Andor Jedha, Kyber, Erso | 2.12

Andor Jedha, Kyber, Erso | 2.12
Andor Jedha, Kyber, Erso | 2.12
Andor Jedha, Kyber, Erso | 2.12

Andor Jedha, Kyber, Erso | 2.12

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More Posts from Drunkdrivingthedeathstar and Others

A Guiding Hand

a guiding hand


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Mace Windu Artwork By David M. Buisán For Star Wars Unlimited

Mace Windu artwork by David M. Buisán for Star Wars Unlimited


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#Galaxy's Mightiest Heroes
#Galaxy's Mightiest Heroes
#Galaxy's Mightiest Heroes

#Galaxy's mightiest heroes


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Okay, so. Star Wars has all these concepts that weirdo New Left boomer George Lucas tosses in there but because of storyteller limitations it would kill the plot to fully explain them all, so later writers have to come in for the spin-off materials and bat clean-up to fully explain all this crazy crap. And I would like to talk about something that made me actively angry at first, but which I now adore. And that is the Naboo.

So much about Naboo culture is infuriating from a logical standpoint. They have a queen, okay. A constitutionally elected queen? Weird, okay. Don't know why they'd do that but... She's FOURTEEN? Excuse me? Is it a ceremonial thing or, oh no it's not? Legit head of state? Why does she dress like that? Why does she talk like that? I'm so tired.

Here's the explainer. Let me go cook.

There's this joke in Hitchhikers Guide to the Galaxy where the last living human goes back in time and finds out humans aren't actually from Earth, but an alien culture that tricked all the middle managers, pedantic weirdos, and other infuriating folk into getting in a space arc which they gave the wrong evacuation coordinates to simply get rid of them. The Naboo are like this but they're all artists and poets and hippies, but like classy ones. They fled their home planet during a war and crash landed on Naboo, then did a colonism to the Gungans because, hey, they were fleeing a war and it was do or die. This spiritual rot in their creation story is later rectified by Padmé. But it's super important to their cultural psychology. They're hippies, but will subjugate if needed. They are "peaceful" but I guarantee you every single one of them has a tiny extremely shiny pistol up their sleeve and they will draw down on you if backed against a wall.

The scene that I think says it all is at the end of Phantom Menace when Padmé is surrounded by Nute Gunray and his droids, they've got her dead to rights, but Sabé her double creates a distraction so the queen can make it to her throne. This one piece of furniture is the Naboo in a nutshell. It's richly carved with artistic details, it has two seats to the side so the queen's handmaidens can read the lips of people in the back of the room and use hand signals to communicate with the queen while she can remain focused mostly on who is speaking to her. It is hundreds of years old. And it has a secret compartment in the armrest that is FULL OF GUNS. Layers of artistic opulence hiding their true intentions.

The Naboo were created to be backwards compatible with Princess Leia. They're compassionate pacifists, but they will shot you if needed.

Why do they elect teenage royalty? It's a little creepy. It's giving "age of consent is emotional maturity". It makes no sense.

The explanation they give outsiders is they want youthful idealism untainted by cynicism. What they don't tell you is that they take kids with stated interest in politics and put them in an advanced highly competitive Leadership Academy which is like Model UN mixed with Battle Royale. Well, they don't kill each other but it's intense. It's like what the clones went though just all diplomacy training and tea ceremonies all the time. Which is crazy but so Naboo.

Oh, and all the delegates for the royalty election run using pseudonyms for security. Imagine voting for the head of state but you can't run a background check. It's so crazy.

Why does Padmé dress like that? Well, fashion is one of Naboo's major industries so it's like she's wearing the entire Fall line catalog at once. To advertise not only the talent of her people, but to show how much they favor her. BUT that dress has multiple layers of padding and resin armor. And aforementioned spots for those little silver blasters. And it breaks up her silhouette making her harder to shoot. And it's so elaborate you pay more attention to the crazy dress and not if the person wearing it is really the queen or a decoy. Everything about Naboo is like this.

Queen Amidala has that weird accent while Padmé does not. Because all her handmaidens helped create the accent together so they all can imitate it. It's like if you gave girls at a rowdy sleepover the job of federal counterintelligence. That's what they came up with.

The handmaidens wear colorful identical clothes so you can't tell them apart, hoods to partially conceal their identity, and they don't wear the queen's fancy makeup. So one of them can be the queen and spy on people in the audience. Because the Naboo don't trust shit for shit.

Their public face is so silly to hide all the truly weird shit they do behind the scenes.

They use their reputation as artist hippies to conceal multiple layers of subterfuge and disguise their methods of self defense and assuage their paranoia due to wartime trauma and their disturbing colonial past. All of them are completely off their rocker even by Star Wars standards. And I love them so much. They put on a show so everyone thinks they have them figured out but what they have going on is far more weirder and more sinister than meets the eye. You know how catty, neurotic, and competitive art school students stereotypically are? Yeah, planet art student. Love them!

There you go, @charmwasjess


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EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas
EWAN MCGREGOR As OBI-WAN KENOBI Episode III - Revenge Of The Sith 2005 | Dir. George Lucas

EWAN MCGREGOR as OBI-WAN KENOBI Episode III - Revenge of the Sith 2005 | Dir. George Lucas


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Image Description: It's A Drawing Of Ahsoka Tank From Star Wars. She Looks Adult, She's Wearing A Detailed

Image description: it's a drawing of Ahsoka Tank from Star Wars. She looks adult, she's wearing a detailed headpiece with fabric hanging from it like a veil. She's looking off to the side (left) with an unimpressed look, her mouth is partly open, one of her eyebrows is raised. Her screen-right hand is held up to point at something off-camera that she finds offensive. There's no colors, it's just line-art. For context, the prompt was 'what if Ahsoka was Anakin's Master and she met him as a kid'. End of description.


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Ok What If, Thanks To Giving Birth To Two Half-force/eldritch Skywalkers, Padmé Wound Up As A Force
Ok What If, Thanks To Giving Birth To Two Half-force/eldritch Skywalkers, Padmé Wound Up As A Force

ok what if, thanks to giving birth to two half-force/eldritch skywalkers, padmé wound up as a force ghost (but only said eldritch skywalkers could see her)

(commission info // tip jar!)


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I’m absolutely devastated that K2’s first and last words were “Hello” and “Goodbye” respectively and that both were to Cassian.


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Big fan of characters who “kill” their younger selves. Characters who resent the past version of themselves for letting them get hurt, who look at that kid and feel revolted by the foreignness of it. Characters who feel they have to cut the child out of them like a tumor because it’s hurting them too much and if I don’t kill you you’ll kill me. Nearly nothing remaining of that past self but for the little connections and mannerisms they can’t kick, and when it shines through, it’s a terrible, tragic thing, because the child is still in there. It’s in there and it’s grotesque in its suffocation. But it’s there.


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drunkdrivingthedeathstar - You don’t go around killing people. It’s not nice.
You don’t go around killing people. It’s not nice.

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