HA

@fandomawesomeness SHAWL SHAWL SHAWL

finished the blue one, and tucking the ends will come somewhere in the future, possibly, i mean definitely, for sure for sure

i blossomed into a flower with the green one and i love the vibes 🍃 🌼 (i think my assistant approves)

Chaos Magic is the hardest to learn but the easiest to master. All it requires is the abject belief that your ritual will have an effect, despite all evidence to the contrary, and then it will.

when ur both striped!!

Gimli: Courting tip! Hold the door for your date. Rip the door off its hinges. Then use the door as a weapon to fight off other suitors. Establish your dominance -

Aragorn: I’m beginning to see why you’re still single.

Legolas: No, let him finish.

Today is always

Today I will not be relatable. Today I will be unhinged.

Alphonse Mucha’s “Primrose and Feather” homage

This print is available in my shop!

how to ask the demon you've been smitten over for 6000 years to dance: an angel's guide

bonus:

Peter Jackson on casting Frodo

“Frodo was a very, very important character in the movies. But he’s also a very difficult character to play and to cast. […] We were convinced that Frodo is gonna be an English actor, ’cause we wanted the Hobbits to basically be English as Tolkien really wrote them. So, we went to London and we started auditioning.

We couldn’t think of any actor to play Frodo. We had nobody in mind. We thought it would be unknown English actor, a young kid. We were in London auditioning for about a month and we’ve probably seen three hundred Frodos. There were two or three that were okay, but nothing magical, you know. ’Cause Frodo had to be magical. Every time the casting room door opened and some nervous young actor would come in, we were saying, ‘is this gonna be Frodo?’ And you sort of know within ten seconds that it wasn’t really Frodo. It was a worry, but we were plugging on.

And then our casting director said to us one day, ‘A package’s just come in the mail. It’s from Elijah Wood’. It was a video tape, a VHS tape. I had heard Elijah’s name, but I’ve never seen a film he’d done. I actually had no face for Elijah, I didn’t know how he looked like.

So, we put the video tape in. Elijah was in LA and heard that we were in London and we’re not gonna come to LA. He really wanted to get this role. So, he hired a dialect coach to teach him accent, he’d gone to the local costume-hire, got some cheesy kind of Hobbit costume on. He’d gone into the trees somewhere behind his house with a friend, and he just videotaped his own audition. He didn’t have our script, so he was reading from the book, he was doing Frodo parts from the book.

I just put this video tape in, and literally, not having known who Elijah Wood was really, I just thought, ‘he’s wonderful, he’s absolutely great’. And so, Elijah cast himself”.

(x)

Do you have any tips on how to write a character who’s being manipulated?

Your blog has been very helpful to me! :) thanks a lot

Quick Tips for Writing Manipulative Characters

To convincingly write a character who is being manipulated, you must first understand how to write a believable manipulator. Often hidden in plain sight, manipulators pull the strings, guiding the actions of those who are often unaware that they're dancing to someone else's tune.

Let’s look at manipulators as puppet masters, exploring how they function and how their actions echo throughout your story. By understanding the manipulator, you'll better equip yourself to create realistic characters who are unwittingly under their sway.

How do they behave?

Play the victim to garner sympathy

Charming and persuasive

Twist and distort the truth to suit their agenda

Play mind games

Are silver-tongued

Passive-aggressive when confronted

Use guilt to control others

Don’t hesitate to lie or deceive

Demonstrate a sense of entitlement.

Project their feelings onto others

How do they interact?

Play different roles with different people

Prefer indirect communication to direct confrontation

Gaslight others, making them doubt their own perceptions

Shift the blame onto others

Exploit others' vulnerabilities

Use people’s secrets against them

Make others feel obligated or in debt to them

Use flattery to get their way

Create conflict between other characters

Deliberately create confusion and chaos

Describe their body language

Maintain intense eye contact

Use touch to seem friendly and intimate

Facial expressions often don't match their words

Use large, expressive gestures to dramatise

Have a confident and exaggerated posture

Soften expression to look more trustworthy

Smile artificially or excessively

Lean in close, invading personal space

Mirror others’ behaviours to seem more likeable

Mimic emotions they may not feel

Describe their attitudes

Believe they are always right

Feel entitled and superior

Lack empathy

Highly competitive

Often impatient and intolerant

Controlling and like to be in charge

Rarely apologize sincerely

Often play the martyr, acting self-sacrificing

Can be sceptical of others’ intentions

Kindness is often an act

Positive narrative effects

Paradoxically, manipulative characters can have a positive narrative effect on those they manipulate. These characters can act as a catalyst for change, pushing others to unlock hidden potential and indirectly teaching them to be more cautious. In the face of manipulation, characters can mature and grow resilience.

Manipulative characters can also reveal people’s true natures by tricking them into revelations or by fostering unity as others band together against them. Furthermore, their actions can create dramatic plot twists, make people question their own perceptions and realities, and add intrigue.

Negative narrative effects

Manipulators can cause emotional and psychological distress, breed distrust and insecurity, and disrupt relationships and friendships. These characters often lead others to make damaging decisions, creating a toxic environment.

By exploiting and exposing others' vulnerabilities, manipulators make individuals question their self-worth. The extent of their manipulation can even cause physical harm and lead to the downfall of other characters. Their lasting legacy? Emotional scars that define their victims long after the manipulator has exited the narrative.