126 posts
Latest Posts by earthersforrocinante - Page 2
Genocide succeeds because of silence. Every silent person aids it. You cannot influence politicians without influencing enough people to pressure them. You cannot start at the end.
Palestinians ask so so so so little of us, to stand up and say we oppose genocide. And they tell us what gives them hope amidst the unimaginable horror of their lives that it will ever end: protests like the student encampments making noise and people with platforms speaking up despite criticism.
And people who aren't Palestinian decide from their comfort that Palestinians are wrong in what little they ask for and what they see changing the tides. Because the alternative, that their wealthy famous fave is aiding the status quo, is too unbearable to them.
Taylor is so threatened by other female artists. When she wanted to fully switch over to put, she decided to start a smear campaign against Katy Perry. At the time, Katy was coming off of the massive success of the Teenage Dream album and her follow-up album (Prism) had two smash worldwide and US hits in Roar and Dark Horse. She was the #1 pop girl at the time and Taylor was clearly vying to take her place with the 1989 album. This would be fine if she didn’t decide to start a feud with Katy for no reason.
Years later, you’d think she would’ve grown up. Instead, she saw the rise of Olivia Rodrigo, who was occupying the same “relatable singer-songwriter” as her. Instead of lifting Olivia up, she decided to steal credits from her over two songs that didn’t even sound anything alike.
Now, she got angry at Billie for calling out her and decided to release new versions of her album just to block her from number one.
For someone who claims to be a feminist and claims “misogyny” anytime she is criticized, Taylor has no problem attacking other female artists over petty reasons.
She's actively sabotaging female artists, and yes it has been noticed. If she had a manager they would have strongly advised her against this.
i think after you become a billionaire, a peak of being rich, your brain changes. you become so desperate and and scared that you're gonna lose this money that you'll do ANYTHING to keep it. even find ways to con people out of their money and ignore when they say they want none of it. she's a billionaire who's so greedy that she can't fathom NOT being a billionaire. eat the rich people, they're all the same.
so ts trademarked female rage: the musical
after saying that during the ttpd part of her eras tour. I guess this is how she will try to get an emmy. Or she will release the eras tour new version under this name. Either way i find it a bit childish. I mean it is a saying on tiktok that she just trademarked. That is a bit of an overkill
She already has an Emmy.
'Female rage' is not 'a saying on TikTok' either. It's a saying that has been around for centuries! The trademark license has not been granted yet, and might not be because Swift didn't invent the phrase.
Taylor Swift is a Female Rage icon? Get a Grip.
I’ve just received word that Taylor Swift is calling her show “Female Rage: The Musical.” Here is my very much pissed off response to that nonsense:
The phrase, Female Rage has an intimately rich history:
Some of the first accounts of female rage dates to the Italian renaissance. To be clear, women in those days were not allowed to become painters- the arts were seen as the domain of men. They did not believe that women have rich inner lives capable of delivering the type of artistic innovation with which renaissance men were obsessed.
However, rebels abounded, through the might of their fucking rage. Several women created some of the most compellingly emotional paintings I’ve ever fucking seen. They did it without permission, without financial support, and often under the threat of punishment. They did it as a protest. In paintings like “Timoclea Killing Her Rapist” by Elisabetta Sirani (1659), and then by Artemisia Gentileschi “Slaying of Holofernes” (1612) as it depicts the bravery of Judith as she slayed a traveling warlord out to rape Judith and enslave her city. The painting often is referred to as a way Artemisia herself was envisioning herself as slaying her rapist. These paintings were used against these women as proof that they were unfeminine- and far too angry. Both these women suffered immensely for their audacity to call attention to the violation men perpetrated on them. Female Rage bleeds off these paintings- bleeds right through to the bone-deep acknowledgement of the injustice women faced being barred from the arts and having their humanity violated in such a sick way. Both women were hated- and considered far too angry.
In philosophy, also as early as the 15th century, an example of female rage is a philosophical text, often hailed as one of the first feminists works in the western world, written by Christine de Pizan titled The City of Ladies (1405). She wrote in protest on the state of women- writing that “men who have slandered the opposite sex out of envy have usually know women who were cleverer and more virtuous than they are” (“The City of Ladies”). People mocked her all her life- but she stood fast to her convictions. She was widowed at a young age with children to feed and the men wouldn’t let women have jobs! She wrote this book and sold it so that she could feed her family- and to protest the treatment of women as lesser than men. Her work was called aggressive and unkempt- they said she was far too angry.
In the 18th century, a young Mary Wollstonecraft wrote, A Vindication of the Right of Women ( 1792) upon learning that the civil rights won in the French Revolution did not extend to women! She wrote in protest of the unjust ways other philosophers (like Rousseau) spoke about the state of women- as if they were lesser. She wrote to advocate for women’s right to education, which they did not yet have the right to! She wrote to advocate for the advancement of women’s ability to have their own property and their own lives! The reception of this text, by the general public, lead to a campaign against Wollstonecraft- calling her “aggressive” and far too angry.
Moving into modernity, the 1960’s, and into literary examples, Maya Angelou publishes I know why the caged Bird Sings (1969) in which she discusses the fraught youth of a girl unprotected in the world. It beautifully, and heart-wrenchingly, described growing up in the American South during the 1930’s as it subjected her to the intersection of racism and sexism. The story is an autobiographical account of her own childhood, which explains how patriarchal social standards nearly destroyed her life. Upon the reception of her book, men mostly called it “overly emotional” and far too angry. Maya Angelou persisted. She did not back down from the honesty with which she shared her life- the raw, painful truth. With Literature, she regained a voice in the world.
Interwoven into each of the examples I have pulled out here, is the underlying rage of women who want to be seen as human beings, with souls, dreams and hopes, yet are not seen as full members of society at the behest of men. They take all that rage, building up in their souls, and shift it to create something beautiful: positive change. Each of these cases, I have outlined above, made remarkable strides for the women as a whole- we still feel the impact of their work today. They were so god-damn passionate, so full of righteous anger, it burst out into heart-stopping, culture-shifting art. Feminine rage is therefore grounded in experiences of injustice and abuse- yet marked too by its ability to advocate for women's rights. It cannot be historically transmogrified away from these issues- though Taylor Swift is doing her best to assert female rage as pitifully dull, full of self-deprecation, and sadness over simply being single or losing money. She trivializes the seriousness with which women have pled their cases of real, painful injustice and suffering to the masses time and time again. The examples above deal with subjects of rape, governmental tyranny, and issues of patriarchally inspired social conditioning to accept women as less human than men. It is a deadly serious topic, one in which women have raised their goddamn voices for centuries to decry- and say instead, “I am human, I matter, and men have no right to violate my mind, body, or soul.”
The depictions of female rage over the last few centuries, crossing through many cultures, is an array of outright anger, fearsome rage, and into utter despair. The one unyielding, solid underpinning, however, is that the texts are depicting the complete agency of the women in question. The one uniting aspect of female rage is that it must be a reaction to injustice; instead of how male depictions of female rage function, (think Ophelia), the women are the agents of their art with female made- female rage. They push forth the meaning through their own will- not as subjects of male desires or abuses, but as their own selves. That is what makes the phrase so empowering. They are showing their souls as a form of protest to the men who treat women like we have no soul to speak of.
Taylor Swift’s so-called female rage is a farce in comparison. Let’s look at an example: “Mad Woman” (2020). I pull this example, and not something from her TTPD set, because this is one of the earliest examples of her using the phrase female rage to describe her dumb music. (Taylor Swift talking about "mad woman" | folklore : the long pond studio sessions (youtube.com)
The lyrics from “Mad Woman” read “Every time you call me crazy, I get more crazy/... And when you say I seem angry, I get more angry”
How exactly is agreeing with someone that you are “crazy” a type of female rage in which she’s protesting the patriarchy. The patriarchy has a long history of calling women “insane” if they do not behave according to the will of men. So, how is her agreeing with the people calling her crazy- at all subversive in the way that artworks, typically associated with concept of female rage, are subversive. What is she protesting? NOTHING.
Then later, she agrees, again, that she's “angry.” The issue I draw here is that she’s not actually explicating anything within the music itself that she’s angry about- she just keeps saying she's angry over and over, thus the line falls flat. The only thing this anger connects to is the idea of someone calling her angry- which then makes her agree that she is... angry. So, despite it being convoluted, it’s also just not actually making any kind of identifiable point about society or the patriarchy- so again, I beg, what on Earth makes this count as Female Rage?
In essence, she is doing the opposite of what the examples above showcase. In letting an outside, presumably male, figure tell Taylor Swift what she is feeling, and her explicit acceptance of feeling “crazy” and “angry,” she is ultimately corroborating the patriarchy not protesting it. Her center of agency comes from assignment of feelings outside of herself and her intrinsic agreement with that assignment; whereas female rage is truly contingent on the internal state, required as within our own selves, of female agency. As I stated above, the women making female rage art must have an explicit agency throughout the work. Taylor Swift’s song simply does not measure up to this standard.
Her finishing remarks corroborates the fact that she's agreeing with this patriarchal standard of a "mad" or crazy woman:
"No one likes a mad woman/ You made her like that"
Again, this line outsources agency through saying "you made her like that" thus removing any possibility of this song being legitimate female rage. There is simply no agency assigned to the woman in the song- nor does the song ever explicitly comment on a social issue or protestation of some grievous injury to women's personhood.
She honestly not even being clever- she's just rhyming the word “crazy” with “crazy.” Then later rhyming “angry” with “angry.” Groundbreaking stuff here.
Perhaps Taylor Swift is angry, in “Mad Woman,” but it is not the same type of rage established philosophical concept of female rage of which art historians, philosophers, and literary critics speak. Instead, it is the rage of a businesswoman that got a bad deal- but it is not Female Rage as scholars would identify it. In “Mad Woman” I fear her anger is shallow, and only centered on material loss- through damaging business deals or bad business partners. She is not, however, discussing what someone like Christine de Pizan was discussing by making a case for the concept that woman also have souls like men do. In her book, she had to argue that women have souls, because men were unconvinced of that. Do you see the difference? I am saying that Swift’s concerns are purely monetary and material, whereas true examples of female rage center on injustice done against their personhood- as affront to human rights. Clearly, both things can make someone mad- but I’d argue the violation of human rights is more serious- thus more deserving of the title “Female Rage.”
Simply put, Taylor Swift is not talking about anything serious, or specific, enough to launch her into the halls of fame for "Female Rage" art. She's mad, sure, but she's mad the way a CEO gets mad about losing a million dollars. She's not mad about women's position in society- or even just in the music industry.
She does this a lot. The album of “Reputation” was described as female rage. Songs in “Folklore” were described as female rage. Now, she’s using the term to describe TTPD, which is the most self-centered, ego-driven music I’ve heard in a long time.
Comparing the injustice, and complete subjugation, of women’s lives- to being dumped by a man or getting a bad deal- wherein she is still one of the most powerful women of the planet- is not only laughable, but offensive.
BDS added this section to their boycott page and I think people really need to read it:
please remember, pushing unorganized boycotts without carefully fact-checking every company in the list can be actively HARMFUL to the boycott movement.
Here's a website where Palestine GoFundMes are vetted and shared that you can send out to people. The url is gazafunds.com
Easy to use and simple. Just share the site whenever someone asks for GFMs for Palestine.
I think a lot of what's currently informing my fellow white people curdling like milk and shitting their pants when asked to interrogate their relationship with rap is the way many people (especially well-meaning white people) still can't help but think of racism as something that you get accused of rather than something that influences the entire world in pernicious ways.
like, I think a lot of people currently posting the most cringe takes about rap right now would very much agree that Racism Is Bad and probably even acknowledge that rap has been and is still widely maligned and devalues for racist reasons.
but that last step, acknowledging that your personal tastes and interests are also influenced by systemic racism, is where a LOT of people stumble. it's very easy to assume that because you consider yourself against racism, then your tastes and interests cannot possibly be at all informed by racist. if you're a white American, that's simply extremely unlikely to be true.
speaking from personal experience, I had to Work to decenter whiteness in my media tastes. when I was like 19 I listened to a podcast where a white Jewish man talked about keeping a spreadsheet of the books he read to make sure he was reading a roughly equal number of men and women, and I started doing the same thing to track how many authors of color I was reading. at the time I took pride in my belief that I was reading diversely, but when the year ended I was shocked to discover that people of color had written barely a quarter of the books I'd read. I had been giving myself way too much credit while still unintentionally prioritizing white authors, because white authors were the ones I knew best. so I started making an extremely conscious effort to seek out books by authors of color, both fiction and nonfiction, that sounded like my kind of shit.
music was extremely similar. I grew up a little white girl in a very white city in a very white state; nobody was offering me an education in rap or r&b or soul or hip hop. as an young adult there were definitely some Black artists I liked, like Janelle Monáe, but I had to take the initiative of seeking out more artists to find out who I fuck with. you're not going to like everybody, which is fine, but are you even giving anyone a chance? are you even looking?
racism has roots everywhere, bro. it's not enough to just acknowledge it, you have to actively get digging.
Wissam Hamada, the mother of Hind Rajab, whose legacy continues to inspire movements worldwide, despite her tragic passing expresses her profound grief mixed with pride as her daughter's name now resonates at institutions like Columbia University. She calls on the world to continue protesting so that children like Hind could be spared what Hind had gone through.
[eye.on.palestine]
Ok gotta talk about it.
As a Jewish historian, I fucking hate Israel in ways most probably will never be able to comprehend. I'm going to try and explain it anyways. The central creation myth of Israel is that it is Jewish, and then consequently, that Israel is a part of Jewishness. Its easy to simply state this is false, but fully comprehending this and putting it into practice in thought and deed seems rare to me.
The evil at the heart of this violence predates the recent acceleration of genocide. Israel is a colony, and more than that, an antisemitic fraud itself. After WW2, when Israel was being founded, the Jews of Europe generally did not wave goodbye to their neighbors and head to the promised land. Many were expelled from their homes. Zionism itself, as an action, was a false choice at the time. A mere excuse to place an ally in the middle east, and an excuse to complete the expulsion and destruction of the European Jew. The Zionist Jew is more than complicit in this, they actively seek the destruction and assimilation of all other Jews.
Many fail to realize, and largely because of Israel, that Jews are not inherently white, Ashkenazi, European-descended people. Our faith and culture has an immense variety that is spread all across the globe. Jewishness, in population and volume of culture, exists more so outside of Israel than within it. Israel is for a very specific kind of Jew. The kind that lets Yiddish die, that attaches themselves to European things, that makes themselves and their practices as white as possible.
And they have the nerve, the fucking belligerent GALL, to frame themselves as the necessary saviors of our people. To the Zionist, questioning Israel is to question Jewishness itself. They bake adoration for the colonial machine into their very prayers, and push them on us even as children. To *not* oppress, to *not* kill, to *not* genocide, is to invite death. This is the core of fascistic thought, of course. "Kill them before they kill us." And they KNOW this too, they really do. The truth of that irony does not matter, because as is true for all fascists, the truth itself does not matter to them. They wanted this, they wanted this even before the British saw it in their best interest to give them the land. Any excuse to RETVRN, as the neo-nazis say of Rome, or the German Empire, or whatever the fuck stupid country they want to poorly animate the corpse of. Some select Zionists even *sided with the fucking Nazis* in agreement they should abandon Europe to colonize Palestine. (Haavara Agreement)
My people have proved time and time and time again you don't need a nation state to have an enduring culture. We have protected ourselves for thousands of years without the help of these spiteful, doom-saying maniacs. I was going to post something like this on Passover, but that would be hypocritical. The state of Israel doesn't actually have shit to do with Jewishness. שְׁמַע יִשְׂרָאֵל יְה Vi tsu derleb ikh im shoyn tsu bagrobn. [my best translation] Hear Israel (beginning of a prayer in Hebrew) I should outlive him long enough to bury him. (an old Yiddish curse)
Free Palestine. Donate what you can, they need it right now.
Imagine thinking psych wards are fun and hilarious. I've seen swifties wanting to wear psych ward dresses etc to eras
So sick and tired of their shit. This is not some aesthetic
Just reading about all the Eurovision happenings rn
All the Olivia Rodrigo plagiarism is a mess but I'm so sick of swiffers acting like she just suddenly got credit out of the blue. She has full control over her team and who they go after. Whether it's fully suing, or sending cease and desist threats (like the jet tracker, the journalist who called her lowercase kkk, Etsy merch sellers) it's all her doing. People have been saying for years that she's had so many legal battles she's basically a lawyer now. Even if she has no legal grounds she knows that at this point, she's so big and powerful, that just the threat of being sued into bankruptcy is enough to get people to back down.
Exactly,
That other Anon wanted to say that Swift just got swept up in the legal dispute because of Farro. It's just unbelievable.
She's a grown woman and the face of a billion-dollar company. She's been in legal disputes so much in the last decade that I'm almost shocked. She knows what is going on. I just don't believe for a second that she had no ability to pull back, and say "never mind" or "no."
Anyway, I'm tired of her bullying people to get them to back down. She's done this so much that I just expect it at this point.
caving as an extreme sport is sooo unfathomable to me why are u as a creature of the daylight doing that. were u born without the dread in ur bones or something
My opinion is that Macklemore and Kendrick are two different situations. Kendrick’s drop is important because it’s exposing genuine issues within the music industry and exposing a literal predator, womaniser, and someone who has essentially been shitting on the history of hip hop and rap ever since he started his music career.
Macklemore’s drop is important because not only does it call out the IDF and America’s complicity in Israel’s genocide on a huge platform, but all the streaming proceeds actually go to helping Palestine.
What isn’t important is Drake. That’s why Macklemore only shouted out how he isn’t interested in Drake’s response, and doesn’t mention Kendrick at all, because no one should give a shit about what that whiny little bitch has to say and waste time waiting for the response.
But overall, the main takeaway from all of this, including Macklemore’s song, is that you shouldn’t let the actual drama distract you from talking about and supporting Palestine. Kendrick has won the “beef”. We all know that he has, and we need to respect what he did as a legitimate moment in history for the hip hop scene and for the music industry as a whole. That’s why I think viewing it as just “beef” is stupid anyway. Kendrick fucking executed that guy and now Drake should fall out of relevancy for good. I don’t give a shit about Drake’s response either. This isn’t celebrity drama, this was a hip hop legend cleaning up the scene for us.
Meanwhile, we should also be streaming Macklemore’s song because it sends all its funds to the UNRWA, and funding the Palestine relief effort is important as fuck right now. You can have whatever opinion you want on Macklemore himself, but streaming that song will help Palestine.
Basically, the Macklemore song and the Kendrick songs are important for different reasons, and they should be treated as such and not pitted against each other. Even Macklemore’s not pitting them against each other if you actually read his lyrics.
Don’t stop talking about Palestine. Don’t let celebrity drama distract you. Fuck whatever Drake has to say, and stream both Hind’s Hall and Kendrick’s diss tracks.
Hind Rajab was a 5 year old girl in Gaza who was killed while she hid alone in a car, along with the paramedics who tried to rescue her. Yesterday students at Columbia seized the administration building and renamed it in her honor.
Gadzooks Bazooka Instagram: gadzooks_bazooka
Remembering #HindRajab & children in #Gaza: This is what the mother of the child, Hind Rajab . https://tmblr.co/ZTeZMyfB_GHeeu00
DrSonnet — هذا ما قالته والدة الطفلة هند رجب عندما سمعت بخبر... (tumblr.com)
Hozier performing in West Palm Beach
❝ West Palm Beach, thank you! 🖤 ❞ 📸 @ruthlessimagery | 10th May '24
Shawn Spencer Whump | Psych
1x02 Spellingg Bee - Motorcycle crash, hospital, knee brace, limp, bumps into bin, pain 1x03 Woman Seeking Dead Husband - Held at gunpoint x2 1x05 Lives - Held at gunpoint 1x06 Weekend Warriors - Held at gunpoint 1x15 Scary Sherry - Nightmare
2x02 65 Million Years Off - Shot at, scared 2x03 Psy vs Psy - Hostage 2x04 Zero to Murder in 60s - Brief boo-boo (chair race sabatoged) 2x05 And Down the Stretch... - Childhood bully 2x07 If You're So Smart... - Bullied by children 2x09 Bounty Hunters! - Handcuffed, jumps off boat, held at gunpoint 2x13 Lights, Camera… - Nearly nailed to death (38:00), character funeral 2x15 Black and Tan - Sad (18:30) 2x16 Shawn (and Gus) of the Dead - Mummy 'curse'
3x01 Ghosts - [Flashback; emo/arrested] Increasingly angry about mothers' return, confrontation, heartbroken 3x04 Greatest Adventure in the History of Basic Cable - Shot at, chased x3, restrained, held at helicopter-point and gunpoint, betrayed 3x06 There Might Be Blood - Held at gunpoint, dangerous confrontation 3x08 Gus Walks Into A Bank - Held back, worried, bank hostage, tight gus hug, manhandled 3x10 Six Feet Under the Sea - Held at gunpoint 3x11 Lassie Did a Bad, Bad Thing - Punched unconscious, hostage, held at gunpoint, pistol whipped, fatherly care, nearly passes out (40:15) 3x12 Earth, Wind And… - Runs into burning building, oxygen mask, held at firepoint, caught in burning building, briefly thought dead, coughing/smoke inhalation 3x13 Any Given Friday Night at 10PM - 'Abducted' 3x14 Truer Lies - Held at gunpoint 3x15 Tuesday the 17th - 'Trips', held at 'knifepoint' 3x16 An Evening with Mr. Yang - Angry, mom held hostage, scared, heartbroken
4x01 Extradition: British Colombia - Held at gunpoint x2 4x02 He Dead - Daddy issues 4x03 High Noon-ish - Stampede/pushed, falls into mineshaft, pain, held at gunpoint, trapped 4x04 Devil is in the Details… - Confession 4x05 Shawn Gets the Yips - Scared/dumb ("bomb" on treadmill) 4x06 Bollywood Homicide - Slapped (39:15) 4x07 High Top Fade Out - Held at gunpoint, shot at 4x09 Shawn Takes A Shot in the Dark - Shot, abducted/missing, bleeding, pain, knocked unconscious, choked, jumps on moving car, weak, sling 4x10 You Can't Handle This Episode - Shot at 4x12 A Very Juliet Episode - Held at gunpoint, punched x2, knocked down x2, kicked 4x16 Mr. Yin Presents - Nightmare, angry, heartbroken x2, fatherly love
5x01 Romeo & Juliet & Juliet - Held at gunpoint, falls through window, kicked through wall, insane dodging skillz, knocked down, sore 5x03 Not Even Close, Encounters - Held at gunpoint/abducted by 'aliens' 5x04 Chivalry is Not Dead - Hanging upside down (tomato face), poisoned, collapse, hospital, unconscious 5x07 Ferry Tale - Held at gunpoint x2, hostage, kicked in the face, tear gas inhalation, restrained, trips/tumbles down a hill 5x09 One, Maybe Two, Ways Out - Seriously heartbroken 5x12 Dual Spires - Trapped in burning house 5x13 We'd Like to Thank the Academy - Held at gunpoint x2 5x16 Yang 3 in 2D - Held at shotgunpoint, scared
6x01 Shawn Rescues Darth Vader - Jumps off roof 6x02 Last Night Gus - Hungover, stressed, jumps from balcony, shot at 6x04 Amazing Psych-Man & Tap-Man - Trips, found unconscious, punched, kicked x2, thrown, sand to the eye, exhausted 6x06 Shawn Interrupted - Mental patient, hands covered, knocked unconscious, restrained, held at gunpoint 6x09 Neil Simons Lover Retreat - Robbed, heartbroken x2 (29:35), smile through the pain (42:00) 6x10 Indiana Shawn and the Temple - Hand stuck, slapped, manhandled, held at gunpoint, 'crying' 6x13 Let's Doo-Wap it Again - Appendicitis, collapse, hospital drama-queen, held at gunpoint, drugged, drugs wear off, le rigor mortis, le pain, le kitty cat! 6x16 Santabarbaratown - Held at knifepoint, knocked unconscious, black-eye
7x01 Santabarbaratown 2 - Scared, angry, thrown, active mine, held at gunpoint x3, Lassie love 7x02 Juliet Takes A Luvvah - Traumatized (27:00) 7x03 Lassie Jerky - Shot at, held at gunpoint 7x04 No Country For Two Old Men - Held at gunpoint 7x06 Cirque Du Soul - Pain from pull-ups 7x07 Deez Nups - Huge confession, heartbroken 7x08 Right Turn Or Left For Dead - Insomnia, regret, depressed, head slammed into glass, bruise, concussion, denial, stabbed, nearly hit by truck, headache, tackled 7x11 Office Space - Poked x2, trips, bloody nose, scared, framed 7x14 No Trout About It - Painful yoga, choked, fired
8x01 Lock, Stock… - Held at gunpoint, "restrained" 8x05 COG Blocked - Jumpscared out of hammock, painful poke, body decked by cane, held at gunpoint 8x07 Shawn & Gus Truck Things Up - Hand squeezed painfully 8x09 Nightmare on State Street - Slapped, zombie 8x10 The Break-Up - Nervous, held at gunpoint, shot at, emotional
"Absolutely bizarre. The media is complicit. I'm seeing less and less about Gaza in my feed - it's flooded with Met Gala content." from Rosy Pirani, 06/May/2024:
makingswiftieslookworse defendingtswift admitting she knows it's offensive back in ye old days of a week and a half ago. but not offensive because of racism. offensive because of....... uhhhhhh....... hmmm......
now though she's a full on supporter, doesn't care if you "think" it's offensive even though we can see here she knows it's true.
Master doc that contains different resources and support for many countries including Palestine, Congo, Haiti, Hawai’i, etc ((op is underneath the link))
you’re a disgusting racist person. you aren’t a poc, i highly doubt that. how fucking dare you invalidate what so many hindu and indian people have stated? stop worshipping your white feminist queen and open your eyes to her racism.
I don’t care if you believe I’m a poc. You don’t know me. I never invalidated anyone. I stated that I don’t believe Taylor’s karma music video makes her racist. I’m not racist just because I don’t agree with people who think she is. Kudos for saying this off anon tho.
a zionist (who is related to the fascist zionist leader meir kahane) drove a car into a crowd of protesters in nyc today, and the police arrested the protester who was hit by the car and handcuffed them to their hospital bed
Joe Biden makes a speech saying Hamas are driven by the ancient desire to eliminate Jews. Hamas was created in 1987, Joe. Ain’t nothing ancient about them. So unless you are implying that Palestinians are driven by the ancient desire to wipe out Jews which is KKK cross burning level of racism, you might want to tone down the racist bullhorn that you are mistaken for a dog whistle.