Where The Real Beasts Are by Kaistrex // 109k

Moriarty can be a motherfoca but is gorgeus

favorite people: Andrew Scott 

 “Really I just want to get on with my job, which is to pretend to be lots of different people. Simple as that.“

"And when you're finally in my arms Look up and see love has a face" to see Alec's booty head over to patreon

Bonniebirddoesgifs:

Godric & Eric Northman (True Blood) - Credit if using

I am the only one that think that some part of Rose Quartz is in the Lion? He is pink , is imortal and is always trying to protect Steven!!!!

After fiddling with this for a few weeks on and off it’s finally done! :D This was mostly animation practice on top of just really fun and challenging fanart to do for myself. I wanted to see if I could come close to mimicking the show’s style, but then I started messing around in after effects and threw some simple lighting onto the whole thing so whoops. :V I adore Steven Universe and getting to animate these two wonderful characters was a blast. Also below the reading line I attached a transparent gif version of just Lion and Steven as well as the background which I made separately if anyone is interested in looking at those. :)

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- Were you lost? - Only if you were searching for me.

THE NORTHMAN (2022) dir. Robert Eggers

u ever have on mutuals whos so deep in another fandom that u know absolutely zero about and they make posts that look like they speaking another language or some shit

I Can Handle Me A Dangerous Man - Ch 2

Fandom: True Blood (TV) Pairings: Eric Northman/Female Reader or Eric Northman/OFC Word Count: 4,441 Tags: 18+, NSFW in later chapters, it's gonna get real nasty Summary: Sookie's cousin returns to Bon Temps, and Eric wants her... to work for him. She says yes.

1 - 2 - 3

She finds herself at Fangtasia again a few days later—what else does she have to do, unemployed and ostracized as she is?—with another martini in her hand as she stares up at a surrealist painting hanging on the wall. It’s larger than life, with tigers and an elephant and a nude woman lounging in the sea, but she’s afraid she can make no emotional connection to it. Dali is weird.

“Now you’re just teasing me,” Eric greets in a low, even tone as he seems to materialize beside her, his eyes also on the painting. This time he’s wearing a black v-neck sweater, and it makes the muscles of his arms look even better, if that’s possible.

“Teasing you?” she asks, looking up at him, and he turns to her and scans her body the way he seems to every time they meet. It would irritate her, if it were anyone else, but having Eric’s attention is hugely flattering, and she can’t bring herself to dismiss the way it makes her feel.

“Coming into my bar again… looking like that.” He says it like she’s a forbidden snack dangled in front of him, and she ponders it.

She is technically fully covered in a maroon turtleneck, black miniskirt, tights and boots, which doesn’t seem all that tempting… until she considers that he’s nearly fully covered too and has quite literally never been more attractive to her. He buzzes in her ear again—his mind, his aura, whatever the hell it is—and she finally remembers that he’s said something, wets her lips to speak.

“There’s no vampire bar in Bon Temps, or I’d probably be there,” she says with a sip of her drink. Okay, maybe not, she thinks as he leans into her space, tilting his body so that it’s him she’s looking up at instead of the art. No, either way she would probably find herself drawn here, to him.

“Why? Do you like vampire blood?” he asks seriously, almost like an interrogation, and she shakes her head, frowns.

“I don’t do drugs, and no vampire has ever offered it to me.” She wants to make sure she covers all her bases, is transparent in her knowledge of not only V as a commodity, but the ritual of bloodsharing that vampires sometimes perform with their companions. “Regardless, blood isn’t the reason I came.” 

“Did you come for me?” he asks, the tone of his voice the same but his expression more relaxed. She nods her head.

“Yes. I’ll do it – consult for you, work for you, whatever you want to call it.” It took her about two days to decide, then two more to get up the courage to come down to the bar and ask for what she believes she deserves—a problem she’s never had professionally before. Her answer earns her a change in posture, and Eric seems gratified by her response.

“You will? I’m pleased to hear that,” he says, and she nods her head, trying to ignore the way it warms her all over to know he’s happy with her choice.

“I have some stipulations,” she tells him directly, not intending to mince words, and he carefully takes the glass from her hand and sets it on a table behind them. The two middle aged humans who occupy it look absolutely thrilled at this sighting of a vampire in the wild, which makes Cam want to smile.

“I would expect no less. Let’s go into my office so we can be candid,” he suggests, gesturing toward the back of the bar, and he leads her through the crowd of bodies to the cluttered, unremarkable office with a hand hovering at her lower back.

“So what is it that you want from me? Explicitly,” she asks when he closes the door. “You know I’m a lawyer, so specific language is kind of my thing.” He pulls a chair out for her, then takes the seat on the other side of the desk and leans across it to speak.

“I would like to be able to call on you when I have a situation that could benefit from your gift—and I would like to be the only vampire who calls on you. That’s non-negotiable.” 

She’d expected the first part—not so much the second—but it’s nothing she’s unwilling to give.

“I can agree to exclusivity, but keep in mind that occasionally I will hear or see things whether I want to or not; if I come upon a vampire matter, I’ll inform you and let you decide how to proceed. If it’s not a vampire matter, I’ll provide the information to whomever I see fit.”

“Okay, yes,” Eric agrees easily, and then he backtracks for a moment, looking curious. “Hear or see?”

“Well, thoughts aren’t always just a string of words, you know? Often they include images, memories, even vague feelings. What I do, it’s kind of a mixture of all those things.”

“That’s… good to know,” he says, and he taps his fingers against the desk. “It’s also important to me that you make yourself available when I need you; as you know, I only do business between sunset and sunrise. If I’m calling upon you, I have deemed it important, and I expect to take priority over other things you may be doing—anything short of a life and death emergency.”

“That’s fair,” she says, though she wonders if they should take a moment to formally define life and death emergency in case it comes up in the future. “And that’s it?”

“That’s it,” he says, leaning back in his chair. “See? No threats or manipulation necessary.” 

It’s playful, now, his tone of voice, and she answers it with a slightly skeptical smile.

“And what are you willing to give me in exchange?” 

“Anything,” he says, and it sounds earnest; he splays his arms wide like he’s gesturing not just to the room, but beyond it to the bar, the city, the world. “Anything. Money, blood, drugs, sex, protection, power—whatever you want.”

All of those things come with a hefty price tag, she thinks—and part of her has to wonder if her gift, as he called it, is actually worth it. The short list of demands she was fully prepared to fight for just an hour ago seems to pale in comparison to how important he thinks she will be.

“I would expect to be compensated in the event you come to me and I am involved in solving a problem, but I also need a retainer. Nothing outrageous, but if I’m going to be at your beck and call I won’t be able to commit to a regular job.”

“Of course,” he says easily, like the financials don’t matter to him in the slightest. She’s dealt with wealthy clients before, of course, even wealthy vampire clients, but his flippancy adds another layer of surrealism to the already surprising conversation. Should she ask for a luxury car, a yacht, season tickets to see the Saints? “What else?” 

She’d considered this next point, and then abruptly un-considered it, felt she was asking too much… but given his promise of anything, she feels bold again. Like she could actually have the upper hand.

“I want protection—your protection. If I’m in real danger, and I call for you, I want you to be the one who comes for me.”

Eric raises an eyebrow, looks over her face carefully. It’s like he’s regarding some part of her for the first time, his gaze lingering.

“Do you anticipate being in danger often?”

“No, but I made enemies in Chicago, and you know how word travels in those circles. There are certain groups who aren’t fond of what I’ve done—and it’s possible there will be people who don’t approve of my employment here. I’d just like to know I’ll be safe, if I’m going to make working for you my priority.” 

She exhales, feeling a bit less confident than when they started this, but Eric just makes a thoughtful sound and says, “It’s yours. Anything else?” he asks, and she considers that a win and stands up, feeling instantly intimidated when he stands too, tall and dark and strong. It’s so much easier to do business with him when they’re sitting down, when he’s on her level, or as close to her level as he will ever be.

“No, I think that’s it,” she says, and she sticks her hand out to shake, feeling oddly formal as she does. As a lawyer, she would have preferred the security of a contract, but that’s not the way most vampires operate and she knows better than to suggest it; that could be seen as an indication that she doesn’t find him trustworthy. A handshake, his word and hers, will have to do.

Looking into her eyes, he reaches out and takes her hand in his, shakes for a moment and then holds it there for just a beat too long before pulling away. She walks toward the door, and then, when the thought strikes her, she turns back to face him once more.

“Actually, there is one more thing,” she says, and as he walks closer she can’t help flashing back to his offer of sex—thank god she’s the one with the power of telepathy and not the other way around. “Could you help me find a decent apartment somewhere between here and Bon Temps? Sookie’s a great roommate, but I can’t stand that drafty old house.” And all of its memories. 

“Consider it done,” he tells her, and she nods her head and leaves the bar, climbs into her car, and definitely doesn’t pump her fist in the air when she stops at the red light at the end of the block.

Two days later, a FedEx driver actually drops off an employment contract—it was silly of her to assume he wouldn’t also want their terms in writing—along with a slip of paper, upon which is written an address and a phone number, and a key.

The first night she spends in her new apartment—which is truly perfect, bright and white and airy, with tons of nearby green space and amenities—there is a knock at the door. When she opens it, Eric is on the other side, in a leather jacket and jeans, holding a bottle of wine with an expensive French label. She looks him over, and he does the same, making her feel a little self conscious in her bike shorts and oversized t-shirt, ponytail, bare feet.

“Eric—what a nice surprise,” she says, and it really is nice, and surprising. She never would have anticipated him coming to her without needing something—assuming he doesn’t need something now. The wine would be an odd touch, but as always with vampires, nothing’s out of the question.

“I just wanted to officially welcome you to the neighborhood,” he replies. 

Cam had been slightly suspicious when the very first listing he sent her was a mere five miles from his bar, but when she considered his request for her exclusive availability, she figured it made enough sense not to question him any further.

“You did that when you paid my rent. For a year,” she tacks on, her tone admonishing, because that was not part of the employment contract. A faint smile lifts his lips. 

“Consider it a sign-on bonus.” The air between them feels oddly charged, and then she tunes into it, realizes it’s that static that seems to follow him around. He shifts where he stands. “I brought you a bottle of wine. A housewarming gift,” he explains, handing it to her, and she wraps her fingers around the neck and pulls it close with a smile of her own.

“Thank you. Would you like to come in and have a glass with me?” 

It’s clear by the look on his face he hadn’t been expecting that—probably didn’t expect to be invited into her home unless it was absolutely necessary for her protection in the future—but he nods, and when she takes a step back he crosses the threshold, closes the door behind him, and follows her to the kitchen.

“Are you sure this one is okay? The neighbors are so… close together,” he remarks of her new townhouse, and she bends to sort through a box full of kitchen gadgets, pulling out the corkscrew after a few seconds of rummaging.

“Oh, trust me, it’s great. My apartment in Chicago was little more than a shoebox with windows, and there’s a pool here, and a park nearby. I really appreciate everything you did.” 

She opens the bottle, pulls two glasses down from the cabinet—the only cabinet she’d managed to fully unpack—and carries them over to the table, where Eric has already settled into a dining chair. He looks uncomfortable, tall and stiff and alert, like this is all a little too human for his taste.

“Still, it seems like you miss things there,” he says as she pours them each a serving, and she shrugs, then sinks down into the seat next to his with her leg tucked beneath her. 

“Things haven’t been very good there for the last couple years, so I’m actually happy to have a fresh start.” She takes a sip of her wine, full-bodied and earthy with a peppery finish, and can’t help the sigh of pleasure she expels. “My god, that’s good.” She says it with the hint of a smile, something he casually reciprocates. 

“I had a feeling you would like it,” is all he says, but when he takes a sip his eyes fall closed, and he seems to let it sit on his tongue a moment before continuing the conversation. 

“So what kinds of things do you anticipate calling on me for?” she asks later, as they are finishing their second glass. Eric takes a moment to gather his thoughts, and she thinks it’s because he’s choosing his words intentionally, for her benefit.

“Mostly to confirm my suspicions if I think a human is being deceptive; I have some human employees, and I make business deals with others. Sometimes I need to know if my patrons are lying—if they’re underage, or looking for V, or conspiring against us. As sheriff, sometimes vampires come to me with human problems as well—it would be easier to deal with them if I had you available to me.” 

“That sounds fair,” she says, appreciating his careful explanation. She shifts in her seat. “At my old firm they called me the human lie detector… they just didn’t know quite how close they were to the truth.” 

“It must be difficult, to hear all the things you hear,” he says, and she nods her head in agreement.

“It can be, but I’ve gotten fairly used to it over time. Taught myself to control it instead of letting it bother me.” Things are quiet for a moment, and she takes the opportunity to say something that’s been on her mind since he arrived. “I feel a little uneasy about asking for your protection the other day. I think I may have asked too much of you,” she says with a frown. “I know you’re busy with the bar, and as sheriff, that a lot of people rely on you, and I’m not sure it’s fair of me to make such an extravagant request.”

It takes some effort for her to be able to look up at him instead of focusing on her glass, but when she does he seems thoughtful, his eyes serious but gentle.

“I wouldn’t have agreed to it if I thought it would disrupt my other obligations. No harm will come to you while you’re under my employ, I promise.” She nods, placated by his reassurances, and he taps a finger against the tabletop. “You said you’ve taught yourself how to control your gift. Can you… hear vampires?” 

His tone is reserved, but hopeful, and she grimaces.

“No offense, but vampire minds are kind of empty. My guess it has to do with electrical impulses, or lack thereof. Technically, I can hear you, but it’s like white noise, sometimes, or tinnitus. I don’t get any actual thoughts.” She ponders his question for a moment, wonders if that unique buzzing she picks up when he’s around is his mind, or something different. “Touching helps with humans, though. I can rewind a little bit, see memories instead of just what’s playing live, if that makes sense; maybe it would help me hear something from you?” 

Eric stretches his arm across the table, his bare hand palm up, and she slides hers over it after a cautious moment. She presses their skin together and lets her eyes glance over his face, listening carefully, searching. It feels like a very, very long time passes, and a lot of static, but eventually she finds a moment, a phrase or sentence among the near silence.

“Ӓr du död?” she murmurs, and while she can’t see anything, she can feel the heat of flames nearby. It warms her hand where it turns to ice against Eric’s. His brow furrows in recognition, and she exhales, blinks. “I don’t know the language. What does it mean?”

“It’s Swedish. ‘Are you death?’ It’s the first thing I said to Godric, my Maker, before he turned me,” he admits, his voice serious and somber. Cam inhales sharply at that knowledge.

“Wow. I can’t imagine I’ve ever gone back further than a few days that way, let alone…” 

“A thousand years, give or take.” He answers her unspoken question with a deeply curious expression. “That was among the last of my human memories, so I suppose it makes sense that you can see it.”

“I can feel it, too,” she says, and she wraps her fingers around his, searching for more, for a deeper connection. She closes her eyes this time, in hopes it strengthens the memory. “I can feel the heat from a fire. And I can feel that you’re dying. You’re cold inside, but your skin is warm.” 

“Tell me more,” he says, his voice barely there. He tightens his grip on her hand.

“There’s a man there, a very young man, and you’re not happy with him… but you aren’t afraid of him, either. He has a strangely calming presence; you’re not sure if he’s an angel or the devil.”

“Godric.” His Maker. He looks strangely young for a vampire, vulnerable, and though he’s short, he towers over Eric in his memory, eyes deep and dark and full of possibility.

“Through your eyes, he looks larger than life,” she says softly, and his fingers flex. Even if she hadn’t known Godric was his Maker, the way this man makes him feel is as clear as any emotion she’s felt herself. He is death and life, the end and the beginning. 

“He is,” Eric says—not was, she takes note of that—and when he starts to pull back she releases his hand and lets hers drop to the tabletop. She feels tapped out after that, exhausted, and Eric nods his head once in her direction. “That is a remarkable gift you have.”

“It’s something,” she says casually, as if she didn’t just travel over a thousand years in her mind and pull out his last memory of human life, as if she didn’t feel like she was inside him, a part of him, his heart, his head, his hands. She sits there, speechless for a moment, and then Eric takes a deep, exaggerated breath.

“Well, I should get back to Fangtasia—I’m happy to see you’re settling in,” he tells her, and when he stands she stands, walks him to the door. It closes behind him, and she feels both strangely invigorated by his presence, and deeply conflicted by his departure.

At Fangtasia, Pam waits for Eric at the front door. 

“Where have you been?” she asks, her heels clicking on the floor as she follows him back to the office. The crowd naturally parts for them, and though Eric probably attributes it to his aura—he’s been acting strangely woo-woo lately, talking about witches and energy and vibrations and the like—it’s more likely his huge, hulking frame and the fact that his expression alone would kill, if such a thing were possible. “You know I find it distasteful to be left alone with the humans for so long.” 

“I had an errand to run,” he says, but he smells like wine and the girl, there’s no mistaking it. Errands, her perky ass. 

“How is she?” she asks as he slides into the chair behind the desk, stretching back so he can hook his ankles over the edge of the desk. It’s even worse than manspreading. He looks up at her like he’s not sure what she means, and she crosses her arms over her chest and blinks. “Our new employee. Camila. That’s who you were with, isn’t it?” 

“You don’t care how she is,” is all he says in response, and she leans over and smacks his boots so his feet fall to the floor. Pam knows that only happened because he let it, and she bites back a fond smile.

“No, I don’t, but apparently you do. I thought you were obsessed with Sookie when she came along, but this girl has you… buying apartment buildings, and promising your protection, and you’ve barely known her for a week.” 

She hopes he doesn’t take her tone for jealousy, because it’s not, not really; she’s just never seen him this infatuated, and it’s freaking her out a little, if she’s being honest. Like it or not, her life, her comfort, relies very heavily on Eric and his… happiness isn’t quite the right word, but when he is content, her nights tend to be much smoother, more enjoyable all around. She gets to drink from an endless supply of young, willing, rich-blooded partygoers instead of traipsing around the woods and ruining her favorite pumps, or trapping moronic anti-vampers and using them to set an example for their friends.

“You have no idea how important she is going to be. No idea,” he repeats, and his voice has that strangely mystical quality about it again, a faint undertone of magic that hovers around its edges. He’s been to see a witch, she thinks, or had his fortune told, something that’s led him to believe this girl and her gift are crucial to whatever he has planned. It sends a chill down her spine that she’s unable to fight. “Her gift is going to make us unconquerable.”

After a long pause, he pulls out his laptop from the top drawer, opens it, which she knows is equivalent to dismissing her, and she sighs softly and makes her way back out to the floor. 

“I cannot believe you’re working for Eric,” Sookie says as she hangs a handful of pressed skirts in Cam’s bedroom closet. Her typical uniform is very different from Sookie’s, the blonde notices. Across the room, Cam carefully arranges gold jewelry in a tiered acrylic box with satin lined drawers.

“It’s as close as I can get to my old job for now, and I’m not really in a position to be picky, or I wouldn’t have come back to Louisiana at all—no offense,” she throws over her shoulder. Sookie tuts and waves her hand.

“None taken. I know where my heart is,” she assures her cousin. Like all small town girls, Sookie sometimes kicks herself for never leaving Bon Temps, but more often than not she loves her hometown, its history, her family’s legacy. 

Gran’s, at least.

She grabs a pile of folded sweaters in cashmere and various knits, stacks them in the space above the closet rod. “Aren’t you at all worried he’s going to use you to hurt people?” 

Behind her, Cam takes a long, careful breath and turns to face Sookie.

“One thing you have to understand—especially if you and Bill are in it for the long haul—is that vampire justice is different. I know it shouldn’t be, but until now they've been non-existent in terms of conventional law. They have their own systems in place—hierarchies, rules, punishments—and we can’t step in and tell them how to behave overnight just because we think we know better.” 

Sookie shoots her a look—as pro-vamp as she is, she admits she’s not comfortable accepting their more violent tendencies, especially where humans are involved. Cam only shrugs. 

“I’m going to defer to Eric’s expertise as sheriff, but I’ll call it like I see it. If he’s being unnecessarily cruel or unjust, I’m not afraid to discuss it with him. If his actions seem to be aligned with the usual nature of his business, I’ll excuse myself.” She walks toward the bed, picks up a pile of panties, mostly black, and places them into the top drawer of a light-colored dresser. When she turns back to Sookie, it’s clear that Cam can read the expression on her face, one of thinly-veiled awe. “What?” she asks, and Sookie smiles, shakes her head. 

“I don't know, I guess… Just, when did you get so confident? So smart, so sure of yourself?” Cam had always been the leader, strong where Sookie was soft, sure where Tara was uncertain, and though Sookie feels like they’ve all come into their own in recent years, she is so pleasantly surprised at the absolute stunner her cousin has become—physically and intellectually. She feels as proud as Cam’s mom would if she were around, Sookie’s sure.

“It’s been a long ten years, Sookie,” is all Cam says, and though she can tell there is more to that statement, she can also sense that now isn’t the time to get into that. Later, someday. 

“Yeah, it has. I just wish I was half as comfortable as you in this new world… sometimes I think I stick out like a sore thumb,” Sookie admits, lifting a stack of shoe boxes and lining them up on the floor of the closet. Cam steps over to join her, adds a couple pairs of boots, and puts her hand on Sookie’s shoulder.

“You’re like a sunflower growing among dead grass. It’s not a bad thing to stick out,” she promises with a smile that crinkles the corner of her eyes, and Sookie pats her hand in gratitude continues to help her settle in.

True Blood Alexander Skarsgård as Eric Northman

Fon't hurt me destiny, no more.

do u know destinys child cause I do

mhmm