeed learn that his mother is a nocturnal fairy while his father is a human.

So if Sebek is half human, then it begs the following questions: why does he seem to hate humans so much? Why does he never make mention of his own heritage, and instead chooses to exclusively extol fae?

Two words: internalized racism.

“Hold on!” I hear you saying. “What is internalized racism, and how does it differ from the regular definition of racism?”

Well, according to the Oxford dictionary, racism is “prejudice, discrimination, or antagonism directed against a person or people on the basis of their membership in a particular racial or ethnic group, typically one that is a minority or marginalized”. Internalized racism is when those minorities or marginalized groups turn the oppression inward, which results in hating their own group. In Sebek’s case, this hatred is directed at humans--the side of himself that he seems to resent and be ashamed of.

It’s completely believable that Sebek would end up the way that he is. From what little we know of the Briar Valley and of fae in Twisted Wonderland, we can make many inferences and come to this conclusion. The population of Sebek’s home country is said to be predominantly fae, and they often use magic rather than technology to complete everyday tasks. (For example, if they want to go somewhere, the preferred “mode of transportation” is flight instead of cars.) The Briar Valley appears to be a very traditional, old-fashioned nation that is set in its ways.

Furthermore, it seems that most fae, as diverse as they are, seem to be exclusionary to other races (though we learn in Fairy Gala and FG: What If that, even among fae, there can be conflicts and discrimination; for example, nocturnal and diurnal fae do not get along). We somewhat observe this in Malleus, as he casually talks about the feats he is able to perform, whether magical or physical. At the same time, the tone he takes when addressing his peers, even fellow third years and peers, is somewhat haughty (referring to humans as “child”/”children” of man as if to imply they are juvenile and inexperienced, outright saying that everyone is “like a baby” compared to him, and brushing off their magic as though it is nothing to him). These can be perceived as microaggressions, or “commonplace daily verbal, behavioral or environmental slights, whether intentional or unintentional, that communicate hostile, derogatory, or negative attitudes towards others of a particular group”. The fairies we see in Fairy Gala and even Vargas CAMP! also reflect this, as they chase out humans from their event and/or territory. In Fairy Gala in particular, it’s implied that the fairies will reject or be hostile towards those not perceived as fairies at their gatherings, which is why the boys have to cover themselves with Fairy Dust to “blend in” and pass as fairies. It wouldn’t be too strange to assume that similar exclusion occurs in the Briar Valley, especially considering that fae are the majority and humans are the minority.

I want to take a brief moment to note that the behavior discussed in the previous paragraph is exclusive to fae. Beastmen and merpeople, two other races, engage with humans in a far less antagonistic ways.

We do sometimes see beastmen talk down to humans, typically on account of believing that humans are weak, but the beastmen we’ve observed so far have never attacked others simply due to not being of the same race as them. It seems that beastmen discriminate based mostly on whether or not they believe another person can hold themselves in a fight--it’s a very “survival of the fittest” viewpoint. Interestingly, Ruggie is said to be lacking in physical strength, but commands respect due to his reputation of being Leona’s (someone who is significantly stronger, and considered the “leader of the pack) right hand man. I wonder if hyenas (who appear to be on the lower social rungs of the Sunset Savanna) are also seen as somehow “weaker” than other beastmen, which may explain their place in the hierarchy (as the beastment we’ve seen so far seem to value physical strength).

Meanwhile, merpeople have arguably been the most amicable with humans and by far the most open to the idea of integrating with human society. This goes back to their history, which tells the tale of a curious Mermaid Princess that made a deal with the Sea Witch to obtain legs and explore the world above. That same Mermaid Princess would go on to establish a program for young merfolk to come to the surface to study and learn about land culture. There’s even a special bureau that hands out free potions that give merpeople human forms (1 potion lasts anywhere from 7 to 10 days), so long as those merpeople wish to migrate and/or establish careers in the world above. However, I do want to point out that merfolk DO seem to discriminate within themselves based on traits such as how fast they can swim (as Azul cites being bullied because he had bulky limbs which made him a slow swimmer). Again, this is a very “survival of the fittest” mindset, which I believe makes sense for both merfolk and beastmen, who are “wild animal” based races subject to the whims of Mother Nature.

It is only fae that appear to discriminate against non-fae (specifically humans) so intensely, and on a basis that extends beyond the “survival of the fittest” belief. They live in their own closed-off circles and believe that their own kind are “better than” those outside of those circles. Living longer, fae have more wisdom. Using magic all the time, fae have more skill. No human could hope to compare.

This part is pure speculation, but there have been mentions of a human-fae war in Twisted Wonderland’s history, and I wonder if the Briar Valley played a significant role in that (seeing as Lilia is described to be a decorated war veteran). If so, this may also be more evidence toward the internalized racism Sebek has developed. Regardless of who won or lost this war, if the Briar Valley took part in it, then its fae residents would definitely hold prejudice toward humans, who were on the opposing side. There might have been intense fear that developed concerning humans who have lived in the valley for generations, simply due to being of the same race as the enemies the fae were fighting. Such paranoia could very well have led into racist legal measures being implemented against humans, or fae turning on their human neighbors and reporting them under suspicion of being spies or traitors. This can go right down to what is taught to children in school: view the enemy and those similar to the enemy as outsiders, even hate them, while building up your own country and your countrymen as shining beacons. As horrible and as scary as all of this is, these are all real things that have happened and are happening during wars in real life--and children, being as pliable as they are, can easily buy into wartime propaganda.

When Sebek tells us about his parents, he mentions that “there were many among [my mother’s] peers who opposed her marriage to a human”. In other words, there was a distinct social push against the union of people from two different races (which isn’t that hard to believe, especially seeing how “old-fashioned” the Briar Valley is implied to be and how fae appear to discriminate against other races in general). As offspring resulting from that union, Sebek may have faced considerable hardships in his childhood. He’s not like the other children (most of which, I’d presume, are either fully fae or fully human), he’s an anomaly. I wouldn’t be shocked to learn that Sebek might have been ostracized because of who his parents were. On top of that, he grew up in a society that seems to heavily favor fae and those capable of using magic--traits that don’t apply to his father.

Of course he would develop great shame for the half that is looked down on by seemingly everyone outside of his immediate family. Of course he would embrace the “superior” side of his heritage, the culture and air of righteousness that pervades his country. Of course he would shun his “inferior” side, going so far as to make no mention of it to others (note that it was Silver, who is fully comfortable being a full-blooded human raised by a fae, who outed Sebek’s half bloodedness, rather than Sebek himself). Of course he would worship Malleus, the epitome of the power and might that fae can wield.

I propose that this is how Sebek has learned to cope with the struggles of growing up half human, half fae: by rejecting his humanity and aggressively embracing being fae. All his boisterousness and the acting out he gets up to is him denying a part of himself. He’s projecting it to the world to see and hear--because if he says it enough times, and says it loudly enough, then surely he can convince himself that he isn’t somehow “less than” his fellow countrymen, right? (Or so that’s probably what Sebek tells himself.) It might not be the best way to cope, but it was, perhaps, the only way Sebek knew how to cope. When most of your country looks at you like you’re the strange one, how is a child supposed to fight back? He can’t--so with little to no other options, his psyche turned that hatred inward as a defense mechanism to protect himself and his ego.

This internalized racism helps explain why Sebek’s relationship with his dad seem so... strange (well, at least from the kid’s end). Sebek’s grandfather (I believe from his mother’s side) is a retired captain of the royal guard. His mother is also said to be highly proficient with magic since a very young age, and boasts strong principles and unbending conviction. Sebek is very proud of these parts of his family while expressing confusion at and criticism of his father, who is, by comparison, unremarkable. He notes that his father buys him sweets and snacks unprovoked, and showers the kids with attention and praise. It’s strange; Sebek constantly shouts about humans and how weak and insignificant they are at school, then in the same breath Sebek can communicate that he doesn’t “understand” his father, but he never directly insults him.

I don’t believe that Sebek hates his dad, but that his odd behavior toward him is a result of cognitive dissonance. Sebek (theoretically) resents his human blood because of how it is looked down on in the Briar Valley, but he cannot find it within himself to resent his father for it. How can he, when his dad has been nothing but doting and supportive to his entire family? Yet Sebek’s pride won’t allow him to outright acknowledge his love for his father, won’t let him show weakness or bend a knee to a “mere” human.

There’s also another angle to Sebek’s cognitive dissonance. How can his father—magicless and utterly unremarkable—be so carefree and content when Sebek has been told his entire life that magicless creatures are second class citizens? How can his father be so genuinely supportive of his children, who are capable of magic without becoming jealous? How can his father be so comfortable with himself, despite not being fae, despite not being able to use magic? By all accounts, the way his father lives and is satisfied with what he already has flies in the face of everything Sebek has been taught by the Briar Valley, and this totally baffles him.

In Sebek’s Union Birthday vignettes, we see just how much he really cares for his dad. When asked who he would pick to be with him on a deserted island (and it can’t be anyone from his own dorm), Sebek replies with Trey. Why Trey, even though he doesn’t seem to have any skills for surviving in the wilderness? Because (as Sebek himself states), Trey reminds him of his father. “No matter what I say to him, he would always talk to me without being fazed whatsoever.” Jack, Sebek’s interviewer, points out that his dad must have a big heart, and that he must be someone Sebek can rely on. To this, Sebek reacts with embarrassment and insists that he does NOT rely on his father, then rushes to move on to the next question.

It’s probably very strange to Sebek that his dad loves him so much, as it is likely a strong contrast to how those outside of his immediate family perceive and treat him. Society has taught Sebek that humans are inferior to fae, and yet here is a human that doesn’t care what he or Sebek is or isn’t. He just loves his family, and loves Sebek, regardless of what everyone else says or thinks of them. Sebek doesn’t know how to react to that, and it’s so off-putting. His dad gives him such pure and unconditional love, and I think that Sebek recognizes that, but he feels too ashamed to express his gratitude and reciprocate that unyielding love (which, I suspect, is due in part to all that internalized racism). If you think about it like that, Sebek is not only hurting those around him, but he’s also (unintentionally) sabotaging himself and his relationships. It’s proof that racism is terrible for everyone involved, even the people perpetuating it.

So why did I spend several paragraphs detailing Sebek’s internalized racism to you? Because, as I’ve said earlier in this post, this is something that happens in the real world and it is not discussed enough in a lot of the media we consume.

I feel like Sebek’s dilemma can be very relatable, particularly to those struggling with an identity crisis of their own, be it those of mixed race, those hailing from unconventional family structures, or anything else which may make them “different”. Of course, this is NOT a blanket statement. Everyone does not go through the same struggles, and every person’s experiences are unique. I am only presenting my own speculation on how Sebek’s situation relates to the real world.

I know that I’ve personally gone through an identity struggle that looks a lot like how I theorized Sebek’s to be, so his character really hits close to home 💦 Without getting into too many specifics, I’m considered a minority in my country, and I’ve received a lot of ridicule because of it. I cannot count the number of times I’ve seriously been asked if I “eat dogs”, told that my native language sounds “weird”, been made fun of for my appearance (particularly my eye shape), stereotyped as smart just because of my race, or called insensitive nicknames. It got to the point where I started to resent my heritage (refusing to eat our foods, refusing to speak our language, refusing to learn about our history), which I saw as alienating me from my peers--but it seemed that no matter what I did, neither culture that I was a part of fully accepted me. The people I was trying to fit in with never considered me part of their group, and my extended family thought I was “different” from them since I was not born and raised in our home country. I was disconnected from my peers and my relatives. It felt like I didn’t belong anywhere. I can really understand what Sebek is probably going through, because I’ve lived it myself.

Now that I’m older and wiser, I look back at that period of my life and realize how toxic it really was. I’m reconnecting with my roots and coming to embrace and love the culture I grew up in, and the culture of the family that I was born into--both sides. But here’s the thing: people don’t always identify internalized racism and recognize it as something that is harmful (both to themselves and to the people around them). That’s why I’m hopeful for Sebek, what chapter 7 can do for him, and the important message it can send to the fandom.

It’s so, so easy to dismiss Sebek as a hypocrite (which, don’t get me wrong, he definitely is), but there is likely so much more nuance to it than just “he hates on humans even though he is half human himself” or just “he’s a racist and that’s all there is to him”.

Obviously, racism is wrong and should be condemned, but I don’t believe simply depicting a character as racist is necessarily promoting racism. As long as media is not outright glorifying it, racism can be used as a literary device to deliver an important message (which is, more often than not, an anti-racism one) the audience.

It’s made pretty clear that no one takes Sebek seriously when he shouts about humans or acts hateful toward them. Other characters consistently either make fun of Sebek for acting so outrageously, or they outright call him out for his discrimination.

To me, this all reads as very blatantly and purposefully setting Sebek’s racist beliefs up to be shattered and proven wrong later. He’s representative of a social problem, and I hope that TWST will use Sebek to promote a positive message when his time in the spotlight comes around.

What message might that be?

To learn to love and accept yourself, and where you come from, in its entirety.

idk if u got it but like deuce as sayaka miki from rebellion ace as homura and yuu as madoka... like

JGJHGHJGJGH PERCIEVE THEM 👁👁

forget the aceyuu tangled au this one gave me more brain damage than i could ever anticipate

Jade’s heart only has room for mushrooms! 🐬💕🍄

Simping

Bonus:

Posting this on cucumber boy’s Sebek’s Birthday because it’s on topic lol

Also this took longer than expected to finish 😅

poor Sebek

I'M LOOKING FORWARD TO THIS MASTERCHEF!! I love this match up so much!!

Bonus meme:

I FOUND IT GUYS I SPENT HALF AN HOUR LOOKING FOR THIS VIDEO AND ITS HERE

cough not me reading this when I’m supposed to be sleeping too- cough

— “the fuck are you doing?” —

Synopsis: you find Idia gaming late at night when he should be sleeping. Again.

Warnings: cursing, boobs mentioned lmao (not y/n’s… thought I should clarify) and not proofread

Game/ fandom: twisted wonderland

Character: Idia

Pronouns for reader: gender neutral/ not mentioned

A/n: going with the little text let’s goooo (I just think it looks nice :D), but anyway, this one’s kinda everywhere it feels, which I think I like. I think I’ve been very straightforward with a lot of my fics, but I really wanted to have this one be a bit… looser you know? That of course is why I made a boob joke. Totally not cause I have the humor of a 10 year old. Definitely not.

You left the room… for five minutes… five whole minutes, to pee, and what happens? Your Gacha addicted boyfriend started booting up his computer to wish for some character. You groaned as you rested on the doorway, for a moment, silently wishing he would just… sleep. You and ortho have tried, multiple times to get Idia back on a semi normal sleep schedule, and yet… he refuses. This time you’re especially annoyed because you both have a huge test tomorrow. Like mega grade impacting test.

You walk over to Idia who is too focused his game to notice you, mumbling to himself about something. “The fuck are you doing?” Your voice echos through the room, along with a scream from Idia, as he practically jumps out of his chair. Thankfully he catches himself as to not land on the floor. “Jesus how were you so quiet…” he mumbled, trying to calm himself down from the literal heart attack you just gave him.

Idia now realizes his mistake. “Uh… I thought you were asleep.” Clearly a lie from him. You always stuck very close to each other in your sleep, you basically had to pry him off of you just so you could pee. You let out an unamused grunt, and you turn him around him his chair so he faces you. “And I thought you’d be asleep not playing… what is this…???” You say looking at his screen.

“It’s starlight fuse, you play as characters that you obviously wish for since it’s a Gacha game, but you can fuse different characters together to make a better, stronger character!” He says as his hair starts turning red. You look back at his screen as he’s talking and say, “why are their tits so big?” Which makes Idia backtrack a bit. Stuttering, and fumbling over his words, and you just stare at him, an eyebrow raised at his response. “Anyway cup sizes aside” You walk over to the bed and sit down.

“Idia you gotta sleep.” You put your hands over your face, exhausted and frustrated. Both you and ortho just wanna make sure he isn’t purely surviving on caffeine, and an hour of sleep when he has a test that could impact his grade tremendously the next day. Idia gave a guilty look, but nodded his head, shutting off his computer, and walking over to the bed where you sit. “Hey how about tomorrow though we pull an all nighter?” You say smiling down at him where he’s laying down.

He turns around to give you his signature scheming smile, but it has a softness to it that makes you… question, and have butterflies rushing through your stomach. You lay down beside him, and move his head onto your chest where you can play with his glowing hair. “I’m surprised your hair doesn’t burn me… or the dorm down.” You mumble jokingly, sort of to yourself. Idia hums in response, as you fiddling with his hair has made him already grow drowsy. You think how lucky you are… to finally find something that makes Idia fall asleep, your chest, and playing with his hair. And maybe how lucky you are to be dating him but eh, you already knew that.

OMG Beautifull

Lilia!! 💚🦇

I’m really proud of this one, and I love Lilia so much he’s such a weird old man.

Incidentally, I’ve listed this pic and my other twst posters up on Etsy! You can get them HERE!