Ladies and gentlemen, some of the 100000 reasons why I will love the Lord of the Rings movies and the cast till the end of times.
Xipe Totec
Erikas Perl
Am I the only person who thought this was really fucking funny
me: *gets touched by random wave of sadness*
me: so, this is what poets of Romanticism felt
problematic power duo and the chantry boy
ME THINKING ABOUT SEEING FENRIS AND DORIAN IN UPDATED DA4 GRAPHICS
Many people have said similar before, but in DA:4 I better see:
-Dorian “perfect butt” Pavus taking the magisterium apart while looking goddAMN fabulous in Tevinter fashion
-Everyone’s favorite broody elf ripping out magister hearts and keeping them in a jar next to his love letters from Hawke
-The Inquisitor flipping off every wolf they see
- Cremiscius Aclassi, AKA Krem Puff, Kremsicle, Krem de la créme, lord of my heart finally being romanceable and being HAPPY FOREVER LIKE HE DESERVES
thank you and goodnight
me, starting a new Dragon Age 2 game: I’m definitely gonna romance someone else this time, absolutely
me, one hour later: Fenris, Fenris, Fenris I love you
two takes of best captain
Hawke, at the Winter Palace: who the fUCK—
Josephine: Champion, please!
Hawke: oh shit, sorry. Um… *looks at varric* …whomst?
Varric: 👌
Hawke: whomst the fUCK—
Hawke, at the Winter Palace: who the fUCK—
Josephine: Champion, please!
Hawke: oh shit, sorry. Um… *looks at varric* …whomst?
Varric: 👌
Hawke: whomst the fUCK—
getting overly defensive of your favourite historical / literary / classical figure
suddenly remembering how much knowledge there is to acquire and getting stressed about the overwhelming amount of stuff you don’t know
roman numerals: you either love them or you hate them
when your teacher is obsessed with one bit of the course and teaches you that for weeks then breezes over the rest
anachronisms
you’ve listened to so many in our times that melvyn bragg is basically your internal monologue
waking up in the morning with a desire to know everything about one specific thing that’s totally unrelated to everything you’re studying
‘ooo i know this word!’ she did not know that word
muddling up the actual history, the fictionalised versions of the actual history, and the fanfictionalised versions of the fictionalised versions of the actual history
‘what can this cartoon / movie / song / art tell us about x’
history students are over prepared for politics and classics students are over prepared for english lit
reading aloud in terrible accents in english lit
j s t o r
As if Black people cant have physical disabilities. As if women can’t be afflicted by their mental health. As if LGBTQPIA+ people can be religiously diverse.
Diversity isn’t just skin colour, sexuality gender.
Diversity is opinion, mental health, personality, physical health, abilities, experiences, age, religious beliefs, social status.
A room with 50% black people, 40% women and 30% lgbt is barely diversity.
and I almost said your name.
(insp)
and I almost said your name.
(insp)
I realize now that Aveline couldn’t be in Inquisition because the breach would have clenched itself in fear if she was
okay but workalcoholic parents carrying their kid everywhere.
I had never heard Uptown Funk before seeing you reblog a gifset of it, but now not only can I not stop listening to it, but every time I hear "I'm too hot Make a dragon wanna retire man" I think of Hawke and it makes me giggle
“Hightown funk you up, Hightown funk you up”
From Wikipedia:
Nuestra Señora de la Santa Muerte (Spanish for Our Lady of Holy Death), often shortened to Santa Muerte, is a female deity or folk saint in Mexican and Mexican-American folk Catholicism. A personification of death, she is associated with healing, protection, and safe delivery to the afterlife by her devotees. Despite condemnation by the Catholic Church, her cult has become increasingly prominent since the 2000s.
The worship of Santa Muerte is condemned by the Catholic Church in Mexico as invalid, but it is increasingly firmly entrenched in Mexican culture.
Santa Muerte is also seen as a protector of homosexual, bisexual, and transgender communities in Mexico, since many are considered to be outcast from society. Many LGBT people ask her for protection from violence, hatred, disease, and to help them in their search for love.
Her intercession is commonly invoked in same-sex marriage ceremonies performed in Mexico. The Iglesia Católica Tradicional México-Estados Unidos, also known as the Church of Santa Muerte, recognizes gay marriage and performs religious wedding ceremonies for homosexual couples.
Man how did I not know about this magical gay skeleton queen until today?
“Writing begins with forgiveness. Let go of the shame about how long it’s been since you last wrote, the clenching fear that you’re not a good enough writer, the doubts over whether or not you can get it done”
— Daniel José Older
ok ok… have a fix it comic… choose what you wanna believe in…
first part
- I’m sorry. Let’s go to auntie Aveline for the night.
This is the reason I cry every night
a sequel
Thoughts on Fenhawke please!
I haven’t been called the Queen of FenHawke for nothing, strap the hell in for this small essay.
Hawke’s hero journey is one of loss. It begins with their father already gone, and their home burning soon after. Lothering and Ferelden out of reach, and they also have to bury one of their siblings along the way. They arrive at Kirkwall and instead of having an estate, a home ready for them - they have an uncle distinctly unhappy to see them, and they have to scrape together coin from nothing. They buy their way into the expedition hoping to turn things around, but instead they lose another sibling either to the Wardens, Circle/Templars or via the Taint. Their mother follows soon after. They fight the Arishok, can be grievously wounded, and their reward is to have more responsibility put on them. They can do nothing to ease tensions between the Mages and Templars, and one of their friends uses them to his own end - and that end is the destruction of the Chantry, a good chunk of Kirkwall, and the beginning of the Mage/Templar war.
If Hawke is not around, then there’s still going to be another investor into the expedition. If Hawke earns the Arishok’s respect, it could be said that their presence even delays the Invasion - Isabela had already stolen the Tome of Koslun before meeting Hawke and it’s unlikely she’d have given it back. Meredith already had a stranglehold grip on the Mages and Templars alike, and Orsino had been working with Quentin and researching blood magic. How helpless Hawke must feel to realize this. That despite all their actions, all their efforts, effectively nothing touched the overall outcome. They had placed themselves in a position of responsibility, had that responsibility validated, and despite anything they do, they can’t stop the final act from happening and Kirkwall burning not once, but twice in a few short years.
Fenris’s journey, on the other hand, is one of gain. He begins having spent years on the run, without a moment of peace and safety. All he has is his time spent as a slave, and everything that comes with it. He’s pushed past the mentality of such a thing to escape, and has spent his time alone ever since. The only time he stops running is when he hires Hawke in Kirkwall. He tells Hawke he will give them everything he has in reward for helping him, but the only reward from the quest is what you find in the mansion itself. He has nothing. He stays in the mansion because he has nowhere else to go.
Over the years spent in Kirkwall, he establishes himself with a respect no slave was allowed. Both Sebastian and Aveline mention how others look up to him, but in what he’s accomplished and his skill in battle. He gains friends, people he trusts enough to let into his home for Diamondback games, and for the first time in a very long time, he’s no longer alone. Fenris is a person who longs for love, and for acceptance. In almost every dialogue with other companions, you can tell how hard he’s trying. He craves family, and all that comes with it. By the third act, he has people he can rely on. When Varania is at the Hanged Man, he very politely and quietly asks Hawke to come with him because “it would mean a lot” to him. He’s learned to let people in, and not hide behind the persona of one rushing into a mansion yelling at the top of his lungs to prove that he’s not afraid.
Together, both Hawke and Fenris pull each other up and support each other. From the first moment of Hawke agreeing to go with him to the mansion, and Fenris putting aside all other things to very gratefully thank them. Even though he offered his aid to Hawke, I doubt he expected Hawke to actually take it - let alone Hawke to continually show up, talk to him, listen to him. After the scene in Act Two, when he leaves, Hawke waits for three years without asking for anything in return. We know from the discussion in Act Three that he feels incredibly guilty and ashamed of leaving but when Hawke’s mother is killed, he still shows up to be by Hawke’s side. No matter how hard it might have been to face Hawke in a place where he had walked away before. He also walked away because he knew he wasn’t ready and he knew that it wouldn’t be fair to Hawke to have them deal with that. He doesn’t spend those three years apart idle. He spends those three years growing, trying to be better - for himself, and for Hawke.
“I am yours.” It has so much meaning, coming from Fenris. He’s telling Hawke that he loves them, but also that he trusts them. He’s telling them that he’ll be at their side, no matter what, because he is theirs but also because he knows that Hawke will not abuse what Fenris is giving them - a willing length of chain. He’s given himself permission to love, to stop running, to find a home in another person. At the end of the game, when Hawke has truly lost almost everything, Fenris is at their side and will not leave it. Fenris and Hawke both gain not just friends, but a found family, and a lover who will support and care for them until the end.
when you write a sentence in your lit paper that is so pretentious that you’re not even sure what it means, but leave it in anyways
Taako:
Magnus:
Merle:
Lucretia:
Barry:
Davenport:
Lup:
Kravitz:
Angus:
Killian:
Carey:
NO-3113:
Johann:
Avi:
Garfield:
Roswell:
BONUS
John:
Merle, at Taako and Kravitz’s wedding: and do you, Taako Taaco, take-
Krav: wait your last name is TAACO? I thought the book had just fucked up??
Merle: … take McAllister Kravitz-
Taako: Who The fUck is MCALLISTER
Elizabeth Bennet: This is my ex-fiancé, Fitzwilliam Darcy.
Mr. Darcy: You’ve got to stop introducing me like that.
Mr. Darcy: I’m her husband.