If We’re Mutuals, And I Don’t Care Whether We’ve Been Mutuals For Twelve (12) Minutes Or Three

Help!

So this is not writing-related, but I’d love it if some of you could help me out! I am considering studying in Dundee, but I have no idea what the place is like. Has any of you ever been to Dundee? Care to tell me something about it? I’d love you forever for reblogging this message and helping me gather some information!

What kind of author are you; the “I write a lot of conversation” kind of author or the “I can’t help to put too much description”. 

The wonderful @andtheotherwriter tagged me to explain my WIP in memes. Thanks! So, here goes:

I think I’m gonna send this as a summary to a publisher one day.

I’ll tag @anightravensecho, @dreamsofbooksandmonsters, @whatdoyoumeantheresonly3episodes, @whatevertotesyourgoat and whoever else thinks this is fun! (Please don’t do it if you don’t feel like it).

My blog is open for requests

25 Writing Questions

Tagged by the amazing @ally-thorne. Thanks!

1. Is there a story you’re holding off on writing for some reason? Apart from a few vague ideas, I'm holding off two major ones at the moment. I don't want to let them interfere with my current WIP.

2. What work of yours, if any, are you embarrassed about existing? Not many, actually. I've written a lot of bad stuff, (I'm still writing a lot of bad stuff), but that's how a writers grows. What I ám embarrased about is that I've allowed some people back then to read those pieces. Grown up people. Who knew full well how awful it was.

3. What order do you write in? Front of book to back? Chronological? Favorite scenes first? Something else? I mostly write from start to finish – not a chronological line per se, but the order in which I want my readers to read it. Sometimes I jot down little things for future scenes, but I don't fully write them till I reach the right point in the story.

4. Favorite character you’ve written? This is damn near impossible, but I think at least one of my favorites is Frank, a character from the only novel-lenght story I ever finished, called The Seasonschildren. He is gentle and stubborn in his beliefs and he tries so hard to fight in all the little ways for his great cause. He wants to keep all his loved ones safe, but he also feels so much pressure to keep all other people safe. I think he's one of the most human characters I've written, a balans of bad and good that turned out real well.

5. Character you were most surprised to end up writing? The Clockworker surprised me. He’s another characters from The Seasonschildren. The work is set partly during World War II, something I didn't expect to write in general, since I don't generally like war stories. He's not sympathetic and quite a bad father (though he tries, in his own way), and he doesn't grow in that aspect. He became a fascination to me.   

6. Something you would go back and change in your writing that it’s too late / complicated to change now If I am convinced it should be changed, I change it, no matter how much work it is (or I lose interest in the story altogether). Right now, I am considering wether or not I should get rid of one of the characters in my current WIP.

7. When asked, are you embarrassed or enthusiastic to tell people that you write? I used to be embarrased (really embaressed, I actually hid the fact that I wrote completely till I was fourteen), but now I'm enthusiastic! Especially in college, where I am surrounded by people who love art and creativity, and who genuinly want to hear about it.

8. Favorite genre to write Fantasy and childrens literature will always have a special place in my heart.

9. What, if anything, do you do for inspiration? I mostly try to find places with a good view to sit, and I listen a lot of music that makes me feel things. Sometimes I rewatch scenes from movies or series.

10. Write in silence or with background music? Alone or with others? Silence and background music are both fine, it depends on my mood and what I am writing. I always write alone, thought I sometimes do so surrounded by others (during lectures, for example).

11. What aspect of your writing do you think has most improved since you started writing? The first story I wrote was this: 'Kees wanted a chicken. He did not get a chicken. He did get a cat. He plays with the cat.' My plotting stayed somewhat the same, but I'd say I'm more creative with words now.

12. Your weaknesses as an author? I'm not that good at plot, and I can never finish a single thing.

13. Your strengths as an author? I like playing with words, which I think strengtens my descriptions. And I can create likable characters (I hope).

14. Do you make playlists for your work? No.

15. Why did you start writing? Well, the first time I ever wrote a story I was four, so I don't know. But when it moved from something all kids do to something that felt special to me, I think it was the need to escape and the need to explore. I was eleven, I disliked my life and I wanted to go on adventures.  

16. Are there any characters who haunt you? I've got some characters that have been with me for years, even though I still haven't written their stories. And their are characters types I somehow always end up writing, like two young kids, a shy boy and an adventurious girl. They come around in my work in different forms fairly often.

17. If you could give your fledgling author self any advice, what would it be? I am still a fledgling author, but I would advise myself not to be ashamed so much, and just enjoy having a passion. Let go of that perfection.

18. Were there any works you read that affected you so much that it influenced your writing style? What were they? I have this thing were I can copy a style pretty easily, but only just after reading it. It doesn't stick. I think my style is a combination of hundreds of books.

19. When it comes to more complicated narratives, how do you keep track of outlines, characters, development, timeline, etc.? Endless lists, fifteen documents, drawing with colours and arrows.

20. Do you write in long sit-down sessions or in little spurts? Either, depending how much time I've got.

21. What do you think when you read over your older work? Most of it makes me cringe. I used to be horribly pretentious. But cringing means you've gotten better, right?

22. Are there subjects that make you uncomfortable to write? Among the things I actually want to write about, I mostly struggle with representing minorties that I do not belong do. I think it's hugely important to be diverse, but I' scared as hell of doing it wrong. So I tend to ask around a lot.

23. Any obscure life experiences that you feel have helped your writing? Maybe my dad? He loves fantasy and he's got a lot of swords, and he knows material arts. So I learned some usefull fighting techniques at young age and I could get easy information/access to swords.  

24. Have you ever become an expert on something you previously knew nothing about, in order to better a scene or a story? I always do a lot of research, so now I know, among other things, how to built a clock, the etiquettes of duelling and ervything about being epileptic in 1800.

25. Copy / paste a few sentences or a short paragraph that you’re particularly proud of.

Most of my scenes I only like in context of the full story, or because they sound nice (but I write in Dutch, so these are hard to translate). I guess I like this bit: 'Look, growing up with four brothers and sisters, you learn at a very young age that your toys are never yours. Sooner or later they are going to be broken by someone who shouldn't have had his hands on them in the first place. Same goes for your plans, mate. Someone will always fuck it up, no matter how many times you lock the door. You just gotta glue the arms were the legs are supposed to be and laugh about it.' I'll tag @sancta-silje, @gracebabcockwrites, @create-and-procrastinate, @dreamsofbooksandmonsters and @anightravensecho. Only if you guys want to!

Eleven traumatized magicians long to leave society, unknowingly start a squad war and end up trying to save said society.

Describe your WIP in one sentence

Short Lesbian and overly dramatic man-child peacocking over innocent bisexual red head

The body will hold on Frank Turner, The Fisher King Blues // Don DeLilo, White Noise // Maurice Pirenne, Evening // The Crane Wives, How to Rest // Richard Siken // StarParkDesigns // Birdtalker, Heavy // Dan Clandenin, The Voice of God

Exploring rural forests

- Bring a flashlight. Bring an extra battery. Bring another battery. Bring your headphones. Do not bring a camera.

- Set out after rain. It cleans the air.

- If a tree falls in your peripheral, it's a warning. Be careful, you only get one.

- If a tree falls right in front of you, something is out to kill you, and something wants to protect you.

- Those hooves you hear? Don't go looking, it's not a deer.

- You might get the urge to take your shoes off. Allow yourself to give in, if you are feeling reckless. However, no matter how familiar the ground seems, don't let it touch your ankles. Make sure you remember your name. Not all trees are born from seeds.

- The man with the dog does have eyes. He just shares them.

- If you come across a field with cows, check the height of the grass. Does it grow above your knees? Make haste. Do not dwell on the question what the cows have eaten instead.

- You might hear your own steps echoed in the bushes. Looking will not help you. There is nothing there to see.

- It's not thunder, it's moaning. You are lucky their pain is keeping them occupied.

- If you visit the abandoned house, don't close the door behind you.

- You can rest on a fallen trunk, but do not eat. You can lay your bag on a picknick bench, but remain standing.

- The carved signs are not meant for you.

- Horses do not step in puddles for they fear they will break a leg. Horses do not step in puddles for they fear they will be dragged under.

- The shadow is not that big, it's just closer than you think.

- The rolling fields look wonderful. Don't stay for the sunset.

I have some animal companions for you! They are all animals my band of traveling artists, The Elements, encountered on the road and adopted, either because they were left behind by someone or because they have disadvantages that would have made surviving out in the wild hard for them.  The first one is Milton, named after the poet that wrote Paradise Lost. He’s something called an ‘epitaf’, which is a small rodent-like creature, but with a pointed beak instead of a snout. An epitaf has the ability to ‘read’ wishes, so if a hungry predator comes near them, they can feel their hunger and hide. They are extremely quick climbers and usually live in and around trees. However, Milton is albino, so he stands out quite a bit. Now he inhabits Tungsten’s top hat. 

Then there is Guiseppe, a simple sheepdog that was the victim of a levitation spell gone wrong. When the Elements found him, he was up in the air and almost strangled by the cord that bound him to a tree. He usually wears a weighted harness to keep him on the ground, but during performances The Elements sometimes gives him a basket to collect money and let him float at knee height. 

The third animal is a wren called Valentine. A wren is basically a very small dragon. They live up in Northern Scotland and are about the size of a cat. They are not usually domestic animals, but Silver has tamed this one and it enjoys sleeping in his lap. The scales and wings of a wren change colour according to the temperature/seasons. However, Valentine’s scales are extremely sensitive. If he lays next to a fire, he gets brighter green, while running an ice cube over his paws will leave white trails. 

Last but not least, there is Ginny (her actual name is Sigal). She is a so-called cliffdiver. Cliffdivers resemble horses, but instead of manes they have scales that run along their neck and over their foreheads, forming patterns around their eyes. Their bellies are also scaled. They are extremely fast and can speed up and slow down in a matter of seconds, the scales on their stomachs protecting them against pebbles and other matter flying up around their hooves. They live mostly in Norweay, where they tend to galop to the end of fjords and stop suddenly (making them look like they will jump off and earning them the name of cliffdiver). Because of their speed, cliffdivers are often used as warhorses. So was Ginny, who was left behind when she was wounded, turning her right eye blind.  

If you guys have any cool animal companions/creatures/monsters/cool plants in your wips, you should come tell me about them. I want to know. Reblog. Comment. Message me. Send an ask. Idc I just want to KNOW

ethan