THIS IS KILLING ME

Before I knew I was bisexual I was just insanely dramatic and weird around guys I liked. I had a crush on this guy in my ward - he was older than me, he played bagpipes and had a cheerful dog and an old Volkswagen bus that he worked on all the time. He also had nice scruff and unnaturally attractive hands and a good sense of humor, so I was like FULLY smitten.

I talked about him a lot and about how he was just so dang COOL, dang it, because he was so frickin’ cool. And I really liked him. I thought he was funny and smart and interesting and cool and fascinating and a bunch of other weird feelings I barely had the attention span to think about (I think my ADHD may have prevented me from coming out for a while tbh).

One day, I’m like 14-15, his dad is called to be my Sunday School teacher. His dad is this ex-military hardass with a chip on his shoulder for absolutely no reason and unattainable standards for his children. He spent most of Sunday School talking shit about his eldest boy and how he was rebellious and didn’t listen to him and how that was going to make him a bad adult and a bad son forever. How his son was too lazy and unmotivated to be successful because he didn’t listen to his advice on how to read the scriptures. He complained about how our generation was too weak to do things right and that our generation would surely be the one that brought the world’s downfall because of our laziness and sin.

And like, first of all, that guy can already go fuck himself for that. To clarify, that’s already stupid. BUT. He was talking about the man I had uncomfortable dreams about at least once a month. I couldn’t stand it. I’d get so mad I’d go home shaking sometimes because how fucking DARE he insult his hardworking stunning son by calling him lazy? For not reading the Bible the way his dad wants? When he’s already spending his time learning bagpipes? And fixing cars? And being cool? And cute? Who the fuck even cares if he uses the footnotes in the Book of Mormon? Who gives a rotten rat’s ass if he doesn’t use the scripture study manual his dad uses? He’s so cool he doesn’t even need it? So fuck off?

And eventually I got fucking Sick Of It and decided to mutiny. And by mutiny, I mean skip class. I’d just not go. And after a bit, adults started noticing and bugging me about it. At first, this was put off by small talk and excuses, but as my absence from Sunday School became more well-known, my excuses began to be rejected.

“Oh, Lizard, why aren’t you in class?” Uhm idk because my Sunday School teacher is mean to his kid and that makes me so mad wtf do you want from me? 🫠🤔

“Where’s your class, I’ll go with you!” Oh no ty I’d rather peel my own eyes than have my taste in men critiqued tyty 🩷

“Lizard, you should go to class, I’m sure they miss you!” And I miss the innocent days where my stomach didn’t hurt when a cool boy I knew was being belittled but unfortunately for us both those days are LONG gone and all that’s left is a budding psychosexual clusterfuck that will render me almost fully incapable of functioning for the better part of a decade so Bye Bye, sister Smith 🙂‍↕️

It had gotten to the point that ward leadership was involved. I was being approached by members of the Young Men’s presidency and the Bishopric to try and make me to back to class. They were telling me God had told them to find me and instruct me on my rebelliousness. This is where I implemented my secret weapon - women. Mormons are weird as hell about a lot of things, but especially about women. And I was GREAT with women. So to combat the leadership’s attention, I started helping women.

Our ward had a lot of new moms with babies who were, as babies tend to be, fussy. But for Mormon women the church is often their only social outlet, so they try to power through as long as they can even if it means enduring the exhausting ordeal of taking care of a fussy baby at church.

For what it’s worth, I have a lot of sway with babies. I got baby street cred. Me and babies have a rapport. I have always known this. I have always loved this. And in this crucial gay time in my faggot life my baby mind powers came in clutch - Every time I saw a member of the bishopric getting close, or a young men’s leader giving me side-eye, I’d start walking slowly towards class, passing by relief society. I’d wait until a mom’s baby had gotten too fussy and needed to leave the room, and I’d swoop in like a knight. “Oh, don’t you worry sister, I’ll bounce him a bit. You go back and hang out with your friends in class. You deserve a break.”

If it was a diaper change or something they’d tell me no. But if it was just some good old-fashioned baby fusses, I mean, they’d be moved almost to tears. They just got their social time back AND a free babysitter who is renowned as the Baby Whisperer. And because I was holding a baby as a favor for someone else, I of course could not reasonably be bothered to return to class.

So just like that, I was out of everyone’s sights. This went on for about a month before the straw that broke the camel’s back, which was that without my class participation the classes were quiet and awkward. I’d often take the brunt of Sunday school lectures by answering questions impulsively and over explaining myself enough that the clock could run out without anyone needing to do or say much. My absence meant everyone else was getting hit with the full unpleasantness of this guy’s bullshit. And so slowly, one-by-one, I had a group of about 8 kids on baby-holding duty. These new moms were so overjoyed, they and their husbands were both so actively in our corner that now chastising us was untenable. Now we had bargaining power. So the Bishopric approached us, confused beyond confused and uncomfortable beyond uncomfortable, and said,

“What’s it gonna take to get you back to class?”

The POWER I possessed in that moment was addictive. By being kind to the women of the ward and ignoring the Mormon de facto Rule of Law of following rules en-masse so the rule breakers feel left out, there were now so many people breaking ranks that we had effectively enacted a church boy labor strike. And they crumbled so fast it was almost like we had swayed God himself to our cause.

“I want brother assholedad gone. He sucks at teaching.”

I didn’t even have to say it. One of my rebels said it for me. I just nodded sagely and said “Yes, his class is not edifying. It’s better to not go and hold babies.”

And just like that, with a snap of my limp-wristed, Christ-wounding, bottom-brained fingers my faggot will was enacted. God’s revelation that brother shitdad was his chosen Sunday school teacher flipped on a dime. Suddenly brother shitdad was asked to be an usher and the fun dad of another one of my crushes was called in to teach us. I still stayed to hold babies a lot, but the rest of the class returned and all was well again.

Although I didn’t recognize it then, I think that was a formative moment for me in a lot of ways. I learned that being really persistently annoying will get me what I want from authority eventually. I learned that God’s will can be swayed by going in strike. I learned that ignoring men’s made up authority forces them to level with you as a person. I learned that caring for women, especially vulnerable women, can make a whole world happier. I learned that letting women rest can help them feel more love for the things that matter in their life. I learned that social bonds make everyone stronger and happier. And I learned that loving others in a gay way can change the world.

Be gayer. Read Terry Pratchett. I love y’all 💕

My wife and I have a little game we play called "Speaking From Ignorance."

To play Speaking From Ignorance, all you need is a phone with a voice recorder, and another person who knows considerably more or considerably less about a topic than you do. The topic can be anything: from "how to bake a quiche" to "what happens in the Peter Jackson Hobbit movies" to "who is Florence Pugh" to "how does the traveling salesman problem work." All that matters is that one of you has a firm grasp on the material, and one of you absolutely the fuck does not.

Then the person who knows about the topic turns on the recorder, and says to the person who knows barely anything: "Hey - tell me everything you think you know about [X]."

The speaker is then not allowed to ask any questions. Nor is the expert allowed to volunteer any information. The expert is allowed to pipe up with a faintly incredulous "Oh--really? Do you--do you think so?" from time to time, but for the most part, the expert's job is just to sit there and make encouraging sounds while the speaker digs their own grave.

This is never not funny.

The reason you record it is because, very often, the first thing the speaker wants to do after finishing the recording is find out how you actually make a quiche, or whatever. Then you both get to go back and listen to how wrong they were.

We have a small library now of Speaking From Ignorance recordings, and I'm going to be listening to them until I'm eighty.

i need a polycule of tall skinny white guys preferably like around 10 of them so i can dress them up in nice outfits and give them cute little red ribbon chokers. (hiding a bowling ball behind my back) For no real reason

GUARDS !! coat this fool in olive oil and allow them to rise overnight. come morning we shall turn them into focaccia bread

One time my mom took me to a hibachi grill with a bunch of her friends and if you've never been to a hibachi grill basically the draw is that theres a bunch of interactive performance stuff done by the cook who cooks for you at your table, and one of the tricks they did at this one was take a squeeze bottle full of liquor and shoot it into your mouth across the table (with permission)

And now at our table my mom explained this because it was my first time going, and she wanted to make sure to warn me it was liquor because she knows I don't drink- she just said "if he offers to shoot at your mouth, say no because it's alcohol".

And so the chef does his thing and it's all very impressive, but the time does come where he pulls out this squeeze bottle of booze and asks me if I wanna try

I of course say no, because I really don't do alcohol, so he moves on to someone else

And I watch, and slowly come to understand that this is some sort of game, because once someone is drinking from the continuous flow the chef starts counting "ONE! TWO! THREE!"

I realize that we're trying to see who can keep drinking the liquor from three feet away without choking or spilling, and its a bummer cause i kinda wanna try and I CAN'T

But he goes around the table with everyone there, and I think my mom makes it to three, one friend makes it to five, I think my brother got to three as well, and he comes back to me

And I'm REALLY bummed out now but I will not drink alcohol, so I sort of sadly repeat that I can't when he pulls out a SECOND BOTTLE and grins and goes "juice?"

And Im like FUCK YEAH LET'S GO and I'm a bit worried he's gonna spray it into my eye or something but he doesn't, it hits me right at the back of the throat, and I start drinking while the whole fucking table counts "ONE! TWO! THREE!"

And like

It just sorta

Kept going?

And Im looking at the chef and he starts freaking out by the time we get to six, and at around seven I kinda start looking around and my auntie is staring back in shock, my brother is laughing his ass off and my mom has her face in her hands

And then at like nine or ten it gets like. Super tense and quiet, and only the chef is still counting

And I guess it got too much for even him cause we're at eleven and I don't believe in quitting early and it is almost painful how awkward it's getting

So he cuts me off at twelve and raises his hands in the air and everyone else cheers and claps like a dumb movie

and I just sit back in my seat to look back at my mother staring at me surrounded by everyone she knows, bright fucking red in the face and choking with honest to god tears in her eyes and she puts her face back in her palms and starts chanting "I don't want to know. I don't want to know. I don't want to know"

So I give her the biggest, proudest grin and tell her, "I won."

So now every time something suggestive happens in a movie, or in conversation, or something shocking happens around us and she goes to jokingly cover my ears, I just ask her, "Remember when I won?" And she goes face-down and groans, because I know EXACTLY how she thinks I trained to develop that particular skill and she HATES knowing that about me

The truth is though, I'm a whole ass 28 year old virgin. I've never so much as kissed anyone in my life. I had no idea I could do that trick until that exact moment

But she doesn't know that, and I'm never gonna tell her

"The trannies should be able to piss in whatever toilet they want and change their bodies however they want. Why is it my business if some chick has a dick or a guy has a pie? I'm not a trannie or a fag so I don't care, just give 'em the medicine they need."

"This is an LGBT safe space. Of COURSE I fully support individuals who identify as transgender and their right to self-determination! I just think that transitioning is a very serious choice and should be heavily regulated. And there could be a lot of harm in exposing cis children to such topics, so we should be really careful about when it is appropriate to mention trans issues or have too much trans visibility."

One of the above statements is Problematic and the other is slightly annoying. If we disagree on which is which then working together for a better future is going to get really fucking difficult.

"to smithereens" is one of the worst things to be blown to. right up there with weezer

idk why people are offended when kids are like 'im aroace.' yeah, they MIGHT grow out of it. i did! i used to identify as aroace and now i dont and like SO? i was comfy and happy identifyin as aroace. i wasnt hurting anyone. i am comfy and happy now, it didnt like HARM me. and some might NOT grow out of it, and theyll find a label that fits them very young and keep it as they grow older! and be super comfy and happy! like why do you give a shit about the possibility that something COULD be a phase. its not hurting anyone either way! its just making people comfy and happy!

mer are you... are you okay

im studying engineering

Constant Companions Closeup #11: MACHINE LOVE

(also on bandcamp and spotify!)

Welcome back to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was the title track, My Darling, My Companion, which means today is the final track on the album - a song about the truths that lay in hiding within artifice, and a computer falling in love - Machine Love!

Before we get started on this particularly long closeup - I'll be doing a follow-up post after this one, answering various miscellaneous questions I've gotten over the course of writing these! If you've got anything you wanna hear more from me about, album-related or otherwise, feel free to reply to this post or send me an ask! It may very well end up part of the bonus closeup :~)

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Let's circle back to the very first track, Dyad.

In that track's closeup, I mentioned the main sonic touchstones of this release relative to my previous ones being guitars and vocal synths. The whole guitar rock thing I think I've gone into detail enough about, what with all the inspirations I've rattled off in other posts, but there likely is still a burning question for some long-time listeners.

Why vocal synths? Why am I not singing on like half of this album? I thought you were a singer, Jamie Paige, so what is this Hatsune Miku robot Vocaloid crap?

Truth be told, the Vocaloid scene and community has always been a massive source of inspiration for me. So much of my favorite music ever, music that inspires me or touches my heart or makes me go apeshit, has been sung by synthesized vocalists in a language I don't even speak. I grew up with it, and it's grown up with me - music just as intricate, mind-boggling, twisted, fun, and ridiculously creative is being put out every single day by vocal synth producers, and nowadays it's coming from English speaking musicians in droves!

Before this year began, I'd made at least one major contribution to the culture, but in spite of my genuine adoration of everything vocal synth related, I felt like I was just looking in from the other side. Caught between worlds, existing outside of any communities, simply gesturing vaguely towards what I wanted to do.

But I wanted more! I wanted to make the same kinds of things that stirred my heart and made me want to write! I wanted to sing with those same voices! I wanted it to be true - to be like you!

---

I won't lie to you and tell you Kasane Teto has always been my favorite vocal synth. That title used to go to GUMI, and in general, I wasn't particularly attached to any UTAU voicebanks as a younger vocal synth fan. (Nowadays, I genuinely open up OpenUTAU just as much as SynthV because I've fallen deeply in love with Adachi Rei, but that's a story for my next album.) Obviously, I knew of Teto, and found her presence in things like Triple Baka delightful, but for the most part, she was mostly something of an oddity, a wayward piece of vocal synth history that had her Fans like any other.

However, there was one Teto song I've been inexplicably attached to since the moment I first heard it - Song of the Eared Robot, by nwp8861. I was introduced via this particular cover, which I love, but I quickly gravitated to the original. Something about the warbly, childish nature of her very first voicebank, the ambitiously orchestrated and unabashedly digital instrumental, the lyrics referencing fundamental frequencies and Markov chains and compiling code all just spoke to me!

That song stuck with me, laying in a part of my heart that had been collecting dust, all the way to April of 2023.

Now, yes, Teto wasn't always my favorite, and I had other vocal synths I was attached to, but I don't live under a rock, and I still understood how monumental the announcement of Kasane Teto's Synth V voicebank was - to the point that I interrupted a call full of FFXIV-playing friends who knew barely anything about vocal synths and gave them an impromptu TED talk because I was so excited.

(An excerpt of a summary of that night's events, written the morning after. i was up my own ass a little bit but in my defense Kasane Teto had just been announced for Synthesizer V)

I was watching, in real time, a dream made manifest. It's literally one of the Bits with Teto! That she'd be a Vocaloid one day too! And here she was, on the fan favorite engine, sounding genuinely fucking incredible. Especially in hindsight, it's such a beautiful and perfect twist of fate for her.

I saw myself in her. A weird little outcast, explosively reborn and thrust straight into a community's open arms with love. I wanted it to be true - To be like that, too.

It didn't fully hit until later, hearing another cover of a song I'd almost forgotten.

Machine Love, my love letter to the entire world of unbridled creativity and artistry surrounding vocal synths filtered through one sentimental little song, was fully written by the start of May, maybe 4 days after I had gotten my hands on Teto SV and long before a certain compilation album was even a glint in my eye.

If you haven't heard DAEMON/DOLL yet, you really, really, really should go listen to it - yes, I mastered this album, many of my friends and collaborators are featured, and I have two entire songs on it, but I genuinely mean it when I say I believe it's some of the best fucking music that's come out this year in general. In many respects, it also feels like a companion (hah) to Constant Companions.

I had finished writing Machine Love by this point, but it was working on this album in its entirety - discovering artists like Anh Duy, Eggtan, and beat_shobon through it, and hearing everyone in top form making this twin-drilled chimera fucker sing her heart out - that not only made me confident in my decision to go down this artistic path, but that made me fall completely in love with Kasane Teto. And honestly, how could I not? She feels like a microcosm of everything that makes vocal synths so special, this community of creatives all leaving their marks and touchstones along the trail of a great big shared folk mythos. Yeah, maybe the folk hero we're all collectively mythologizing is an anime girl, but yknow maybe Odysseus could take some branding cues from hatsune miku idfk

Basically, even if he says he wants to kill me, I owe fucking everything to rice for inviting me to work on DAEMON/DOLL.

---

On that note, my vision for Machine Love's MV was pretty clear from the beginning.

the actual factual setup for the above shot, which was done entirely in-camera with my laptop, a tv, and two video files manually synced using VLC

The fundamental idea was always there - live-action shots of animation playing back on various screens, edited together to feel somewhat seamless. However, I really struggled with what exactly was going to be on said screens for a while; Big commissions were very far out of my budget, but I knew this song needed something grandiose.

Ultimately, what I arrived at was exactly the kind of scrappy, DIY bullshit it was always meant to be.

I asked my Twitter mutuals for help. And spent a couple months in Final Cut Pro and Apple Motion hell turning all the Teto art I got into a bunch of tiny little mini MVs, some of them parodying real vocal synth MVs, some of simply just evocative of vocal synth MVs, all of them painstakingly edited by yours truly and filmed with the help of some friends over the next couple months across two states and many more cities just to be painstakingly edited and synced up again by yours truly.

THE NEXT MV I DO WILL BE SMALLER IN SCOPE

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And with that, I believe that's the album!

There's a reason it ends with Machine Love, and not with the title track. I do think that in some respects My Darling, My Companion would have made a better closer, but that song only really resolves one of the thematic strands running through the album.

There isn't really a definitive answer to the specific question "Baby, do you know what you wanna hear?", but it evokes a theme running through the entire album - wanting something, knowing that you want something, and simply needing to find the courage to do it or say it or be it. My Darling, My Companion is in many ways a declaration of intent, an acceptance of what needs to happen, but Machine Love, to me, is that action being done. The words being said!

And now, if I may give this a somewhat selfish tint - with the explosive response my works from this album have gotten, my contributions to things like DAEMON/DOLL and Flavor Foley, the collaborations I've done and that I still have in the pipeline, the friends I've made and the community I've found a spot for myself in, and the newfound voices that I can lay my heart bare with -

Well, shit, I know what I wanna hear, and I've gotten to hear it. I'm a vocaloP. It's real!

Thank you all so goddamn much for reading and listening. I'll see you back here either tomorrow or Monday for the bonus AMA post thing!! Make art and be gay, motherfuckers.

❤️💚