List Of Bullshit I Pulled In High School

Person : So, what’s the biggest challenge you’ve ever faced?

Me : Reading fluff in public with a straight face.

Fantasy Guide to Interiors

As a followup to the very popular post on architecture, I decided to add onto it by exploring the interior of each movement and the different design techniques and tastes of each era. This post at be helpful for historical fiction, fantasy or just a long read when you're bored.

Interior Design Terms

Reeding and fluting: Fluting is a technique that consists a continuous pattern of concave grooves in a flat surface across a surface. Reeding is it's opposite.

Embossing: stamping, carving or moulding a symbol to make it stand out on a surface.

Paneling: Panels of carved wood or fabric a fixed to a wall in a continuous pattern.

Gilding: the use of gold to highlight features.

Glazed Tile: Ceramic or porcelain tiles coated with liquid coloured glass or enamel.

Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.

Bay Window: The Bay Window is a window projecting outward from a building.

Frescos: A design element of painting images upon wet plaster.

Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.

Mouldings: ornate strips of carved wood along the top of a wall.

Wainscoting: paneling along the lower portion of a wall.

Chinoiserie: A European take on East Asian art. Usually seen in wallpaper.

Clerestory: A series of eye-level windows.

Sconces: A light fixture supported on a wall.

Niche: A sunken area within a wall.

Monochromatic: Focusing on a single colour within a scheme.

Ceiling rose: A moulding fashioned on the ceiling in the shape of a rose usually supporting a light fixture.

Baluster: the vertical bars of a railing.

Façade: front portion of a building

Lintel: Top of a door or window.

Portico: a covered structure over a door supported by columns

Eaves: the part of the roof overhanging from the building

Skirting: border around lower length of a wall

Ancient Greece

Houses were made of either sun-dried clay bricks or stone which were painted when they dried. Ground floors were decorated with coloured stones and tiles called Mosaics. Upper level floors were made from wood. Homes were furnished with tapestries and furniture, and in grand homes statues and grand altars would be found. Furniture was very skillfully crafted in Ancient Greece, much attention was paid to the carving and decoration of such things. Of course, Ancient Greece is ancient so I won't be going through all the movements but I will talk a little about columns.

Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.

Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.

Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.

Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.

Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.

Ancient Rome

Rome is well known for its outward architectural styles. However the Romans did know how to add that rizz to the interior. Ceilings were either vaulted or made from exploded beams that could be painted. The Romans were big into design. Moasics were a common interior sight, the use of little pieces of coloured glass or stone to create a larger image. Frescoes were used to add colour to the home, depicting mythical figures and beasts and also different textures such as stonework or brick. The Romans loved their furniture. Dining tables were low and the Romans ate on couches. Weaving was a popular pastime so there would be tapestries and wall hangings in the house. Rich households could even afford to import fine rugs from across the Empire. Glass was also a feature in Roman interior but windows were usually not paned as large panes were hard to make. Doors were usually treated with panels that were carved or in lain with bronze.

Ancient Egypt

Egypt was one of the first great civilisations, known for its immense and grand structures. Wealthy Egyptians had grand homes. The walls were painted or plastered usually with bright colours and hues. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds. Woven mats and tapestries were popular decor. Motifs from the river such as palms, papyrus and reeds were popular symbols used.

Ancient Africa

African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.

Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.

Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.

Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal

Japanese Interiors

Japenese interior design rests upon 7 principles. Kanso (簡素)- Simplicity, Fukinsei (不均整)- Asymmetry, Shizen (自然)- Natural, Shibumi (渋味) – Simple beauty, Yugen (幽玄)- subtle grace, Datsuzoku (脱俗) – freedom from habitual behaviour, Seijaku (静寂)- tranquillity.

Common features of Japanese Interior Design:

Shoji walls: these are the screens you think of when you think of the traditional Japanese homes. They are made of wooden frames, rice paper and used to partition

Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.

Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.

Japanese furniture: often lowest, close to the ground. These include tables and chairs but often tanked are replaced by zabuton, large cushions. Furniture is usually carved of wood in a minimalist design.

Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.

Islamic World Interior

The Islamic world has one of the most beautiful and impressive interior design styles across the world. Colour and detail are absolute staples in the movement. Windows are usually not paned with glass but covered in ornate lattices known as jali. The jali give ventilation, light and privacy to the home. Islamic Interiors are ornate and colourful, using coloured ceramic tiles. The upper parts of walls and ceilings are usually flat decorated with arabesques (foliate ornamentation), while the lower wall areas were usually tiled. Features such as honeycombed ceilings, horseshoe arches, stalactite-fringed arches and stalactite vaults (Muqarnas) are prevalent among many famous Islamic buildings such as the Alhambra and the Blue Mosque.

Byzantine (330/395–1453 A. D)

The Byzantine Empire or Eastern Roman Empire was where eat met west, leading to a melting pot of different interior designs based on early Christian styles and Persian influences. Mosaics are probably what you think of when you think of the Byzantine Empire. Ivory was also a popular feature in the Interiors, with carved ivory or the use of it in inlay. The use of gold as a decorative feature usually by way of repoussé (decorating metals by hammering in the design from the backside of the metal). Fabrics from Persia, heavily embroidered and intricately woven along with silks from afar a field as China, would also be used to upholster furniture or be used as wall hangings. The Byzantines favoured natural light, usually from the use of copolas.

Indian Interiors

India is of course, the font of all intricate designs. India's history is sectioned into many eras but we will focus on a few to give you an idea of prevalent techniques and tastes.

The Gupta Empire (320 – 650 CE): The Gupta era was a time of stone carving. As impressive as the outside of these buildings are, the Interiors are just as amazing. Gupta era buildings featured many details such as ogee (circular or horseshoe arch), gavaksha/chandrashala (the motif centred these arches), ashlar masonry (built of squared stone blocks) with ceilings of plain, flat slabs of stone.

Delhi Sultanate (1206–1526): Another period of beautifully carved stone. The Delhi sultanate had influence from the Islamic world, with heavy uses of mosaics, brackets, intricate mouldings, columns and and hypostyle halls.

Mughal Empire (1526–1857): Stonework was also important on the Mughal Empire. Intricately carved stonework was seen in the pillars, low relief panels depicting nature images and jalis (marble screens). Stonework was also decorated in a stye known as pietra dura/parchin kari with inscriptions and geometric designs using colored stones to create images. Tilework was also popular during this period. Moasic tiles were cut and fitted together to create larger patters while cuerda seca tiles were coloured tiles outlined with black.

Chinese Interiors

Common features of Chinese Interiors

Use of Colours: Colour in Chinese Interior is usually vibrant and bold. Red and Black are are traditional colours, meant to bring luck, happiness, power, knowledge and stability to the household.

Latticework: Lattices are a staple in Chinese interiors most often seen on shutters, screens, doors of cabinets snf even traditional beds.

Lacquer: Multiple coats of lacquer are applied to furniture or cabinets (now walls) and then carved. The skill is called Diaoqi (雕漆).

Decorative Screens: Screens are used to partition off part of a room. They are usually of carved wood, pained with very intricate murals.

Shrines: Spaces were reserved on the home to honour ancestors, usually consisting of an altar where offerings could be made.

Of course, Chinese Interiors are not all the same through the different eras. While some details and techniques were interchangeable through different dynasties, usually a dynasty had a notable style or deviation. These aren't all the dynasties of course but a few interesting examples.

Song Dynasty (960–1279): The Song Dynasty is known for its stonework. Sculpture was an important part of Song Dynasty interior. It was in this period than brick and stone work became the most used material. The Song Dynasty was also known for its very intricate attention to detail, paintings, and used tiles.

Ming Dynasty(1368–1644): Ceilings were adorned with cloisons usually featuring yellow reed work. The floors would be of flagstones usually of deep tones, mostly black. The Ming Dynasty favoured richly coloured silk hangings, tapestries and furnishings. Furniture was usually carved of darker woods, arrayed in a certain way to bring peace to the dwelling.

Han Dynasty (206 BC-220 AD): Interior walls were plastered and painted to show important figures and scenes. Lacquer, though it was discovered earlier, came into greater prominence with better skill in this era.

Tang Dynasty (618–907) : The colour palette is restrained, reserved. But the Tang dynasty is not without it's beauty. Earthenware reached it's peak in this era, many homes would display fine examples as well. The Tang dynasty is famous for its upturned eaves, the ceilings supported by timber columns mounted with metal or stone bases. Glazed tiles were popular in this era, either a fixed to the roof or decorating a screen wall.

Romanesque (6th -11th century/12th)

Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles. The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways. As per the name, Romansque Interiors relied heavily on its love and admiration for Rome. The Romanesque style uses geometric shapes as statements using curves, circles snf arches. The colours would be clean and warm, focusing on minimal ornamentation.

Gothic Architecture (12th Century - 16th Century)

The Gothic style is what you think of when you think of old European cathedrals and probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe. Decoration in this era became more ornate, stonework began to sport carving and modelling in a way it did not before. The ceilings moved away from barreled vaults to quadripartite and sexpartite vaulting. Columns slimmed as other supportive structures were invented. Intricate stained glass windows began their popularity here. In Gothic structures, everything is very symmetrical and even.

Mediaeval (500 AD to 1500)

Interiors of mediaeval homes are not quite as drab as Hollywood likes to make out. Building materials may be hidden by plaster in rich homes, sometimes even painted. Floors were either dirt strewn with rushes or flagstones in larger homes. Stonework was popular, especially around fireplaces. Grand homes would be decorated with intricate woodwork, carved heraldic beasts and wall hangings of fine fabrics.

Renaissance (late 1300s-1600s)

The Renaissance was a period of great artistry and splendor. The revival of old styles injected symmetry and colour into the homes. Frescoes were back. Painted mouldings adorned the ceilings and walls. Furniture became more ornate, fixed with luxurious upholstery and fine carvings. Caryatids (pillars in the shape of women), grotesques, Roman and Greek images were used to spruce up the place. Floors began to become more intricate, with coloured stone and marble. Modelled stucco, sgraffiti arabesques (made by cutting lines through a layer of plaster or stucco to reveal an underlayer), and fine wall painting were used in brilliant combinations in the early part of the 16th century.

Tudor Interior (1485-1603)

The Tudor period is a starkly unique style within England and very recognisable. Windows were fixed with lattice work, usually casement. Stained glass was also in in this period, usually depicting figures and heraldic beasts. Rooms would be panelled with wood or plastered. Walls would be adorned with tapestries or embroidered hangings. Windows and furniture would be furnished with fine fabrics such as brocade. Floors would typically be of wood, sometimes strewn with rush matting mixed with fresh herbs and flowers to freshen the room.

Baroque (1600 to 1750)

The Baroque period was a time for splendor and for splashing the cash. The interior of a baroque room was usually intricate, usually of a light palette, featuring a very high ceiling heavy with detail. Furniture would choke the room, ornately carved and stitched with very high quality fabrics. The rooms would be full of art not limited to just paintings but also sculptures of marble or bronze, large intricate mirrors, moldings along the walls which may be heavily gilded, chandeliers and detailed paneling.

Victorian (1837-1901)

We think of the interiors of Victorian homes as dowdy and dark but that isn't true. The Victorians favoured tapestries, intricate rugs, decorated wallpaper, exquisitely furniture, and surprisingly, bright colour. Dyes were more widely available to people of all stations and the Victorians did not want for colour. Patterns and details were usually nature inspired, usually floral or vines. Walls could also be painted to mimic a building material such as wood or marble and most likely painted in rich tones. The Victorians were suckers for furniture, preferring them grandly carved with fine fabric usually embroidered or buttoned. And they did not believe in minimalism. If you could fit another piece of furniture in a room, it was going in there. Floors were almost eclusively wood laid with the previously mentioned rugs. But the Victorians did enjoy tiled floors but restricted them to entrances. The Victorians were quite in touch with their green thumbs so expect a lot of flowers and greenery inside. with various elaborately decorated patterned rugs. And remember, the Victorians loved to display as much wealth as they could. Every shelf, cabinet, case and ledge would be chocked full of ornaments and antiques.

Edwardian/The Gilded Age/Belle Epoque (1880s-1914)

This period (I've lumped them together for simplicity) began to move away from the deep tones and ornate patterns of the Victorian period. Colour became more neutral. Nature still had a place in design. Stained glass began to become popular, especially on lampshades and light fixtures. Embossing started to gain popularity and tile work began to expand from the entrance halls to other parts of the house. Furniture began to move away from dark wood, some families favouring breathable woods like wicker. The rooms would be less cluttered.

Art Deco (1920s-1930s)

The 1920s was a time of buzz and change. Gone were the refined tastes of the pre-war era and now the wow factor was in. Walls were smoother, buildings were sharper and more jagged, doorways and windows were decorated with reeding and fluting. Pastels were in, as was the heavy use of black and white, along with gold. Mirrors and glass were in, injecting light into rooms. Gold, silver, steel and chrome were used in furnishings and decor. Geometric shapes were a favourite design choice. Again, high quality and bold fabrics were used such as animal skins or colourful velvet. It was all a rejection of the Art Noveau movement, away from nature focusing on the man made.

Modernism (1930 - 1965)

Modernism came after the Art Deco movement. Fuss and feathers were out the door and now, practicality was in. Materials used are shown as they are, wood is not painted, metal is not coated. Bright colours were acceptable but neutral palettes were favoured. Interiors were open and favoured large windows. Furniture was practical, for use rather than the ornamentation, featuring plain details of any and geometric shapes. Away from Art Deco, everything is straight, linear and streamlined.

Remember When?

Remember when you saw that trailer, and you thought “I’m gonna go see that movie”?

Remember when you passed by that book, and you thought “I’m gonna read that book”?

Remember when you saw that sneak peek, and you thought “I’m gonna watch that TV show”?

Remember when you walked into that theater, seeing what would grow to be your favorite movie for the first time?

Remember when you sat down on that couch, preparing to read the first sentence of the book that would soon crush your heart?

Remember when you auto tuned that show, unaware that this would soon become your life?

Remember when you watched the credits roll across the screen, in time with the possible tears rolling down your cheeks?

Remember when you read that last paragraph, and closed the book to sit in awe, sadness, wonder?

Remember that first season finale, the finale that tore apart your insides and left you with the worst cliffhanger?

As the final movie, the final book, the final episode draws near, do you remember those days, the days before the movie, before the book, before the show?

Do you remember when you fell in love?

—– Dedicated to the Gravity Falls fandom, who just went through a heart-wrenching finale. To the Maze Runner fandom, who waits in anxious dread for their final movie. To the How To Train Your Dragon fandom, who waits in reserved silence for the third movie to destroy them. And to all fandoms, anywhere, everywhere, that have experienced the pain, longing, loss, happiness, excitement, and joy of being a part of something incredible.

─── 𝐃𝐎𝐂𝐓𝐎𝐑’𝐒 𝐎𝐑𝐃𝐄𝐑𝐒

# with trafalgar water d. law.

it was said that those trapped inside his sphere were then nothing but a helpless patient on his operating table. law made sure you, too, would experience it.

⎰ & KINKTOBER, day three. medical play. glove kink. smut (mdni)! fingering (reader!receiving). freaky law. use of devil-fruit. double penetration. afab!reader.

WC: 2.5k

it was an agreement that the captain of a crew was the most valuable asset. law had matured into such a position with natural ease — powerful and intelligent; responsible and menacing — yet, his most arduous and important role relied neither on his battle skills nor on his plans. law was crucial to the lives of crew due to his extensive anatomical knowledge and the devil-fruit whose power could heal whatever ill. he was reliable, organized, logical. shame had no place within the walls of the infirmary, for law cared not for the cause of the disease or the placement of a pimple — instead, he all but strived to get rid of it.

the gratefulness and cheerful compliments thereafter were fuel to his ego, the confirmation that he had fulfilled his duties as a captain. law drew pleasure from the fact that he was one to execute a role unique amidst his crew. he had taught them concepts of medicine and surgery — to have a set of aiding hands, at least — but none of those with whom he shared the submarine were fit to nurse themselves to health. that diligent performance, more often than not, brought him a greater sense of power than the one granted by victorious battles.

it was an achievement; a task; his father’s legacy. law treated his patients with utmost professionalism, the character of their shared dynamic long forgotten if one had to be examined. it was a neutral space; undiscriminating. his ethics were thorough, his examination was immaculate. the mere thought of law losing focus during such instances was inconceivable. that was, of course, until you were the subject whose back pressed against the examination table.

the prelude itself had been virtuous. your limbs were sore during the aftermath of an arduous battle, minuscules cuts adorning your skin due to the offensive character of your opponent. law had insisted on treating you, regardless of how minor were the gashes. the memories were a vivid talon that had claimed his mind: your knee pressed against your chest as he stretched your muscles; the perspective from being atop your figure; your mellow breaths of relief whenever his fingers succeeded in undoing a tense knot. law had grown hot, then, forced to hasteness for the sudden tightness of his pants would be sure to denounce the perverted thoughts.

the second time was one of prolonged misery. a mosquito bite from a foreign island had left you bedridden; feverish. a frailer state of mind and manners, hazed by the consequences of a higher temperature. from soothing massages to the press of ice-cold thermal bags — your comfort became his most favored goal. the pain, however, proved to be overbearing, and the product of such given relieves came in the form of multiple moans. a press of his hand had you sighing; the cool, metal touch of his stethoscope against your burning skin made you beg for longer contact. whenever law dared to place a damp towel above your forehead, you’d lean into his touch and plead for him to stay.

yet, the occurrence that snapped the strained thread of his mind had been during a routine checkup. your mouth was open wide; law had a thin, small, wooden-stick on your tongue, striving to check on the health of your throat. he teased your gag-reflex, a gloved thumb pressed against your lower lip. law had lost his senses at the sight of your tears, the wild rise-and-fall of your chest, a context much too similar to that of a blowjob. the examination was cut short, and law had spent an entire hour in the shower right thereafter, fisting his cock; chasing a fleeting orgasm that had refused him, for your touch was its demand.

the infirmary shifted into a somewhat sinful ambience. the metal table was but a surface on which you could be ravaged. the stethoscope an instrument he could use to listen to the pace of your heartbeat, its increase gradual to his thrusts on your pussy. and the gloves. rubber moistened with your cum and spit; the act of stretching it near you, for it would then strike at the growing-sensible flesh. law wanted to witness the middle in which pain and pleasure converged — and you had been the chosen subject.

fleeting touches; warm breath hovering above your earlobe; the caress of your leg, under the table, with the point of his shoe. the guaranteeing of your restlessness coated in faux aloofness. when the teasing, at last, conquered its desired effect, law had the infirmary far more than prepared to receive your storm. his nape had burned under your gaze throughout the later hours of the afternoon, and when law stepped inside the maddening room, he was well-aware that you would be soon to follow.

he hid amidst the shadows, reveling in your confused-etched expression as you walked through the infirmary’s door. when you reached the center, law locked it, the force of its shutting enough to produce a loud, startling noise; echoing through the metal hallways of the submarine. you jumped, glancing at his frame placed by the door. law’s eyes drowned in the sight of you, thoughts swirling to the fantasies whose realization was of absurd importance.

“is something wrong, captain?” you inquired, arms crossed.

law’s steps were slow; calculated. he approached you as though a leopard surrounding its prey. you grew wary, retreating without forethought until your hip-bone collided with the examination table.

“how are you feeling tonight?” law grinned at the sight of your confusion, the increasing nervousness all but exciting him further.

the sound of his palms slamming on metal had you shrieking, yet law did not seem apologetic. he all but devoured your trapped figure, cursing the chaste knitting of the jumpsuit — though the sight of his crew’s symbol above your chest sent him a jolt of uncontrollable possessiveness.

“i’m fine,” you stuttered, clearing your throat and clinging to the fabric of your garment. “better than ever.”

“is that so?” law mused, pressing the back of his hand against your forehead. his fingers were but a hook on your chin; curled and unyielding. “you’re a bit pale, wouldn’t you agree?”

“captain, i don’t—”

“doctor,” he corrected through rough intonation, forcing the angle of your face to match his own.

“doctor,” you echoed. while the grunt of lust at the sound had been contained, the same could not be said about his member — a gradual erection, borderline painful.

he sighed in faux disappointment, allowing his hand to wander; to hover above your chest. “you leave me no choice but to examine you.”

you were left out of words, mouth agape as your mind struggled to wrap itself around that turn of events.

“sit. you know the drill,” he commanded, and once you had done as such, law turned on his back, striding towards the locked drawer whose contents were the ones adjusted to fulfill the standards of what he meant on doing. his movements were languid, patient. at the absence of sound on your part, law tsked, angling his head so as to glare at you. “strip.”

your spontaneous gasp of bewilderment had a smirk etching on his face. “captain, i— what?”

“doctor. and i don’t plan on repeating myself,” he scolded, fishing the stethoscope from its previous spot. “i taught you the proper way to listen to one’s heartbeat. forgot it already?”

“oh,” you breathed out sheepishly, tugging down the zipper of your jumpsuit. law at last understood the root of your hesitation, for you wore nothing but a bra underneath. his mouth dried up, and he dared not readjust his gaze. “i thought, well, nothing. it was silly.”

“no, please, enlighten me,” he requested, positioning the stethoscope around his neck.

the growth of tension escaped past your pores as though a leaking faucet. “just, with the touches and the glances, i figured you were in search of another thing entirely.”

“and what would that be?”

your movements ceased midway, the upper half of the jumpsuit a dangling fabric at your sides. you hid your face from his glance, though his focus remained on the inviting sight of your cleavage.

“you know—”

“i do not,” law detached his figure from its previous support spot on the table’s edge, languid steps guiding him to you. “and a decent patient does not keep secrets from their doctor.”

you were caged, forced to lean back as law angled himself forward. the sudden exchange of energy, due to the temperature divergence between your spine and the metal, made you hiss. your back arched out of instinct; your chest pressed against his own as a consequence. mere inches separated his face from yours, his breath fluttering your eyelashes. your pupils dilated when law tossed his blue coat aside, the half-unbuttoned shirt he wore doing nothing to shelter his bare abdomen and chest from your lustful eyes.

you gulped; wild rise-and-fall of chest. “sex.”

he hummed, putting on the stethoscope’s ear pieces. its chest piece teased the warmth of your skin, movements too erratic to catch the proper pace of your heartbeat. “i can’t hear you, say it louder.”

you were aghast, stuttering as he smirked with malice. sentences sounded muffled; chaotic breathing hindering the performance of the tool. law placed the stethoscope aside, feigning dissatisfaction.

“it seems i’ll have to scan it closer on,” he stated, a twist of his wrist enough to teleport your heart to the palm of his hand.

it was a beating wonder; a rampant pace. the source of your life secured in between his teasing fingers. clutching it would have you howling in pain, stabbing it would reap your soul; an unfathomable, despising, thought. when it came to the negative consequences to a severe act of violence committed to one’s heart, law was well-versed. the soothing touches, however, were unprecedented territory — for now.

law drew your heart closer to his mouth, ever-so-tender. he blew a careful gust of air over the delicate flesh, and the kiss thereafter tore a devastating moan from your lips. droplets of sweat bubbled from your pores; your pupils buried the tone of your irises; your limbs all but trembled. law failed to contain a groan, losing balance at the blood flowing through his aching cock. he was desperate to witness that reaction yet again.

“take it all off,” he instructed, voice coming out strained due to the effort to keep himself from crumbling.

he laid your entire body on the examination table, struggling to ignore your whimpers as the fabric slid down your legs. law sliced the rubber gloves, discarding the pieces meant for the palms.

“room,” law detached his fingers, guiding them to the glove holes; covering them in rubber. he returned to you, breath catching at the sight of your body, bare and trembling, a marvel bestowed upon him. “the doctor will see you now.”

“please, doctor,” you mewled. “heal me.”

without further ado, granted the privilege of his devil-fruit, law guided his floating fingers to your cunt. a gloved thumb teased your clit through circular movements, two fingers parting your folds. he was aghast at the amount of lubrification caused by the mere press of his lips on your heart. law shoved his middle-finger into your cunt, coating the rubber with your essence. a loud whimper had his cock aching, and law grew worried, much too selfish to share your sounds with the external environment.

“silent,” he rasped, latching his lips to your heart, leaving a trail of kisses on the flesh. your back arched, a muted moan tearing through your throat.

he witnessed the squirming of your body; the violent trembling of your legs. his ring finger accompanied his middle one, scissoring your cunt as his thumb maintained a stable eight-pattern on your clit. law’s warm tongue teased your heart, and the shout of pleasure whose sound the barrier had silenced was his latest straw. law undid it, shoving his index and minor finger into your mouth.

“suck it,” law commanded, having your spit coat the rubber. his mouth dried, a wet patch visible on the fabric of his pants.

the swirling of your tongue around his fingers had his cock twitching, yet law had no hands available to unbutton the belt. he clicked his tongue, and the fingers inside your holes had switched, activating his devil-fruit regardless of the detachment.

“shambles,” his pants and underwear teleported to a meaningless spot.

law detached his cock and removed the pair of fingers from your cunt, for the particular warmth and wetness were meant to be claimed by his cum.

“doctor,” you babbled, voice muffled by his fingers, tears rolling down your cheeks as he applied pressure to the entrance of your ass. “it’s too—ngh much.”

“you’re still sick,” he cooed, teasing your folds with the tip of his member. “and i must treat it. can we proceed with it?”

you nodded, gagging when he shoved his fingers deeper — unrestrained by the confines of his tendons.

“speak,” he insisted, neglecting your inability to produce proper words.

“yes,” you cried out, sending vibrations through his fingers.

“yes what?” law snapped, teasing your entrance with the tip of his middle-finger.

“yes, doctor,” you coaxed in sheer desperation, trembling with need.

law hummed with satisfaction, careful during the insertion on your butthole. the rubber had enough of your essence to serve as a form of lubricant, yet he wished not for you to feel pain. his tongue licked strips on your heart, and your throat produced but an orchestra of boisterous moans, half its sound muffled. a never-ending pace of kisses to your wildly beating heart served as decent distraction, and when law slid his middle and ring fingers into your ass, you barely ever felt it.

your high was a powerful force, drowning his floating cock in your cum. law trembled, rutting his hips out of instinct, the movement itself useless as his member was no longer attached to his body. law marveled at the sight of you, covered in sweat and spit; squirting all over the examination table. he was drawn closer as though a senseless sailor to a siren’s aria, lost in your contorting features, the pleasure written all over.

your eyes met his, wet with past tears. “can i treat you, still?”

law feared that he had crossed a line, far gone in his bliss to remind himself that, although there were no limits to what he was willing to give you, the same could not be said about how much you were capable of receiving.

yet, after a minute, your breathing stabilized and your cheeks briefly hollowed, tongue swirling around his fingers. he removed them, if only to facilitate your speaking.

your voice was meek; hoarse. “treat me ‘til the end, doctor.”

he groaned when your lips parted, head weakly moving to accommodate his fingers. law’s member started to stretch you out, making itself at home within the walls of your cunt. you trembled, sensitive, and law moaned as his cock was coated with the essence from the previous squirting. he paid attention to your expression, fingers scissoring inside your butthole as he matched the pace with that established by his cock.

law caressed your heart, busying his mouth with the press of soothing kisses on your face. he shoved his cock past what was humanly possible, brushing the tip on your cervix; returning it to your entrance and ramming it inside yet again. your moans were the most entrancing melody he had heard, and law caught himself comfortable enough to produce similar sounds.

you tightened around both his fingers and cock; cunt and ass giving in to the overbearing tides of pleasure. your voice failed you, and law had his fingers removed from your mouth in order to listen to the sound of your bliss without restraints. the veins of his members twitched; he felt the knot close to its undoing. yet, it was the bulge of his tip visible through your stomach that had his vision covered in dark spots.

his grip left your heart — out of safety — as his orgasm washed over him, converging with your cum. he rode his high, careful as to observe your face and retrieve once the stimulation became too much. you were left limp on the table, a brief vocal command of his devil-fruit returning the detached limbs to his body. he threw the damp gloves on the trash can, and helped you sit, holding your heart in order to return it to your chest.

when you kissed it — shuddering at your own touch — and observed him through your eyelashes, law, however, became more than willing to ruin the infirmary further.

— 🐈‍⬛ : dear lord this was nasty. i love kinktober.

does anyone else secretly have that “i liked it before it was cool” complex but wont admit it

What I want if DP had a session 4

This has kinda been on my mind lately so I’m just going dump it here. (Also going to use a bit of fanon that I really like in this)

Phantom Planet turned out to not be real and just a test for Danny made by Clockwork and the other guardian ghosts. It was to test his ability as a leader and see if he was able to get the ghosts and humans to work together. They don’t tell him what it was for though.

Danny starts to learn more about ghosts and the ghost zone and learns there are better ways to get the ghosts to stop attacking then blast it until he can shove it in the thermos. Of course he also learns that’s the only tactic possible for ghosts like Skullker who won’t listen.

Danny becomes friends with some of his enemies like Kitty and Johny (after Johny gets the sexism beaten out of him and he starts treating Kitty right) and starts helping them cope with their obsessions in a less dangerous way, for both the humans and them (help the ghosts become a little less crazy)

There is better development with Danny and Sam becoming and being a couple. This time with less third wheeling Tucker.

Some Tucker and Jazz based episodes because they need some attention.

Dash sees Danny’s battle wounds and thinks he’s being abused. This is how Danny finds out about Dash being abused and helps him as both Fenton and Phantom. Dash stops being a bully and he and Danny become friends though he doesn’t learn Danny’s secret until much later.

Dani helping Valerie reconcile with Danny and he eventually tells her his secret. She is then welcomed into Team Phantom.

Vlad is severely injured in a fight and is forced to transform back into his human form in front of Jack. This spurs on a redemption ark for Vlad.

After Vlad’s redemption Dani (and if I had my way the other clones) going through an emotional struggle with still being angry/fearful of him despite him regretting what he’d done and trying to make up for it. Eventually, there is understanding and forgiveness and Vlad gets the family he always wanted but was too blind to see he had.

Knowing his parents know about Vlad and have accepted him Danny gains the courage to tell them about being Phantom. There are hugs.

The guardian ghosts eventually tell Danny that after beating Pariah Dark he is now the future ghost king and PP was a test to see if he was worthy.

Danny turns 18 and is about to be crowned king of the ghost zone when Dan escapes the thermos and crashes the coronation. He then steals the Crown of Fire and Ring of Rage to wreak havoc on the ghost zone and human world. Danny has to rally all his allies and even a few enemies to help defeat his evil future self once and for all.

Mods are asleep post forbidden tits

We’ve all got light and dark in us. What matters is the part we choose to act on. -Sirius Black The world’s feelin a bit grey scale tonight, even as the party keeps RAVEN around me... cause it’s a... nevermind. Milford, Ny May 16, 2017. https://www.instagram.com/p/BqJoe9tByNP/?utm_source=ig_tumblr_share&igshid=rn38tngyn2ot

🕔 COUNTDOWN UPDATE: Po, Shifu and the Furious Five return in Kung Fu Panda 3 in 50 days!