You, You Get Me

you, you get me

yes there's a lot of things to criticize about Star Wars but one thing i will always love it for is being so unabashedly tragic

i'm sure it's been said before, but one of the main things i think powers the SW fandom (fics in particular) is the (in)evitability of it all

time travel fix-its are one of the most popular sub-categories of fics that i've seen (for the prequels at least) but i see it much more rarely in other fandoms. i know each fandom has their own niches that they dig into but star wars fic writers took one look at this decades long story of people who were doomed from the start and said 'not in my house bitch'

and i'm never tired of it, because there's so many places where just one different action could have changed the story entirely, but didn't

was it over the moment Palpatine succeeded in feeding Anakin's fears and his distrust toward the Jedi? the moment the Sith gained control of the senate? what about when the war started, when the Jedi were made generals of men designed to be their executioners? what about when Dooku left the order? when Qui-Gon Jinn died, leaving barely-knighted Obi Wan Kenobi to raise a child he had no idea how to care for? when the Jedi massacred the Mandalorians at Galidraan, leaving Jango Fett primed (hah) for revenge? when Palpatine, and thus the Sith, first gained influence? when the Jedi were tied to the Republic, all the way back at the Ruusan Reformation?

there are so many little moments that turn into this huge web of cause and effect when you take a step back. and in canon, these characters are dooming themselves while we watch, but what reason do they have to do anything different? they don't know they're in a tragedy - its dramatic irony at its goddamn finest

but there's this thing about decisions: for it to be a choice, there has to be another option. and our heroes make their mistakes because that's what they do, while we aren't privy to that other option, leaving that little what-if. it's a favorite human pastime, to think about what might have been.

we start at episode 4, though, fourty or so years after what you could arguably call the start, and find ourselves watching the dominoes fall in place throughout 1, 2, and 3.

and we can hate the choices, hate the tragedy, hate what happened to our beloved characters, but we knew. we had the luxury of knowing.

it's a love story, it's political intrique, it's sci-fi at its finest, and they were dead from the start.

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That post that's like "stop writing characters who talk like they're trying to get a good grade in therapy" really blew the door wide open for me about how common it's become for a character's emotional intelligence to not be taken into consideration when writing conflict. I remember the first time I went to therapy I had such a hard time even identifying what I was feeling, let alone had the language to explain it to someone else. Of course there are plenty of people who've never been to therapy a day in their life who are in tune to their emotions. But even they would have some trouble expressing themselves sometimes. You have to take into account there are plenty of people who are uncomfortable expressing themselves and people who think they're not allowed to feel certain ways. It also makes for more interesting conflict to have characters with different levels of understanding.

4 months ago
Spreading My Viktor Wolfcut Agenda

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This Post Genuinely Altered The Trajectory Of My Life And How I Make A Lot Of My Decisions And I Think

This post genuinely altered the trajectory of my life and how i make a lot of my decisions and i think about it so much

9 months ago

Thinking about missed opportunities in the "Star Wars" prequel trilogy again: it's weird with hindsight that Count Dooku doesn't appear in "The Phantom Menace".

Dooku was a Jedi, so it's perfectly reasonable for him to be at either the Jedi Temple or the Republic Senate when we visit Coruscant in TPM. It would have been easy to move a few things around and include him even as a member of the Jedi Council when initially constructing the films, if you were planning ahead when writing.

As Qui-Gon's former master, Dooku is in the perfect position to ask questions onscreen about Qui-Gon's conviction that he's found the Chosen One and Qui-Gon's decision to put Obi-Wan up for knighthood, both publicly with the Council and privately from a more personal standpoint. Dooku could be used as a tool of interrogation to better lay clear for the audience some of Qui-Gon, Obi-Wan, and Anakin's characters, their motivations and fears and their potential flaws. An intimate conversation with his master's master could definitely be used to give Obi-Wan some much-needed character focus and inferiority before his climatic fight with Darth Maul.

As the future leader of the Separatists, this is also the ideal point in time to have Dooku act as a voice of criticism, someone who laments both the greed of the Trade Federation and the inaction of the Republic. Dooku could have easily been the representative of the Jedi in the Senate, watching everything, offering grandfatherly sympathy to Padmé Amidala, remarking on the effectiveness of unrestrained power, perhaps even making a warning observation of the dangers of that as Palpatine becomes the new Chancellor. We don't have to see Palpatine and Dooku interact directly, the film could even suggest that Dooku finds this ambitious politician slightly distasteful, but it sets up an explanation for how these two might know each other.

And if we have reason to know and like Master Dooku, then it would actually hurt more when he becomes Count Dooku and betrays both the Jedi Order and the Republic. Even briefly, we could have seen him show frustrated affection and concern for Qui-Gon, give warm advice and praise to Obi-Wan, stand up firmly against the unfairness of the Jedi Council saying Anakin is too old at nine years old. We could have seen Dooku support Padmé in her struggles to make the corrupt Republic take action. We could have seen him as dignified and wise, perhaps one of the only members of the Jedi Council to immediately take the return of the Sith 100% seriously after Maul appears on Tatooine. We could have been made to feel like this experienced, slightly embittered, but righteous older man was the only one "speaking the truth" here.

It really wouldn't have taken all that much shuffling and reassignment plotwise to add him in as a supporting character.

We would feel intrigued at the beginning of "Attack of Clones" when we learn that Count Dooku has left the Jedi Order after Qui-Gon's death. We could see Anakin and Obi-Wan briefly exchange lines about how they miss Master Dooku as well as Qui-Gon (there is already an exchange in the films where they state they miss Qui-Gon), and how they haven't seen or heard from him in some time now. Anakin could suggest that Dooku is hunting down the Sith Master; Obi-Wan could counter with how Master Dooku has simply returned to his life on Serenno, which he couldn't have as a Jedi Master, which Anakin casually calls unfair and he suggests that Dooku can do far greater good as a powerful count (a parallel to Anakin's marriage to Padmé and own Fall). Dooku being established earlier in the trilogy would better highlight how he and Obi-Wan went completely separate directions after Qui-Gon's death.

And again, the reveal that Dooku has Fallen would hurt so much more, if we had actually seen him be affectionate and righteous and wise. If we had any point of comparison for how Dooku's embittered desire for peace and justice has been warped into the pursuit of control and tyranny. It would hurt to see that formerly good man sentence Padmé to death as "just politics, my dear".

"This will start a war!" Padmé tells the man who helped her help her people once.

"I know," Dooku replies, with ominous satisfaction.

It would hurt to see Obi-Wan beg Dooku to stop this (a prelude to him begging Anakin in the next movie: "Anakin, please, I cannot lose you too!"), only for Dooku to attack and nearly kill him when Obi-Wan refuses to join him. It would hurt to see this grandfatherly figure cut off Anakin's hand, someone he knew and was kind to as a child. Seeing where Dooku fell from would also make everything about his fight with Yoda hurt more as well. We wouldn't have seen Dooku's struggles directly, offscreen in the time skip between TPM and AOTC, but this Fall would help prepare us for witnessing Anakin's Fall onscreen in "Revenge of the Sith", illustrate for us how power and grief corrupts, how the desire to take complete control and "start over" corrupts.

And all of this would also make Dooku's death in ROTS hurt more: to see Anakin execute an unarmed, injured man who had once been kind to him, who had once had good intentions a long, long time ago. We could have even had Dooku perhaps try to warn Anakin about Sidious, as the fear cuts through him as he realizes Sidious has betrayed him, only for Anakin to kill Dooku out of anger (Dooku is responsible for so much death, Palpatine reminds Anakin) just before the ruined man can finish speaking. Dooku's former goodness underlines Anakin's arrogance in thinking that his own fate will be any different.

The novelizations of the prequel films and other extended universe materials build up an image of Dooku's life as a Jedi and his Fall for us. We can assume and imagine a lot. We can retroactively apply knowledge gleaned from "The Clone Wars" with Dooku as a major villain. But ultimately, Dooku as a more sympathetic and emotionally relevant character is just not in the films.

When "Attack of the Clones" reveals to us: "Oh, no! Dooku has betrayed the Jedi Order and the Republic!" I think that most of the audience is like: "Gonna be real with you, chief, I have no idea who that is."

He's only been mentioned before once maybe? In Palpatine's office? Master Mundi assures Palpatine that Dooku is a good man (or something like that), but we have seen no evidence of this ourselves. This line mostly just becomes really funny on a rewatch, rather than poignant, because the prequel films audience only ever gets to see Count Dooku as a Sith Lord and rather underdeveloped villain. We don't ever get to see him be a "good guy" first. We're told but not shown.

The audience has no solid reason to care that Dooku specifically has betrayed the Order, as opposed to any random Jedi, because we haven't seen him before at all, much less interacting with any of our protagonists or establishing himself as an opinionated player within the story. Which is a shame! Because he has strong opinions that stand in interesting ideological conflict with so many other characters, generating fun and dramatic exchanges! He has direct connections to and parallels with other characters! He's potentially a really useful storytelling tool within these films, and his character just doesn't get used to that full tragic potential.

In conclusion...? I wish I'd actually been sad when Dooku betrayed everyone and died at Anakin's hand, instead of mostly just confused and then vaguely pitying. I want to see some of the love between characters beforehand, so that it hurts more effectively when that love turns to hate.

9 months ago

yeah this is basically what my mind looks like at all times

it's nice to know my constants will always be there when I come back, with a ton of new fics to destroy me :')

i feel like being in a fandom long-term has a very specific repetitive cycle that kind of looks like this

I Feel Like Being In A Fandom Long-term Has A Very Specific Repetitive Cycle That Kind Of Looks Like

Tags
4 months ago

繕い  (;゚Д゚) ナントォ Mending a sweater

(Reddit:r/oddlysatisfying u/thegupeeman)

tfw when the tragedy is tragic :(

The first five panels of a digital comic of Luke Skywalker and Leia Organa from the Star Wars Franchise. In the first panel, Luke is holding a holo-pad saying "Leia, come look at this," with a small intrigued Leia in the background. The next panel shows Leia now standing behind Luke asking "What is it?". There is also a small image of what's on the holo-pad, a group photo of Ahsoka, Rex, Anakin, Padme, and Obi-wan. Luke explains, "Ahsoka sent it", and Leia utters "Oh, wow...". The third panel shows a close up of their faces, Leia continues "They're so young". In the next panel Luke clarifies as he sets down the pad, "It's from the clone wars. The end... I think,". In the last panel of the first page Luke begins to ask, "How close before... do you think...", and Leia cuts him off "Don't. Please,". Luke is colored in a light teal and Leia is colored in a pastel purple pink.
The second page of the comic. In the first panel Leia looks away, saying "I don't want to think about that right now,". In the next, Luke looks up to her, setting his hand on the one she rests on his shoulder. There is another small panel of them squeezing each other's hands. The fourth panel shows Luke getting up from where he was sitting, saying "C'mon, Han and Chewie just got back right?". The final panel shows them hugging as they walk away. Leia explains, "I know what you're doing, just know I'm letting you," and Luke replies "Okay, Leia,". The holo-pad lays left on the desk.
A digital illustration of the picture on the holo-pad in the previous comic. Padme and Rex stand in front with gentle smiles, Padme in her purple "liberty dies" dress and Rex donning his usual armor. Anakin and Obi-wan lean in behind them, as Ahsoka smiling in her siege of Mandalore outfit makes bunny ears behind Rex. It is in full color with a hologram texture. At the bottom is text in both English and Aurebesh that reads "May the Fourth be with you".

May the fourth be with you!!! 💫✨

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faint-taste-of-almonds - faint taste of almonds
faint taste of almonds

babygirl you WILL be subjected to my hyperfixationsCall me Violet | she/her | 20 | ace lesbian, peer-reviewed demiromanticViolet_Storm_Cloud on ao3Feel free to dm, I love to discuss!

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