Patpran's Notes To Each Other (cr. @ohmnanoned)

This is ✨ PEAK ✨ romance and no one can tell me otherwise.

“You are… someone with the smiles I want to keep to myself only. Can I do that? Can I?”

Snow White and the Prince

Modern Snow White wearing shoes

Cinderella and Prince Charming

Modern Cinderella lost his glasses

Romeo and Juliet

Iconic modern Juliet's line

Gene and Nubsib recreating famous endings

I TOLD SUNSET ABOUT YOU (2020)

Color Rush (2021). Directed by So Joon-moon.

not so quick pitch 

Light on Me (2021 - Korea) 

Rating: 10/10

Foundational Romance Trope: friends to love triangle

There were some who thought this BL slow, and I get that, but really it’s just subtle and quiet. With Light on Me, Korea gave us an honest to goodness high school set BL with some classic old school yaoi tropes almost like they were doing a bit of a, 

“now that we’ve hit our stride, let’s perfect the vanilla sheet cake BL style.” 

It was great, of course, but very refined and elegant which some found off putting. It made me think of something like this… 

It’s what Korea does, repackage and perfect vanilla cake into this pretty glowing confection of precision joy. I’m cool with that. By all means, please include BL in the Hallyu take over. This is the K-pop of BL En-Hyphen style, manufactured super-powered cute but… restrained. 

But that doesn’t make it any less gut wrenching to watch. In fact, it makes every subtle tentative movement of care that ShinWoo attempts that much more telling. It makes every fear of exposure that prevents DaOn from taking action that much more traumatic. It makes every moment of TaeKyung’s brutal honestly and blunt communication that much more powerful. 

It’s like that intense moment of focus on the hand flex in an Austen adaptation - we are awaiting every crack in the sugar sculpture with bated breath. 

The filming in this show was precision engineered. The frame was kept uncluttered, characters appeared exactly in the center, there was little visual noise, and the lighting was full on, even in night shots. To me this reflected the character of TaeKyung - honest and almost stilted in his mannerisms. I feel like the director filmed this series as if the show itself were TaeKyung: careful and clear and specific. 

This may come off as one-note or simplistic to a casual viewer but it’s actually quite difficult to film something so precisely and still make it interesting to watch. It forced the viewer to focus almost entirely on the actor’s faces, their nuanced emotion, and their interpersonal relationships to the exclusion of all else. Lucky for us those actors served the lens beautifully. 

There is literally NOTHING distracting about this directing style. It’s like the camera was a neutral white room, a well-lit gallery in which the narrative hung suspended for us all to stand and stare at in hushed silence.

A love triangle has never before looked so perfect or been executed so perfectly, and it never will again. All BL love triangles that come after Light On Me (and we will get them now) are going to be unfavorably compared to this show. 

When I posted about Korea’s history with BL, I talked about how strategic and clever they are with tropes. Light on Me is a master class in how to use tropes to manipulate audience sympathy so they can’t decide which pair they prefer. Korean BL never just throws in a trope without purpose - they calculate its impact on story structure. Basically, LoM used this technique to infect fans with Second Lead Syndrome. It’s SO GOOD.  

So yes, Light on Me was cleverly engineered, but it was also SPECIAL, and here’s why:

This show gave us a small cast of beautifully acted complex and sympathetic characters and dwelled on their different motivations, communication styles, and narrative roles. It gently explored not what it means to love, or even be in love, but what it means to act on love, and what that says about integrity and emotional courage. In doing so, it managed to treat its characters with integrity too. And not just the three main characters but the mentor, the faen fatal, and the best friend support characters too. 

This show felt very fair. Fair to its characters. Fair to its story. And fair to us, the watchers. 

For me this BL was classy, a real winner, not the least of which because they NAILED the landing, including the final kiss. Korea is DOMINATING 2021. Like seriously. What’s going on here?  

Full analysis of the love triangle trope under the context of the second half fo this BL here. 

Bravo, Korea.

(source)

me: i'm fine

me, actually: constantly thinking about jaechan having to stand on tippie toes to kiss seoham in semantic error (2022) episode 8

COLOR RUSH EP 1 AND 2- OBSERVATIONS AND COMMENTS

Wow Wow Wow. The thrill and pleasure, I have just received from watching Color Rush episode 1 and 2, whilst learning about this new trope with the color verse world that I’ve never heard of before. It is intriguing to see a soulmate au done this way, it’s cute, you’re meant to be excited and soft when they meet, it’s meant to be happiness and love and longing. But what we get with the Korean Bl Color Rush is far from that, there’s angst, drama, fear and exhilaration from the idea that our couple might be a danger to each other instead of actually saving each other.

With hints to themes of losing control like madness and obsession and the psychological toll being a mono ( having neurological colour blindness and has dampened emotions). First of all, there are clues of books laid around like the one a side character was reading Macbeth. That’s a worrying hint to what this show is exploring. It’s going to show the frightening aspect of a mono’s dependence on their probe to see colour, the addicting, obsessive, hunger once they have a colour rush.

It’s dangerous especially with how Yeon Woo explains it, people have killed for this feeling, people have chosen to break the law, and people have died to prevent themselves from doing something awful to their probes. It’s beautiful to see Yeon Woo meet his person, but it’s scary to think that it’s going to cause him to spiral and lose himself even more. Something he’s trying so hard to avoid.  This connection whilst fated is not a glamorous one, it’s shockingly filled with angst and disturbances, but it’s brilliant, and it’s keeping me on my toes.

In episode 2, we see another hint to this dangerous connection forming the praying mantis;  how a female survives by eating the head of her male lover after they get together. It’s obviously another resemblance to our soulmate connection’s theme and reality. What do we do when we’re falling for a couple that may very well need to be separated for both to stay mentally sane and rational? We see the effects on Yeon Woo again, like hit after hit of a drug he’s started to demand and lose his temper because of his fear of losing the feeling when he sees colours because of Han.

It’s just brilliant, Korea has done it again they’ve chosen an ambitious plot, and they’ve taken BLs to a new level. The issue? This should be like every other Kdrama and have one-hour episodes and it breaks my heart that it’s 15 minutes and only 8 episodes. But for now, the 15 minutes don’t feel like a disadvantage. Still, I can’t help but moan about the fact that this could be one of the best deep, angsty, emotional bl dramas if given more time to shine and work on its plot. Then again, sometimes having long runtimes can make a show laggier and include extra scenes that aren’t needed. We’ll see how that turns out with this drama. With Korean Bls though, it’s been the latter; we want more minutes, we want more episodes, we want more of this because it’s terrific to see honestly.

It’s not just the unique soulmate AU, Color Rush seems to have. It has a plot hinting to the mystery about missing people, including our main character’s mum who’s been missing for quite a while. Also, she’s not the only one; many Monos are going missing. This is intriguing, who’s targeting these monos a probe bent on revenge? Another mono who’s gone crazy and wants everyone to be unhappy because they didn’t find their probe? What could it possibly be? Or did they all just run away because they knew they were being taken down into a darker hole because of their need to depend on their probe no matter how hard they try to prevent it? Are they being experimented on by some weird company?

I’m so interested and ready to see where this show takes us. I rarely write so much for the first episode of a drama, but this BL is already screaming meta, depth, love and angst that can be broken down and looked into. I’m so excited, and I cannot wait to go on this journey and watch this story get stronger and stronger. Thank you Korea for always choosing ambitious exciting and unique plots, this is why we need more Bls in Korea, we need this, we need to see this more, we need to know these storylines more, and we don’t want it to stop. Just get better and better each year. Color Rush is a fantastic beginning to 2021. And I can’t wait to see where it takes us.

Love Triangles & Tropes

I have to talk about love triangles for a moment and it is all Light on Me’s fault. 

Most BLs don’t employ true love triangles. Instead they throw in a faen fatal as a plot device who is obviously not a real threat to the main couple for various reasons: 

They’re an underdeveloped character with little back story. 

They’re the wrong gender. 

They enter late in the narrative and/or have very little screen time. 

They engage in no significant romance tropes with the lead. 

With a faen fatal we all know that our two boys will end up together. 

A love triangle is different. 

In a love triangle the audience actually believes the second lead has a good chance of winning over the main character. The second lead is given back story, is the correct gender to be competition, and has significant screen time. And, of course, tropes are used to make the burgeoning romance believable. 

Guess who is great on love triangles and even better at giving audiences bad cases of Second Lead Syndrome?

Why yes, that would be Korea.

When I posted about Korea’s history with BL, I talked about how strategic and clever they are with tropes. I think this is one of the reasons they are so good at believable love triangles. 

But so far they haven’t given us a love triangle in BL… until NOW. 

Light on Me is the Perfect Love Triangle

For the purposes of argument (and because of various elements like the lingering gaze, romance narrative conceits, focus of the camera lens etc) I am going to go with the following:

TaeKyung = our POV or main character (uke*)

ShinWoo = Lead (seme) 

DaOn = Second Lead (seme)

* In addition to specializing in soft low heat BL, Korea likes a slow burn romance and a weak seme/uke dynamic. So we are going back to the original definition of uke: basically the character the others are pursuing and want to take care of. 

Light on Me is using heavy hitting BL tropes to weight TaeKyung’s options fairly. Almost every time the director doles out one significant trope to SinWoo they will then give the same trope to DaOn or vise versa. It’s so smart and fun to watch I started keeping score. 

Crash Into Me AKA Proximity Alert 

(Camera then shows ShinWoo watching this, when it’s a trope he already got to have with TaeKyung.) 

Messy Eater

(Camera then shows DaOn watching this, when it’s a trope he already got to have with TaeKyung.) 

Meet Me In The Library 

Head Touch

(Honestly I am Team ShinWoo solely based on this neck grab.) 

Wound Tending

Light on Me is a master class in how to use tropes to manipulate audience sympathy so they can’t decide which pairing they prefer. Basically, this is how you infect fans with Second Lead Syndrome. It’s SO GOOD. 

Also, did you notice how they spaced this flip-flopping out at first, but then it got closer together? Crash into me with seme 1 then not with seme 2 until a few episodes later. But as the series progresses and the tension increases, the same trope for one seme comes closer in time to the same trope for the other seme, until finally at the end of episode 8, both semes want to wound tend TaeKyung in the same scene! Which mean’s this show is also pacing its tropes to amp up love triangle tension. 

This is clever enough to be mind boggling. I can’t even. 

On the other hand, they will dole out specific tropes to each seme (that the other one doesn’t get to have). So ShinWoo got to tie the shoelaces. But DaOn loaned the umbrella. SinWoo gets to grab and physically demonstrate interest. DaOn gets to flirt and verbally indicate interest. 

Partly this is because TaeKyung is on an enemies-to-lovers arc with SinWoo, but on a friends-to-lovers arc with DaOn (see True Beauty). But also it’s because the two semes are very different personalities. 

Similarly the narrative parcels out TaeKyung’s responses accordingly. 

So TaeKyung collar grab’s SinWoo. This is a trope that is always uke to seme in an agro relationship, because when an uke acts aggressively you know something is going down. It’s commonly used to give uke agency for the first kiss (see We Best Love). TaeKyung also rescues ShinWoo from bullies and gets hurt in the process, another aggressive move with relation to this particular seme and more common in enemies to lovers (see PeteKao in the Kiss series). 

Since DaOn is on a friends to lovers track, TaeKyung is a lot softer with him. 

In fact TaeKyung keeps trying to take care of DaOn, and even performs some seme acts of service (even though he’s the uke character), which is Korea being unbelievably clever with their love triangle. I mean how can we not root for them as a couple? 

Look, I’ve seen the seatbelt trope a million times but only PeteKao have ever flipped it so far as I can recall, and that’s just because Pete keeps getting beaten tf up. This is the kind of proprietary behavior (see also buckling on a safety helmet) only performed by seme on uke. 

Also TaeKyung took care of DaOn when he was sick, remotely, but still he used the umbrella to tell DaOn who was doing it. This is playing with the idea of mutual responsibility and partnership which is very unusual in BL, and makes me like them as a couple all the more because they act on an equal footing. Mutual care is adorable. (See Oxygen for more of this kind of exchange.) 

The interesting thing about DaOn as a second lead is that we know more about his back story than we do our mains. We know he is a neglected child, a people pleaser, and the ultimate caregiver. We watch him fall in love with TaeKyung because TaeKyung is the first person to give DaOn care back. Of course he wants to hold onto that. Also it makes DaOn very very VERY sympathetic to watchers. 

It got bad enough in episode 8 that I begin to wonder, despite all the many narrative clues, if DaOn actually might win TaeKyung in the end. 

See what I mean? 

Second Lead Syndrome! 

I know this has been a praise post, but flipping heck do I hate a love triangle. Because ARGH I want them both! 

Bravo, Korea.