© 2020 taylor swift
there's also a lot of word "red" mention on 🎃 messages.. aside from "question..?".
THEN SHE SANG QUESTION..? the other night and RED last night.
So TS is sending signals?? 🧐
🎃 To those who have requested I give some kind of sign or signal to prove my validity - I see you. In fact, I am one step ahead. If you read my messages closely, and hold them to the light in the coming unfoldings, I think you will find many connections and foretellings. I have a feeling we all share a similar taste in MUSIC.
Tonight's folklore speech was VERY interesting from a JackOLantern Anon perspective...👀 She said "woodsy and foresty" (in that order, just like in JackOLantern Anon's 10th message. "You wander through the WOODS. Deep in this enchanted FOREST") she also mentioned parchment, feathers (I believe JackOLantern Anon called the dandelions "feathery"), typewriters, and CANDLES. And went on to talk her usual talk about how much fun she had infusing her real emotions into fictionalized characters for folklore...And one more thing, in the message about falling from the glass castle, wasn't a free fall mentioned? Tonight's surprise song was Red, which has the lyric "trying to change your mind once you're already flying through the free fall" 👀
👀
🎃 You wander through the woods. Deep in this Enchanted Forest
🎃 You finish scrawling on the parchment.
🎃 There is a tealight candle at its center, the dancing glow casting shadows from deep within the carved, jagged-toothed smile.
🎃 You will reach the ground either way, whether you float like a feather or freefall like a meteor.
🚨 repost! reblog! retweet!!!! 🚨
#louder for the people in the back 📢
Just giggling about the double standard between Taylor and Karlie. Karlie is expected to uphold insane standards and expectations especially when it comes to being associated with toxic men. But Taylor is just having fun and being silly it’s all a part of her journey. It’s just funny.
listen all that I’m saying is that I’m having heart palpitations over taylor saying let the games begin on october 21 2018 and releasing midnights on october 21 2022 because NONE OF IT was accidental. none of it!!!!!!!!!!!!!
i also know someone who is obsessed with Kar(s)
#karlie kloss #koincidences #taylor swift
I think she know that we know that she 😜
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yes! acceptance is key...
I understand Taylor wanting to have their second child close to their first. That’s valid, and the biological clock is a real thing. What I don’t understand is why she didn’t get real with us and warn us it was coming. Then we could make our decisions whether or not to stick around for the next two years, ten years, forever closet … whatever the new plan is supposed to be.
She’s always so careful to keep us hanging on just a little while longer. Why not fucking level with us, for once? Yes, we’re all adults and she doesn’t owe us a coming out. That doesn’t mean it’s fun to be attacked by the rest of her fans and subjected to constant homophobia from them, which she KNOWS flares up when the antis get a “win” like this. All she had to do was give us a heads up so we could prepare ourselves, or be honest about her plans and let us tap out if we need to.
And no, singing Coney Island the week The National drop a new album doesn’t count as a warning.
I’m tired.
How? HOW did Taylor get away with doing a damn strip tease to the sex song she wrote about Karlie... TO KARLIE'S FACE? In front of thousands of fans? She even moved her closer to the stage for this particular song!
Notice also the giraffe in Taylor’s ad?
😬
Kristina O’neill via Instagram stories (3/24/23)
Tell me more about New Year’s Day
Ok, it is a long read, written half drunk (excellent Monbazillac straight outta Dorgogne) not gonna edit the train of thoughts, so here you go:
When Taylor talked about this song, she said she found the “inspiration” in new years eve parties and how the day after you stay with the one you share your life with to clean the mess and spend the day in peace, in private which is a huge contrast with the partying.Here is how I read it. This song wraps up the album. But imo, in taylor private life it describes her transition from NYE its glitter and polaroid aka the 1989 era with the social media and media overexposure, the girls squad, the friends, the parties, the outings. “you and me from the night before”: everything they lived during this phase in life that she is about to put behind her.She is scared because she doesn’t know what the reaction of the person she’s singing for would be if they get to the last page of the book she is about to close, will that person stay for the next one?This is almost the only song in which she talks about doubts coming from the other person because they are both scared. She says she wants the celebrations but she’d also stick to do life’s mundane tasks when the lights are out, and by that I think it means the beginning of her blackout phase.Verse 2 is where they start putting this plan en route, their taxi ride. It is a very interesting non verbal exchange, the other person squeezing her hand is a sign of reassurance, one that is done by someone who doesn’t need words to say what you need to hear, your long term SO, your BFF or a close family member. She replies that even if this trip is long, she is not going anywhere and will be there for the worst and for better times alike.In the post chorus and the bridge, I think she is preparing her love interest for a difficult part. A part where they will probably be physically separated from each other for longer periods than they are used to before. Thus asking the person to hold on to the memories they shared together (3 times. you can stretch and reach and say it corresponds to 3 years relationship before the blackout if you feel like it, I don’t make the rules). And then she tells her love interest that if they hold on to these memories she will hold on to them as a pair. She is not leaving, she is just retreating.She is asking them not to forget her and this relationship she is trying to keep during this new phase of life, where their separate lives would probably be less in sync than before. She knows her lover like the back of her hand and could not stand the idea of them becoming strangers.Overall, at first I did not pay attention to the depth of it I really just thought she was describing the aftermath of a party. But she is not. Wouldn’t you expect a mention of alcohol here (in Taylor’s most alcohol-drenched album)? well surprise, there is none. Because it is not describing an actual party, but her transition from the 1989 to the Rep era and wanting her partner to cross that bridge with her. Some sort of “through thick-and-thin promise” in a form of a soft ballad. It also strikes me as a narrative of a long term relationship where two people are settled in a certain lifestyle and they are about to make a drastic change due to what life throws at them and they are maybe hesitantly walking to their destination but holding hands firmly.So that’s my meta-analysis and very liberally done interpretation of this song. It was a head-scratcher for me, she wrote it and recorded it quite fast and felt that THIS is the song that should wrap up an album she called reputation with and that she is releasing after she completely turned her public life around. And this is how it made sense to me.