"I Cannot Imagine Who She Would Have Become, But I Think She Would Have Been Extraordinary. I Am Grateful

Ahsoka Tano by Kael Ngu

i just realised that the next time leia sees obi-wan he gets killed and i am not well.

Darth Vader: Sith Lord | Randy Martinez & Rick Burchett

#THIS PARALLEL IS FINE EVERYTHING IS FINE I'M FINE

horror spin-off when?

Andor Who Else Knows? | 2.11

luke hull, the production designer of andor, says it is a very visually light show, and he’s not wrong, but it is deeply interesting to me how the brightest and lightest part of andor is the empire.  in most other star warses, the empire is depicted as, well, dark; it’s vader’s looming shadow, the grimly lit death star. the empire is a creature of malice and hatred, a Bad force led by the shadowy darkness of palpatine - the empire reflects its morals and character. this is an effective way of queuing in to an audience primed by a lifetime of light versus dark good versus bad metaphors the situation at hand; in anh the tantive is visually very white, vader brings a darkness (literally) in with him. the light in star wars is the rebellion - leia’s pure white dress, mon’s r1 and rotj garb, luke’s white outfit. they are the hope, and so they are the lightest points of the movie. the rebel hq is white, blindingly so - look, you get my point.  in andor, however, this is flipped. luthen’s fondor is often shadowy and greyish, mon gives her speech disavowing the empire a primarily grey colourscape, the radio tower to luthen on ferrix is dark, the backroom of the gallery is dark, but the empire is a blindingly sterile white again and again and again. narkina-5, the isb building, dedra’s flat. it’s a very deliberate brightness, one that contrasts with the more naturalistic lighting at play in rebel-led scenes and places; the imperial need for control is so desperate because it is so unnatural. the empire has to continually signal its presence, has to continually signal what it claims to offer; Light, Order, Reason. it’s an inescapable brightness, a pervasive presence. you can retreat into the shadows but not the light.  and at the same time, that pretence is so deeply hollow! there’s a clinical aspect to the light of the empire, a constant oppressive artifice to it; it smothers mon in the embassy, isb uniforms and stormtrooper armour has to be perfectly smooth and pressed, in contrast to the aforementioned rebels. dedra’s torture of bix strips the bright and clinical facade away, revealing the empire not as a medical organisation, treating the illnesses of the galaxy, but as a cruel creature, fed by and greedy for the desire for power and control and harm that those that make it up embody. dedra and the false light of the empire are symbionts; in the light she must be composed (as the empire demands of its subjects), it is only in the dark that she can be vulnerable. the light is more intuitive than the dark, but that is the exact framing that andor’s empire relies upon. it is easier to comply than to resist, but that light is false and cold and will burn you in time.

ANDOR S02E09 Welcome to the Rebellion x Star Wars: Episode IV - A New Hope

thought about this again. kind of amazing how we’re all just chasing ways to duplicate how this scene makes us feel, either in life or in art.

I love how s2 of Andor shows us how all the sacrifices the Imperial characters make for the Empire are ultimately worthless. Syril, Dedra, and Partagaz all have different variations on the same ending. and to them Krennic is the big bad guy who represents the Empire but then in Rogue One we learn that essentially he’s in the same situation: giving everything to the Empire and it amounting to nothing in the end.

star wars is about coruscant