Ella-melon - Ella

the thing with me is that ive seen over 30 film adaptations of dracula and therefore Should be a great person to ask for recommendations when it comes to film adaptations of dracula, but the thing with me is that my standards are well below sea level and my taste in movies is insane so if you ask me which dracula you should watch the first one ill suggest is a movie made on a literal $1500 budget thats so faithful to the book its borderline unwatchable and the second one ill suggest is the insane pakistani version which has absolutely dick to do with the book and features multiple musical numbers, a car chase, and an inexplicable scientist origin story. if neither of these suffice then i have to bust out my graph upon which ive documented everything from coppolas travesty to the porno

Please don't ask me for relationship advice unless you are prepared to receive some truly upsetting information because some people are ready for the "He's exhibiting the literal textbook signs of a psychological abuser and you need to get away from him before he successfully cuts you off from your support network" talk and some people aren't

i wanna talk about this shot

Constant Companions Closeup #11: MACHINE LOVE

(also on bandcamp and spotify!)

Welcome back to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was the title track, My Darling, My Companion, which means today is the final track on the album - a song about the truths that lay in hiding within artifice, and a computer falling in love - Machine Love!

Before we get started on this particularly long closeup - I'll be doing a follow-up post after this one, answering various miscellaneous questions I've gotten over the course of writing these! If you've got anything you wanna hear more from me about, album-related or otherwise, feel free to reply to this post or send me an ask! It may very well end up part of the bonus closeup :~)

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Let's circle back to the very first track, Dyad.

In that track's closeup, I mentioned the main sonic touchstones of this release relative to my previous ones being guitars and vocal synths. The whole guitar rock thing I think I've gone into detail enough about, what with all the inspirations I've rattled off in other posts, but there likely is still a burning question for some long-time listeners.

Why vocal synths? Why am I not singing on like half of this album? I thought you were a singer, Jamie Paige, so what is this Hatsune Miku robot Vocaloid crap?

Truth be told, the Vocaloid scene and community has always been a massive source of inspiration for me. So much of my favorite music ever, music that inspires me or touches my heart or makes me go apeshit, has been sung by synthesized vocalists in a language I don't even speak. I grew up with it, and it's grown up with me - music just as intricate, mind-boggling, twisted, fun, and ridiculously creative is being put out every single day by vocal synth producers, and nowadays it's coming from English speaking musicians in droves!

Before this year began, I'd made at least one major contribution to the culture, but in spite of my genuine adoration of everything vocal synth related, I felt like I was just looking in from the other side. Caught between worlds, existing outside of any communities, simply gesturing vaguely towards what I wanted to do.

But I wanted more! I wanted to make the same kinds of things that stirred my heart and made me want to write! I wanted to sing with those same voices! I wanted it to be true - to be like you!

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I won't lie to you and tell you Kasane Teto has always been my favorite vocal synth. That title used to go to GUMI, and in general, I wasn't particularly attached to any UTAU voicebanks as a younger vocal synth fan. (Nowadays, I genuinely open up OpenUTAU just as much as SynthV because I've fallen deeply in love with Adachi Rei, but that's a story for my next album.) Obviously, I knew of Teto, and found her presence in things like Triple Baka delightful, but for the most part, she was mostly something of an oddity, a wayward piece of vocal synth history that had her Fans like any other.

However, there was one Teto song I've been inexplicably attached to since the moment I first heard it - Song of the Eared Robot, by nwp8861. I was introduced via this particular cover, which I love, but I quickly gravitated to the original. Something about the warbly, childish nature of her very first voicebank, the ambitiously orchestrated and unabashedly digital instrumental, the lyrics referencing fundamental frequencies and Markov chains and compiling code all just spoke to me!

That song stuck with me, laying in a part of my heart that had been collecting dust, all the way to April of 2023.

Now, yes, Teto wasn't always my favorite, and I had other vocal synths I was attached to, but I don't live under a rock, and I still understood how monumental the announcement of Kasane Teto's Synth V voicebank was - to the point that I interrupted a call full of FFXIV-playing friends who knew barely anything about vocal synths and gave them an impromptu TED talk because I was so excited.

(An excerpt of a summary of that night's events, written the morning after. i was up my own ass a little bit but in my defense Kasane Teto had just been announced for Synthesizer V)

I was watching, in real time, a dream made manifest. It's literally one of the Bits with Teto! That she'd be a Vocaloid one day too! And here she was, on the fan favorite engine, sounding genuinely fucking incredible. Especially in hindsight, it's such a beautiful and perfect twist of fate for her.

I saw myself in her. A weird little outcast, explosively reborn and thrust straight into a community's open arms with love. I wanted it to be true - To be like that, too.

It didn't fully hit until later, hearing another cover of a song I'd almost forgotten.

Machine Love, my love letter to the entire world of unbridled creativity and artistry surrounding vocal synths filtered through one sentimental little song, was fully written by the start of May, maybe 4 days after I had gotten my hands on Teto SV and long before a certain compilation album was even a glint in my eye.

If you haven't heard DAEMON/DOLL yet, you really, really, really should go listen to it - yes, I mastered this album, many of my friends and collaborators are featured, and I have two entire songs on it, but I genuinely mean it when I say I believe it's some of the best fucking music that's come out this year in general. In many respects, it also feels like a companion (hah) to Constant Companions.

I had finished writing Machine Love by this point, but it was working on this album in its entirety - discovering artists like Anh Duy, Eggtan, and beat_shobon through it, and hearing everyone in top form making this twin-drilled chimera fucker sing her heart out - that not only made me confident in my decision to go down this artistic path, but that made me fall completely in love with Kasane Teto. And honestly, how could I not? She feels like a microcosm of everything that makes vocal synths so special, this community of creatives all leaving their marks and touchstones along the trail of a great big shared folk mythos. Yeah, maybe the folk hero we're all collectively mythologizing is an anime girl, but yknow maybe Odysseus could take some branding cues from hatsune miku idfk

Basically, even if he says he wants to kill me, I owe fucking everything to rice for inviting me to work on DAEMON/DOLL.

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On that note, my vision for Machine Love's MV was pretty clear from the beginning.

the actual factual setup for the above shot, which was done entirely in-camera with my laptop, a tv, and two video files manually synced using VLC

The fundamental idea was always there - live-action shots of animation playing back on various screens, edited together to feel somewhat seamless. However, I really struggled with what exactly was going to be on said screens for a while; Big commissions were very far out of my budget, but I knew this song needed something grandiose.

Ultimately, what I arrived at was exactly the kind of scrappy, DIY bullshit it was always meant to be.

I asked my Twitter mutuals for help. And spent a couple months in Final Cut Pro and Apple Motion hell turning all the Teto art I got into a bunch of tiny little mini MVs, some of them parodying real vocal synth MVs, some of simply just evocative of vocal synth MVs, all of them painstakingly edited by yours truly and filmed with the help of some friends over the next couple months across two states and many more cities just to be painstakingly edited and synced up again by yours truly.

THE NEXT MV I DO WILL BE SMALLER IN SCOPE

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And with that, I believe that's the album!

There's a reason it ends with Machine Love, and not with the title track. I do think that in some respects My Darling, My Companion would have made a better closer, but that song only really resolves one of the thematic strands running through the album.

There isn't really a definitive answer to the specific question "Baby, do you know what you wanna hear?", but it evokes a theme running through the entire album - wanting something, knowing that you want something, and simply needing to find the courage to do it or say it or be it. My Darling, My Companion is in many ways a declaration of intent, an acceptance of what needs to happen, but Machine Love, to me, is that action being done. The words being said!

And now, if I may give this a somewhat selfish tint - with the explosive response my works from this album have gotten, my contributions to things like DAEMON/DOLL and Flavor Foley, the collaborations I've done and that I still have in the pipeline, the friends I've made and the community I've found a spot for myself in, and the newfound voices that I can lay my heart bare with -

Well, shit, I know what I wanna hear, and I've gotten to hear it. I'm a vocaloP. It's real!

Thank you all so goddamn much for reading and listening. I'll see you back here either tomorrow or Monday for the bonus AMA post thing!! Make art and be gay, motherfuckers.

❤️💚

if you see a woman driving poorly it’s sexist to assume that it’s because she’s a woman. maybe she’s still learning. maybe she’s doing it on purpose because she’s an asshole. maybe she feels entitled to the road. maybe she’s going to die soon and she had vehicular manslaughter on her bucket list. maybe she has a car crash fetish

Oh ok so it turns out ive been borrowing grief from the future ! it turns out ive been preparing to lose the things i love rather than basking in the light of them while they last. Maybe i should nt do that

You can tell a lot about the health of a civilization by their warning signs. Places with a lot of dumb folks will have very broad, very dumb warnings in public. "No feeding the birds." "Stop swimming in this drainage pond." That kind of thing.

Advanced civilizations have very precise signs. They've covered the bases of their regular, run-of-the-mill idiots, and now they're working hard to cover that other end of the bell curve: the talented idiot. When I was in Germany last time, there was a big warning sign that consisted of a 76-letter-long word that means "stop bothering this particular goose, Sven." I don't know who Sven was, but the goose looked pretty calm. It worked.

Now, I have a secret to tell you. You can just make your own signs. There's no law against it, except perhaps "littering," and the municipal sign factory doesn't have very good security. If you show up there past close and put in the door code that you shoulder-surfed off one of the employees returning from lunch a week prior, you have all night to fuck around with their sign-printing machine, making the most official-looking placards you can think of.

Is this wrong? I don't think so. It's a public space, and being able to put up an aluminum sign that says wacky crank shit is your right. For instance, just last week, I banned pickup trucks from parking by the playground. The cops figured out something was going on, because they didn't get any calls for toddlers getting backed over for a couple of days and sent a patrol truck to investigate. Took my sign right down.

What I discovered after that is that nobody keeps records of what signs are supposed to be there. Why would anyone put up a sign for no reason? They cost money, after all. The city is now suing the shit out of that officer for stealing the "no trucks" sign, thanks to an anonymous tipster who called in the theft. Guy wearing a reflective vest came by and put like four more of them up after the lawsuit made the news, just out of spite. I'm not entirely sure if he's actually a city worker; we ran into each other at 3am at the sign factory and just grunted. He was working on some really crazy signs about not feeding a particular swan. Probably German.

FOR THOSE OF YOU WHO DO NOT KNOW

THIS IS A TRUMPET

THIS IS A TROMBONE

THIS IS A TUBA

AND THIS IS A FRENCH HORN

THANK YOU FOR YOUR TIME

i finally gave a lore comic to my loser gf x girlboss gf OCs!! insta || bluesky || patreon || shop

Before I knew I was bisexual I was just insanely dramatic and weird around guys I liked. I had a crush on this guy in my ward - he was older than me, he played bagpipes and had a cheerful dog and an old Volkswagen bus that he worked on all the time. He also had nice scruff and unnaturally attractive hands and a good sense of humor, so I was like FULLY smitten.

I talked about him a lot and about how he was just so dang COOL, dang it, because he was so frickin’ cool. And I really liked him. I thought he was funny and smart and interesting and cool and fascinating and a bunch of other weird feelings I barely had the attention span to think about (I think my ADHD may have prevented me from coming out for a while tbh).

One day, I’m like 14-15, his dad is called to be my Sunday School teacher. His dad is this ex-military hardass with a chip on his shoulder for absolutely no reason and unattainable standards for his children. He spent most of Sunday School talking shit about his eldest boy and how he was rebellious and didn’t listen to him and how that was going to make him a bad adult and a bad son forever. How his son was too lazy and unmotivated to be successful because he didn’t listen to his advice on how to read the scriptures. He complained about how our generation was too weak to do things right and that our generation would surely be the one that brought the world’s downfall because of our laziness and sin.

And like, first of all, that guy can already go fuck himself for that. To clarify, that’s already stupid. BUT. He was talking about the man I had uncomfortable dreams about at least once a month. I couldn’t stand it. I’d get so mad I’d go home shaking sometimes because how fucking DARE he insult his hardworking stunning son by calling him lazy? For not reading the Bible the way his dad wants? When he’s already spending his time learning bagpipes? And fixing cars? And being cool? And cute? Who the fuck even cares if he uses the footnotes in the Book of Mormon? Who gives a rotten rat’s ass if he doesn’t use the scripture study manual his dad uses? He’s so cool he doesn’t even need it? So fuck off?

And eventually I got fucking Sick Of It and decided to mutiny. And by mutiny, I mean skip class. I’d just not go. And after a bit, adults started noticing and bugging me about it. At first, this was put off by small talk and excuses, but as my absence from Sunday School became more well-known, my excuses began to be rejected.

“Oh, Lizard, why aren’t you in class?” Uhm idk because my Sunday School teacher is mean to his kid and that makes me so mad wtf do you want from me? 🫠🤔

“Where’s your class, I’ll go with you!” Oh no ty I’d rather peel my own eyes than have my taste in men critiqued tyty 🩷

“Lizard, you should go to class, I’m sure they miss you!” And I miss the innocent days where my stomach didn’t hurt when a cool boy I knew was being belittled but unfortunately for us both those days are LONG gone and all that’s left is a budding psychosexual clusterfuck that will render me almost fully incapable of functioning for the better part of a decade so Bye Bye, sister Smith 🙂‍↕️

It had gotten to the point that ward leadership was involved. I was being approached by members of the Young Men’s presidency and the Bishopric to try and make me to back to class. They were telling me God had told them to find me and instruct me on my rebelliousness. This is where I implemented my secret weapon - women. Mormons are weird as hell about a lot of things, but especially about women. And I was GREAT with women. So to combat the leadership’s attention, I started helping women.

Our ward had a lot of new moms with babies who were, as babies tend to be, fussy. But for Mormon women the church is often their only social outlet, so they try to power through as long as they can even if it means enduring the exhausting ordeal of taking care of a fussy baby at church.

For what it’s worth, I have a lot of sway with babies. I got baby street cred. Me and babies have a rapport. I have always known this. I have always loved this. And in this crucial gay time in my faggot life my baby mind powers came in clutch - Every time I saw a member of the bishopric getting close, or a young men’s leader giving me side-eye, I’d start walking slowly towards class, passing by relief society. I’d wait until a mom’s baby had gotten too fussy and needed to leave the room, and I’d swoop in like a knight. “Oh, don’t you worry sister, I’ll bounce him a bit. You go back and hang out with your friends in class. You deserve a break.”

If it was a diaper change or something they’d tell me no. But if it was just some good old-fashioned baby fusses, I mean, they’d be moved almost to tears. They just got their social time back AND a free babysitter who is renowned as the Baby Whisperer. And because I was holding a baby as a favor for someone else, I of course could not reasonably be bothered to return to class.

So just like that, I was out of everyone’s sights. This went on for about a month before the straw that broke the camel’s back, which was that without my class participation the classes were quiet and awkward. I’d often take the brunt of Sunday school lectures by answering questions impulsively and over explaining myself enough that the clock could run out without anyone needing to do or say much. My absence meant everyone else was getting hit with the full unpleasantness of this guy’s bullshit. And so slowly, one-by-one, I had a group of about 8 kids on baby-holding duty. These new moms were so overjoyed, they and their husbands were both so actively in our corner that now chastising us was untenable. Now we had bargaining power. So the Bishopric approached us, confused beyond confused and uncomfortable beyond uncomfortable, and said,

“What’s it gonna take to get you back to class?”

The POWER I possessed in that moment was addictive. By being kind to the women of the ward and ignoring the Mormon de facto Rule of Law of following rules en-masse so the rule breakers feel left out, there were now so many people breaking ranks that we had effectively enacted a church boy labor strike. And they crumbled so fast it was almost like we had swayed God himself to our cause.

“I want brother assholedad gone. He sucks at teaching.”

I didn’t even have to say it. One of my rebels said it for me. I just nodded sagely and said “Yes, his class is not edifying. It’s better to not go and hold babies.”

And just like that, with a snap of my limp-wristed, Christ-wounding, bottom-brained fingers my faggot will was enacted. God’s revelation that brother shitdad was his chosen Sunday school teacher flipped on a dime. Suddenly brother shitdad was asked to be an usher and the fun dad of another one of my crushes was called in to teach us. I still stayed to hold babies a lot, but the rest of the class returned and all was well again.

Although I didn’t recognize it then, I think that was a formative moment for me in a lot of ways. I learned that being really persistently annoying will get me what I want from authority eventually. I learned that God’s will can be swayed by going in strike. I learned that ignoring men’s made up authority forces them to level with you as a person. I learned that caring for women, especially vulnerable women, can make a whole world happier. I learned that letting women rest can help them feel more love for the things that matter in their life. I learned that social bonds make everyone stronger and happier. And I learned that loving others in a gay way can change the world.

Be gayer. Read Terry Pratchett. I love y’all 💕