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Alysa Liu (USA): Promise | 2025 World Championships, SP
Alysa Liu (USA): Promise | 2025 World Championships, SP
Alysa Liu (USA): Promise | 2025 World Championships, SP
Alysa Liu (USA): Promise | 2025 World Championships, SP
Alysa Liu (USA): Promise | 2025 World Championships, SP
Alysa Liu (USA): Promise | 2025 World Championships, SP
Alysa Liu (USA): Promise | 2025 World Championships, SP
Alysa Liu (USA): Promise | 2025 World Championships, SP

Alysa Liu (USA): Promise | 2025 World Championships, SP

Alysa Liu of the USA leads the women's short program with a personal best of 74.58, the highest international sp score of her career!

More Posts from Eldewinddolly and Others

2 months ago

Happy birthday you fantastic human being!!! I'm very happy you were birthed! πŸŽ‰

:') you are the sweetest !! merci tout plein πŸ’œ

1 year ago

Artemis fowl memes! If you missed out on a few or want to look at them again or whatever I have them over here, I'll add on to this as I make more memes

Books one:

Part one

Part two

Part three

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Book two:

Part one

Part two

Part three

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Book three:

Part one

Part two

Part three

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Book four:

Part one

Part two

Part three

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Book five:

Part one

Part two

Part three

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Book six:

Part one

Part two

Part three

Part four

Part five

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Book seven:

Part one

Part two

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Book eight:

Part one

Part two

Part three

Part four

Part five

Part six

Part seven

Part eight

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The fowl twins- book 1:

Part one

Part two

Part three

Part four

Part five

Part six

Part seven

Part eight

1 month ago
You Are 64.2% Good, 39.2% Chaotic, Making You Chaotic Good. 😈 Seems Fitting Grazie @laeliana That
You Are 64.2% Good, 39.2% Chaotic, Making You Chaotic Good. 😈 Seems Fitting Grazie @laeliana That

You are 64.2% good, 39.2% chaotic, making you chaotic good. 😈 seems fitting grazie @laeliana that was pretty fun to do :) tagging : @valhelos @kayden-i-guess

Tag game!!!

Do this quiz

And this picrew

Tag Game!!!
Tag Game!!!

And tag people(obviously)

Although anyone who wasn’t tagged here can of course join in, it’s open to anyone :3

@anartistwithamask @gummy-axolotl @shadowthegay @auseryoumayknow @copper-ichor @moonysfavoritetoast @alexthescaredenby @invaderxeya @fungal-boy-witch-yay @artists-void @hazbin-hotel-lucifer-simp @ka1-the-pr0ot @theautumnalcat


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8 months ago
Yeeessss !!!! I'm Super Happy You Picked Up On This Detail About Holly's Ears πŸ˜ƒ I've Always Drawn

Yeeessss !!!! I'm super happy you picked up on this detail about Holly's ears πŸ˜ƒ I've always drawn her (and generally elves from AF) with really long ears, I'm especially meticulous about them in my design and fanfics precisely because I absolutely want to bring out more cat-like behavioural features in elves. I really like when fae folks are less anthropomorphised, more animal or even alien-looking. What I love about long ears is how expressive they can be ; droopy when sad, turned back when scared and angry, upright when surprised... Which fits quite nicely with the canon than elves are particularly emotional - I design elves with big eyes and long ears because then everything in their features and behaviours unconsciously underlines how they are feeling. I mean, think Judy Hopps from Zootopia : the animators did such a wonderful job using her ears as an acting tool just as much as her eyes and other facial expressions. She's such a lively and feisty character, who wears her heart literally on top of her head on her sleeve πŸ’œ No wonder a lot of people made the connection with AF ! *realizes she just maniacally wrote some two paragraphs post in two minutes almost unprompted about fairy ears at almost midnight* ... Eheh. Thanks for the reblog and kind words ! Sorry for the digression πŸ˜…

😑 Reluctant Allies 😑

😑 Reluctant allies 😑

I just love early series Artemis and Holly foes-to-frenemies dynamic. Even though they hate each other's guts, you can feel that Artemis respects and looks up to Holly ; and that Holly empathises and genuinely wants to understand Artemis. I'm relatively pleased with Artemis' suit ; I absolutely despise drawing suits with every fiber of my being. ... Which is a little bit of an issue when you want to draw Artemis Fowl, as you can imagine.

Don't look at the background though. It's trash 🫠


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1 month ago

🎀 Character you least understand?

That’s such a tricky question to answer, depending on how you interpret β€œunderstand”. Thank you for asking ! After pondering for a bit, I think I’ll say Artemis’ grandfather. What I don’t understand about this person, is why we know so absolutely little about him, when he should be SO important to explain why Tim became Tim, and thus how Artemis became Artemis. The little we do know about this grandfather just feels off and weird to me. Basically, he’s only truly mentioned three times : - In book 1, Angeline mistakes Artemis for his grandfather, and talks to him extremely fondly and casually, even calling him (in the French version at least) by the most informal term possible to adress a grandparent/FIL ; indicating a very warm and soft relationship ? Though it might just be her psychotic episode distorting the actual truth of how they interacted ? - Then Tim, in TEC, claims that his father only treated him as a businessman and barely knew him as a person ; if his relationship with his father was so cold and distant, why would Angeline show this man such kindness, when we know how fierly protective she is of the ones she loves ? - And then, in TAC Artemis recalls a fond memory of spending time in his grandfather’s workshop. Sure it might be Angeline’s father in this memory but I don’t think it is. I feel like Tim’s father deserved to be a much more prominent, menacing shadow, even being long dead before the start of the first book. I would have loved to know more about him (like, I don’t know, a name would have been nice ^^”), but that’s also just me wanting to know more about the Fowl family in general. The good thing here at least, is that there is such little lore that it gives a lot of leeway for headcanons 😈 And oh, how many do I have about this man 😈


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1 month ago

πŸ‘†

"i'm tired of seeing-" use your filters.

"but there was an icky ship-!" use your filters.

"i don't like that tag-" use your filters.

don't like what you're seeing? use. your. filters.


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1 year ago

π™³πšŽπšŠπš› π™Όπš›. π™²πš•πšŠπšžπšœ,

𝙸 πšŠπš– πš πš›πš’πšπš’πš—πš 𝚝𝚘 𝚒𝚘𝚞 πš›πšŽπšπšŠπš›πšπš’πš—πš πš˜πšžπš› πš•πšŠπšπšŽπšœπš πšπš›πšŠπš—πšœπšŠπšŒπšπš’πš˜πš— πš™πšŽπš› πŸΈπŸ»πšπš‘ 𝚘𝚏 π™³πšŽπšŒπšŽπš–πš‹πšŽπš› 𝟷𝟿𝟿𝟸, πšŠπš—πš 𝚝𝚘 πš’πš—πšπš˜πš›πš– 𝚒𝚘𝚞 πšπš‘πšŠπš 𝚒𝚘𝚞, π™Όπš’πšœπšπšŽπš› πš‚πšŠπš—πšπšŠ π™²πš•πšŠπšžπšœ, πš˜πš› πšŠπš—πš’ πšŽπš•πšŸπšŽπšœ πš πš˜πš›πš”πš’πš—πš πšžπš—πšπšŽπš› πš’πš˜πšžπš› πšŒπš˜πš–πš™πšŠπš—πš’, πš‘πšŠπšŸπšŽ πšŒπš˜πš–πš–πš’πšπšπšŽπš 𝚊 πš‹πš›πšŽπšŠπšŒπš‘ 𝚘𝚏 πš πš›πš’πšπšπšŽπš— πšŒπš˜πš—πšπš›πšŠπšŒπš.

𝙸 πš‘πš˜πš™πšŽ πšπš‘πšŠπš 𝚊 πš–πšžπšπšžπšŠπš•πš•πš’ πš‹πšŽπš—πšŽπšπš’πšŒπš’πšŠπš• πš›πšŽπšœπš˜πš•πšžπšπš’πš˜πš— πš˜πšžπšπšœπš’πšπšŽ πš•πš’πšπš’πšπšŠπšπš’πš˜πš— πšŒπšŠπš— πš‹πšŽ πšŠπšŒπš‘πš’πšŽπšŸπšŽπš, πš˜πšπš‘πšŽπš›πš πš’πšœπšŽ 𝙸 πš–πšžπšœπš πš’πš—πšπš˜πš›πš– πš–πš’ πšπšžπšŠπš›πšπš’πšŠπš—'𝚜 πš•πšŽπšπšŠπš• πš›πšŽπš™πš›πšŽπšœπšŽπš—πšπšŠπšπš’πš˜πš— 𝚝𝚘 πšπšŠπš”πšŽ πšπšžπš›πšπš‘πšŽπš› πšŠπšŒπšπš’πš˜πš—.

πšƒπš‘πšŽ πš‹πšŽπšπš˜πš›πšŽ πš–πšŽπš—πšπš’πš˜πš—πšŽπš πš‹πš›πšŽπšŠπšŒπš‘ πš’πš— πšŒπš˜πš—πšπš›πšŠπšŒπš πš’πšœ πš’πš— πš›πšŽπšπšŠπš›πšπšœ 𝚝𝚘 πš˜πšžπš› πš’πšŽπšŠπš›πš•πš’ πš•πšŽπšπšπšŽπš› πšŒπš˜πš›πš›πšŽπšœπš™πš˜πš—πšπšŽπš—πšŒπšŽ πšŠπš—πš πšπš‘πšŽ 𝚜𝚘 πšŒπšŠπš•πš•πšŽπš πš†πš’πšœπš‘ π™»πš’πšœπš 𝚒𝚘𝚞 πšπšŽπš–πšŠπš—πš 𝚘𝚏 πš–πšŽ 𝚝𝚘 πš πš›πš’πšπšŽ, π™Όπš›. π™²πš•πšŠπšžπšœ, πš’πš— πšœπš™πš’πšπšŽ 𝚘𝚏 πš–πš’ πš’πš—πšœπš’πšœπšπšŽπš—πšŒπšŽ πšπš‘πšŠπš πš–πš’ πš πš’πšœπš‘πšŽπšœ 𝚍𝚘 πš—πš˜πš πšŒπš‘πšŠπš—πšπšŽ πš’πšŽπšŠπš›πš•πš’ 𝚍𝚞𝚎 𝚝𝚘 πš–πšŽπš›πšŽ πšŒπš‘πš’πš•πšπš’πšœπš‘ πš πš‘πš’πš–.

𝙸 πšŠπš– πšπš›πšŽπšŠπšπš•πš’ 𝚊𝚏𝚏𝚎𝚌𝚝𝚎𝚍 πš‹πš’ πš’πš˜πšžπš› πš‹πš•πšŠπšπšŠπš—πš πšπš’πšœπš›πšŽπšπšŠπš›πš 𝚘𝚏 πš–πš’ πš›πšŽπššπšžπšŽπšœπšπšŽπš πš’πšπšŽπš– πšŠπš—πš 𝚝𝚘 πš‹πšŽ πšœπš’πš—πšŒπšŽπš›πšŽ, πššπšžπš’πšπšŽ πš˜πšπšπšŽπš—πšπšŽπš, πš‹πš’ πšπš‘πšŽ πšœπšžπš‹πšœπšπš’πšπšžπšπšŽ πš’πšπšŽπš–πšœ. 𝙸 πš‹πšŽπš•πš’πšŽπšŸπšŽ 𝙸 πš–πšŠπš’ πš‘πšŠπšŸπšŽ πš‹πšŽπšŽπš— πšπšŽπš•πš’πšŸπšŽπš›πšŽπš πšŠπš—πš˜πšπš‘πšŽπš› πšŒπš‘πš’πš•πš'𝚜 πšπš’πšπšπšœ.

πšƒπš‘πšŽ πš•πšŽπšπš˜ 𝚜𝚎𝚝𝚜, πšŠπšŒπšπš’πš˜πš— 𝚝𝚘𝚒 πšπš’πšπšžπš›πšŽ, πšŒπšŠπšœπšœπš’πš˜ πš πšŠπšπšŒπš‘ πšŠπš—πš 𝚝𝚎𝚍𝚍𝚒 πš‹πšŽπšŠπš› (𝚊 πš‘πš˜πš›πš›πš’πš‹πš•πš’ πšžπšπš•πš’ πš–πš˜πš—πš”πšŽπš’ πš πš‘πš’πšŒπš‘ 𝙸 πšœπš‘πšŠπš•πš• πš”πšŽπšŽπš™ πš‹πšŽπšŒπšŠπšžπšœπšŽ 𝙸'πš– πšœπšžπš›πšŽ πš—πš˜ πš˜πšπš‘πšŽπš› πšŒπš‘πš’πš•πš πš πš’πšœπš‘πšŽπšœ 𝚝𝚘 πš‘πšŠπšŸπšŽ πš’πš!) πš–πšŠπš’ πš‹πšŽ πš›πšŽπšπšžπš›πš—πšŽπš 𝚝𝚘 πšπš‘πšŽ πš›πš’πšπš‘πšπšπšžπš• πšŒπš‘πš’πš•πš πš’πš— πšŽπš‘πšŒπš‘πšŠπš—πšπšŽ πšπš˜πš› πš–πš’ πš πš’πšœπš‘ πš•πš’πšœπš πš’πšπšŽπš–, πš πš‘πš’πšŒπš‘ πšŒπš˜πš—πšœπš’πšœπš 𝚘𝚏:

πš˜πš—πšŽ (𝟷) πš–πšŽπšπš›πš’πšŒ πšπš˜πš— 𝚘𝚏 πš™πšžπš›πšŽ πšπš˜πš•πš.

𝙸 πšŠπš™πš™πš›πšŽπšŒπš’πšŠπšπšŽ πš’πš˜πšžπš› πš‘πšŽπš•πš™ πšŠπš—πš πšŠπšœπš” πšπš‘πšŠπš 𝚒𝚘𝚞 πš™πš•πšŽπšŠπšœπšŽ πšœπšŽπš—πš πš–πšŽ 𝚊 πš›πšŽπšœπš™πš˜πš—πšœπšŽ πš•πšŽπšπšπš’πš—πš πš–πšŽ πš”πš—πš˜πš  πš πš‘πšŽπš›πšŽ 𝚒𝚘𝚞 πšœπšπšŠπš—πš πš˜πš— πšπš‘πš’πšœ πš’πšœπšœπšžπšŽ πšŠπš—πš πš’πš 𝚒𝚘𝚞 πšŠπš›πšŽ πšŠπš‹πš•πšŽ 𝚝𝚘 πš‘πšŽπš•πš™ πš πš’πšπš‘ πš–πš’ πš›πšŽπššπšžπšŽπšœπš.

πšƒπš‘πšŠπš—πš” 𝚒𝚘𝚞 πšπš˜πš› πšπšŠπš”πš’πš—πš πšπš’πš–πšŽ 𝚝𝚘 πš›πšŽπšŠπš πš–πš’ πš•πšŽπšπšπšŽπš›.

πš‚πš’πš—πšŒπšŽπš›πšŽπš•πš’

π™°πš›πšπšŽπš–πš’πšœ π™΅πš˜πš πš• 𝙸𝙸


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3 months ago

Tag nine people you want to get to know better

thank you @ionlymadethissoicouldleaveanask for the tag ! :D

Favorite color: Purple πŸ’œ All nuances of purple, but especially one that hinges towards turquoise blue ✨

Currently reading: 'House of Many Ways' by Diana Wynne Jones and 'House of Leaves' by Mark Danielewski (it looks like a pattern but I swear it's a coincidence lol)

Last song: Black Widow by Susanne SundfΓΈr

Last movie: 'Les Amants du Pont-Neuf' by Leos Carax

Last series: re-binge watching 'Daria' for the 999 999 999th time πŸ˜… my childhood idol and role model

Sweet, Savory, Salty: team salty !

Craving: ✨mac'n'cheese Γ  la franΓ§aise✨ a.k.a a nice warm plate of coquillettes pasta with Saint-Nectaire fermier cheese πŸ§€

Tea/Coffee: Jasmine tea if I must, but I prefer hot chocolate :3

Currently working on: a 90 chapters Artemis Fowl fanfic πŸ€“ and also a short docu-fiction film about a depressed girl who cannot cry and her home becomes filled with sea water πŸ’§

Thanks again for the tags, this is fun ! I'm tagging @amaristheowlcat, @laeliana, @artifex-rambles, @orangerosebush, @kayden-i-guess, @kai-atlantis, @jelli-art-blog, @shortace, @bittersuite-iv (no pressure if you don't wanna, just funsies !)


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eldewinddolly - homicidal psycho jungle cat
homicidal psycho jungle cat

β™  π™°πš•πš’πšŒπšŽ Β· πšŽπš•πš•πšŽ/πšœπš‘πšŽ/πš‘πšŽπš› Β· 𝟸6 Β· 𝙸𝙽𝙡𝙹 Β· 𝚊𝚌𝚎 Β· πš‹πš™πš β™ Β·Β·Β· πšπš’πš•πš–πš–πšŠπš”πšŽπš› πš πš’πšπš‘ 𝚊 πšœπšπšŠπšπšπšŽπš›πš’πš—πš πš‘πš’πš™πšŽπš›πšπš’πš‘πšŠπšπš’πš˜πš— πš˜πš— π™°πš›πšπšŽπš–πš’πšœ π™΅πš˜πš πš• Β·Β·Β·Β·Β·Β· πš πš›πš’πšπšŽπšœ 𝙰𝙡 πšπšŠπš—πšπš’πšŒ πš πš‘πšŽπš— πšπšŽπš™πš›πšŽπšœπšœπšŽπš πšŠπš—πš πšœπšžπš›πšŸπš’πšŸπšŽπšœ πš•πš’πšπšŽ πšπš‘πš›πš˜πšžπšπš‘ πšŠπš›πš πšŠπš—πš πš˜πš‹πšœπšŽπšœπšœπš’πšŸπšŽπš•πš’ πš πšŠπšπšŒπš‘πš’πš—πš πšπš’πšπšžπš›πšŽ πšœπš”πšŠπšπš’πš—πš Β·Β·Β·

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