Excuse You!?!

The Captain when Mark's acting up:

Here's some notes on some of the upper body muscles so you, artist, don't need to look them up

They are not medically accurate, just enough for artists to know the necessary muscles and how they work together

I 100% recommend doing the last exercise I did to be able to actually place the muscles

I bought Fallout 4 the other day, been playing non-stop, decided to draw my favourite companion from the game

Canon Universe

So it’s canon that Taka didn’t eat anything after Mondo’s execution, right? Well, not eating is his response to any kind of stress or anxiety, so it wasn’t the first time he went days on end without eating.

Fallout 4: Where is the Lone Wanderer?*

*a vague conspiracy theory which doesn’t actually answer the question at hand. We all have our own ideas of how the lore should go, and I’m sure yours is very canon-compliant and valid, but this is mine and I have support for it. Looooongpost.

First off: What do we know about the canon Wanderer?

We know they activated Project Purity (or had a companion do it) without the FEV and were inducted into the Brotherhood. We know they’ve met with MacCready (you can’t finish the game if you don’t), and he has dialogue indicating they had further contact. They also took the Brotherhood’s side at Adams Air Force Base.

We don’t know what happened with The Replicated Man, but since the canon Wanderer appears to have good karma, and info from 4 implies Zimmer’s disappearance was more recent than ten years ago, it seems likely they took the boring ending, which secures their membership in the Railroad.

Why aren’t they in Fallout 4?

The Doylist answer is that they’re highly customizable, and so they have no canon appearance, personality, gender, etc. But in-universe? Something happened.

“Accepting outsiders like yourself has proven disastrous in the past.” - Kells

“I've seen other soldiers come and go. Some were brave, some were honest... hell, some were even downright heroic.” - Danse

“Every doctor I've talked to was worthless. [] I don't need them... I need someone like you.” - MacCready

When Duncan first got sick, “someone like you” would have meant the Wanderer. This suggests (to me) that they’re not in the Capital Wasteland anymore. But they’re certainly not in the Commonwealth either.

The weird thing is that the Lone Wanderer is all over this game - they’re the namesake for a male hairstyle, a perk, a DCR song, a motorcycle brand… and the codename of Deacon’s mission to save the Railroad from certain destruction by recruiting the Sole Survivor.

Someday We’ll Find It, the Deacon Connection

Oh yeah, I’m going here. Desdemona’s terminal entries confirm it was always Deacon’s plan to get you onboard and use you to destroy the Institute. There are Railroad lookout posts near 111/Sanctuary and Red Rocket, and of course he followed you in Goodneighbor, Diamond City, and Bunker Hill (at least). His court jester vibe hides it a bit, but he’s manipulating you more than he’s manipulating Desdemona in the intro scene. And do you notice he rarely gives you a firm verbal disapproval unless you’re hurting the Railroad?

What could have caused Deacon’s interest in you, unless he’s made the connection between you and the Lone Wanderer? He’ll vouch for you if you haven’t accomplished anything yet, or even if you’re a Brotherhood member. A Pip-Boyed stranger emerges from a vault in the middle of a crisis, gaining friends, skills, items, and special abilities at a suspicious rate? Probably with the same gender and playstyle as the previous one? Heck, when he first heard the rumors, he probably thought you WERE the Lone Wanderer.

There are other indications the Railroad has been in contact with them — Desdemona mentions the Capital Wasteland as their primary destination for synths, and Deacon references Harkness’s recall code. If you refuse to pick a codename, Desdemona even assigns you “Wanderer.”

So what happened, then?

I think the answer lies with the Brotherhood, specifically in Deacon’s hatred of them. Sure, ideology is enough to hate them for, but Deacon sure seems suspiciously happy if you nuke their base of operations. (Some of) his comments on that:

“The Brotherhood... well, I met them on an op in Capital Wasteland a few years back. But now with Elder Maxson... Let's just say, not a fan.”

“That bastard Maxson really screwed them up. The Brotherhood used to be the good guys. Well, goodish.”

[Who’s Elder Maxson?] “He’s a piece of work, is what he is.”

And on his time in the Capital:

“Did I ever tell you about the time I was in Capital Wasteland? Now there's a tale.”

“Capital Wasteland. Exports: purified water, some decent tech, oh, and an insane suicidal cult that worships radiation. Thanks, guys.”

“I miss Capital Wasteland. You can actually drink the water there.”

And a few lines I’ve decided (with no evidence) directly refer to LW:

“Last partner I had wound up going... well, a little insane. I think it was all my show tune medleys.”

[After Maxson orders you to hunt Danse down] “See? This is what the Brotherhood's really about.”

And my favorite: “I’ve been looking forward to kicking the Brotherhood’s teeth in. I owe them.” This line comes before Glory is killed, so he’s not referring to that. The Brotherhood only recently arrived in force in the Commonwealth. He’s talking about something that happened in the Capital Wasteland.

So Here’s What Might Have Happened:

In early 2286, Deacon moves to the Capitol Wasteland for awhile, probably to get a face change and lay low for a bit. He contacts the Lone Wanderer, who has barely heard from the Railroad in nine years. They begin to work together.

(In context, this journal entry looks like he’s somehow gathering intel to predict when Vault 111 will open, but I can’t think of a way for him to get that information or know why it’s important, so I’m not going to believe it just yet.)

The Wanderer is still a knight, maybe a paladin. Maxson has been elder for 2-3 years and is monitoring the Institute. Meanwhile, the Lone Wanderer and Deacon are setting up infrastructure to receive escaped synths.

And then the Brotherhood finds out about one of the safehouses. With their limited understanding, they believe that the Institute is holed up there and attack. The Wanderer intentionally throws the mission — maybe disobeys orders, maybe downs a vertibird or collapses a subway tunnel, or maybe even attacks their brothers to protect the synths.

And, well-

Either they were killed, or they escaped court martial and execution by a hair’s breadth and fled the Capital, leaving Deacon to believe Maxson had them killed.

There you have it. That’s why they aren’t in Brotherhood dialogue or records. Their accomplishments couldn’t be recognized because they’re a traitor. And that’s why it’s personal for Deacon.

Classification of Ace Attorney Official Art

Type A - Generic Promo Art with a lot of Dramatic Pointing

Type A1 - Oh Wow Look at How Many Characters We Have!!

Type A2 - Instead of Dramatic Pointing it’s Back-to-Back Posing

Type A3 - Ominous Giant Lawyers

Type B - All the Characters Hanging Out Casually as a Family

Type B1 - Seasonal Varieties

Type B1-1 - Phoenix is Fucking Drunk

Type B1-2 - Festival Time!

Type B2 - Gaming Moments

Type C - Illustrated Interpretation of Canon Scenes/Off Screen Moments

Type D - Phoenix Wright and Miles Edgeworth Sharing Long Meaningful Gazes and Palatable Sexual Tension

Type E - What if… Chibis?

Type F - Fancy Outfits

Type F1 - OST Artwork Featuring Orchestra AU

Type G - Inexplicable

Still can’t get over how beautiful Astarion is. Like goddamn

"Hancock has no regrets about becoming a ghoul"??

It baffles me when some people think Hancock has zero regrets about becoming a ghoul. Absolutely none at all apparently. Like yeah, he plays it up when you first meet him before he's a companion, but let's be real he plays up pretty much everything in regards to the whole "sexy king of the zombies" image he projects.

It takes travelling with you away from Goodneighbor to give him some time to be introspective for him to finally realize that him becoming a ghoul was just another escape route from himself again. He's got several lines of dialogue that literally reiterate this. It's a key point of his character:

Hell, running from myself is what made me into… into a damn Ghoul.

Well, I mean, I didn't always look this good. The drug that did this to me, that made me a Ghoul, I knew what it was going to do.

I just couldn't stand looking at the bastard I saw in the mirror anymore.

The coward who'd let all those Ghouls from Diamond City die. Who was too scared to protect his fellow drifters from Vic and his boys.

If I took it, I'd never have to look at him again. I could put that all behind me. I'd be free. Didn't seem like a choice at all. Turns out it was just me running from somethin' else in my life.

I mean, after reaching max affinity with you, he realizes that maybe it wasn't such a bad thing after all (because he's finally got an honest friend he can be open with now). He now feels comfortable where he is - but to imply that he doesn't have at least the tiniest amount of regret? Heck, if you go onto romance him (or attempt to), he stops referring to himself as handsome and literally starts calling himself ugly, which naturally goes entirely against the image he projects:

Why don't we just agree to keep it friendly for now or till they find a cure for ugly? Heh.

You don't want to wake up to this mug every morning. Never wish that on anyone I cared for.

You sure you want to be stuck with this ugly mug?

(You could even say he implies it beforehand with another line of dialogue elsewhere in-game when he says "I'd be mad too if I was that ugly." But that's a stretch I guess.)

Combine that with the fact that 99% of ghouls don’t choose to become ghouls. Hancock did. But he didn't do it for a fun experience. He was already in a bad place when he became a ghoul. He didn't turn to be cool and edgy like he pretended he did when first getting to know him.

He lost his appearance, any connections to his old identity and old friends/people he might’ve been associated with (for better or worse), and in return gained hostility from bigots towards him for merely existing, from an overwhelming majority of the Commonwealth population that hates ghouls. There's the Institute and Brotherhood who want to kill anyone like him on top of that. Plenty of people out there who think he and other ghouls are monsters for just being alive.

Not only that, but something which adds onto this is the fact that he's a client of the Memory Den, and they're very selective with their customers. And what's the whole point of the Memory Den? Reliving past memories. Irma's terminal entry about Hancock, as well as the other two ghoul clients Kent and Daisy, all imply the memories they go back to relive are primarily from their human days. (The one on Hancock straight up says "if you thought he was handsome and dangerous now, you should've seen him before he turned ghoul.")

I genuinely refuse to believe that Hancock has never had any regret whatsoever about becoming a ghoul. The man who's spent a decent chunk of his life running from his own problems instead of confronting them, has NO regrets about taking a drug that alters his entire being and functionality on a biological level and will force him to outlive everyone he knows? This man is FULL of regrets!

Let me guess… you’ll never forgive me. Tenko, you must hate me so very much…

markiplier lore is queer: an essay by me.

dedicated to @system32-cleanmgr <2

so, to start things off, i wanna talk about the gender of it all. because of the gender ambiguity of the viewer insert in almost every markiplier lore video, the universe now has at least three canonical non-binary characters who go by they/them pronouns (wether these characters are all the same character, different characters, or kind of the same character is unknown).

but that's not where the gender fuckery of the better mcu ends. you see, there's also the (subtextual and mostly ignored, yes, but still relevant) overall gender fuckery of darkiplier's character. because, while they present male, they are still in some ways a combination of celine and damien, two people of opposite genders (not to mention the fact that they exist inside the body of the viewer from who killed markiplier, who's one of the formerly mentioned non-binary characters). so, while not explicit representation, i personally like to think of darkiplier as some flavor of genderfluid.

i also feel like damien and celine's specific gender expressions themselves affect darkiplier in some ways: while they're both (presumably) cis, the two still have very distinct ways of performing their respective gender identities. damien portrays a softer version of masculinity, whereas celine shows a slightly harsher femininity than what we're used to seeing in media. he's a bit clueless and sees things from an emotional, human perspective, and she's clearly used to being the rational, fast-paced one, always trying to find solutions. this dynamic might have something to do with them being siblings (and i'm assuming celine's the older of the two, purely because of all the talk of 'keeping damien safe'), and it's not inherently queer, but it is interesting to me that these characters have such specific ways of acting out their genders.

now, this one's not as important, but i would also like to mention the casual usage of they/them pronouns for other characters as well. in in space with markiplier: part 2, mark explicitly refers to the character of lady by they/them pronouns multiple times (this could also be either because they're an alien and mark doesn't know how they identify, or because their actor, lio tipton, is non-binary, but to me, that reads as somewhat solid confirmation that the character goes by they/them pronouns), and mark himself is referred to as "they" by the narrator at least once.

this isn't really a gender identity thing, but rather a gender expression thing, but i do also wanna talk about wilford warfstache and his gender non-conformativity. i do think he identifies as male, all things considered, but he doesn't seem the least bit interested in masculinity as a concept, favouring traditionally (i say traditionally, but i do mean societally, since pink used to be considered a boy color) feminine colors like pink and yellow, and being more than open to expressing his feelings and encouraging other characters to do the same.

now i'm gonna get into the sexualities. how are queer sexualities portrayed in markiplier lore?

well, that's a hard question to answer; no character has ever been (as far as i know) specifically stated to be of any sexual orientation. although there is a high possibility that wilford is pansexual, since he was clearly in love with celine, but it's implied he doesn't really care about the gender of whomever he happens to be romantically or sexually involved with at the time (i.e. him casually asking abe if they used to date, because that really is a possibility).

aside from wilford, because of the ambiguous gender of the viewer insert, a lot of characters end up being inadvertedly queer because of their attraction to them, most of them most likely falling on the m-spec.

there's also something to be said about abe the detective. is he gay or not? well, again, nothing's canon, but i think it's safe to assume he isn't straight. the "accidental" homoerotic innuendos he makes constantly seem less like a joke about being gay, and more like a joke about having repressed, sexual thoughts about someone, and having those thoughts emerge as those kinds of comments.

the "would anyone like to join me?" comment might just be will making fun of him, but i can't find it in myself to think actor mark is straight either. i guess it's just a headcanon, but let's be honest, he's every 'subtly' queer-coded old cartoon villain ever. he's rich, dramatic, petty, and vain, and frankly sometimes being evil and queer is just a fact of life.

but i'm not gonna go further into my headcanons on here, lest this post turn into a list instead of an essay, so i'll just wrap it up here. thanks for listening to my ramble.