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Three-Body Trilogy: Spoilers without context

THE THREE-BODY PROBLEM

THE DARK FOREST

DEATH’S END

Astron'art

This interminable wave was an abstract view of the universe: one end connected to the endless past, the other to the endless future, and in the middle only the ups and downs of random chance—without life, without pattern, the peaks and valleys at different heights like uneven grains of sand lined up in a row, lonely, desolate, so long that it was intolerable. You could follow it and go forward or backward as long as you liked, but you’d never find the end.

Cixin Liu, “The Three-Body Problem”

. . . Lou Ji came over and put his hand on a small painting.

“Would you leave this one for me?”

Cheng Xin and AA moved the painting aside and set it on top of a box next to the wall. They were surprised to see that it was the Mona Lisa.

Cheng Xin and AA continued to work at disassembling frames. AA whispered, “Clever old man. He kept the most expensive piece for himself.”

“I don’t think that’s the reason.”

“Maybe he once loved a girl named Mona Lisa?”

Lou Ji sat next to the Mona Lisa and caressed the ancient frame with one hand. He muttered, “I didn’t know you were here. Otherwise I could have come to see you often.”

Cheng Xin saw that he wasn’t looking at the painting. His eyes stared ahead as if looking into the depths of time. Cheng Xin saw that his ancient eyes were filled with tears, and she wasn’t sure if he was mistaken.

Inside the grand tomb under the surface of Pluto, lit by the dim lamps that could shine for a hundred thousand years, Mona Lisa’s smile seemed to appear and disappear. The smile had puzzled humankind for nearly nine centuries, and it looked even more mysterious and eerie now, as though it meant everything and nothing, like the approaching Death.

Death’s End (p. 512), Cixin Liu

Death’s end review

Two dimensional characters and an ending that falls flat. 10/10.

Cixin Liu [x]