🌟 Gelphie Big Bang 2025 FAQ 🌟

In-lore, how do you account for the creators' other series, such as Hermitcraft and 100 Hours? Do those happen in between death games, and at any point they could be ripped out of their normal lives and forced to murder their friends for eldritch beings' entertainment? Are they plain not canon to the eyesandears lore?

I saw a clip of Scar freaking out about a skulk sensor and reminding himself this is Hermitcraft, everyone here's nice, it's not gonna blow up and couldn't stop wondering.

If memory serves correctly, we decided on the Last Life post season stream that other SMPs are dreams the players are having between seasons of the death games

It's not a detail we've totally locked in yet, so it's still a bit loosey goosey until we decide some hard cannon

Currently I like to think of it as dream states between the games. Yes, some of the players share the same dream space like Empires / Hermitcraft but that's just an allowance made by the Watchers through their soul linking powers.

There's literal soul linking demonstrated in Double Life with the health system but their power is vast and comes with variations. I wouldn't say it's any kind of 'plane walking' ability (which I've seen a lot of people theorizing on based on Gem's lore and how she might've entered the Life series), currently I feel like it's more mental manipulation / alteration as opposed to travelling.

So for now it's a little vague until we decide something concrete or the narrative would benefit from a clearer definition being made. But I always like to be honest about these details so people know not everything is committed to ink just yet

To the animals, the wolves, the lions, the foxes and cats and birds: Your eyes shine so brightly. Your fur is luscious, your feathers luxurious, your teeth furious and beautiful. Your claws are sharper than you think. One day, you will get them back. One day, you will be helpless, human, no more.

To the fairies, the angels, the aliens, the demons, the mermaids and sirens, the divine: Even here you are powerful. Even here you are divine and beautiful. Your wings are gorgeous, your horns and haloes majestic, your tails ethereal. Home will welcome you, welcome us all, with open arms one day.

To my fellow dolls, the marionettes, the puppets, the toys and ball-jointed: We may be delicate, but our subtle power defines us. We bend and move and dance in ways no human ever could. One day, our everlasting regality will return to us.

To the voids, the glitches, the abstract, the eldritch, the robots, the objectheads: Do with this brief moment of flesh what you will. You know who you really are inside, and that’s all that matters. Your soul still bleeds the color of the stars.

To the monsters, the zombies, the cryptids, the vampires, the werewolves and ghosts: The world will always fear that which it does not understand. We understand each other, and through this we have made our own world. We create our reality, and that’s what’s important.

To the therians, the otherkin, the fictionkin, voidpunks, and all other nonhumans: We are strong. We know who and what we are. We know what this flesh conceals. One day, the world will see us for who we are and accept us as her children all the same. For now, we persevere.

let x=x.

(id under cut due to size)

[ID: A digital comic of Martin Blackwood and Jonathan Sims, done in warm greens and browns against a simple white background. Lyrics are threaded throughout the piece, as the only text.

The comic starts with a panel of them lying in grass, unconscious. Lyrics: “I met this guy.” Martin wakes with a start, and it zooms out to show the two splayed out next to each other, blood soaking the grass beneath Jon, a bloody knife laying some feet away from them. They are tangled in a few long swathes of cassette tape. Martin wakes Jon, whose eyes are now cloudy, blind. Jon reaches for Martin’s face as they both begin to cry. Their foreheads press together, as Martin sobs in anguished joy, Jon in shock. Lyrics: “and he looked like he might’ve been a hat check clerk, at an ice rink.” The two next panels are of Martin’s hand brushing over the place in Jon’s sweater that’s bloodstained, and a wider shot of them kissing. Lyrics: “which, in fact, he turned out to be.” The knife is then shown, as Martin helps Jon get up, as they brace themselves against each other, as they begin to walk. Lyrics: “and I said, “oh boy. right again.” End ID]

Inspired by @years-of-minecraft's fanart of @cherrifire! Lots of love to you both! (Click for better resolution)

People with personality disorders are not evil or subhuman. In most cases they are people who faced so much ongoing trauma and neglect during their upbringing that it damaged their development to the point of permanent disability. These are traumatized people who deserve compassion, support and resources, not further dehumanization. They are victims and survivors, not perpetrators

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Reblog to give a nonbinary person a warm cup of soup.

I love how inherently selfish both Glinda AND Elphaba are as protagonists. But where one gets praised and admired for it, the other gets demonised and hated.

People always attack Glinda’s decision not to runaway with Elphaba, but no one acknowledges how overtly selfish it is to ask that of someone.

although what Elphaba is asking of her is noble on paper, in practice it’s an incredibly selfish position to put Glinda in. By asking Glinda to stand with her in solidarity she is also asking Glinda to be ostracised and hated all throughout Oz when she knows full well how much being liked means’s to Glinda.

This traps Glinda is a lose-lose situation. If she agrees she loses everything, her family, friends, and future. If she refuses she is being complicit in injustice.

but on the other hand It’s a more selfish decision to refuse Elphaba request. To perpetuate corrupt beliefs you don’t believe; in order to be accepted and validated by people in power.

Although one of the options seems more ethically right, it is at the same time individually devastating. The conscious choice to willing ruin your life for things you believe in is a choice that only the strongest people can make. And we shouldn’t shame people when they choose themselves over ideals, because self preservation isn’t a thing to be ashamed of.

They’re BOTH in the wrong, for entirely different reasons. It was an impossible situation with no right answer. And thats why the scene works, neither is right or wrong. I’m sick of people acting like Glinda made the “ wrong choice ” as if they would go ruin their lives for their ideals.

The tweet: https://twitter.com/Lionhearted_ben/status/1629919975203848192?t=HfF1j3BVqZMgZEIHgVnz3w&s=19

And in case Twitter is being a fool, here's the PDF itself: https://drive.google.com/file/d/1PiO5JAc2_erXL9rEPU-Gj4DXQ3N0dTbe/view

Shout-out to a friend for showing me this!!

You know, as horrible as that Velma show is, seeing everyone online band together and unanimously denounce it is very heartwarming to witness. The internet is a pretty divisive and argumentative place, so watching people across every platform unify against Velma is a refreshing experience to say the least.

As a lifelong Scooby Doo fan, knowing that everyone is in agreement that the Velma show is mean-spirited, unnatural, and wrong definitely feels good.