ANDOR 2.10 "Make It Stop"

ANDOR 2.10 "Make It Stop"
ANDOR 2.10 "Make It Stop"
ANDOR 2.10 "Make It Stop"
ANDOR 2.10 "Make It Stop"

ANDOR 2.10 "Make it stop"

More Posts from Drunkdrivingthedeathstar and Others

Andor 2.10 - Make It Stop
Andor 2.10 - Make It Stop
Andor 2.10 - Make It Stop
Andor 2.10 - Make It Stop
Andor 2.10 - Make It Stop
Andor 2.10 - Make It Stop
Andor 2.10 - Make It Stop
Andor 2.10 - Make It Stop
Andor 2.10 - Make It Stop

Andor 2.10 - Make It Stop


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[ID: The first page of the Revenge of the Sith novelization.

REVENGE
OF THE SITH
Star Wars, Episode III
by Matthew Stover
This story happened a long time ago in a galaxy far, far away.
It is already over. Nothing can be done to change it.
It is a story of love and loss, brotherhood and betrayal, courage and sacrifice and the death of dreams. It is a story of the blurred line between our best and our worst.
It is the story of the end of an age.
A strange thing about stories—
Though this all happened so long ago and so far away that words cannot describe the time or the distance, it is also happening right now.
Right here.
It is happening as you read these words.
This is how twenty-five millennia come to a close. Corruption and treachery have crushed a thousand years of peace. This is not just the end of a republic; night is falling on civilization itself.
This is the twilight of the Jedi.
The end starts now.

END IMAGE ID.]
[ID: A page from the novel Star Wars Aftermath: Empire's End by Chuck Wendig

CHAPTER THIRTY-EIGHT
An Empire does not end all at once, and this one, the Galactic Empire that began when Palpatine stole the Old Republic, is no different. 
For this empire, it is death by a thousand cuts. A slow bleed that began perhaps not when the first Death Star was destroyed, but very early, when it killed the Jedi to make way for its regime. When a pair of twins—one named Luke, the other named Leia— fell through the cracks, lost to their father and to his dark Master, both of whom were blinded by hate and ego. Other injuries only hastened its demise: the birth of the Rebellion, the death of their first superweapon, the distrust that widened the gap between Vader and Emperor, and of course the Empire's colossal loss at Endor. 
Now an even greater loss at Jakku was the final wound. History will forget, however, how in reality this final wound was a self-inflicted one: a contingency plan by a callous, vengeful Emperor who never wanted his Empire in the hands of a successor. 

END IMAGE ID.]

The End of the Jedi & Republic vs The End of the Empire Revenge of the Sith by Matthew Stover | Aftermath: Empire's End by Chuck Wendig

These institutions were both dead from the beginning due to self-inflicted wounds of corruption and ignorance. Destruction will continue in a vicious cycle if its mistakes are not obliterated from its foundations. The end of the Jedi and Republic warns of this. It became the Empire, then the New Republic, which failed as it only reinstated what the previous Republic was without uprooting its flawed systems. The Empire transformed into the First Order, but both were already doomed being led by power-hungry figures who end up trying to kill each other and force the world into an order utterly unnatural. Fascism is unsustainable and will always devolve into consuming itself in pursuit of selfish individualistic power.

There's also an interesting contrast between both of these passages. When speaking about the Jedi and the Republic, the supposed Light-Side, there's this tone of hopelessness and utter despair. Their corruption consumed them and you can't stop it or save it. Anakin will always be the dragon that burns thousands of years of legacy to the ground. But when speaking about the Empire's end, there's an underlying tone of hope even as the story closes on it's successor rebuilding in the shadows. Because even when the galaxy continues to rebuild kingdoms of oppression, hope and resistance will always coexist against it simultaneously. The Empire is doomed, and The First Order too, because it dared to rebuild while those willing to fight for justice still exist.

Was the galaxy saved or doomed the moment Anakin stepped onto the scene. Both? Neither? It’s about how hope and perseverance exist even as institutions continually seek power.


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Temuera Morrison And Samuel L. Jackson On The Set Of Attack Of The Clones

Temuera Morrison and Samuel L. Jackson on the set of Attack of the Clones


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Harrison Ford As Han Solo || Star Wars: Episode V - The Empire Strikes Back (1980)
Harrison Ford As Han Solo || Star Wars: Episode V - The Empire Strikes Back (1980)
Harrison Ford As Han Solo || Star Wars: Episode V - The Empire Strikes Back (1980)
Harrison Ford As Han Solo || Star Wars: Episode V - The Empire Strikes Back (1980)
Harrison Ford As Han Solo || Star Wars: Episode V - The Empire Strikes Back (1980)
Harrison Ford As Han Solo || Star Wars: Episode V - The Empire Strikes Back (1980)
Harrison Ford As Han Solo || Star Wars: Episode V - The Empire Strikes Back (1980)
Harrison Ford As Han Solo || Star Wars: Episode V - The Empire Strikes Back (1980)

Harrison Ford as Han Solo || Star Wars: Episode V - The Empire Strikes Back (1980)


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Star Wars: A New Hope Dir. George Lucas | 1977
Star Wars: A New Hope Dir. George Lucas | 1977
Star Wars: A New Hope Dir. George Lucas | 1977
Star Wars: A New Hope Dir. George Lucas | 1977
Star Wars: A New Hope Dir. George Lucas | 1977
Star Wars: A New Hope Dir. George Lucas | 1977
Star Wars: A New Hope Dir. George Lucas | 1977
Star Wars: A New Hope Dir. George Lucas | 1977

Star Wars: A New Hope dir. George Lucas | 1977


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So Excited For The Darth Maul Series OH MY GOD
So Excited For The Darth Maul Series OH MY GOD

So excited for the darth maul series OH MY GOD

Ins | x


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Star Wars: Episode VI - Return Of The Jedi 1983, Dir. Richard Marquand
Star Wars: Episode VI - Return Of The Jedi 1983, Dir. Richard Marquand
Star Wars: Episode VI - Return Of The Jedi 1983, Dir. Richard Marquand
Star Wars: Episode VI - Return Of The Jedi 1983, Dir. Richard Marquand

Star Wars: Episode VI - Return of the Jedi 1983, dir. Richard Marquand


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We Gather Stones, Never Knowing What They'll Mean Some To Throw, Some To Make A Diamond Ring You Know
We Gather Stones, Never Knowing What They'll Mean Some To Throw, Some To Make A Diamond Ring You Know
We Gather Stones, Never Knowing What They'll Mean Some To Throw, Some To Make A Diamond Ring You Know
We Gather Stones, Never Knowing What They'll Mean Some To Throw, Some To Make A Diamond Ring You Know
We Gather Stones, Never Knowing What They'll Mean Some To Throw, Some To Make A Diamond Ring You Know
We Gather Stones, Never Knowing What They'll Mean Some To Throw, Some To Make A Diamond Ring You Know

We gather stones, never knowing what they'll mean Some to throw, some to make a diamond ring You know I didn't want to have to haunt you But what a ghostly scene You wear the same jewels that I gave you As you bury me


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You Can Rest There. - As A Prisoner. - As A Hero. (Andor 2x11 & 2x12)
You Can Rest There. - As A Prisoner. - As A Hero. (Andor 2x11 & 2x12)
You Can Rest There. - As A Prisoner. - As A Hero. (Andor 2x11 & 2x12)
You Can Rest There. - As A Prisoner. - As A Hero. (Andor 2x11 & 2x12)
You Can Rest There. - As A Prisoner. - As A Hero. (Andor 2x11 & 2x12)
You Can Rest There. - As A Prisoner. - As A Hero. (Andor 2x11 & 2x12)
You Can Rest There. - As A Prisoner. - As A Hero. (Andor 2x11 & 2x12)
You Can Rest There. - As A Prisoner. - As A Hero. (Andor 2x11 & 2x12)

You can rest there. - As a prisoner. - As a hero. (Andor 2x11 & 2x12)


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Padmé’s death is the most clear cut suicide in the franchise. She has no indication that her death will benefit anyone, nor has she been told by anyone that death is on the horizon; and yet, she wants to. The love of her life has become master of Hell, the father of her children has set the galaxy aflame, and the ruling body she gave her life to has gone obsolete—indeed, always was. How could we talk Padmé off the ledge at this moment? How could anyone? Ultimately, the film doesn’t ask us to. This is a tragedy. The point is not to berate our protagonists into healthier living choices, but to watch them fall into the abyss. At the end of every good tragedy, there’s nothing else left.

So Padmé falls neatly into the canon of self-annihilating tragic heroines. Her death is not inspiring, or productive, or well-adjusted, but it is her death. The means, the reasons, the aftermath, all belong to her. Padmé, the victim of multiple assassination attempts from the ages of fourteen to twenty-four, warrior on the frontlines of the battles of Naboo and Geonosis, survivor of Nexu claws, force choking, and a difficult trauma-informed birth, dies firmly and exclusively because she wanted to. If she wanted to live, she would’ve lived. This is not a weakening death, especially when compared to oft-cited “strong” deaths like having Anakin kill her. One wonders: how is Padmé choosing to die less empowering than having that choice taken from her?

-“The Skywalker Suicides Part I: The Case For Padme”

revenge of the sith rerelease means people are talking about padme’s death again so i’m promoting my essay


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drunkdrivingthedeathstar - You don’t go around killing people. It’s not nice.
You don’t go around killing people. It’s not nice.

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